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Full Program - George Mason University School of Music

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I Don Giovanni Act I<br />

Friday, december 2 Saturday, december 3<br />

Don Giovanni Andrew Smith Andrew Smith<br />

Zerlina Mia Rojas Nadja Bienek<br />

Donna Anna Caren Warfield Ayana Reed<br />

Donna Elvira Kasey Wilson Briona Jackson<br />

Don Ottavio Andre Coleman Andre Coleman<br />

II Die Zauberflöte<br />

Pamina Ayana Reed Mia Rojas<br />

Papageno Devandas James A.J. Soutter<br />

III Così fan tutte<br />

Don Alfonso Andrew Smith Andrew Smith<br />

Fiordiligi Megan Wood Kasey Wilson<br />

Dorabella Stephanie Edewaard Stephanie Edewaard<br />

Ferrando Andre Coleman Andre Coleman<br />

Guglielmo Devandas James Devandas James<br />

IV Le Nozze di Figaro<br />

aria, Porgi amor<br />

Countess Carolyn Greiner Carolyn Greiner<br />

aria, Non so piu cosa son<br />

PrOGram<br />

Cherubino Stephanie Edewaard Stephanie Edewaard<br />

duet<br />

Susanna Rebecca Rozmajzl Carolyn Greiner<br />

Marcellina Caren Warfield Megan Wood


V La Clemanza di Tito<br />

Friday, december 2 Saturday, december 3<br />

Servilia Ayana Reed Rebecca Rozmajzl<br />

Annio Stephanie Edewaard Stephanie Edewaard<br />

VI Don Giovanni<br />

aria, Deh vieni alla finestra<br />

Don Giovanni Andrew Smith Andrew Smith<br />

Epilog<br />

Leporello Andrew Smith Andrew Smith<br />

Donna Elvira Megan Wood Carolyn Greiner<br />

Donna Anna Kasey Wilson Briona Jackson<br />

Don Ottavio Andre Coleman Andre Coleman<br />

Zerlina Ayana Reed Elisa Kim<br />

Masetto Devandas James Devandas James


MEEt thE DIRECtORS<br />

A renowned American tenor, John Aler is one <strong>of</strong> the most acclaimed and admired singers<br />

on the international stage. A consummate artist, he has been a frequent performer<br />

with such orchestras as the New York Philharmonic, the Cleveland and Philadelphia<br />

Orchestras, the Los Angeles Philharmonic and the symphony orchestras <strong>of</strong> Boston, Chicago<br />

and San Francisco. He has sung in Europe with the Berlin Philharmonic, Leipzig<br />

Gewandhaus, Orchestre Nationale de France, and the BBC Symphony, among many<br />

others, appearing with the world’s most respected conductors, including James Conlon,<br />

Daniel Barenboim, Pierre Boulez, Kurt Masur, Esa-Pekka Salonen, Simon Rattle,<br />

Michael Tilson Thomas, Herbert Blomstedt, and Leonard Slatkin, to name a few. He has<br />

performed at the major opera houses <strong>of</strong> the world, including the Royal Opera Covent<br />

Garden, Deutsche Oper Berlin, Vienna, Munich, Salzburg, Hamburg, Geneva, Madrid,<br />

and Brussels, as well as the New York City Opera, the Washington Opera, and Santa Fe.<br />

He is a regular performer at the major American summer festivals, including Ravinia,<br />

Aspen, Chautauqua, Newport, and Grant Park.<br />

Mr. Aler has an extensive concert repertoire and is featured on three Grammy<br />

Award-winning recordings: in the role <strong>of</strong> Jupiter in an all-star recording <strong>of</strong> Handel’s<br />

Semele with John Nelson and the English chamber Orchestra for DGG, which won<br />

“Best Opera Recording;” Bartok’s Cantata Pr<strong>of</strong>ana with Pierre Boulez and the Chicago<br />

Symphony Orchestra, also on DGG, which won “Best Classical Album;” and the Berlioz<br />

Requiem with the Atlanta Symphony on Telarc, which won for “Best Vocal Soloist.”<br />

A native <strong>of</strong> Baltimore, John Aler is an alumnus <strong>of</strong> the Catholic <strong>University</strong> in<br />

