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Phrase<br />
Figure 6.8<br />
Haycln: Syrnphony no. 102 in B-flat Major. IV (Finale). m. l-3.<br />
Phrase Member<br />
Figure<br />
6"9<br />
Haycln: Synrphony inC N4ajor (7or'1.<br />
Phrase merlbcr<br />
Haydn: Trio no. I in G Major.<br />
A pltru.te is it substarttial rirusical thoLrght r,rsually cnding with a harrnonic. ntelodic. and<br />
rhythnric cadence. The presence of a cadence distin-uuishes a phrasc frurnr a rnotive.<br />
Phl'ases are lrecluently lirLrl measures krng. but rlay be lcln-uer or shorter. A phrase pre,<br />
sents ilcornplete (thou-uh sonrctimes dependent) nrusical thousht.<br />
Plrrases freqLrcntly contain sli-sht nrelodic interrLlptior-rs itnd thus clivicle into two phru,se<br />
ttterrtlters. Phrase nrctnbers are sulficiently separated. usually by a lon-tcl llote viilue tlr<br />
rest. to distingLrish thenr as inclividual units. Sonretitr-rcs the second phrasc nrenrbcr is cither<br />
a rcpeat or seqLtence ctf the llrst. however. it is just as ofie n cclntrastin_{.<br />
Phrase member<br />
\lozurt: Soltata in D Major. K. 28-1. I. n. l__3<br />
t,:<br />
/n'l e<br />
;<br />
Phrase rnember<br />
Phrase<br />
o o i<br />
,a .1, it<br />
Phrase<br />
Phrasc<br />
Phrase nrember in sequencc<br />
Uncler certain conclitiorrs phrase nrentbers Inay be nearly indistinguishable ll'ortr<br />
phrases thcntselves. with only the tentpo sclr ing as the decidin_g lirctor. Figure 6.10 nti_sht<br />
be intcrpretecl as twil phrases at a slow tentpo. because o1- thc clcar rhythrtric cadetrec.<br />
Hou,c-r'er. sincc there is no hltrnrctnic cadcnce in nleasLrre 2" the passagc is heard as a firur'nreasurc<br />
phrase.<br />
Melodic Organization<br />
Cclntrasting phrase tncrnbcr'<br />
a<br />
113
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