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UVA – Serpentine Gallery Pavilion 2013, designed by Sou Fujimoto<br />
United Visual Artists Celebrate 10 Years with the<br />
Serpentine Gallery & Manchester International Festival<br />
United Visual Artists mark their 10th<br />
anniversary with two landmark projects that<br />
exemplify and celebrate their collaborative and<br />
multi-disciplinary approach.<br />
This month their work takes form as an<br />
intervention with the Serpentine Gallery<br />
Pavilion 2013, designed by Sou Fujimoto, for<br />
The Summer Party in collaboration with My<br />
Beautiful City.<br />
Also marking the decade of innovation, UVA<br />
will be reuniting with early collaborative<br />
partners Massive Attack who have this year<br />
been paired with Adam Curtis for a major<br />
commission taking place as part of Manchester<br />
International Festival, Ruhrtriennale and<br />
the programme at Park Avenue Armory, New<br />
York.<br />
Serpentine Summer Party<br />
On the evening of 26th June, UVA, in<br />
collaboration with My Beautiful City,<br />
transformed Sou Fujimoto’s Pavilion, bringing<br />
the cloud-like structure to life with an electrical<br />
storm.<br />
UVA take inspiration from the transparent,<br />
undefined attributes of the pavilion, which<br />
changes form depending on perspective,<br />
shifting as your eyes travel across it.<br />
Their performative installation aims to make<br />
the architecture “breathe”, awakening a<br />
character and energy, seemingly from within.<br />
For this piece UVA reference their past works<br />
which, similar to Fujimoto’s, rely on geometric<br />
foundations and interests.<br />
One reference could be J.M.W. Turner’s<br />
paintings, which rather than being<br />
representative evoke the sensation of an<br />
overwhelming natural phenomenon. UVA’s<br />
transformation aims to capture the essence of<br />
being inside an electrical storm, exploring the<br />
similarities between what is digital: electronic<br />
and the awe-inspiring natural world.<br />
For further information, press, image or interview requests please contact: Ché Zara Blomfield<br />
By email: che@uva.co.uk or by phone: UK +44(0)7512150743 & DE +49(0)1798076072
UVA – Volume, 2006 - V&A Museum<br />
Manchester International Festival<br />
Robert Del Naja, Massive Attack and Adam Curtis<br />
This will be the 10th year UVA collaborate with<br />
Robert Del Naja and Massive Attack.<br />
For Manchester International Festival (4-7 &<br />
10-13 July) a collaboration between Robert<br />
Del Naja, Massive Attack and Adam Curtis will<br />
form the central commission, it will then tour to<br />
Ruhrtriennale (29-31 August) and Park Avenue<br />
Armory (28-30 September & 2-4 October).<br />
UVA are working with Robert Del Naja and<br />
Adam Curtis to continue Massive Attack’s<br />
interest in an often politicised storytelling.<br />
The concept “the power of illusion and the<br />
illusion of power”, will be adapted both literally<br />
and metaphorically by UVA’s use of screens to<br />
display both fantasy and fact which will offer<br />
multiple stories and “possible endings”.<br />
UVA express their interest in evoking a sense<br />
of presence, bringing life to structures through<br />
mediums of code, light, sound, and in this case<br />
moving image.<br />
Info & Press Contacts<br />
Manchester International Festival<br />
www.mif.co.uk<br />
7pm, 4-7 & 10-13 July<br />
Mayfield Depot, Fairfield Street<br />
Manchester M1 2QF<br />
Booking: 0844 375 2013<br />
Press contacts:<br />
Nadja Coyne - nadja.coyne@mif.co.uk<br />
Julia Gregg - julia.gregg@mif.co.uk<br />
Ruhrtriennale<br />
www.ruhrtriennale.de/en<br />
8pm, 29-31 August<br />
Emscherstraße 71<br />
47137 Duisburg-Meiderich<br />
Press contacts:<br />
Hendrik von Boxberg / Sarah Kaes<br />
+ 49 209 6050 7137 presse@ruhrtriennale.de<br />
Park Avenue Armory<br />
www.armoryonpark.org<br />
8pm, 28-30 September & 2-4 October<br />
643 Park Avenue New York, NY 10065<br />
Press contact:<br />
Julia Kirchhausen, Resnicow Schroeder<br />
+1 212-671-5161 / +1 917-453-8386<br />
For further information, press, image or interview requests please contact: Ché Zara Blomfield<br />
By email: che@uva.co.uk or by phone: UK +44(0)7512150743 & DE +49(0)1798076072
UVA – Fragment, 2013<br />
UVA Biography<br />
United Visual Artists (UVA) are an art practice<br />
based in London, founded in 2003. Their work<br />
combines disciplines of sculpture, architecture,<br />
live art and installation.<br />
Their open approach to collaboration and<br />
diverse backgrounds encourage and inspire an<br />
exploration into new fields of artistic production.<br />
