Selected publications - CODART

Selected publications
2008
J. Verhave, J. Wadum, “På sporet af den kreative proces. Peter Paul Rubens: Kristus på vejen
til Golgata. Korsbæringen”. i P.N. Larsen (ed.) SMK Art Journal 2007 (2008), pp. 4-15 (English
version pp. 86-95)
2007
„Einblicke in die Erforschung und Restaurierung eines Gemäldes von Jacob Jordaens. Offene
Werkstatt im Statens Museum for Kunst in Kopenhagen”, in RESTAURO IIX (2007), pp.496-500.
2006
T. Doherty, M. Leonard & J. Wadum, “Brueghel and Rubens at Work: Technique and the
Practice of Collaboration” in A. Woollett (ed.) Rubens and Brueghel. A Working Friendship, Los
Angeles (2006), pp. 214-251.
“Rembrandt Uncovered”, in cat. Rembrandt? The Master and his Workshop, Statens Museum
for Kunst (2006), pp. 124-148.
L. Bøgh Rønberg & J. Wadum, “Two paintings in Copenhagen re-attributed to Rembrandt”, in
Burlington Magazine CXLVIII (2006), pp. 82-88.
J. Wadum & L. Bøgh Rønberg, “A unique Rembrandt Rediscovered: ‘The Crusader’, in RESTAURO
II (2006), pp. 110-117.
L. Bøgh Rønberg & J. Wadum, “Le Croisé et l'Etude d'un vieillard de profil. Deux oeuvres ré
attribuées à Rembrandt“, in Dossier de l'art CXXIX (2006), pp. 52-61.
2004
"Restauration: les secrets révélés du Chardonneret", in Dossier de l’art CXIII (2004), pp. 33-
39.
2003
“Rembrandts erster »hässlicher« Akt. „Andromeda“ von ca. 1630 restauriert und untersucht”,
in RESTAURO VII (2003), pp. 496-502.
2002
“Latest news from Paradise: a preliminary attempt to identify Rubens’s studio practice, Part
II”, in R. Vontobel (ed.) ICOM-CC 13th Triennial Meeting Rio de Janeiro 22 September-27
September 2002, Preprints (2002), pp. 473-478.
B. Berlowicz, M.C. Christensen, J. Wadum, “Made in Brazil? Eckhout and Post, Dutch painters
in Brazil, 1637–1644”, in R. Vontobel (ed.) ICOM-CC 13th Triennial Meeting Rio de Janeiro 22
September-27 September 2002, Preprints (2002), pp. 394-400.
“Characteristics of the Painting Technique of Frans Post, a Dutch Painter in Brazil in the Period
1637-1644”, in E. de Vries (ed.), Albert Eckhout returns to Brasil 1644-2002: International
Experts Symposium, São Paulo (2002), pp. 273-279.
“Dou doesn’t paint, oh no, he juggles with his brush. Gerrit Dou a Rembrandtesque
‘Fijnschilder’”, in ARTMATTERS - Netherlands Technical Studies in Art I (2002), pp. 62-77.
2001
“Rembrandt under the Skin. The Mauritshuis Portrait of Rembrandt with Gorget in retrospect”,
in Oud Holland CXIV (2000), pp. 164-187.

