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?,<br />

=,<br />

It<br />

it<br />

l f<br />

L-.<br />

-,<br />

4<br />

",<br />

?'<br />

4<br />

'g)<br />

-t2<br />

)<br />

/,<br />

Repeated Phrases<br />

Figure<br />

6.16<br />

a<br />

p<br />

'.-\<br />

\----<br />

Herbert: "Gypsy Love Song" fron The Fortune Teller.<br />

f<br />

Modification of<br />

the Ph rase<br />

Extension of a Phrase<br />

Extension<br />

near the<br />

Beginning of a Phrase<br />

F ig u re 6.17<br />

Hrrrrln: Svntphony no. 104 in D Ma.jor. III. m. 53-58.<br />

t<br />

Extcnsion near the beginning<br />

fp 14<br />

Perfect<br />

authentic<br />

cadence<br />

Repeoted pltroses, whether identical or modified, are not typically regarded as period<br />

structures because the second phrase is not dependent on the first. Thus the<br />

antecedent-consequent concept does not apply. Figure 6. 16 illustrates a modified repeated<br />

second phrase and a perf-ect authentic cadence as the completiitn of both phrases.<br />

Phrase I Perf'ect authentic cadence<br />

Phrase 2-Modifi ed reoeated Perf-ect authentic cadence<br />

(Assignments 6.1 and 6.2, pages 123-125; Workbool

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