Selected publications - CODART
Selected publications - CODART
Selected publications - CODART
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2000<br />
P. Noble, J. Wadum, K. Groen, R.M.A. Heeren, K.J. van den Berg, “Aspects of 17 th century<br />
Binding Medium: inclusions in Rembrandt’s Anatomy Lesson of Dr Nicolaes Tulp.”, in<br />
Proceedings of the International congress on contribution of chemistry to the works of art, Art<br />
& Chimie, la couleur (2000), pp. 126-129.<br />
“Van Bakmaker tot Paneelmaker. Twee eeuwen Antwerps schrijnwerkerambacht”, in<br />
Proceedings van het Symposium Hout- en Meubelrestauratie, September 1999 (2000), pp. 1-<br />
11.<br />
1999<br />
“Antwerp Copper Plates”, in M. Komanecky (ed.) Copper as Canvas. Two centuries of<br />
Masterpiece Paintings on Copper 1525-1775.) Oxford University Press. New York/Oxford<br />
(1999), pp. 93-116.<br />
J. Wadum & P. Noble, “Is there an Ethical Problem after the Twenty-third Treatment of<br />
Rembrandt’s “Anatomy Lesson of Dr. Nicolaes Tulp”?”, in J. Bridgland (ed.) ICOM-CC 12th<br />
Triennial Meeting Lyon 29 August-3 September 1999, Preprints (1999), pp. 206-210.<br />
L. Traversi & J. Wadum, “Un tableau avec Deux enfants s’embrassant au Mauritshuis”, in H.<br />
Verougstraete & R. Van Schoute (eds.) La peinture dans les Pays-Bas au 16 e siècle. Pratiques<br />
d’atelier infrarouge et autres méthodes d’investigation. Colloque XII 1997 (1999), pp. 99-109.<br />
1998<br />
“The Antwerp Brand on Paintings on Panels”, in E. Hermens (ed.) Looking Through Paintings.<br />
The Study of Painting Techniques and Materials in Support of Art Historical Research. Leids<br />
Kunsthistorisch Jaarboek XI (1998), pp. 179-198.<br />
“Peeter Stas: An Antwerp Coppersmith and his Marks”, in A. Roy & P. Smith (eds.) Painting<br />
Techniques History, Materials and Studio Practice. Contributions to the IIC 17th International<br />
Congress Dublin 7-11 September 1998 (1998), pp.140-144.<br />
N.E. Middelkoop, P. Noble, J. Wadum, B. Broos, cat. Rembrandt onder het mes. De<br />
anatomische les van Dr. Nicolaes Tulp ontleed. Den Haag/Amsterdam (1998).<br />
“Contours of Vermeer”, in I. Gaskel and M. Jonker (eds.) Vermeer Studies. Studies in the<br />
History of Art, 55. Center for Advanced Study in the Visual Arts, Symposium Papers XXXIII,.<br />
Washington/New Haven (1998), pp. 201-223.<br />
“Historical Overview of Panel-Making Techniques in the Northern Countries”, in K. Dardes & A.<br />
Rothe (eds.) The Structural Conservation of Panel Paintings. Proceedings of a Symposium at<br />
the J. Paul Getty Museum, 24-28 April 1995. Los Angeles (1998), pp. 149-177.<br />
1997<br />
“Vermeers zielgerichtete Beobachtungen”, in cat. Johannes Vermeer. Der Geograph und der<br />
Astronom nach 200 Jahren wieder vereint. Städelsches Kunstinstitut und Städtische Galerie.<br />
Frankfurt am Main (1997), pp. 31-38.<br />
1996<br />
“Les audaces techniques de Vermeer”, in Dossiers de l´Art XXVII (1996), pp. 30-39.<br />
“Des perspectives curieuses et extraordinaires”, in Dossiers de l´Art XXVII (1996), pp. 42-49.<br />
“Vermeer and the Spatial Illusion”, in The World of Learning in the time of Vermeer (exh.cat.),<br />
Museum Meermanno-Westreenianum (Museum of the Book). The Hague (1996), pp. 31-49.<br />
“’Gemälde mögen einige hundert Jahre bestehen, was genügt...’ Zwei Gemälde von Johannes<br />
Vermeer restauriert”, in RESTAURO III (1996), pp. 172-177.