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View the Concert Program - George Mason University School of Music

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carMen tranSlation<br />

toreador Song<br />

Hurrah! The Toréro! Hurah, Escamillo! For a toast, your own will avail<br />

me, Señors! For all you men <strong>of</strong> war. Like all Toréros as bro<strong>the</strong>r hail me! In<br />

a fight, we both take delight! ‘Tis holiday, <strong>the</strong> circus full from rim to floor.<br />

The lookers-on beyond control, now begin to murmur and roar! Some are<br />

calling, and o<strong>the</strong>rs bawling, and howling too, with might and main! For<br />

<strong>the</strong>y await a sight appalling! ‘Tis <strong>the</strong> day <strong>of</strong> <strong>the</strong> brave ones <strong>of</strong> Spain! Come<br />

on! Toréadors, make ready! And think about her, who all can see, a dark<br />

eyed lady, and that love that waits for <strong>the</strong>e!<br />

All at once <strong>the</strong>y all are silent. Ah, what is going on? No cries! The time has<br />

come! With a mighty bound <strong>the</strong> bull leaps out from <strong>the</strong> Toril! With a rush<br />

he comes, he charges! A horse is tying, under him a Picador! “Ah, bravo<br />

Toro!” <strong>the</strong> crowd is crying. Now he goes on, he halts, he turns, charges<br />

once more! Oh how he shakes his bandarillas! How madly now he runs!<br />

The sand is wet and red! See <strong>the</strong>m running, see <strong>the</strong>m climb <strong>the</strong> barriers!<br />

Only one has not fled! Come on, come on! Ah! Toréadors, make ready...<br />

il trovatore tranSlation<br />

anvil chorus<br />

See how <strong>the</strong> night mist is lifting its veil and <strong>the</strong> great vault <strong>of</strong> heaven above<br />

is shining. Seems like a widow whose mourning is done, cutting <strong>of</strong>f all <strong>of</strong><br />

<strong>the</strong> black <strong>of</strong> her sorrow and pining. To work, to work, <strong>the</strong>n! Ready? Your<br />

hammers! Who cheers <strong>the</strong> gypsy’s days and raises up his spirits? You<br />

know <strong>the</strong> answer, a pretty woman!<br />

Fill up our glasses! Our arms are strong and hearts are brave again when<br />

wine is flowing. Look how <strong>the</strong> sunbeams shine in <strong>the</strong> glass where <strong>the</strong> wine<br />

that we drink is so brightly glowing! To work, to work, <strong>the</strong>n!..<br />

ProGraM noteS<br />

“Los Bilbilicos,” which translates to “The Nightingales,” is a lyrical and<br />

mysterious Judeo-Spanish folk song that expresses a heartbroken lover’s<br />

ache upon hearing a nightingale’s blissful sighs <strong>of</strong> love. Surrounded by<br />

<strong>the</strong> beautiful wonders <strong>of</strong> nature, love’s keen sting is ever-present for this<br />

lonely lover. This traditional Sephardic Jewish piece is characteristic <strong>of</strong><br />

pastoral music <strong>of</strong> liturgical poetry adapted from songs traditionally heard<br />

during Shabbat and various festivals. The verbiage was originally sung to<br />

<strong>the</strong> tune <strong>of</strong> a different song, and over time became its own unique melody.<br />

Sephardic Jews originate from <strong>the</strong> Iberian Peninsula <strong>of</strong> Spain and Portugal,<br />

until <strong>the</strong>ir expulsion in <strong>the</strong> fifteenth century. This pastoral song utilizes<br />

nature as a form <strong>of</strong> expression for matters <strong>of</strong> <strong>the</strong> heart. Paula Foley Tillen’s<br />

melodious arrangement poignantly captures <strong>the</strong> emotion and splendor <strong>of</strong><br />

this timeless love song.<br />

5

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