Social Issues in Literature - Women's Issues in Alice Walker's ... - Gale
Social Issues in Literature - Women's Issues in Alice Walker's ... - Gale
Social Issues in Literature - Women's Issues in Alice Walker's ... - Gale
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Contents<br />
Introduction 9<br />
Chronology 12<br />
Chapter 1: Background on <strong>Alice</strong> Walker<br />
1. Walker’s Childhood, Education, and Crusade 16<br />
for African American Women<br />
Barbara T. Christian<br />
Walker was active <strong>in</strong> the civil rights movement and pioneered<br />
the study of the relationship between black men<br />
and women.<br />
2. <strong>Alice</strong> Walker’s Childhood Sense of Betrayal 24<br />
Evelyn C. White<br />
<strong>Alice</strong> Walker’s bl<strong>in</strong>d<strong>in</strong>g <strong>in</strong> one eye and disfigurement<br />
when she was eight years old left her traumatized for life.<br />
3. Feel<strong>in</strong>g Like an Outsider 31<br />
Maria Lauret<br />
Walker appreciated a sense of community <strong>in</strong> her childhood<br />
but has seen herself as an outsider, whether it is <strong>in</strong><br />
her family or among her literary peers.<br />
Chapter 2: The Color Purple<br />
and Women’s <strong>Issues</strong><br />
1. From Be<strong>in</strong>g Dom<strong>in</strong>ated to Tak<strong>in</strong>g Charge 39<br />
Donna Haisty W<strong>in</strong>chell<br />
The Color Purple pa<strong>in</strong>ts a picture of a cruel, maledom<strong>in</strong>ated<br />
society that leads Celie to lose her love for<br />
men and create a reversal <strong>in</strong> gender roles.<br />
2. Be<strong>in</strong>g Deprived of a Mother’s Bond 50<br />
Charles L. Proudfit<br />
Celie’s damag<strong>in</strong>g relationship with her mentally ill<br />
mother sets her <strong>in</strong> search of other female bonds.<br />
3. The Myth of the Rape and Silenc<strong>in</strong>g of<br />
58<br />
Philomela Informs The Color Purple<br />
Martha J. Cutter
Like the mythical Philomela, Celie is raped and silenced,<br />
but her symbolic connections with blood and birds lead<br />
her, unlike Philomela, to creativity and freedom.<br />
4. Walker Revises Traditional Gender Roles 65<br />
Mae G. Henderson<br />
In a culture of male cruelty, women sacrifice for one another<br />
and replace traditional marriage with an extended<br />
family.<br />
5. Trad<strong>in</strong>g Male Literary Traditions for Female 74<br />
Oral Ones<br />
Valerie Babb<br />
The black woman’s oral tradition (<strong>in</strong> which the novel is<br />
written) supersedes the white male’s written one.<br />
6. Walker’s Relationship with the African<br />
81<br />
American Male<br />
Philip M. Royster<br />
The male audiences of Walker’s novel and the film made<br />
from the novel were vocal and outraged at the picture<br />
she drew of black men as cruel and heartless.<br />
7. Folk Art as a Means to Female Survival 89<br />
Keith E. Byerman<br />
In The Color Purple women use folk wisdom to overcome<br />
their male oppressors. Folk art, <strong>in</strong>clud<strong>in</strong>g sew<strong>in</strong>g<br />
and s<strong>in</strong>g<strong>in</strong>g, makes it possible for them to survive, have<br />
their revenge, and tell about their pa<strong>in</strong>.<br />
8. Male Cruelty Leads to Positive Changes 98<br />
Henry O. Dixon<br />
Male cruelty <strong>in</strong> The Color Purple leads to positive development<br />
<strong>in</strong> the lives of female characters.<br />
9. Center<strong>in</strong>g on Women but Ignor<strong>in</strong>g Race<br />
108<br />
and Economics<br />
bell hooks<br />
The novel, while attack<strong>in</strong>g the exploitation of females <strong>in</strong><br />
an African American community, fails to challenge the<br />
whole system of racial and class exploitation.
10. The Color Purple Is a Disservice<br />
to Black Women<br />
Trudier Harris<br />
In tak<strong>in</strong>g an <strong>in</strong>dependent view of the novel, one f<strong>in</strong>ds an<br />
unbelievably subservient, uncompla<strong>in</strong><strong>in</strong>g protagonist and<br />
white stereotypes of black men and women.<br />
113<br />
Chapter 3: Contemporary Perspectives<br />
on Women’s <strong>Issues</strong><br />
1. Women Achieve <strong>Social</strong> Change Through Folk Art 125<br />
Anne Constable<br />
Around the world, women f<strong>in</strong>d economic and social<br />
power through cooperation and the revival of traditional<br />
art <strong>in</strong> a misogynistic society.<br />
2. Domestic Violence Reta<strong>in</strong>s Cultural<br />
130<br />
Momentum Worldwide<br />
Sonya Weakley<br />
One <strong>in</strong> three women is abused worldwide. Abuse of<br />
women is so <strong>in</strong>gra<strong>in</strong>ed <strong>in</strong> cultures that victims will rarely<br />
testify <strong>in</strong> court about the abuse.<br />
3. Conflict<strong>in</strong>g Fem<strong>in</strong>ist Ideologies Among<br />
134<br />
Black Women<br />
Patricia Hill Coll<strong>in</strong>s<br />
The black women who recognize and want to work for<br />
the betterment of their sisters are hampered by their<br />
conflict<strong>in</strong>g ideologies.<br />
4. A Black Celebrity Decides to Make Her<br />
141<br />
Sexual Orientation Known<br />
Ari Karpel<br />
After Wanda Sykes told the public that she is a lesbian,<br />
she became a spokesperson for black and gay America.<br />
For Further Discussion 151<br />
For Further Read<strong>in</strong>g 152<br />
Bibliography 153<br />
Index 158