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Abstract—<strong>Build<strong>in</strong>g</strong>s are considered as significant part <strong>in</strong> the<br />

cities, which plays ma<strong>in</strong> role <strong>in</strong> organization and arrangement <strong>of</strong> city<br />

appearance, which is affects image <strong>of</strong> that build<strong>in</strong>g facades, as an<br />

connective between <strong>in</strong>ner and outer space, have a ma<strong>in</strong> role <strong>in</strong> city<br />

image and they are classified as rich image and poor image by people<br />

evaluation which related to visual architectural and urban elements <strong>in</strong><br />

build<strong>in</strong>g facades. the build<strong>in</strong>gs <strong>in</strong> Karimi street , <strong>in</strong> <strong>Lahijan</strong> city<br />

where, lies <strong>in</strong> north <strong>of</strong> <strong>Iran</strong>, conta<strong>in</strong> the variety <strong>of</strong> build<strong>in</strong>g's facade<br />

types which, have made a city image <strong>in</strong> Historical part <strong>of</strong> <strong>Lahijan</strong><br />

city, while reflected the <strong>Iran</strong>ian cities identity. The study attempt to<br />

identify the architectural and urban elements that impression the<br />

image <strong>of</strong> build<strong>in</strong>g facades <strong>in</strong> historical area, based on public<br />

evaluation. Quantitative method were used and the data was collected<br />

through questionnaire survey, the result presented architectural style,<br />

color, shape, and design evaluated by people as most important factor<br />

which should be understate <strong>in</strong> future development. <strong>in</strong> fact, the rich<br />

architectural style with strong design make strong city image as weak<br />

design make poor city image.<br />

I<br />

Keywords—<strong>Build<strong>in</strong>g</strong>’s facade, historical area.<br />

I. INTRODUCTION<br />

T has been revealed that the quality <strong>of</strong> image extracts from<br />

comb<strong>in</strong>ation <strong>of</strong> different factors such as shapes, forms, and<br />

colors <strong>of</strong> the build<strong>in</strong>g [1]. In fact, image <strong>of</strong> the place reflects<br />

different mean<strong>in</strong>gs and values <strong>of</strong> the components, factors, and<br />

characters that formed out the particular venue. <strong>Facade</strong>s do<br />

play an important role <strong>in</strong> design <strong>of</strong> urban and environmental<br />

design. Façade should not be rem<strong>in</strong>ded as sk<strong>in</strong> and face <strong>of</strong> the<br />

build<strong>in</strong>g but may carry out other mean<strong>in</strong>g as well. A<br />

conducted <strong>in</strong>vestigation def<strong>in</strong>ed two functions for façade<br />

namely; use and value <strong>of</strong> structure [2]. It reveals that beside<br />

common role <strong>in</strong> build<strong>in</strong>gs façades also represent the value <strong>of</strong><br />

build<strong>in</strong>g structure as well. Moreover, facades are considered<br />

as a l<strong>in</strong>kage between <strong>in</strong>side and outside environment [3].<br />

Hayashi [3] notes that façade may determ<strong>in</strong>e the scale <strong>of</strong> the<br />

space and build<strong>in</strong>g. Askari [4] mentioned that people<br />

evaluation <strong>of</strong> build<strong>in</strong>g facades is based on visual elements<br />

such as shape, color and architectural style which <strong>in</strong>dicates<br />

that the architectural visual elements <strong>in</strong>fluence the image <strong>of</strong><br />

build<strong>in</strong>g facades.Therefore, the study attempt to imply the<br />

visual elements <strong>of</strong> build<strong>in</strong>g facade which <strong>in</strong>fluence the public<br />

evaluation.<br />

Dr. Nangkula Utaberta IAI, was a Senior Lecturer and Pr<strong>of</strong>esional<br />

Architect at the National University <strong>of</strong> Malaysia, UKM Bangi Malaysia<br />

(phone: 60389217035; e-mail: nangkula_arch@yahoo.com).<br />

Afsh<strong>in</strong> Jalali,is was a Master Student the department <strong>of</strong> architecture,<br />

