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February, 2008 - Glebe Report

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24 <strong>Glebe</strong> <strong>Report</strong> <strong>February</strong> 15, <strong>2008</strong><br />

Music and mythology with Seventeen Voyces<br />

BY MARGRET BRADY<br />

NANKIVELL<br />

Ottawa’s multi-talented chamber<br />

choir Seventeen Voyces, directed by<br />

Kevin Reeves, presents a concert<br />

entitled Music & Mythology on Fri.,<br />

Feb. 22, 7:30 p.m. at St. Matthew’s<br />

Anglican Church.<br />

The concert includes new works<br />

by three Ottawa composers. Margrit<br />

Cattell has written an a cappella<br />

work, The Peace Pipe, based on<br />

Longfellow’s “The Song of<br />

Hiawatha,” which tells the legend of<br />

Gitchi Manitou. “I think Seventeen<br />

Voyces is a terrific choir and that’s<br />

why I asked Kevin to write for it,”<br />

says the composer. When a mythology-based<br />

composition was proposed,<br />

she immediately considered the richness<br />

of North American legends. The<br />

part of Gitchi Manitou will be sung<br />

by Ottawa baritone Gary Dahl who<br />

“will make a good spirit,” says Ms.<br />

Cattell.<br />

The choir will also sing “Arcadia”<br />

by former Ottawan Andrew Ager,<br />

now director of music and composer-in-residence<br />

at Toronto’s St.<br />

James’ Cathedral. A setting of seven<br />

odes by the great Roman poet<br />

Horace, the texts explore themes of<br />

love, regret, jealousy and pastoral<br />

beauty. Written for the rising young<br />

Canadian soprano Andrea Naccarato,<br />

who will be singing the premiere,<br />

these short pieces, with choral and<br />

harp accompaniment, will bring a<br />

refreshing and contemporary offering<br />

to this concert on the theme of<br />

mythology.<br />

Last year Seventeen Voyces gave a<br />

stunning rendition of Ager’s<br />

Unknown Soldier at St. Matthew’s.<br />

The poignant work will premiere in<br />

London under the direction of<br />

CBC’s host and conductor Howard<br />

Dyck this summer. Ager is also<br />

working on Frankenstein, a fullscale<br />

opera based on Mary Shelley’s<br />

novel.<br />

Seventeen Voyces will also give<br />

the second performance of Kevin<br />

Reeves’ delightful composition<br />

Tyger, Tyger from the poem by<br />

William Blake. It was first performed<br />

by renowned baritone Gerald<br />

Finley and the men and boys of St.<br />

Matthew’s Choir in celebration of<br />

the church choir’s 50th anniversary<br />

last September.<br />

The guest artists for these works<br />

are Toronto-based soprano Andrea<br />

Naccarato, baritone Gary Dahl and<br />

harpist Lucile Hildesheim.<br />

Other works on the programme<br />

include excerpts from Dido and<br />

Aeneas by Henry Purcell and Hymn<br />

to St. Cecilia by Benjamin Britten.<br />

A reception celebrating the new<br />

works and their composers will follow<br />

the concert.<br />

Tickets are $15-$25 and free for<br />

students 16 and under if accompanied<br />

by an adult. They can be<br />

obtained at Leading Note, 317 Elgin<br />

St.; Compact Music, 190 Bank St.<br />

and 785A Bank St.; Book Bazaar,<br />

417 Bank St.; Herb & Spice Shop,<br />

1310 Wellington St. West, or at the<br />

door. For more information, check<br />

www.seventeenvoyces.ca.<br />

MUSIC<br />

PHOTO: PETER FRITZ<br />

April comes alive with The Sound of Music<br />

BY DAN SMYTHE<br />

Singing nuns, yodelling children<br />

and a compelling story of triumph<br />

over oppression will be coming to<br />

the <strong>Glebe</strong> Community Centre this<br />

April, as Rodgers and Hammerstein’s<br />

popular musical about the<br />

singing Von Trapp family comes to<br />

the stage.<br />

The Sound of Music will take<br />

place April 4-6, the fourth full-scale<br />

musical to be presented by the <strong>Glebe</strong><br />

Neighbourhood Activities Group<br />

(GNAG) over the past two years. The<br />

spring production follows on the<br />

heels of a successful musical presentation<br />

