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Social Issues in Literature - Women's Issues in Alice Walker's ... - Gale

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Contents<br />

Introduction 9<br />

Chronology 12<br />

Chapter 1: Background on <strong>Alice</strong> Walker<br />

1. Walker’s Childhood, Education, and Crusade 16<br />

for African American Women<br />

Barbara T. Christian<br />

Walker was active <strong>in</strong> the civil rights movement and pioneered<br />

the study of the relationship between black men<br />

and women.<br />

2. <strong>Alice</strong> Walker’s Childhood Sense of Betrayal 24<br />

Evelyn C. White<br />

<strong>Alice</strong> Walker’s bl<strong>in</strong>d<strong>in</strong>g <strong>in</strong> one eye and disfigurement<br />

when she was eight years old left her traumatized for life.<br />

3. Feel<strong>in</strong>g Like an Outsider 31<br />

Maria Lauret<br />

Walker appreciated a sense of community <strong>in</strong> her childhood<br />

but has seen herself as an outsider, whether it is <strong>in</strong><br />

her family or among her literary peers.<br />

Chapter 2: The Color Purple<br />

and Women’s <strong>Issues</strong><br />

1. From Be<strong>in</strong>g Dom<strong>in</strong>ated to Tak<strong>in</strong>g Charge 39<br />

Donna Haisty W<strong>in</strong>chell<br />

The Color Purple pa<strong>in</strong>ts a picture of a cruel, maledom<strong>in</strong>ated<br />

society that leads Celie to lose her love for<br />

men and create a reversal <strong>in</strong> gender roles.<br />

2. Be<strong>in</strong>g Deprived of a Mother’s Bond 50<br />

Charles L. Proudfit<br />

Celie’s damag<strong>in</strong>g relationship with her mentally ill<br />

mother sets her <strong>in</strong> search of other female bonds.<br />

3. The Myth of the Rape and Silenc<strong>in</strong>g of<br />

58<br />

Philomela Informs The Color Purple<br />

Martha J. Cutter


Like the mythical Philomela, Celie is raped and silenced,<br />

but her symbolic connections with blood and birds lead<br />

her, unlike Philomela, to creativity and freedom.<br />

4. Walker Revises Traditional Gender Roles 65<br />

Mae G. Henderson<br />

In a culture of male cruelty, women sacrifice for one another<br />

and replace traditional marriage with an extended<br />

family.<br />

5. Trad<strong>in</strong>g Male Literary Traditions for Female 74<br />

Oral Ones<br />

Valerie Babb<br />

The black woman’s oral tradition (<strong>in</strong> which the novel is<br />

written) supersedes the white male’s written one.<br />

6. Walker’s Relationship with the African<br />

81<br />

American Male<br />

Philip M. Royster<br />

The male audiences of Walker’s novel and the film made<br />

from the novel were vocal and outraged at the picture<br />

she drew of black men as cruel and heartless.<br />

7. Folk Art as a Means to Female Survival 89<br />

Keith E. Byerman<br />

In The Color Purple women use folk wisdom to overcome<br />

their male oppressors. Folk art, <strong>in</strong>clud<strong>in</strong>g sew<strong>in</strong>g<br />

and s<strong>in</strong>g<strong>in</strong>g, makes it possible for them to survive, have<br />

their revenge, and tell about their pa<strong>in</strong>.<br />

8. Male Cruelty Leads to Positive Changes 98<br />

Henry O. Dixon<br />

Male cruelty <strong>in</strong> The Color Purple leads to positive development<br />

<strong>in</strong> the lives of female characters.<br />

9. Center<strong>in</strong>g on Women but Ignor<strong>in</strong>g Race<br />

108<br />

and Economics<br />

bell hooks<br />

The novel, while attack<strong>in</strong>g the exploitation of females <strong>in</strong><br />

an African American community, fails to challenge the<br />

whole system of racial and class exploitation.


10. The Color Purple Is a Disservice<br />

to Black Women<br />

Trudier Harris<br />

In tak<strong>in</strong>g an <strong>in</strong>dependent view of the novel, one f<strong>in</strong>ds an<br />

unbelievably subservient, uncompla<strong>in</strong><strong>in</strong>g protagonist and<br />

white stereotypes of black men and women.<br />

113<br />

Chapter 3: Contemporary Perspectives<br />

on Women’s <strong>Issues</strong><br />

1. Women Achieve <strong>Social</strong> Change Through Folk Art 125<br />

Anne Constable<br />

Around the world, women f<strong>in</strong>d economic and social<br />

power through cooperation and the revival of traditional<br />

art <strong>in</strong> a misogynistic society.<br />

2. Domestic Violence Reta<strong>in</strong>s Cultural<br />

130<br />

Momentum Worldwide<br />

Sonya Weakley<br />

One <strong>in</strong> three women is abused worldwide. Abuse of<br />

women is so <strong>in</strong>gra<strong>in</strong>ed <strong>in</strong> cultures that victims will rarely<br />

testify <strong>in</strong> court about the abuse.<br />

3. Conflict<strong>in</strong>g Fem<strong>in</strong>ist Ideologies Among<br />

134<br />

Black Women<br />

Patricia Hill Coll<strong>in</strong>s<br />

The black women who recognize and want to work for<br />

the betterment of their sisters are hampered by their<br />

conflict<strong>in</strong>g ideologies.<br />

4. A Black Celebrity Decides to Make Her<br />

141<br />

Sexual Orientation Known<br />

Ari Karpel<br />

After Wanda Sykes told the public that she is a lesbian,<br />

she became a spokesperson for black and gay America.<br />

For Further Discussion 151<br />

For Further Read<strong>in</strong>g 152<br />

Bibliography 153<br />

Index 158

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