No. 7 - Canadian Conference of Mennonite Brethren Churches
No. 7 - Canadian Conference of Mennonite Brethren Churches
No. 7 - Canadian Conference of Mennonite Brethren Churches
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Ich hab' aus dem Brunnen der Steppe getrunken<br />
Wo keiner trank<br />
Wenn die Abendsonne im Westen gesunken<br />
Und der Grillen Reigen erklang ...<br />
Fritz Senn at 90 Years<br />
A Living <strong>Mennonite</strong> Memory<br />
by Victor G. Doerksen<br />
When I visited him last summer,<br />
Gerhard Friesen (Fritz Senn) was himself<br />
little more than a gentle, careworn<br />
reminder <strong>of</strong> a world which seems very<br />
distant to most <strong>of</strong> us today. Blind, and<br />
removed from immediate contact with<br />
the bustling, present-day <strong>Mennonite</strong><br />
world, Fritz Senn himself no longer can<br />
remember what he so vividly captured<br />
in the best German verse written by a<br />
<strong>Mennonite</strong> poet: the sights, sounds and<br />
smells <strong>of</strong> the steppe, the flavor <strong>of</strong> a<br />
world long departed, <strong>of</strong> a simpler, sturdilyordered<br />
world that seems very unreal<br />
to us now.<br />
Today we live in another world, both<br />
physically and spiritually: many <strong>Mennonite</strong>s<br />
have become modern with a<br />
vengeance. Hard work and relatively<br />
clean living have propelled us to a<br />
prominent position in a complex democratic<br />
society. At the same time we join<br />
with others in a search for roots, for an<br />
orientation in terms <strong>of</strong> a past that is<br />
meaningful to us - and this is where<br />
the achievement <strong>of</strong> Fritz Senn (like that<br />
<strong>of</strong> Arnold Dyck and others) becomes<br />
28 ! mennonite mirror ! march 1983<br />
one <strong>of</strong> practical value. For he has captured<br />
the sense <strong>of</strong> that world, its simple<br />
rhythms, its haunting sounds, sights and<br />
smells, in verse which is truly <strong>Mennonite</strong>.<br />
Its images are the stuff <strong>of</strong> that<br />
rural way <strong>of</strong> life made into patterns<br />
which show the working <strong>of</strong> the <strong>Mennonite</strong><br />
mind.<br />
Most <strong>of</strong> all, Fritz Senn embodies the<br />
homesickness <strong>of</strong> the displaced person,<br />
that architypal <strong>Mennonite</strong> who finds<br />
himself constantly on the move, uprooted<br />
from any and all territories and<br />
not really knowing why, since his love<br />
<strong>of</strong> the land is well demonstrated. And<br />
nls poems always show variations <strong>of</strong> the<br />
puzzlement at this fate, the wondering<br />
about guilt and punishment and the uncertainty<br />
about these 'Ieadings' as for<br />
example the lines:<br />
Zwischen Menschen und<br />
Damonen<br />
Wollten wir nicht langer wohnen,<br />
Zogen aus, und sind zerstreut . ..<br />
Manche haben es bereut . . .<br />
This kind <strong>of</strong> doubt is not very evident<br />
among the <strong>No</strong>rth American <strong>Mennonite</strong>s<br />
<strong>of</strong> today. We are glad to have escaped.<br />
But when we see our brothers and sisters<br />
in the Soviet Union, we are gripped<br />
by the sadness <strong>of</strong> the great separation<br />
which has changed so many lives and<br />
our history.<br />
Fritz Senn can help us to appreciate<br />
something <strong>of</strong> what has been lost; his<br />
imagination takes us where his heart<br />
has always been :<br />
Rings Weizen wogen, Thymianduff,<br />
Und Duff von Minze, Lauch und<br />
Dill und Teer,<br />
Dort komm ich her. -<br />
The poem "Heimkehr" represents an<br />
imaginary return to the old world and to<br />
the poet's childhood and youth. On his<br />
90th birthday we cannot use the conventional<br />
greetings, but we want to<br />
honour a poet whose memories can<br />
give us many happy and wistful returns.