Washington, DC and the Juilliard <strong>School</strong>.<br />

Internationally acclaimed mezzo-soprano and music educator, PAtriciA Miller, is a<br />

graduate <strong>of</strong> Boston <strong>University</strong>, the New England Conservatory, and as a Fulbright<br />

Scholar, received her Artists’ Diploma in Performance from the Accademia di Santa<br />

cecilia in Rome. Ms. Miller has also completed advanced vocal studies at the International<br />

Schubert Institute in Baden-bei-Wein, Austria and at the Mozarteum in Salzburg.<br />

Ms. Miller has appeared with leading opera companies and orchestras, and in concert<br />

and recitals, throughout Europe, North and South America, Canada, Australia, Russia<br />

and Japan. Highlights from her extensive performance career include concert performances<br />

at Carnegie Hall, Lincoln Center, the Kennedy Center and the title role <strong>of</strong><br />

Carmen with the New York City Opera. Miller is also a highly respected Voice teacher<br />

and master class clinician. She has served as pr<strong>of</strong>essor on the faculties <strong>of</strong> the <strong>University</strong><br />

<strong>of</strong> Missouri, Oberlin Conservatory and <strong>George</strong> <strong>Mason</strong> <strong>University</strong>. She is the recipeint<br />

<strong>of</strong> numerous awards, including the Soujourner Truth Award from African-American<br />

Studies and Women’s Studies at <strong>George</strong> <strong>Mason</strong> <strong>University</strong>, Who’s Who among American<br />

Teachers, the Teacher <strong>of</strong> the year Award from the Northern Virginia Opera Guild<br />

(2010) and the Excellence in Teaching Award from the Lambda Sigma Honor Society<br />

(2011). Miller has been a guest artist teacher at conservatories, universities and international<br />

music festivals in Italy, Russia, Ukraine, Germany, France and Korea. She has<br />

been invited to Leipzig, Germany and Beijing, China as a visiting guest pr<strong>of</strong>essor in<br />

2012. Pr<strong>of</strong>essor Miller was awarded the title <strong>of</strong> “<strong>University</strong> Pr<strong>of</strong>essor” by the Board <strong>of</strong><br />

Visitors, the highest rank given to faculty members at <strong>George</strong> <strong>Mason</strong> <strong>University</strong>.<br />

MAureen codelkA, Opera Stage Director, is a former Associate Pr<strong>of</strong>essor in the B.T.<br />

Rome <strong>School</strong> <strong>of</strong> <strong>Music</strong> at the Catholic <strong>University</strong> <strong>of</strong> America and founder and former director<br />

<strong>of</strong> the <strong>Music</strong> Theatre program. She also served as director <strong>of</strong> the CUA Singers and<br />

musical director/conductor <strong>of</strong> most musicals presented at the <strong>University</strong> and many <strong>of</strong>


the opera productions as well. For many years, Ms. Codelka was also assistant director<br />

and conductor <strong>of</strong> both the <strong>University</strong> Chorus and Concert Choir’s performances, including<br />

handel’s Messiah, Beethoven’s Ninth Symphony, Honegger’s King David, Rutter’s<br />

Gloria, Bernstein’s Chichester Psalms, Mahler’s Second and Eighth Symphonies, Elgar’s<br />

The Dream <strong>of</strong> Gerontius, Britten’s St. Nicholas (EWtN-tV), Rachmanin<strong>of</strong>f’s Bells (in Russian),<br />

Kodaly’s Missa Brevis, Durufle’s Requiem and many others (choral preparation).<br />

In addition, she has been chorus director and <strong>of</strong>f-stage conductor for the Summer<br />

Opera Theatre Company in D.C. She prepared the school’s A Cappella Choir for<br />

performances and recordings <strong>of</strong> Naughty Marietta and Rose Marie for the Smithsonian<br />

Institution and has directed several student groups on Department <strong>of</strong> Defense overseas<br />

tours <strong>of</strong> Europe, the Caribbean, Asia and the Pacific. As a director, she has staged A<br />

