Militarism, Misanthropy and the Body Politic: - Brunel University
Militarism, Misanthropy and the Body Politic: - Brunel University
Militarism, Misanthropy and the Body Politic: - Brunel University
You also want an ePaper? Increase the reach of your titles
YUMPU automatically turns print PDFs into web optimized ePapers that Google loves.
EnterText 6.2<br />
The film equates sex <strong>and</strong> reproduction with a fear of women’s bodies <strong>and</strong> of <strong>the</strong><br />
alien—all are conflated as monstrously feminine. The first off-screen voice we hear (<strong>and</strong><br />
<strong>the</strong> film’s third line of dialogue) says “come on, come on, come on baby,” as if someone<br />
were in <strong>the</strong> act of childbirth. The camera <strong>the</strong>n dollies past <strong>the</strong> barrier to reveal a tall<br />
African-American male in white underwear. The camera finds a double for Connie, <strong>the</strong><br />
president’s wife <strong>and</strong> <strong>the</strong> governess, with tousled hair, body barely cloaked in a short<br />
kimono-like night-gown, <strong>and</strong> legs provocatively spread across a swivel chair before a<br />
Search for Extraterrestrial Intelligence Institute desk <strong>and</strong> monitor. The film works with<br />
bookends. At <strong>the</strong> end of <strong>the</strong> movie, David Levinson <strong>and</strong> Steven Hiller recall this early<br />
scene by calling each o<strong>the</strong>r “girl,” <strong>the</strong> monster “baby” <strong>and</strong> saying “come on, come on,<br />
come on, we’re in.”<br />
The first scenes conflate <strong>the</strong> alien invasion <strong>and</strong> men’s interest in women not as co-<br />
workers but as dames. Most of <strong>the</strong> first ten lines are pedestrian, but a man who is<br />
awakened in bed says: “If this is not an insanely beautiful woman, I’m hanging up.” The<br />
president tells his wife, referring to <strong>the</strong>ir daughter, “I’m sleeping next to a beautiful,<br />
young brunette.” In a later rhyme, both <strong>the</strong> president’s wife <strong>and</strong> <strong>the</strong> alien nestled in its<br />
spaceship die of an internal haemorrhage. Even <strong>the</strong> daughter’s depiction in regards to<br />
women’s bodies <strong>and</strong> reproduction is perverse. She is called <strong>the</strong> munchkin <strong>and</strong> told to<br />
“grow <strong>and</strong> grow.” Is she to help <strong>the</strong> human race outstrip <strong>the</strong> aliens’ enormous population?<br />
ID4 frequently makes reference to a lack of manpower. 17 In Area 51, Dr. Okun praises<br />
<strong>the</strong> h<strong>and</strong>someness of <strong>the</strong> found alien spacecraft, “She’s a beaut,” <strong>and</strong> <strong>the</strong> munchkin steps<br />
forward <strong>and</strong> gazes at it as if it were her own reflection. Perhaps <strong>the</strong> scene with fa<strong>the</strong>r <strong>and</strong><br />
daughter in bed is benign, or perhaps it carries a whiff of incest. Whitmore does taunt his<br />
Carol Vernallis: Independence Day 69