Universiti Kebangsaan Malaysia, 43600, Bangi, Selangor, Malaysia (phone:<br />

+60-16-619-1224; e-mail: badieh.hassanpour@gmail.com).<br />

Ar. Mastor Surat was a Senior Fellow and Pr<strong>of</strong>esional Architect at the<br />

National University <strong>of</strong> Malaysia, UKM Bangi Malaysia.<br />

Sr. Dr. Adi Irfan Che Ani, was a Senior Lecturer and Pr<strong>of</strong>esional Surveyor<br />

at the National University <strong>of</strong> Malaysia, UKM Bangi Malaysia.<br />

Dr. Nornga<strong>in</strong>y Mohd. Tawil, was a Senior Lecturer at the National<br />

University <strong>of</strong> Malaysia, UKM Bangi Malaysia.<br />

<strong>World</strong> <strong>Academy</strong> <strong>of</strong> Science, Eng<strong>in</strong>eer<strong>in</strong>g and Technology 67 2012<br />

<strong>Build<strong>in</strong>g</strong> <strong>Facade</strong> <strong>Study</strong> <strong>in</strong> <strong>Lahijan</strong> <strong>City</strong>, <strong>Iran</strong>: The<br />

Impact <strong>of</strong> <strong>Facade</strong>'s Visual Elements on Historical<br />

Image<br />

N. Utaberta, A. Jalali, S. Johar, M. Surat, A. I. Che-Ani<br />

701<br />

II.CITY IMAGE AND BUILDING FACADE<br />

This part beg<strong>in</strong>s with description about the image <strong>of</strong> the city<br />

and its components. The image <strong>of</strong> the city is mostly related to<br />

the visual quality <strong>of</strong> the city which is named metal quality <strong>of</strong><br />

the city. <strong>Facade</strong>s do play an important role <strong>in</strong> design <strong>of</strong> urban<br />

and environmental design. A conducted <strong>in</strong>vestigation def<strong>in</strong>ed<br />

two functions for façade namely; use and value <strong>of</strong> structure<br />

[5].<br />

It reveals that beside common role <strong>in</strong> build<strong>in</strong>gs façades also<br />

represent the value <strong>of</strong> build<strong>in</strong>g structure as well. Moreover,<br />

facades are considered as a l<strong>in</strong>kage between <strong>in</strong>side and outside<br />

environment [3][4], del<strong>in</strong>eate facades are representative <strong>of</strong> the<br />

face <strong>of</strong> the city (city image). <strong>Build<strong>in</strong>g</strong> facade is known as<br />

feature <strong>of</strong> environment image <strong>of</strong> city therefore it is very<br />

critical and challeng<strong>in</strong>g to use a certa<strong>in</strong> and specific<br />

ornamentation to establish a rich context [6].<br />

Hui [13], through conduct<strong>in</strong>g a survey <strong>of</strong> public evaluation<br />

toward the city image <strong>in</strong> Ch<strong>in</strong>a, revealed that build<strong>in</strong>g façade<br />

do play an important role <strong>in</strong> urban landscape and image <strong>of</strong> the<br />

city. He also argued that regard<strong>in</strong>g to enhance the images <strong>in</strong><br />

districts, style, color, volume, material <strong>of</strong> the build<strong>in</strong>g<br />

structure, and perceived value about build<strong>in</strong>g are challeng<strong>in</strong>g<br />

and crucial visual elements. So it is expressed that façade as<br />

important parcel <strong>of</strong> build<strong>in</strong>g is considered as representative<br />

device for <strong>in</strong>ner and outer. It produces the image <strong>of</strong> a<br />

historical district <strong>in</strong> city [4]. As Abu- Ghazzeh [7] has<br />

portrayed façade, <strong>in</strong>fluence the quality <strong>of</strong> city image.<br />

