Romance in the Regency - Bundaberg Regional Libraries
Romance in the Regency - Bundaberg Regional Libraries
Romance in the Regency - Bundaberg Regional Libraries
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LITERATURE FEATURE<br />
<strong>Romance</strong> <strong>in</strong> <strong>the</strong> <strong>Regency</strong><br />
Historical romance is, technically speak<strong>in</strong>g, set<br />
dur<strong>in</strong>g any period between <strong>the</strong> beg<strong>in</strong>n<strong>in</strong>g of time<br />
and today. If it’s set <strong>in</strong> <strong>the</strong> past it’s historical. But<br />
more commonly, historical romance novels are set<br />
between <strong>the</strong> Medieval period and <strong>the</strong> late 1800s,<br />
with <strong>the</strong> 1800s be<strong>in</strong>g probably <strong>the</strong> most popular.<br />
<strong>Regency</strong> romance is a subgenre of historical<br />
romance, set specifically dur<strong>in</strong>g <strong>the</strong> <strong>Regency</strong> period<br />
of 1811-1820. This is when George, <strong>the</strong> Pr<strong>in</strong>ce of<br />
Wales, acted as Regent due to his fa<strong>the</strong>r’s ill health.<br />
When his fa<strong>the</strong>r died <strong>in</strong> 1820 George became <strong>the</strong><br />
official ruler - K<strong>in</strong>g George IV - and <strong>the</strong> <strong>Regency</strong><br />
period came to a technical end.<br />
However, <strong>the</strong> l<strong>in</strong>e between regency and historical<br />
quite often gets blurred and many books set around,<br />
but not exactly <strong>in</strong>, <strong>the</strong> period have a regency vibe.<br />
For <strong>the</strong> purpose of this article, novels set <strong>in</strong> and<br />
around <strong>the</strong> actual <strong>Regency</strong> period will be referred to<br />
as ‘Regencies’.<br />
Hallmarks of <strong>the</strong> <strong>Regency</strong><br />
<strong>Regency</strong> novels all have some th<strong>in</strong>gs <strong>in</strong> common:<br />
set <strong>in</strong> England<br />
feature characters who belong to <strong>the</strong> haut ton or<br />
<strong>the</strong> ton - literally ‘high tone’ - mean<strong>in</strong>g<br />
fashionable and referr<strong>in</strong>g to members of <strong>the</strong><br />
aristocracy<br />
showcase <strong>the</strong> social activities of <strong>the</strong> day - <strong>the</strong><br />
(social) Season, balls, musicales, carriage rides,<br />
plays, etc<br />
Common plot <strong>the</strong>mes<br />
Regencies are romance novels so <strong>the</strong>re are several<br />
plots which authors use to create <strong>the</strong>ir stories. The<br />
<strong>Regency</strong> period lends itself to many <strong>in</strong>clud<strong>in</strong>g <strong>the</strong><br />
follow<strong>in</strong>g:<br />
marriages of convenience<br />
forced marriages (due to break<strong>in</strong>g social custom<br />
and need<strong>in</strong>g to protect <strong>the</strong> hero<strong>in</strong>e’s reputation<br />
and stand<strong>in</strong>g <strong>in</strong> <strong>the</strong> ton)<br />
pretend engagements<br />
mistaken identity
LITERATURE FEATURE<br />
mistresses<br />
sp<strong>in</strong>sters (those women not married by <strong>the</strong>ir very<br />
early twenties)<br />
romance between a guardian and his charge<br />
kidnapp<strong>in</strong>gs (sometimes, but not always, related<br />
to mistaken identity)<br />
orphans, and young women responsible for<br />
younger sibl<strong>in</strong>g/s<br />
mix<strong>in</strong>g of social classes<br />
In many stories, especially <strong>in</strong> novels written <strong>in</strong> more<br />
recent times, mystery may also be a large element of<br />
<strong>the</strong> plot. A jealous relative may desire to become <strong>the</strong><br />
titled peer, a supposed past suicide may have been<br />
murder, a series of <strong>the</strong>fts may be occurr<strong>in</strong>g at a<br />
country house, or <strong>the</strong> hero may be a spy or<br />
Government agent.<br />
Regencies written <strong>in</strong> <strong>the</strong> last decade or so tend to<br />
have much more adventure <strong>in</strong>volved <strong>in</strong> <strong>the</strong>ir plot<br />
than <strong>the</strong> more traditional regencies.<br />
Heroes and Hero<strong>in</strong>es and Marriage<br />
As with many romances, especially historical, <strong>the</strong><br />
hero is buff and handsome, liked by everyone,<br />
protective and considerate of his women-folk,<br />