Little Night <strong>Music</strong>, The Barber <strong>of</strong> Seville, Madama Butterfly, Trouble in Tahiti, The Old Maid<br />

and The Thief, Gianni Schicchi, Suor Angelica and others. She is currently an Adjunct Pr<strong>of</strong>essor<br />

and Opera Director in <strong>George</strong> <strong>Mason</strong> <strong>University</strong>’s <strong>School</strong> <strong>of</strong> <strong>Music</strong>, and music<br />

director/conductor at Toby’s Dinner Theatre in Columbia and Baltimore.<br />

thoMAs reilly is an active vocal coach/pianist in the Washington area. Locally, his<br />

operatic career has included working as an Assistant Conductor and Chorus Master<br />

with the Washington Opera, Washington Concert Opera, Wolf Trap Opera, and Summer<br />

Opera Theater. He served as the principal coach/pianist for the opera program at<br />

the Brevard <strong>Music</strong> Center in Brevard, North Carolina for several summers. In Caracas,<br />

Venezuela, he served on the faculty <strong>of</strong> the Caracas Opera Center as a vocal coach and<br />

chorus master and was a member <strong>of</strong> the musical staffs <strong>of</strong> both the Opera Metropolitana<br />

and the Opera de Caracas.<br />

On the recital stage, he has partnered countless singers in venues such as the<br />

Kennedy Center, the Phillips Gallery <strong>of</strong> Art, the Toronto Center for the Arts, the Clinton<br />

Presidential Library, the National Gallery <strong>of</strong> Art, and the White House. He is a former<br />

faculty member <strong>of</strong> the Rome <strong>School</strong> <strong>of</strong> <strong>Music</strong> at the Catholic <strong>University</strong> <strong>of</strong> America,<br />

and has served on the faculty and as the director <strong>of</strong> the vocal program at the Amalfi<br />

Coast <strong>Music</strong> Festival.<br />

Jihae Lim (accompanist), a student <strong>of</strong> Dr. Linda Apple Monson, is currently pursuing<br />

an artist certificate in Piano Performance and serving as an accompanist for the vocal<br />

department at <strong>George</strong> <strong>Mason</strong> <strong>University</strong>. She also graduated with her Bachelor’s and<br />

Master’s degrees in <strong>Music</strong> from <strong>George</strong> <strong>Mason</strong> <strong>University</strong> in 2007 and 2009. A native<br />

<strong>of</strong> Seoul, Korea, Lim is the grateful recipient <strong>of</strong> a Friends <strong>of</strong> <strong>Music</strong> Scholarship award.<br />

She was the winner <strong>of</strong> the 2007 GMU Concerto Competition and performed as a soloist<br />

with the GMU Symphony Orchestra, under the direction <strong>of</strong> Pr<strong>of</strong>essor Anthony Maiello.<br />

In December 2010, Lim performed Piano Concerto No. 13, K. 415 by Wolfgang Amadeus<br />

Mozart with the <strong>Mason</strong> Chamber Orchestra, under the direction <strong>of</strong> Dr. Dennis<br />

Layendecker. Lim was chosen to perform in piano master classes presented by Awadagin<br />

Pratt, Leon Bates, Jeffrey Siegel, and Ruskin Cooper. In addition, she has been<br />

chosen to perform as solo pianist in the GMU All-Steinway <strong>School</strong> Dedication Concert,<br />

<strong>Mason</strong>’s Jean Carrington Cook Piano Scholarship Recitals, and GMU Honors Recitals.<br />

She has also been selected to perform as solo pianist for the Fairfax Spotlight on the<br />

Arts Scholarship Concerts at Old Town Hall. In addition, she served as pianist for various<br />

theater productions, including Scrooge and Gypsy at the Little Theatre <strong>of</strong> Alexandria<br />

and <strong>Mason</strong>’s theater production <strong>of</strong> James Joyce’s The Dead. Lim serves as pianist for<br />

the Korean Blissful Presbyterian Church in Fairfax, Virginia, and she previously served<br />

as the accompanist for the youth choirs at Springfield United Methodist Church. Lim<br />

maintains a private piano studio and she also teaches for the Potomac Arts Academy.