S<strong>in</strong>ce this research is k<strong>in</strong>d <strong>of</strong> public evaluation for city<br />

image particularly façade build<strong>in</strong>g <strong>in</strong> historical district,<br />

therefore, façade components are determ<strong>in</strong>ed from the<br />

literature such as form, shape, color, material, and structure as<br />

well. Understand<strong>in</strong>g <strong>of</strong> public evaluations and preferences for<br />

the quality and condition <strong>of</strong> the aforementioned details will<br />

lead to understand the best pattern <strong>of</strong> façade <strong>in</strong> public<br />

evaluation. Know what and how much importance are their<br />

roles to provide clear and attractive facades <strong>in</strong> historical<br />

district areas.<br />

III. EVALUATION OF BUILDING FACADE<br />

The previous studies have expla<strong>in</strong>ed that the quality <strong>of</strong> the<br />

built-environment is evaluated accord<strong>in</strong>g to its physical<br />

features [8], however, the mental presentation public toward<br />

build<strong>in</strong>gs is mostly achieved by façade evaluat<strong>in</strong>g [9]. In other<br />

words, build<strong>in</strong>gs’ appearances do play ma<strong>in</strong> role <strong>in</strong> evaluation<br />

<strong>of</strong> built-environment. Nevertheless, some other researchers<br />

have described that the emotional positions <strong>of</strong> the observers <strong>in</strong><br />

order to evaluate architectural quality <strong>of</strong> built-environment are<br />

also important apart <strong>of</strong> from physical features solely [10].<br />

Regard<strong>in</strong>g to the exterior features, some factors and<br />

elements such as cleanl<strong>in</strong>ess and ornamentation [11], curved<br />

l<strong>in</strong>es and decorated figures [12], and details and context [11]<br />

may <strong>in</strong>fluence quality evaluation. Moreover, several studies<br />

also <strong>in</strong>dicated other effective elements regard<strong>in</strong>g to the<br />

evaluation <strong>of</strong> façade build<strong>in</strong>g.


For example architectural style [13], age <strong>of</strong> the build<strong>in</strong>g,<br />

size <strong>of</strong> shape, value <strong>of</strong> the build<strong>in</strong>g [13] forms, lights [15],<br />

color and used materials [13] can affect build<strong>in</strong>g façade<br />

evaluation. Accord<strong>in</strong>g to the previous <strong>in</strong>vestigations [14],<br />

some criteria such as color and material for beauty <strong>of</strong> façade<br />

<strong>of</strong> a historical build<strong>in</strong>g was determ<strong>in</strong>ed. It is also necessary to<br />

mention that a historical build<strong>in</strong>g dom<strong>in</strong>ates beauty and<br />

artistic quality if it exposures an expression <strong>of</strong> idea [16].<br />

However, the other researches [8] were highlighted clarity,<br />

complexity, friendl<strong>in</strong>ess, orig<strong>in</strong>ality, ruggedness, and<br />

mean<strong>in</strong>gfulness as cognitive factors that can predict quality <strong>of</strong><br />

build<strong>in</strong>g facades. Some other researches expla<strong>in</strong>ed evaluation<br />

as an image <strong>of</strong> observer’s reason and emotional answers which<br />

are been resulted by cognitive and effective evaluation,<br />

respectively [17]. Cognitive evaluation is a complicated bra<strong>in</strong><br />

evaluation supported by knowledge and belief, while affective<br />

is more related to the feel<strong>in</strong>gs and emotions toward certa<strong>in</strong><br />

object [18]. With consideration <strong>of</strong> cognitive structure, build<strong>in</strong>g<br />

facades can be considered moderately complex. Elv<strong>in</strong> and<br />

Nasar [19] expla<strong>in</strong>ed build<strong>in</strong>g façade orderly and coherent.<br />

However, it was argued that visual quality evaluation is <strong>in</strong><br />

relation with the degree to the consistency between build<strong>in</strong>gs’<br />

facades and their contexts [4]. As mentioned earlier the<br />

answers <strong>of</strong> the observers and respondents to architectural<br />

evaluation are related to their evaluation <strong>of</strong> build<strong>in</strong>g facades.<br />

