February, 2008 - Glebe Report
February, 2008 - Glebe Report
February, 2008 - Glebe Report
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24 <strong>Glebe</strong> <strong>Report</strong> <strong>February</strong> 15, <strong>2008</strong><br />
Music and mythology with Seventeen Voyces<br />
BY MARGRET BRADY<br />
NANKIVELL<br />
Ottawa’s multi-talented chamber<br />
choir Seventeen Voyces, directed by<br />
Kevin Reeves, presents a concert<br />
entitled Music & Mythology on Fri.,<br />
Feb. 22, 7:30 p.m. at St. Matthew’s<br />
Anglican Church.<br />
The concert includes new works<br />
by three Ottawa composers. Margrit<br />
Cattell has written an a cappella<br />
work, The Peace Pipe, based on<br />
Longfellow’s “The Song of<br />
Hiawatha,” which tells the legend of<br />
Gitchi Manitou. “I think Seventeen<br />
Voyces is a terrific choir and that’s<br />
why I asked Kevin to write for it,”<br />
says the composer. When a mythology-based<br />
composition was proposed,<br />
she immediately considered the richness<br />
of North American legends. The<br />
part of Gitchi Manitou will be sung<br />
by Ottawa baritone Gary Dahl who<br />
“will make a good spirit,” says Ms.<br />
Cattell.<br />
The choir will also sing “Arcadia”<br />
by former Ottawan Andrew Ager,<br />
now director of music and composer-in-residence<br />
at Toronto’s St.<br />
James’ Cathedral. A setting of seven<br />
odes by the great Roman poet<br />
Horace, the texts explore themes of<br />
love, regret, jealousy and pastoral<br />
beauty. Written for the rising young<br />
Canadian soprano Andrea Naccarato,<br />
who will be singing the premiere,<br />
these short pieces, with choral and<br />
harp accompaniment, will bring a<br />
refreshing and contemporary offering<br />
to this concert on the theme of<br />
mythology.<br />
Last year Seventeen Voyces gave a<br />
stunning rendition of Ager’s<br />
Unknown Soldier at St. Matthew’s.<br />
The poignant work will premiere in<br />
London under the direction of<br />
CBC’s host and conductor Howard<br />
Dyck this summer. Ager is also<br />
working on Frankenstein, a fullscale<br />
opera based on Mary Shelley’s<br />
novel.<br />
Seventeen Voyces will also give<br />
the second performance of Kevin<br />
Reeves’ delightful composition<br />
Tyger, Tyger from the poem by<br />
William Blake. It was first performed<br />
by renowned baritone Gerald<br />
Finley and the men and boys of St.<br />
Matthew’s Choir in celebration of<br />
the church choir’s 50th anniversary<br />
last September.<br />
The guest artists for these works<br />
are Toronto-based soprano Andrea<br />
Naccarato, baritone Gary Dahl and<br />
harpist Lucile Hildesheim.<br />
Other works on the programme<br />
include excerpts from Dido and<br />
Aeneas by Henry Purcell and Hymn<br />
to St. Cecilia by Benjamin Britten.<br />
A reception celebrating the new<br />
works and their composers will follow<br />
the concert.<br />
Tickets are $15-$25 and free for<br />
students 16 and under if accompanied<br />
by an adult. They can be<br />
obtained at Leading Note, 317 Elgin<br />
St.; Compact Music, 190 Bank St.<br />
and 785A Bank St.; Book Bazaar,<br />
417 Bank St.; Herb & Spice Shop,<br />
1310 Wellington St. West, or at the<br />
door. For more information, check<br />
www.seventeenvoyces.ca.<br />
MUSIC<br />
PHOTO: PETER FRITZ<br />
April comes alive with The Sound of Music<br />
BY DAN SMYTHE<br />
Singing nuns, yodelling children<br />
and a compelling story of triumph<br />
over oppression will be coming to<br />
the <strong>Glebe</strong> Community Centre this<br />
April, as Rodgers and Hammerstein’s<br />
popular musical about the<br />
singing Von Trapp family comes to<br />
the stage.<br />
The Sound of Music will take<br />
place April 4-6, the fourth full-scale<br />
musical to be presented by the <strong>Glebe</strong><br />
Neighbourhood Activities Group<br />
(GNAG) over the past two years. The<br />
spring production follows on the<br />
heels of a successful musical presentation<br />