aristocratic and rich. They are usually aged late<br />
twenties, early thirties and have avoided, and may<br />
still be try<strong>in</strong>g to avoid, <strong>the</strong> ‘marriage mart’.<br />
The Season and its associated balls, assemblies,<br />
musicales, etc, is like a market place and is designed<br />
to showcase <strong>the</strong> eligible ladies to <strong>the</strong> eligible<br />
bachelors. The ladies are try<strong>in</strong>g to secure wealthy,<br />
and hopefully titled, husbands, while <strong>the</strong> men are<br />
try<strong>in</strong>g to satisfy <strong>the</strong> demands of <strong>the</strong>ir mo<strong>the</strong>rs and<br />
families to marry and produce an heir.<br />
Ladies’ mo<strong>the</strong>rs were often referred to as<br />
‘matchmak<strong>in</strong>g mamas’ and were rabid <strong>in</strong> <strong>the</strong>ir efforts<br />
to marry <strong>the</strong>ir daughters to eligible men. Strong men<br />
like <strong>the</strong> heroes of <strong>Regency</strong> novels aren’t happy with<br />
<strong>the</strong> mostly <strong>in</strong>sipid, giggly, and quite often less-than<strong>in</strong>telligent<br />
ladies on offer. They just need <strong>the</strong> right<br />
sassy hero<strong>in</strong>e to make marriage an attractive<br />
proposition.<br />
Unmarried women <strong>in</strong> those days were often a<br />
f<strong>in</strong>ancial burden to <strong>the</strong>ir family, and, when <strong>the</strong>ir<br />
fa<strong>the</strong>r died, were dependent upon a bro<strong>the</strong>r or o<strong>the</strong>r<br />
male relative for <strong>the</strong>ir upkeep. Very few employment
LITERATURE FEATURE<br />
options were open to aristocratic women, so be<strong>in</strong>g<br />
unmarried was a very <strong>in</strong>secure position to be <strong>in</strong>.<br />
The hero<strong>in</strong>es of Regencies are <strong>in</strong>dependentlym<strong>in</strong>ded,<br />
strong-willed, educated (more so than most<br />
of <strong>the</strong>ir peers), and <strong>in</strong>telligent. They are also usually<br />
members of <strong>the</strong> aristocracy and <strong>the</strong>refore from<br />
wealthy families.<br />
Why do Regencies resonate?<br />
Among <strong>the</strong> aristocracy marriage was traditionally for<br />
secur<strong>in</strong>g property or produc<strong>in</strong>g heirs. Love, and<br />
sometimes even like, didn’t come <strong>in</strong>to it.<br />
However, around <strong>the</strong> <strong>Regency</strong> period love was<br />
becom<strong>in</strong>g a much more accepted reason for<br />
marry<strong>in</strong>g. Whereas <strong>in</strong> times gone by aristocrats had<br />
to do <strong>the</strong>ir duty and marry to protect <strong>the</strong> family<br />
<strong>in</strong>terests, <strong>the</strong>y now had <strong>the</strong> choice to marry for love.<br />
This is an aspect of society that is true for most<br />
people today - for many <strong>the</strong>re is much time and<br />
energy devoted to f<strong>in</strong>d<strong>in</strong>g ‘<strong>the</strong> one’ and fall<strong>in</strong>g <strong>in</strong><br />
love. The heroes and hero<strong>in</strong>es of Regencies are easy<br />
to identify with.<br />
We as readers, and especially romance readers, also<br />
like to read about handsome men, beautiful women,<br />
big mansions, glitter<strong>in</strong>g events, and all <strong>the</strong> trapp<strong>in</strong>gs<br />
of a wealthy lifestyle. It’s all about visit<strong>in</strong>g a fantasy<br />
world!<br />
A selection of <strong>Regency</strong> authors<br />
Jane Austen<br />
The orig<strong>in</strong>al <strong>Regency</strong> romance writer, though she<br />
wrote more about <strong>the</strong> landed gentry than <strong>the</strong><br />
aristocracy. Pride and Prejudice is a classic.<br />
Georgette Heyer<br />
The acknowledged queen of <strong>Regency</strong> romance. Her<br />
novels were superbly researched and characterdriven.<br />
Try The Grand Sophy and Arabella. She was<br />
born <strong>in</strong> 1902 <strong>in</strong> England, died <strong>in</strong> 1974 and was a<br />
prolific writer of both romance and mystery. (For<br />
more on Georgette Heyer see <strong>the</strong> article <strong>in</strong> Lib News,<br />
Vol 2 No 2, available on <strong>the</strong> Library website).<br />
Mary Balogh<br />
An engag<strong>in</strong>g writer, her Simply series, Bedwyn (or<br />
Slightly) series, and her Huxtable Quartet, are<br />
favourites.