Mehrabian and Russell [10] claimed that evaluation is<br />

extraction <strong>of</strong> pleasure and arousal <strong>in</strong>spiration by build<strong>in</strong>g<br />

facades. Pleasure can be ranged from ugly (displeas<strong>in</strong>g) to<br />

beautiful (pleas<strong>in</strong>g), meanwhile arousal is considered from<br />

arous<strong>in</strong>g (<strong>in</strong>tense) to un-arous<strong>in</strong>g (numb<strong>in</strong>g) as mentioned by<br />

Alkal<strong>in</strong> et al [11]. In addition, other researchers [20] declared<br />

that the evaluation <strong>of</strong> build<strong>in</strong>g facade could be achieved by<br />

measur<strong>in</strong>g <strong>of</strong> preferences (like-dislike), arousal (arous<strong>in</strong>gsleepy),<br />

naturalness (natural-artificial), and relaxation<br />

(relax<strong>in</strong>g- distress<strong>in</strong>g). From the literature, it can be concluded<br />

that there are two basic components for affective (emotional)<br />

appraisal, evaluation component <strong>of</strong> build<strong>in</strong>g façade and<br />

arousal components. Evaluation conta<strong>in</strong>s pleasant- unpleasant<br />

and arousal consists <strong>of</strong> active-<strong>in</strong>active. There are other<br />

common factors <strong>in</strong> both evaluative and arousal components.<br />

These factors can be grouped as relax<strong>in</strong>g-distress<strong>in</strong>g,<br />

<strong>in</strong>terest<strong>in</strong>g-un<strong>in</strong>terest<strong>in</strong>g, and fearful-safe [21]. Accord<strong>in</strong>g to<br />

Berlyne’s [22] f<strong>in</strong>d<strong>in</strong>gs, arous<strong>in</strong>g quality has a direct l<strong>in</strong>ear<br />

relation with complexity.<br />

IV. PUBLIC PREFERENCE FOR BUILDING FAÇADE<br />

Follow<strong>in</strong>g the previous researchers such as Kaplan,<br />

Suhardi, M, Lekagul [23], who conducted research on<br />

preference which based on the psychological approach, had<br />

been selected as the basis <strong>of</strong> this study. Some previous studies<br />

on environmental preferences have proven that preferences are<br />

practical, valid, reliable and systematic approach used to<br />

measure people’s preferences so as to gather data, with the<br />

aim to categorize the degree <strong>of</strong> human <strong>in</strong>fluences, as well as<br />

the elements and features <strong>in</strong> build<strong>in</strong>gs’ facades as preferred or<br />

disliked by people [24]. The preference approach has been<br />

extensively used to evaluate the perception <strong>of</strong> a particular<br />

sett<strong>in</strong>g because it is a simple judgment made by people on a<br />

daily basis [25][26]. Accord<strong>in</strong>g to Kaplan, preference is a<br />

product <strong>of</strong> perception [25].<br />

<strong>World</strong> <strong>Academy</strong> <strong>of</strong> Science, Eng<strong>in</strong>eer<strong>in</strong>g and Technology 67 2012<br />

702<br />

Kaplan [27] revealed two basic approaches from perception,<br />

“First, it is assumed that perception is oriented to gett<strong>in</strong>g along<br />

<strong>in</strong> the world, to mak<strong>in</strong>g sense out <strong>of</strong> the environment”; second,<br />

perception is a highly <strong>in</strong>ferential process whereby it requires a<br />

vast <strong>of</strong> knowledge, experience and <strong>in</strong>terpretation. More<br />

accurately, perception is one <strong>of</strong> the physical-psychological<br />

process through which human acquire <strong>in</strong>formation <strong>of</strong> the<br />

environment [28]. Perception <strong>in</strong>volves a highly cognitive<br />

process which is rather difficult for the general public to make.<br />

Thus, the selection <strong>of</strong> preference was the most appropriate <strong>in</strong><br />

this study. Commonly, through previous studies on the<br />

preferences on build<strong>in</strong>gs and facades, it is a simple perceptual<br />

response which <strong>in</strong>volves a judgment made by the people<br />

regard<strong>in</strong>g someth<strong>in</strong>g which they prefer more than others.<br />

