In the Court of the Crimson King (Martin Essay)
In the Court of the Crimson King (Martin Essay)
In the Court of the Crimson King (Martin Essay)
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<strong>In</strong> <strong>the</strong> <strong>Court</strong> <strong>of</strong> <strong>the</strong> <strong>Crimson</strong> <strong>King</strong><br />
SE-77<br />
<strong>the</strong> floating pig from <strong>the</strong> cover, which was also<br />
displayed at shows, he says, “The pig came down in<br />
flames every night” (“Floyd’s”). The British journal,<br />
Critical Quarterly, connects similar movements heard<br />
in Leftist music in <strong>the</strong> 1960s, “<strong>the</strong> desert home <strong>of</strong> <strong>the</strong><br />
capitalist pig is blown up . . . and we see, . . .<br />
accompanied by a spacy and sinister Pink Floyd<br />
music track, . . . <strong>the</strong> whole commodity universe <strong>of</strong> late<br />
Capitalism . . . float by” (Beverley). Fans believe that<br />
<strong>the</strong> floating pig references George Orwell’s Animal<br />
Farm however, <strong>the</strong> book criticizes <strong>the</strong> opposite type <strong>of</strong><br />
extreme government. Animal Farm is commonly<br />
known to be a political satire on Communism; Pink<br />
Floyd’s pig criticizes <strong>the</strong> o<strong>the</strong>r extreme political<br />
ideologies <strong>of</strong> Neo-Fascism and Capitalism, as<br />
explained in Critical Quarterly, using a parallel<br />
illustration <strong>of</strong> animals. Analyzed in “A Revolution on<br />
Animal Farm,” V.C. Letemendia explains, “By<br />
revealing <strong>the</strong> divisions within <strong>the</strong> animal ranks,<br />
Orwell is cautioning his reader to question <strong>the</strong> animal