LITERATURE FEATURE<br />
Gaelen Foley<br />
Gaelen Foley writes sexy romances full of mystery<br />
and <strong>in</strong>trigue. Try her Knight Miscellany series or her<br />
Spice Trilogy.<br />
Eloisa James<br />
Eloisa James also writes sexy romance, often<br />
featur<strong>in</strong>g Dukes and Duchesses - <strong>the</strong> height of <strong>the</strong><br />
aristocracy. Try her Desperate Duchesses series.<br />
Lisa Kleypas<br />
While set well outside <strong>the</strong> <strong>Regency</strong> period <strong>in</strong> <strong>the</strong><br />
1840s and 1850s Kleypas’ Hathaway series has a<br />
regency feel and is full of wit and warmth.<br />
Stephanie Laurens<br />
Stephanie Laurens is Australia’s queen of <strong>Regency</strong><br />
romance and she has had great <strong>in</strong>ternational<br />
success, regularly appear<strong>in</strong>g on bestseller lists <strong>the</strong><br />
world over. Her characters are strong and sexy and<br />
her books are full of adventure and mystery. Try her<br />
Cynster series and Bastion Club series.<br />
Amanda Quick<br />
Amanda Quick is <strong>the</strong> pen name of Jayne Ann Krentz.<br />
She is ano<strong>the</strong>r acknowledged pioneer of <strong>the</strong> genre.<br />
Try Mistress, Surrender, and o<strong>the</strong>rs.<br />
Julia Qu<strong>in</strong>n<br />
Julia Qu<strong>in</strong>n writes charm<strong>in</strong>g and witty romances<br />
featur<strong>in</strong>g lovable characters. Her Bridgerton series is<br />
particularly good. Also look out for her new Smy<strong>the</strong>-<br />
Smith series, which features a family mentioned <strong>in</strong><br />
<strong>the</strong> Bridgerton books, and her Bevelstoke series<br />
beg<strong>in</strong>n<strong>in</strong>g with The Secret Diaries of Miss Miranda<br />
Cheever.<br />
References:<br />
Author Interview: Stephanie Laurens, HarperColl<strong>in</strong>s<br />
Publishers Australia, http://www.harpercoll<strong>in</strong>s.com.au/<br />
author/AuthorExtra.aspx?<br />
displayType=<strong>in</strong>terview&authorID=17367<br />
Fantastic Fiction - http://www.fantasticfiction.co.uk/<br />
Good Ton - http://www.<strong>the</strong>nonesuch.com/<strong>in</strong>dex.htm<br />
<strong>Regency</strong> romance, Wikipedia, http://en.wikipedia.org/<br />
wiki/<strong>Regency</strong>_romance<br />
Wa<strong>in</strong>ger, Leslie. 2004. Writ<strong>in</strong>g a <strong>Romance</strong> Novel for<br />
Dummies. Wiley, NJ.<br />
Peta Browne<br />
<strong>Bundaberg</strong> <strong>Regional</strong> <strong>Libraries</strong>