However, <strong>in</strong> order to obta<strong>in</strong> the people’s preferences towards a<br />

particular town environment, various <strong>in</strong>formation (presents <strong>in</strong><br />

the environment and the <strong>in</strong>formation which is stored <strong>in</strong> human<br />

bra<strong>in</strong> until it emerges as a measurable and observable<br />

response) is therefore required [24].<br />

V.METHODOLOGY<br />

Quantitative method was selected as research methodology<br />

and data was collected through a questionnaire survey.<br />

Oppenheim [29] expla<strong>in</strong>s that the questionnaire is a Fast and<br />

simple track to collect the truth for us, while the complexity<br />

Len has hidden <strong>in</strong>side. Askari [4] del<strong>in</strong>eated that<br />

F<strong>in</strong>kmentioned questionnaire is self - questionnaire <strong>in</strong>cludes<br />

questions which answered by respondents. Also Askari [4]<br />

stated that the questionnaire - based survey for similar studies<br />

have proven suitability by e.g.Hanyu;Imamuglu,;Galidano and<br />

Hidaglo ;Akal<strong>in</strong> et al [4]. The questionnaire was designed as<br />

primary data while designed question base on literature review<br />

as secondary data. Word<strong>in</strong>g, efficiency and time were checked<br />

by pilot study and some questions and word which were<br />

recognized difficult changed by easy words and questions.<br />

Dur<strong>in</strong>g the questions asked participants to answer them<br />

evaluate about architectural and urban elements which<br />

<strong>in</strong>fluence historical area <strong>of</strong> <strong>Lahijan</strong> city. Likert scale was used<br />

to rank their answer <strong>in</strong> five scaled questions.<br />

VI. PARTICIPANT<br />

The study were established base on <strong>Lahijan</strong> old area<br />

population, whom were calculated 4025 people <strong>in</strong> year 2010<br />

as <strong>Lahijan</strong> consult<strong>in</strong>g eng<strong>in</strong>eer predicted <strong>in</strong> <strong>Lahijan</strong> Historical<br />

area study. <strong>in</strong> other hand , base on <strong>Lahijan</strong> age pyramid<br />

[30]which, presented <strong>in</strong> that report, 48% <strong>of</strong> people are<br />

between age 20-60 years, which means 1932 people. Base on<br />

10% <strong>of</strong> it about 200 people were selected as survey<br />

participants. Questionnaire presented that 57.7% were male<br />

and 42.3 % female. In addition, the participant's education<br />

level falls under three categories, which most are university<br />

graduated. 48.2% (n=96) <strong>of</strong> participants are graduated <strong>in</strong><br />

university which is the most part <strong>of</strong> participants. It followed<br />

by 30.7% (n=61) <strong>of</strong> participants <strong>in</strong> high school graduated and<br />

<strong>in</strong> f<strong>in</strong>ally 21.1% (n=42) <strong>of</strong> participants are <strong>in</strong> guidance school<br />

and below. In the discourse <strong>of</strong> participant's occupations, most<br />

<strong>of</strong> the participants worked <strong>in</strong> the governmental sector <strong>in</strong> 27.9<br />

%( n=42) which followed by self-employee peoples <strong>in</strong> 26.9<br />

%( n = 54).


The students <strong>in</strong> 19.4 %( n=39) are third group <strong>of</strong><br />

participants. Householders are almost equaled to students <strong>in</strong><br />

18.9% (n=38) and the last group are workless people <strong>in</strong> 6 %<br />

(n=12).<br />

VII. STUDY AREA<br />

Historical area are lied on most <strong>Iran</strong> cities as well as other<br />

cities <strong>in</strong> other countries, build<strong>in</strong>g's facades at Karimi street <strong>in</strong><br />

<strong>Lahijan</strong> city, located at historical area, was studied as place,<br />

where have various architectural samples as modern and<br />

traditional style (Fig. 1 and Fig. 2).<br />

Fig. 1 <strong>Study</strong> area and location <strong>in</strong> North <strong>of</strong> <strong>Iran</strong><br />