of A Christmas Carol in<br />

December.<br />

The philosophy of the GNAG productions<br />

is very much “learning by<br />

doing.” The plays are presented as an<br />

educational course where people can<br />

get involved in community theatre<br />

and learn the steps required to put on<br />

a show, from auditions and<br />

rehearsals to the behind-the-scenes<br />

stagecraft that all lead to the frenzy<br />

of production week.<br />

Some of the actors are novices<br />

with minimal theatre or singing<br />

experience, others have some form<br />

of performance under their belt (and<br />

fans of the GNAG shows will be sure<br />

to recognize a number of familiar<br />

faces for The Sound of Music). “For<br />

many involved, they learn how much<br />

fun it can be to make good theatre,”<br />

explains director Eleanor Crowder,<br />

who has worked on 10 of GNAG’s<br />

11 shows. She is joined again on the<br />

creative team by musical director<br />

Rachel Eugster, with Kate Preston-<br />

Thomas stepping up from the position<br />

of set crew boss to become<br />

stage manager.<br />

Rehearsals with the large cast of<br />

75 adults and children are now in<br />

full swing. It’s arguably the most<br />

ambitious – and most popular – production<br />

GNAG has taken on. Due to<br />

the large turnout at auditions in<br />

December, Crowder and Eugster<br />

have double cast some of the roles.<br />

It’s one way to involve more people<br />

in this unique community event.<br />

“It’s really fun to see people develop<br />

new skills,” Crowder enthuses, as<br />

she relates some of the benefits that<br />

come from being involved in community<br />

theatre.<br />

Most people know The Sound of<br />

Music through the 1965 movie in<br />

which Julie Andrews played the<br />

young governess Maria, who steals<br />

the hearts of the aristocratic Captain<br />

Von Trapp and his seven children.<br />

But the play, which debuted on<br />

Broadway in 1959, offers a chance<br />

to explore the larger theme of the<br />

historic backdrop that inspired the<br />

show. “It’s really a story about the<br />

Nazi invasion of Austria, and the<br />

events related to a courageous family<br />

that stood up to that,” explains<br />

Crowder.<br />

With more than 40 vocal numbers,<br />

Eugster, stalwart pianist Lauren<br />

McGee and the singing cast will<br />

need all their musical savvy to create<br />

the world inspired by the story of<br />

the Von Trapp family. All the popular<br />

songs will be there including<br />

“My Favourite Things,” “Climb<br />

Every Mountain,” and “Edelweiss.”<br />

Other musical delights include a<br />

choir of nuns singing sacred music<br />

in four- and six-part harmony. The<br />

play also has a few musical numbers<br />

not featured in the movie, most<br />

notably a German-style cabaret duet<br />

between Elsa and Max that helps<br />

highlight the political storm clouds<br />

that hang over Europe in the late<br />

1930s.<br />

Eugster has reached back to her<br />

family roots, and has adapted some<br />

Swiss-German folk songs that will<br />

be sung by a troup of Boy Scouts<br />

and folk dancers that she and Crowder<br />

have added to the show. “It’s<br />

exciting to perform the music that<br />

people know so well, but we also<br />

want to find the depth and meaning<br />

in songs that may not have been as<br />

well noticed,” says Eugster.<br />

While the actors are well on their<br />

way, volunteers are still needed to<br />

assist with costuming, set design<br />

and other duties. If you think you<br />

can contribute, contact Kate Preston-Thomas<br />

at 613-233-0038<br />

Showtimes are Fri., April 4 at<br />

7:30 p.m., Sat., April 5 at 2 p.m. and<br />

7:30 p.m., and Sun., April 6 at 2<br />

p.m. and 7:30 p.m. Tickets for The<br />

Sound of Music will be on sale at<br />

the <strong>Glebe</strong> Community Centre by the<br />

end of <strong>February</strong>. For more information,<br />

phone 613-564-1058 or 613-<br />

233-8713.

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