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In the Court of the Crimson King (Martin Essay)

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SE-74 <strong>In</strong> <strong>the</strong> <strong>Court</strong> <strong>of</strong> <strong>the</strong> <strong>Crimson</strong> <strong>King</strong><br />

<strong>of</strong> Nigel’s son, Alex, a representation <strong>of</strong> ego-centric,<br />

passive youth in postmodern society, but who depicts<br />

an essential group to societal balance that has <strong>the</strong><br />

ability to change for good. Dialogue begins as <strong>the</strong><br />

camera views an extreme close up <strong>of</strong> Alex’s hand,<br />

which is wired up to a small video game. On his wrist<br />

is <strong>the</strong> bracelet connected to <strong>the</strong> wires as well as his<br />

personal identification bracelet. The audience can see<br />

that his elegant plate <strong>of</strong> food has yet to be touched. The<br />

camera <strong>the</strong>n cuts to a side shot, revealing a small cross<br />

tattooed on <strong>the</strong> back <strong>of</strong> his hand and <strong>the</strong> screen <strong>of</strong> <strong>the</strong><br />

video game responding to <strong>the</strong> boy’s moving fingers.<br />

The camera <strong>the</strong>n pans up to fix on a medium shot <strong>of</strong><br />

Alex, who is expressionless and fully concentrated on<br />

his game. The frame cuts to a wide shot that shows <strong>the</strong><br />

entire dining table and room where everything is<br />

painted in hopeless gray tones. Through <strong>the</strong> entire<br />

conversation between Theo and Nigel, Alex never<br />

looks up from his game, never speaks, and never even<br />

acknowledges his uncle’s presence. He completely

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