(source: Bo'ed Technique consultant eng<strong>in</strong>eer<strong>in</strong>g, <strong>Lahijan</strong> Comprehensive<br />

master plan, 2004)<br />

Fig. 2 Karimi street Located <strong>in</strong> <strong>Lahijan</strong> historical area<br />

(source: Bo'ed Technique consultant eng<strong>in</strong>eer<strong>in</strong>g , <strong>Lahijan</strong><br />

Comprehensive master plan, 2004)<br />

VIII.DATA ANALYSIS<br />

The questionnaire classified <strong>in</strong> 4 parts, which <strong>in</strong> 3part <strong>of</strong> it's,<br />

were asked participants questions while their answer followed<br />

by Likert's scale. In this method a qualitative answer has<br />

<strong>World</strong> <strong>Academy</strong> <strong>of</strong> Science, Eng<strong>in</strong>eer<strong>in</strong>g and Technology 67 2012<br />

703<br />

coded to as comparable quantitative variables. One <strong>of</strong><br />

organization communication content <strong>in</strong> a manner is cod<strong>in</strong>g<br />

process, which allows for easy <strong>in</strong>dex<strong>in</strong>g, retrieval and<br />

identification <strong>of</strong> content relevant to research questions. [31].<br />

Therefore, the analysis <strong>of</strong> data carried out by the means <strong>of</strong><br />

contents analysis and Kendall's tau, a measure <strong>of</strong> correlation<br />

analysis (to explore relationship between the evaluation <strong>of</strong><br />

historical facades and architectural and urban elements<br />

through people evaluation to know which elements impress<strong>in</strong>g<br />

people evaluation). [32] Del<strong>in</strong>eated Content analysis is a<br />

technique, which allows a quantitative analysis <strong>of</strong> seem<strong>in</strong>gly<br />

qualitative data. Lekagul & Maulan [25] Mentioned content<br />

analysis was used to identify the characteristic affect<strong>in</strong>g the<br />

public's evaluation <strong>of</strong> build environment. [4] <strong>in</strong> this research,<br />

the content analysis was used to understand the historical<br />

build<strong>in</strong>gs facade characteristic. Thus, the image <strong>of</strong> build<strong>in</strong>g<br />

facades ranked base on their mean. To classified strong and<br />

weak images <strong>in</strong> viewpo<strong>in</strong>t <strong>of</strong> city image by participants, first<br />

five images with highest mean ranked as strong image as well<br />

five images with lowest score as weak images.<br />

TABLE I<br />

DESCRIPTIVE STATISTICS FOR BUILDING ELEMENTS IN LAHIJAN<br />

(1= STRONGLY DISAGREE,2=DISAGREE,3=IDON’T KNOW,4=AGREE,5=<br />

STRONGLY AGREE)<br />

Std.<br />

Variables N Mean Devia<br />

tion<br />

Importance <strong>of</strong> architectural style, shape and<br />

design<br />

195 4.50 .71<br />

Importance <strong>of</strong> Coord<strong>in</strong>ation between Old<br />

design and modern design<br />

198 4.02 .87<br />

Decoration <strong>of</strong> build<strong>in</strong>g facade such as<br />

curv<strong>in</strong>g, engrav<strong>in</strong>g sculpture<br />

199 3.61 1.11<br />

The bright color <strong>of</strong> build<strong>in</strong>g facade is more<br />

suit than dark colors<br />

197 3.54 1.04<br />

Modern design is more favorable than<br />

traditional design<br />

197 3.44 1.06<br />

Preference <strong>of</strong> mono color as ma<strong>in</strong> color <strong>of</strong><br />

build<strong>in</strong>g facade rather than multi color<br />

198 3.44 .97<br />

Preference <strong>of</strong> traditional materials (wood,<br />

clay, sand... ) as the ma<strong>in</strong> material <strong>of</strong><br />

build<strong>in</strong>g facade<br />

200 3.33 1.07<br />

IX. RESULT<br />

Mean score, which obta<strong>in</strong> by participants op<strong>in</strong>ion about<br />