of A Christmas Carol in<br />
December.<br />
The philosophy of the GNAG productions<br />
is very much “learning by<br />
doing.” The plays are presented as an<br />
educational course where people can<br />
get involved in community theatre<br />
and learn the steps required to put on<br />
a show, from auditions and<br />
rehearsals to the behind-the-scenes<br />
stagecraft that all lead to the frenzy<br />
of production week.<br />
Some of the actors are novices<br />
with minimal theatre or singing<br />
experience, others have some form<br />
of performance under their belt (and<br />
fans of the GNAG shows will be sure<br />
to recognize a number of familiar<br />
faces for The Sound of Music). “For<br />
many involved, they learn how much<br />
fun it can be to make good theatre,”<br />
explains director Eleanor Crowder,<br />
who has worked on 10 of GNAG’s<br />
11 shows. She is joined again on the<br />
creative team by musical director<br />
Rachel Eugster, with Kate Preston-<br />
Thomas stepping up from the position<br />
of set crew boss to become<br />
stage manager.<br />
Rehearsals with the large cast of<br />
75 adults and children are now in<br />
full swing. It’s arguably the most<br />
ambitious – and most popular – production<br />
GNAG has taken on. Due to<br />
the large turnout at auditions in<br />
December, Crowder and Eugster<br />
have double cast some of the roles.<br />
It’s one way to involve more people<br />
in this unique community event.<br />
“It’s really fun to see people develop<br />
new skills,” Crowder enthuses, as<br />
she relates some of the benefits that<br />
come from being involved in community<br />
theatre.<br />
Most people know The Sound of<br />
Music through the 1965 movie in<br />
which Julie Andrews played the<br />
young governess Maria, who steals<br />
the hearts of the aristocratic Captain<br />
Von Trapp and his seven children.<br />
But the play, which debuted on<br />
Broadway in 1959, offers a chance<br />
to explore the larger theme of the<br />
historic backdrop that inspired the<br />
show. “It’s really a story about the<br />
Nazi invasion of Austria, and the<br />
events related to a courageous family<br />
that stood up to that,” explains<br />
Crowder.<br />
With more than 40 vocal numbers,<br />
Eugster, stalwart pianist Lauren<br />
McGee and the singing cast will<br />
need all their musical savvy to create<br />
the world inspired by the story of<br />
the Von Trapp family. All the popular<br />
songs will be there including<br />
“My Favourite Things,” “Climb<br />
Every Mountain,” and “Edelweiss.”<br />
Other musical delights include a<br />
choir of nuns singing sacred music<br />
in four- and six-part harmony. The<br />
play also has a few musical numbers<br />
not featured in the movie, most<br />
notably a German-style cabaret duet<br />
between Elsa and Max that helps<br />
highlight the political storm clouds<br />
that hang over Europe in the late<br />
1930s.<br />
Eugster has reached back to her<br />
family roots, and has adapted some<br />
Swiss-German folk songs that will<br />
be sung by a troup of Boy Scouts<br />
and folk dancers that she and Crowder<br />
have added to the show. “It’s<br />
exciting to perform the music that<br />
people know so well, but we also<br />
want to find the depth and meaning<br />
in songs that may not have been as<br />
well noticed,” says Eugster.<br />
While the actors are well on their<br />
way, volunteers are still needed to<br />
assist with costuming, set design<br />
and other duties. If you think you<br />
can contribute, contact Kate Preston-Thomas<br />
at 613-233-0038<br />
Showtimes are Fri., April 4 at<br />
7:30 p.m., Sat., April 5 at 2 p.m. and<br />
7:30 p.m., and Sun., April 6 at 2<br />
p.m. and 7:30 p.m. Tickets for The<br />
Sound of Music will be on sale at<br />
the <strong>Glebe</strong> Community Centre by the<br />
end of <strong>February</strong>. For more information,<br />
phone 613-564-1058 or 613-<br />
233-8713.