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In the Court of the Crimson King (Martin Essay)

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<strong>In</strong> <strong>the</strong> <strong>Court</strong> <strong>of</strong> <strong>the</strong> <strong>Crimson</strong> <strong>King</strong><br />

SE-77<br />

<strong>the</strong> floating pig from <strong>the</strong> cover, which was also<br />

displayed at shows, he says, “The pig came down in<br />

flames every night” (“Floyd’s”). The British journal,<br />

Critical Quarterly, connects similar movements heard<br />

in Leftist music in <strong>the</strong> 1960s, “<strong>the</strong> desert home <strong>of</strong> <strong>the</strong><br />

capitalist pig is blown up . . . and we see, . . .<br />

accompanied by a spacy and sinister Pink Floyd<br />

music track, . . . <strong>the</strong> whole commodity universe <strong>of</strong> late<br />

Capitalism . . . float by” (Beverley). Fans believe that<br />

<strong>the</strong> floating pig references George Orwell’s Animal<br />

Farm however, <strong>the</strong> book criticizes <strong>the</strong> opposite type <strong>of</strong><br />

extreme government. Animal Farm is commonly<br />

known to be a political satire on Communism; Pink<br />

Floyd’s pig criticizes <strong>the</strong> o<strong>the</strong>r extreme political<br />

ideologies <strong>of</strong> Neo-Fascism and Capitalism, as<br />

explained in Critical Quarterly, using a parallel<br />

illustration <strong>of</strong> animals. Analyzed in “A Revolution on<br />

Animal Farm,” V.C. Letemendia explains, “By<br />

revealing <strong>the</strong> divisions within <strong>the</strong> animal ranks,<br />

Orwell is cautioning his reader to question <strong>the</strong> animal

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