build<strong>in</strong>g facade images, presented importance <strong>of</strong> architectural<br />

visual elements .it <strong>in</strong>dicate which facade obta<strong>in</strong>ed higher mean<br />

score as strong image <strong>of</strong> historical city image and ranked to<br />

facade with lower mean score as poor image <strong>of</strong> city image.<br />

The rank<strong>in</strong>g revealed which architectural and urban elements<br />

is more important <strong>in</strong> city image by public evaluation.<br />

Accord<strong>in</strong>g to the table, ‘shape and design <strong>of</strong> the build<strong>in</strong>g<br />

(mean= 4.50, sd= 0.71)’ is received the highest preference<br />

among the other factors, it followed by ‘coord<strong>in</strong>ation between<br />

old design and modern design (mean= 4.02, sd= 0.87)’. The<br />

participants responded that that they f<strong>in</strong>d modern designs are<br />

more favorable than traditional design (mean=3.61, sd=1.11).<br />

Meanwhile behalf the participants received that they<br />

preferr<strong>in</strong>g <strong>of</strong> bright build<strong>in</strong>gs than dark color build<strong>in</strong>gs is the<br />

next elements (mean=3.54, sd=1.04). Decoration <strong>of</strong> build<strong>in</strong>g<br />

facade is the next preference (mean=3.44, SD=1.06) which


selected by participants .participants prefer ferred mono color<br />

build<strong>in</strong>gs more than multi color (mean=3. 3.44, SD=.97) <strong>in</strong><br />

lower score and the table present that the parti rticipants preferred<br />

traditional materials rather than the moder derns (mean=3.33,<br />

sd=1.07).<br />

A. The historical facades with the highest t mmean<br />

Base on the participant's op<strong>in</strong>ion about the e hhistorical<br />

facade,<br />

the facade were arranged <strong>in</strong> a descend<strong>in</strong>g g manner as their<br />

mean shows from higher to lower mean (Fig Fig. 3 and Fig. 4).<br />

<strong>Facade</strong>s with highest score were assum umed as strongly<br />

representative <strong>of</strong> historical city image. Ther herefore, the study<br />

tried to f<strong>in</strong>d how the facade affected the parti articipant's op<strong>in</strong>ion.<br />

To achieve this, the facade characteristics s aand<br />

architectural<br />

elements have been analyze and detailed.<br />

B. Correlation between the build<strong>in</strong>g facade de with the highest<br />

mean and the architectural elements<br />

As <strong>in</strong>dicated <strong>in</strong> Table I, the design and sh shape <strong>of</strong> build<strong>in</strong>g<br />

facade are the most important factors rs as participants<br />

mentioned. The second elements are coord<strong>in</strong>a <strong>in</strong>ation between old<br />

build<strong>in</strong>gs and modern build<strong>in</strong>gs, which got t ssecond<br />

mean. As<br />

mentioned ready, the analysis <strong>of</strong> data carried d oout<br />

by the means<br />

<strong>of</strong> contents analysis and Kendall's tau, u, a measure <strong>of</strong><br />

correlation analysis (to explore relationsh ship between the<br />

evaluation <strong>of</strong> historical facades and facade's 's architectural and<br />

urban elements through people evaluation n to know which<br />

elements impress<strong>in</strong>g people evaluation). Re Refer to Table II.<br />