Artistic Director: John Aler<br />

PRODUCTION TEAM<br />

Opera Director: Patricia Miller<br />

Stage Director: Maureen “Reenie” Codelka<br />

Accompanist: Jihae Lim<br />

Lighting Design: tim Chew<br />

Stage Manager: Stephanie Boscovitch<br />

Assistant Stage Manager: Baron Pugh<br />

Costume Design: Laurel Dunayer<br />

Set Production: Daniel Hobson<br />

Crew Members: Brian Jeffrey Loveland and Katie Di Nardo<br />

We’re Singing Your Song<br />

Become an Opera Angel!<br />

Please consider making a contribution<br />

to our Vocal Studies <strong>Program</strong><br />

by donating to the <strong>George</strong> <strong>Mason</strong> <strong>University</strong><br />

Foundation ~ Vocal Studies/Opera.<br />

You may contact Kate Leeds-Brody at 703-993-4749<br />

or via email at fom@gmu.edu<br />

or visit us online at music.gmu.edu


Opera Angels<br />

The <strong>School</strong> <strong>of</strong> <strong>Music</strong> Vocal Studies Division would like<br />

to extend heartfelt appreciation to our Opera Angels,<br />

who have helped make our annual opera productions<br />

and special vocal programs possible:<br />

Anonymous<br />

Dr. and Mrs. James T. Bennett<br />

Randolph and Lucy Church<br />

Mr. & Mrs. Don and Tota Conwell<br />

Pat and Pat Carroll<br />

John and Joyce DeVoll<br />

Mr. and Mrs. Wendell Driggers<br />

Mr. Donald de Laski<br />

Mr. and Mrs. Charles Duggan<br />

Mr. and Mrs. Charles Ellis<br />

Dr. Elizabeth Chong and Dr. Jean Pilon<br />

Mr. and Mrs. John <strong>Full</strong>er<br />

Mr. Jonathan Goldman and Ms. Susan Aitel<br />

Art and Linda hamerschlag<br />

Alice and Fred Heyer<br />

Ms. Johnetta Hume<br />

Barbara Jacksier and Everett Chasen<br />

Ruth Jacksier<br />

harriet Kaplan<br />

Mr. and Mrs. Michael Kelly<br />

Ms. Helen May<br />

John C. Pearson<br />

Mr. & Mrs. Milton and Carolyn Peterson<br />

The Peterson Family Foundation<br />

Mr. and Mrs. Robert Portland<br />

Mr. and Mrs. Christopher Scheer<br />

Dr. Peter Sterns and Ms. Donna Kidd<br />

Louise and Vann Van Diepen<br />

Mrs. Thelma Weiner<br />

Joan R. White<br />

Celia Wong Walsh<br />

Mr. and Mrs. Robert Warakomsky<br />

The <strong>Mason</strong> Opera Orchestra scholarship fund<br />

is made possible by a grant from<br />

The McCarthy Family Foundation,<br />

Debra & Kevin McCarthy, founders.


UPCOMING MASON MUSIC EVENTS<br />

Vision Series:<br />

Dr. LinDa appLe Monson on <strong>Music</strong> + Math<br />

Monday, December 5 at 7 p.m. in concert hall<br />

Graduate Conductors’ Concert with the Wind Symphony<br />

tuesday, December 6 at 8 p.m. in concert hall<br />

$15 adults, $10 students/seniors<br />

Jazz Combos Concert<br />

thursday, December 8 at 8 p.m. in de Laski 3001<br />

American Festival Pops Orchestra<br />

hoLiDay pops<br />

Fri | Dec 9 | 8 pm | Concert Hall<br />

$23, $38, $46<br />

<strong>Mason</strong> Symphony Orchestra and Combined Choirs<br />

hanDeL’s Messiah sing-aLong<br />

Sun | Dec 11 | 7 pm | Concert Hall<br />

$10 adults, $5 students/seniors<br />

Spring 2012<br />

<strong>Mason</strong> Opera: h.M.s. pinafore<br />

april 13 and 14 at 8 p.m.<br />

harris theatre<br />

$20 adu., $15 sen./stu.<br />

Admission is courtesy <strong>of</strong> the <strong>School</strong> <strong>of</strong> <strong>Music</strong> unless noted otherwise<br />

More Info: music.gmu.edu or 703-993-1380<br />

Tickets: cfa.gmu.edu or 703-993-8888<br />

<strong>George</strong> <strong>Mason</strong> <strong>University</strong> <strong>School</strong> <strong>of</strong> <strong>Music</strong><br />

For more information and a complete listing <strong>of</strong> concerts and recitals,<br />

Visit the Web site at http://music.gmu.edu<br />

<strong>George</strong> <strong>Mason</strong> <strong>University</strong> is a registered All-Steinway <strong>School</strong>

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