2000
P. Noble, J. Wadum, K. Groen, R.M.A. Heeren, K.J. van den Berg, “Aspects of 17 th century
Binding Medium: inclusions in Rembrandt’s Anatomy Lesson of Dr Nicolaes Tulp.”, in
Proceedings of the International congress on contribution of chemistry to the works of art, Art
& Chimie, la couleur (2000), pp. 126-129.
“Van Bakmaker tot Paneelmaker. Twee eeuwen Antwerps schrijnwerkerambacht”, in
Proceedings van het Symposium Hout- en Meubelrestauratie, September 1999 (2000), pp. 1-
11.
1999
“Antwerp Copper Plates”, in M. Komanecky (ed.) Copper as Canvas. Two centuries of
Masterpiece Paintings on Copper 1525-1775.) Oxford University Press. New York/Oxford
(1999), pp. 93-116.
J. Wadum & P. Noble, “Is there an Ethical Problem after the Twenty-third Treatment of
Rembrandt’s “Anatomy Lesson of Dr. Nicolaes Tulp”?”, in J. Bridgland (ed.) ICOM-CC 12th
Triennial Meeting Lyon 29 August-3 September 1999, Preprints (1999), pp. 206-210.
L. Traversi & J. Wadum, “Un tableau avec Deux enfants s’embrassant au Mauritshuis”, in H.
Verougstraete & R. Van Schoute (eds.) La peinture dans les Pays-Bas au 16 e siècle. Pratiques
d’atelier infrarouge et autres méthodes d’investigation. Colloque XII 1997 (1999), pp. 99-109.
1998
“The Antwerp Brand on Paintings on Panels”, in E. Hermens (ed.) Looking Through Paintings.
The Study of Painting Techniques and Materials in Support of Art Historical Research. Leids
Kunsthistorisch Jaarboek XI (1998), pp. 179-198.
“Peeter Stas: An Antwerp Coppersmith and his Marks”, in A. Roy & P. Smith (eds.) Painting
Techniques History, Materials and Studio Practice. Contributions to the IIC 17th International
Congress Dublin 7-11 September 1998 (1998), pp.140-144.
N.E. Middelkoop, P. Noble, J. Wadum, B. Broos, cat. Rembrandt onder het mes. De
anatomische les van Dr. Nicolaes Tulp ontleed. Den Haag/Amsterdam (1998).
“Contours of Vermeer”, in I. Gaskel and M. Jonker (eds.) Vermeer Studies. Studies in the
History of Art, 55. Center for Advanced Study in the Visual Arts, Symposium Papers XXXIII,.
Washington/New Haven (1998), pp. 201-223.
“Historical Overview of Panel-Making Techniques in the Northern Countries”, in K. Dardes & A.
Rothe (eds.) The Structural Conservation of Panel Paintings. Proceedings of a Symposium at
the J. Paul Getty Museum, 24-28 April 1995. Los Angeles (1998), pp. 149-177.
1997
“Vermeers zielgerichtete Beobachtungen”, in cat. Johannes Vermeer. Der Geograph und der
Astronom nach 200 Jahren wieder vereint. Städelsches Kunstinstitut und Städtische Galerie.
Frankfurt am Main (1997), pp. 31-38.
1996
“Les audaces techniques de Vermeer”, in Dossiers de l´Art XXVII (1996), pp. 30-39.
“Des perspectives curieuses et extraordinaires”, in Dossiers de l´Art XXVII (1996), pp. 42-49.
“Vermeer and the Spatial Illusion”, in The World of Learning in the time of Vermeer (exh.cat.),
Museum Meermanno-Westreenianum (Museum of the Book). The Hague (1996), pp. 31-49.
“’Gemälde mögen einige hundert Jahre bestehen, was genügt...’ Zwei Gemälde von Johannes
Vermeer restauriert”, in RESTAURO III (1996), pp. 172-177.

“A Preliminary Attempt to Identify Rubens' Studio Practice”, in ICOM-CC 11th Triennial
Meeting Edinburgh Preprints, vol I (1996), pp. 393-395.
1995
“Johannes Vermeer (1632-1675) and His Use of Perspective”, in Preprints Historical Painting
Techniques, Materials, and Studio Practice. University of Leiden, 26-29 June (1995), pp. 148-
154.
J. Wadum & N. Costaras, “Johannes Vermeer’s ‘Girl with a Pearl Earring’ De- & Re-Restored”,
in Restauration, Dé-Restauration, Re-Restauration... ARAAFU (1995), pp. 163-172.
“Vermeer in Perspective”, in exh.cat. Johannes Vermeer, National Gallery of Art, Washington,
D.C., Royal Cabinet of Pictures Mauritshuis. Zwolle (1995-1996), pp. 67-79.
1994
Vermeer Illuminated. Conservation, Restoration and Research. With contributions by L. Struik
van der Loeff and R. Hoppenbrouwers. The Hague (1994).
“Skivestuens trofæer - Et forsøg på en tolkning”, in ICO - Iconographisk Post IV (1994), pp.
28-36 (Eng. sum.).
1993
B. Broos & J. Wadum, “Het ‘Dochters schilderijtje’ van Adriaen van der Werff”, in Delineavit et
Sculpsit IX (1993), pp. 11-16 (Eng. sum.).
“Recent Discoveries on Antwerp Panel Makers' Marks”, in Technologia Artis III (1993), pp. 96-
100.
1992
F. de Graaf & J. Wadum, Een dansfestijn doorgrond. Technish en kunsthistorish onderzoek
naar een Vlaams schilderij. The Hague (1992) (Eng. sum.).
1991
“Gravures naar Cornelis Floris en gesculpteerde maskers in kasteel Rosenborg. (Copenhagen)”,
in CORNELIS FLORIS Jaarboek 1990 (1991), pp. 41-49.
1990
“17th c Flemish Panel Makers' Red Chalk Master Marks”, in ICOM-CC 9th Triennial Meeting
Dresden Preprints vol. II (1990), pp. 663-666.
1988
“The Winter Room at Rosenborg Castle: A Unique Survival of Antwerp Mass-Production”, in
APOLLO CXXVIII (1988), pp. 82-87.
1987
“Sebastian Vrancx' værksted og Rosenborg Slot”, in Iconographisk Post IV (1987), pp. 24-42
(Eng. sum.).