Smith M, Hardy RB, del<strong>in</strong>eated Content ent analysis is a<br />

technique, which allows a quantitative analy alysis <strong>of</strong> seem<strong>in</strong>gly<br />

qualitative data. In next step, the corre rrelation between<br />

architectural elements such as color, mate aterial, shape and<br />

design, and architectural style with historical cal build<strong>in</strong>g facade<br />

with highest mean has studied.<br />

TABLE II<br />

CORRELATION BETWEEN THE BUILDING FACADE WITHHTHE T HIGHEST MEAN<br />

AND THE ARCHITECTURAL ELEMENTS TS<br />

Image 1 2 3 4 5<br />

Design 0.012**<br />

0.170*<br />

0.008<br />

0.012<br />

Harmony<br />

0.102<br />

&<br />

Modernity<br />

0.098<br />

Color 0.116<br />

0.7<br />

Brightness -0.111<br />

0.08<br />

Decoration 0.138*<br />

0.02<br />

**Correlation is significant at the 0.01 level (2-tailed). d).<br />

*Correlation is significant at the 0.05 level (2-tailed) ed)<br />

<strong>World</strong> <strong>Academy</strong> <strong>of</strong> Science, Eng<strong>in</strong>eer<strong>in</strong>g and Technology 67 2012<br />

704<br />

Fig. 3 Historical build<strong>in</strong>g facade ades with highest mean<br />

TABLE III II<br />

CORRELATION BETWEEN THE BUILDING FACA ADE WITH THE LOWEST MEAN AND<br />

THE ARCHITECTURAL L ELEMENTS<br />

E<br />

Image 1 2 3<br />

Coord<strong>in</strong>ation -0.168*<br />

-0.140*<br />

0.014<br />

0.043<br />

Brightness 0.142*<br />

0.132*<br />

0.029<br />

0.054<br />

**Correlation is significant at the 0.01 level lev (2-tailed).<br />

*Correlation is significant at the 0.05 level lev (2-tailed)<br />

Fig. 4 Historical build<strong>in</strong>g faca cades with lowest mean<br />

The result showed that the correla elation between scenes were<br />

almost positive with architectura ral elements except with<br />

brightness for scene no 11. Accura urately, there is correlation<br />

between the evaluation <strong>of</strong> scene no 6(r=0.12, p


Future more, the impression <strong>of</strong> architectural style is agree<br />

with some previous result as Askari [4] mentioned it , Nasar,<br />

stamps III, Karaman, Hui [13] and It showed that, the design,<br />

and facade decoration [12] and details and context [11] may<br />

<strong>in</strong>fluence quality evaluation. Architectural style [13], age <strong>of</strong><br />

the build<strong>in</strong>g and shape, color [13] are other factors, which<br />

accepted as important factors <strong>in</strong> evaluation <strong>of</strong> facades by<br />

research.<br />

C.The historical facades with the lowest mean<br />

Base on the participant's op<strong>in</strong>ion about the historical facade,<br />

the facade were arranged <strong>in</strong> a descend<strong>in</strong>g manner as their<br />

mean shows from higher to lower mean. <strong>Facade</strong>s with lowest<br />

score were assumed as weakly representative <strong>of</strong> historical city<br />

image. Therefore, the study tried to f<strong>in</strong>d how the facade<br />

affected the participant's op<strong>in</strong>ion. To achieve this, the facade<br />

characteristics and architectural elements have been analyze<br />

and detailed.<br />

D.Correlation between the build<strong>in</strong>g facade with the lowest<br />

mean and the architectural elements<br />

In Table III it is presented there is correlation between the<br />

facade with the lowest mean and the architectural elements.<br />

The result showed that the correlations between scenes were<br />

found negative with coord<strong>in</strong>ation between modern and<br />

traditional design. Accurately, there is correlation between the<br />

evaluation <strong>of</strong> scene no 5(r=- 0.168, p


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<strong>Build<strong>in</strong>g</strong> Exterior Preference: An Empirical <strong>Study</strong> <strong>in</strong> Turkey Compar<strong>in</strong>g<br />

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Assessment: Value, Perceptions, and Resources. (pp. 203-219).<br />

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[31] Nancy L. Kondraski, MS, RD; 1 Nancy S. Wellman, PHD, RD, Fada; 2<br />

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Their Applications <strong>in</strong> Nutrition Education ,Holy Cross Hospital, Fort<br />

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Nutrition and Ag<strong>in</strong>g, College <strong>of</strong> Health and Urban Affairs, Florida<br />

International University, Miami, Florida 33199; 3 Center for Media &<br />

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