Turning the Tables on Table Topics - Craig Harrison's Expressions ...
Turning the Tables on Table Topics - Craig Harrison's Expressions ...
Turning the Tables on Table Topics - Craig Harrison's Expressions ...
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<str<strong>on</strong>g>Turning</str<strong>on</strong>g> <str<strong>on</strong>g>the</str<strong>on</strong>g> <str<strong>on</strong>g><strong>Table</strong>s</str<strong>on</strong>g> <strong>on</strong> <strong>Table</strong> <strong>Topics</strong><br />
(C<strong>on</strong>tinued from page 25)<br />
RESPONSE: “I’m Demos<str<strong>on</strong>g>the</str<strong>on</strong>g>nes and I better take those<br />
rocks out of my mouth so I can enunciate a resp<strong>on</strong>se<br />
to that very important subject ...”<br />
C<strong>on</strong>sider this perspective:<br />
TOPIC: Freeway traffic.<br />
RESPONSE: “Captain’s Log star date 5419 ... investi -<br />
gating planet comprised of milli<strong>on</strong>s of multi-colored<br />
rectangular projectiles traversing established corridors.<br />
When mating occurs, infrequently, o<str<strong>on</strong>g>the</str<strong>on</strong>g>rs pass by<br />
slowly, some flash lights and moti<strong>on</strong> al<strong>on</strong>g corridor<br />
comes to a complete stop.”<br />
Play Devil’s Advocate. This is an old favorite of<br />
10 authors, poets and even political candidates. It has<br />
built-in counterpoint. Take what you’re given and argue<br />
<str<strong>on</strong>g>the</str<strong>on</strong>g> opposite of what you would normally want to<br />
express.<br />
TOPIC: Should <str<strong>on</strong>g>the</str<strong>on</strong>g> government spend more m<strong>on</strong>ey<br />
<strong>on</strong> educati<strong>on</strong>?<br />
RESPONSE: “No, I say we give some m<strong>on</strong>ey to <str<strong>on</strong>g>the</str<strong>on</strong>g><br />
televisi<strong>on</strong> carto<strong>on</strong> producers instead! Let me tell you<br />
why ...”<br />
Every<strong>on</strong>e Loves a Mystery. Build suspense into your<br />
11resp<strong>on</strong>se. Leave us with a questi<strong>on</strong> or at least some<br />
doubt. Paint a picture, but leave a few strokes unpainted.<br />
Or set us up to expect <strong>on</strong>e picture before surprising us<br />
with ano<str<strong>on</strong>g>the</str<strong>on</strong>g>r. Give us a twist. Shock us! Introduce speculati<strong>on</strong>,<br />
a shadow of a doubt or an unknown element.<br />
You might even end <strong>on</strong> a questi<strong>on</strong> or in mid-sentence.<br />
12<br />
When All Else Fails ... Say Nothing (at Length). If<br />
you’re absolutely, 100 percent stumped, d<strong>on</strong>’t give<br />
in. Speak but d<strong>on</strong>’t say anything. Use a string of openings,<br />
small talk, clichés or even gibberish. Remember,<br />
c<strong>on</strong>tent is <strong>on</strong>ly part of <str<strong>on</strong>g>the</str<strong>on</strong>g> presentati<strong>on</strong>. Body language,<br />
inflecti<strong>on</strong>, nuance and o<str<strong>on</strong>g>the</str<strong>on</strong>g>r embellishments all c<strong>on</strong>tri -<br />
bute to a successful topic resp<strong>on</strong>se.<br />
Repeat <str<strong>on</strong>g>the</str<strong>on</strong>g> questi<strong>on</strong>, repeatedly:<br />
TOPIC: “To Be or Not to Be?”<br />
RESPONSE: “I thank you for asking me that profound<br />
questi<strong>on</strong>.<br />
To be or not to be. (pause)<br />
To BE or not to BE<br />
To be or NOT, to be. That is <str<strong>on</strong>g>the</str<strong>on</strong>g> questi<strong>on</strong>.<br />
Or is it?<br />
Is it or is it Not, that is to Be…determined.”<br />
Here’s an alternate resp<strong>on</strong>se to <str<strong>on</strong>g>the</str<strong>on</strong>g> same topic:<br />
TOPIC: “To Be or Not to Be, that is <str<strong>on</strong>g>the</str<strong>on</strong>g> questi<strong>on</strong>.”<br />
RESPONSE: “I’m glad you asked that questi<strong>on</strong>. For<br />
throughout time, that has been <str<strong>on</strong>g>the</str<strong>on</strong>g> questi<strong>on</strong>. I’ve read<br />
it in books, heard it <strong>on</strong> stage and w<strong>on</strong>dered it myself.<br />
To Be or Not to Be? And whe<str<strong>on</strong>g>the</str<strong>on</strong>g>r or not you know<br />
<str<strong>on</strong>g>the</str<strong>on</strong>g> answer, or can explain it to o<str<strong>on</strong>g>the</str<strong>on</strong>g>rs, it is a questi<strong>on</strong><br />
you must ultimately answer for yourself. To Be or Not<br />
to Be? Some questi<strong>on</strong>s have a yes or no answer.<br />
O<str<strong>on</strong>g>the</str<strong>on</strong>g>rs are multiple choice. Still o<str<strong>on</strong>g>the</str<strong>on</strong>g>rs are trick questi<strong>on</strong>s.<br />
If ever <str<strong>on</strong>g>the</str<strong>on</strong>g>re were a $64 questi<strong>on</strong>, this would<br />
be it. To Be or Not to Be? They say that is <str<strong>on</strong>g>the</str<strong>on</strong>g> questi<strong>on</strong>,<br />
but I say it is more of a dilemma, a c<strong>on</strong>undrum,<br />
a riddle, a mystery of life and a very good <strong>Table</strong><br />
Topic. But ra<str<strong>on</strong>g>the</str<strong>on</strong>g>r than let it work me up, I remain<br />
n<strong>on</strong>plused. After all, to worry about whe<str<strong>on</strong>g>the</str<strong>on</strong>g>r To Be or<br />
Not to Be is really much ado about nothing!”<br />
One c<strong>on</strong>testant I know gave a <strong>Table</strong> <strong>Topics</strong> resp<strong>on</strong>se<br />
entirely in chicken: Every utterance was a form of bawk,<br />
bawk, bawk. Unfortunately he was disqualified for fowl<br />
language! So good luck, have fun and d<strong>on</strong>’t run any of<br />
<str<strong>on</strong>g>the</str<strong>on</strong>g> timekeeper’s red lights! T<br />
<strong>Craig</strong> Harris<strong>on</strong>, DTM, is <str<strong>on</strong>g>the</str<strong>on</strong>g> founder of LaughLovers Toast -<br />
masters in Oakland, California. He is a professi<strong>on</strong>al speaker<br />
and principal of Expressi<strong>on</strong>s of Excellence. For more<br />
informati<strong>on</strong>, visit www.Expressi<strong>on</strong>sOfExcellence.com.<br />
Febr uar y 2010 TOASTMASTER 29