What is the Meaning of Shape? - Gestalt Theory
What is the Meaning of Shape? - Gestalt Theory
What is the Meaning of Shape? - Gestalt Theory
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Pinna, <strong>What</strong> <strong>is</strong> <strong>the</strong> <strong>Meaning</strong> <strong>of</strong> <strong>Shape</strong>?<br />
These results demonstrate that <strong>the</strong> accentuation <strong>of</strong> one shape property against<br />
<strong>the</strong> o<strong>the</strong>r can induce different kinds <strong>of</strong> dimensional, direction and even motion<br />
effects, which suggest a <strong>the</strong>ory <strong>of</strong> shape, considered like an overall holder<br />
containing many shape attributes that compete or cooperate and whose strength<br />
can be changed or accentuated in many ways.<br />
O<strong>the</strong>r effects induced by <strong>the</strong> accentuation and by its vectorial properties are <strong>the</strong><br />
tilt and straighten up effects <strong>of</strong> Fig. 14. The dot seems to tilt fur<strong>the</strong>r <strong>the</strong> shape<br />
by pulling <strong>the</strong> top left-hand corner <strong>of</strong> <strong>the</strong> parallelogram in Fig. 14-left and to<br />
push <strong>the</strong> whole figure in <strong>the</strong> right-vertical direction, thus, straightening up <strong>the</strong><br />
parallelogram in Fig. 14-right.<br />
Fig. 14 Tilt and straighten up effects<br />
Ano<strong>the</strong>r kind <strong>of</strong> accentuation <strong>is</strong> induced by <strong>the</strong> m<strong>is</strong>sing parts or cuts <strong>of</strong> sides<br />
and angles shown in Fig. 15, thus inducing <strong>the</strong> switch from <strong>the</strong> diamond to <strong>the</strong><br />
rotated square shape both in <strong>the</strong> 2D and 3D conditions. It <strong>is</strong> worthwhile noticing<br />
that <strong>the</strong> 3D appearance <strong>of</strong> <strong>the</strong> cube with <strong>the</strong> m<strong>is</strong>sing corner <strong>is</strong> weaker than <strong>the</strong><br />
one <strong>of</strong> <strong>the</strong> cube with <strong>the</strong> cut side (see also Fig. 16). Th<strong>is</strong> <strong>is</strong> likely due to <strong>the</strong><br />
directional symmetry induced by <strong>the</strong> cut, which favors <strong>the</strong> vertical organization<br />
<strong>of</strong> lines that camouflages <strong>the</strong> whole 3D perception.<br />
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