UVA’s work is often positioned between passive<br />
and active engagement, this is encouraged by<br />
their interest in evoking a sense of presence,<br />
or in their large, collectively experienced<br />
installations: communion.<br />
‘Complex systems’ which include topics of<br />
Collective behaviour, Networks, Evolution &<br />
Adaption and Pattern formation, have a strong<br />
influence on UVA’s practice, these themes,<br />
which occur in nature, are explored in their<br />
relation to similar complexities in technology.<br />
UVA are represented by Gazelli Art House,<br />
London w<strong>here</strong> their work Continuum is<br />
currently being exhibited until 20th June.<br />
Exhibitions & Commissions<br />
UVA’s work has been exhibited in cities<br />
worldwide including; Barcelona, Beijing, Berlin,<br />
Hong Kong, Melbourne, New York, Paris, Sao<br />
Paolo, St Petersburg, Taipei and Tokyo.<br />
They have been commissioned by; Artwise<br />
Curators, The Creators Project, La Gaite<br />
Lyrique, Madison Square Garden, National<br />
Maritime Museum, Opera North, Royal<br />
Academy of Arts, Tate Modern Turbine Hall,<br />
Victoria & Albert Museum and YCAM in Japan<br />
and exhibited at; South Bank Centre, Wellcome<br />
Collection, Durham Cathedral, Riflemaker,<br />
Gazelli Art House and The British Library.<br />
Permanent installations include; Canopy at<br />
Maple Leaf Square building in Toronto and<br />
Passage, Combe Down Tunnel in Bath.<br />
UVA have received awards for several works<br />
including; Creative Review Annual ‘Best in<br />
Book’, 2011 for Speed of Light, Prix Arts<br />
Electronica ‘Distinction’ in 2010 for Chorus and<br />
the D&AD ‘Yellow Pencil’ in 2007 for Volume.<br />
For further information, press, image or interview requests please contact: Ché Zara Blomfield<br />
By email: che@uva.co.uk or by phone: UK +44(0)7512150743 & DE +49(0)1798076072
UVA – Chorus, 2009<br />
UVA Noteworthy Works<br />
Origin, 2011<br />
In Origin, UVA explore society’s acceptance of<br />
technological engagement. The work embodies<br />
polarities in nature: passive and calm, and<br />
erratic and unreliable, somewhat reflectively<br />
of systems we have become reliant on in<br />
technology.<br />
The work is UVA’s largest responsive<br />
installation, spanning 10m2. The geometric<br />
structure, formed of cubes, neatly conceals<br />
speakers, producing compelling soundscapes<br />
by Scanner (aka Robin Rimbaud) and energetic,<br />
animated light.<br />
In its entirety Origin presents both the attractive<br />
and negative qualities of technology, an interest<br />
in keeping with UVA’s past work, especially<br />
including works Monolith, Tryptich, Volume<br />
and Array.<br />
Chorus, 2009<br />
UVA’s first kinetic work, Chorus, consisted of<br />
eight tall black pendulums, heavily referencing<br />
Steve Reich. Each pendulum housed a light<br />
and speaker which emitted a piece by award<br />
winning British composer, Mira Calix.<br />
Calix specifically constructed the soundscape<br />
from recordings of core members of the Opera<br />
North Company. The whole composition was<br />
produced to work in perfect harmony, the<br />
movement triggering sound and light, each<br />
pendulum falling in and out of synchrony, yet all<br />
corresponding.<br />
UVA believe Chorus is the work that has<br />
received the most emotive response to date.<br />
The piece was originally installed for the<br />
opening of the Howard Assembly Room,<br />
commissioned by Opera North Projects in<br />
association with The Culture Company in 2009<br />
then, in November at The Durham Cathedral<br />
for the Lumiere festival and the Boiler Room at<br />
East London’s Wapping Project in 2010.<br />
UVA were awarded a distinction at the Prix Ars<br />
Electronica, for Chorus in 2010.<br />
Volume, 2006<br />
Volume was UVA’s first responsive, large-scale<br />
installation. It inaugurated in the John Madejski<br />
garden at London’s V&A Museum.<br />
Volume was key in UVA’s development, the<br />
totemic structures created a garden of light<br />
and sound which drew visitors to, and into the<br />
work. It was the first work that really succeeded<br />
in engaging viewers and at the same time<br />
explored their interest in the similarities<br />
between technology and nature.<br />
Volume’s original sound score was by Robert<br />
Del Naja and onepointsix. Since 2006, Volume<br />
traveled to Hong Kong, Taiwan, St. Petersburg<br />
and Melbourne.<br />
For further information, press, image or interview requests please contact: Ché Zara Blomfield<br />
By email: che@uva.co.uk or by phone: UK +44(0)7512150743 & DE +49(0)1798076072