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STUDENT SCRIPT - Englisches Seminar II - Universität zu Köln

STUDENT SCRIPT - Englisches Seminar II - Universität zu Köln

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9 Roger McGough (b. 1937):<br />

► (7)<br />

New film. Now look, he’s fourteen.<br />

"An Apology" (1979)<br />

Work out the energy required Owing to an increase<br />

To make him grow that tall. in the cost of printing<br />

It could have been used this poem will be less<br />

It could have all been used than the normal length.<br />

For the good of the firm and he could have stayed small.<br />

Make a note of that. In the face of continued<br />

economic crises, strikes,<br />

Age thirty. And the waste continues. unemployment and V.A.T.<br />

Using his legs for walking. Tiring<br />

His mouth with talking and eating. Twitching.<br />

it offers no solutions.<br />

Slow it down. Reproducing? I see. Moreover, because of<br />

All, I suppose, for the good of the firm. a recent work-to-rule<br />

But he’d better change methods. Yes, he’d better. imposed by the poet<br />

Look at the waste of time and emotion,<br />

Look at the waste. Look. Look.<br />

And make a note of that.<br />

it doesn't even rhyme.<br />

10 Seamus Heaney (b. 1939):<br />

"Act of Union" (1979) (1979)<br />

Nieragden: ILCS 25<br />

I <strong>II</strong><br />

To-night, a first movement, a pulse, And I am still imperially<br />

As if the rain in bogland gathered head Male, leaving you with the pain,<br />

To slip and flood: a bog-burst, The rending process in the colony,<br />

A gash breaking open the ferny bed. The battering ram, the boom burst from within.<br />

Your back is a firm line of eastern coast The act sprouted an obstinate fifth column<br />

And arms and legs are thrown Whose stance is growing unilateral.<br />

Beyond your gradual hills. I caress His heart beneath your heart is a wardrum<br />

The heaving province where our past has grown. Mustering force. His parasitical<br />

I am the tall kingdom over your shoulder And ignorant little fists already<br />

That you would neither cajole nor ignore. Beat at your borders and I know they're cocked<br />

Conquest is a lie. I grow older At me across the water. No treaty<br />

Conceding your half-independent shore I foresee will salve completely your tracked<br />

Within whose borders now my legacy And stretchmarked body, the big pain<br />

Culminates inexorably. That leaves you raw, like opened ground, again.<br />

11 John Agard (b. 1949):<br />

"Listen Mr Oxford Don" (1985) (1985)<br />

Listen Mr Oxford Don I warning you Mr Oxford don<br />

Me not no Oxford don I'm a wanted man<br />

me a simple immigrant and a wanted man<br />

from Clapham Common is a dangerous one<br />

I didn't graduate<br />

I immigrate Dem accuse me of assault<br />

on de Oxford dictionary<br />

But listen Mr Oxford don imagin a concise peaceful man like me<br />

I'm a man on de run dem want me serve time<br />

and a man on de run for inciting rhyme to riot<br />

is a dangerous one but I tekking it quiet<br />

down here in Clapham Common<br />

I ent have no gun<br />

I ent have no knife I'm not a violent man Mr Oxford don<br />

but mugging de Queen's English I only armed wit muh human breath<br />

is the story of my life but human breath<br />

is a dangerous weapon<br />

I dont need no axe<br />

to split up yu syntax So mek dem send one big word after me<br />

I dont need no hammer I ent serving no jail sentence<br />

to mash up yu grammar I slashing suffix in self-defence<br />

I bashing future wit present tense<br />

and if necessary<br />

I making de Queen's English accessory<br />

to my offence

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