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Militarism, Misanthropy and the Body Politic: - Brunel University

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EnterText 6.2<br />

bad, <strong>and</strong> what <strong>the</strong> hell is that smell?! Ahh! I coulda been at a barbecue. But, hey man,<br />

that’s alright. Hey! Hey! Hey!” 27 The camera cuts from a wide shot of Hiller to a close-<br />

up of <strong>the</strong> alien’s “limbs.” (They look like ostrich legs.) Hiller begins his dreadlocks<br />

monologue: “Draggin’ your heavy ass... with your dreadlocks.” In <strong>the</strong> cinema or in <strong>the</strong><br />

classroom, this is a moment when everyone laughs. (The o<strong>the</strong>r moment is when Marty<br />

Gilbert, a gay man, is flattened by <strong>the</strong> underside of a falling car.) The joke is that finally a<br />

black man has to shoulder <strong>the</strong> white man’s burden—black males. Like <strong>the</strong> stereotypical<br />

black man, <strong>the</strong> alien is lazy, smelly, <strong>and</strong> unkempt. 28<br />

Steven Hiller tends to show up late. His o<strong>the</strong>r minor flaws include childishness<br />

(He removes his h<strong>and</strong>s from <strong>the</strong> alien flight craft steering wheel, raising Levinson’s level<br />

of anxiety), a volatile temper (he screams at <strong>the</strong> top of his lungs as he leaves <strong>the</strong> aliens’<br />

corridor, <strong>and</strong> yells at both Jasmine <strong>and</strong> <strong>the</strong> alien), <strong>and</strong> perhaps a touch of sexual cruelty<br />

(Like <strong>the</strong> President, he playfully threatens his wife with infidelity, suggesting he’ll get on<br />

“a freaky thing” with his girlfriends). He appears relatively late in <strong>the</strong> film, <strong>and</strong> he is<br />

sketched more quickly than are <strong>the</strong> o<strong>the</strong>r male leads. Jasmine repeatedly reprim<strong>and</strong>s him<br />

for his tardiness, <strong>and</strong> he has trouble advancing in <strong>the</strong> military ranks. Wilder fur<strong>the</strong>r casts<br />

a shadow on his character when he jokingly calls him “a loser” <strong>and</strong> “a wuss.” Battling <strong>the</strong><br />

enemy helps <strong>the</strong> male leads grow out of <strong>the</strong>ir faults. After exiting <strong>the</strong> alien ship, Hiller<br />

says, “Elvis has left <strong>the</strong> building.” Like <strong>the</strong> original security guard who broadcast <strong>the</strong><br />

message over a walkie-talkie, he’s done well to keep track of time.<br />

While Steven Hiller shows courage (he slugs <strong>the</strong> alien one) <strong>and</strong> a high degree of<br />

physical dexterity (his mastery of spaceships resembles adolescent boys’ skills with video<br />

games), he is granted nei<strong>the</strong>r great cunning nor perceptiveness. The alien spaceship’s<br />

Carol Vernallis: Independence Day 75

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