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UVA – Serpentine Gallery Pavilion 2013, designed by Sou Fujimoto<br />

United Visual Artists Celebrate 10 Years with the<br />

Serpentine Gallery & Manchester International Festival<br />

United Visual Artists mark their 10th<br />

anniversary with two landmark projects that<br />

exemplify and celebrate their collaborative and<br />

multi-disciplinary approach.<br />

This month their work takes form as an<br />

intervention with the Serpentine Gallery<br />

Pavilion 2013, designed by Sou Fujimoto, for<br />

The Summer Party in collaboration with My<br />

Beautiful City.<br />

Also marking the decade of innovation, UVA<br />

will be reuniting with early collaborative<br />

partners Massive Attack who have this year<br />

been paired with Adam Curtis for a major<br />

commission taking place as part of Manchester<br />

International Festival, Ruhrtriennale and<br />

the programme at Park Avenue Armory, New<br />

York.<br />

Serpentine Summer Party<br />

On the evening of 26th June, UVA, in<br />

collaboration with My Beautiful City,<br />

transformed Sou Fujimoto’s Pavilion, bringing<br />

the cloud-like structure to life with an electrical<br />

storm.<br />

UVA take inspiration from the transparent,<br />

undefined attributes of the pavilion, which<br />

changes form depending on perspective,<br />

shifting as your eyes travel across it.<br />

Their performative installation aims to make<br />

the architecture “breathe”, awakening a<br />

character and energy, seemingly from within.<br />

For this piece UVA reference their past works<br />

which, similar to Fujimoto’s, rely on geometric<br />

foundations and interests.<br />

One reference could be J.M.W. Turner’s<br />

paintings, which rather than being<br />

representative evoke the sensation of an<br />

overwhelming natural phenomenon. UVA’s<br />

transformation aims to capture the essence of<br />

being inside an electrical storm, exploring the<br />

similarities between what is digital: electronic<br />

and the awe-inspiring natural world.<br />

For further information, press, image or interview requests please contact: Ché Zara Blomfield<br />

By email: che@uva.co.uk or by phone: UK +44(0)7512150743 & DE +49(0)1798076072


UVA – Volume, 2006 - V&A Museum<br />

Manchester International Festival<br />

Robert Del Naja, Massive Attack and Adam Curtis<br />

This will be the 10th year UVA collaborate with<br />

Robert Del Naja and Massive Attack.<br />

For Manchester International Festival (4-7 &<br />

10-13 July) a collaboration between Robert<br />

Del Naja, Massive Attack and Adam Curtis will<br />

form the central commission, it will then tour to<br />

Ruhrtriennale (29-31 August) and Park Avenue<br />

Armory (28-30 September & 2-4 October).<br />

UVA are working with Robert Del Naja and<br />

Adam Curtis to continue Massive Attack’s<br />

interest in an often politicised storytelling.<br />

The concept “the power of illusion and the<br />

illusion of power”, will be adapted both literally<br />

and metaphorically by UVA’s use of screens to<br />

display both fantasy and fact which will offer<br />

multiple stories and “possible endings”.<br />

UVA express their interest in evoking a sense<br />

of presence, bringing life to structures through<br />

mediums of code, light, sound, and in this case<br />

moving image.<br />

Info & Press Contacts<br />

Manchester International Festival<br />

www.mif.co.uk<br />

7pm, 4-7 & 10-13 July<br />

Mayfield Depot, Fairfield Street<br />

Manchester M1 2QF<br />

Booking: 0844 375 2013<br />

Press contacts:<br />

Nadja Coyne - nadja.coyne@mif.co.uk<br />

Julia Gregg - julia.gregg@mif.co.uk<br />

Ruhrtriennale<br />

www.ruhrtriennale.de/en<br />

8pm, 29-31 August<br />

Emscherstraße 71<br />

47137 Duisburg-Meiderich<br />

Press contacts:<br />

Hendrik von Boxberg / Sarah Kaes<br />

+ 49 209 6050 7137 presse@ruhrtriennale.de<br />

Park Avenue Armory<br />

www.armoryonpark.org<br />

8pm, 28-30 September & 2-4 October<br />

643 Park Avenue New York, NY 10065<br />

Press contact:<br />

Julia Kirchhausen, Resnicow Schroeder<br />

+1 212-671-5161 / +1 917-453-8386<br />

For further information, press, image or interview requests please contact: Ché Zara Blomfield<br />

By email: che@uva.co.uk or by phone: UK +44(0)7512150743 & DE +49(0)1798076072


UVA – Fragment, 2013<br />

UVA Biography<br />

United Visual Artists (UVA) are an art practice<br />

based in London, founded in 2003. Their work<br />

combines disciplines of sculpture, architecture,<br />

live art and installation.<br />

Their open approach to collaboration and<br />

diverse backgrounds encourage and inspire an<br />

exploration into new fields of artistic production.<br />

UVA’s work is often positioned between passive<br />

and active engagement, this is encouraged by<br />

their interest in evoking a sense of presence,<br />

or in their large, collectively experienced<br />

installations: communion.<br />

‘Complex systems’ which include topics of<br />

Collective behaviour, Networks, Evolution &<br />

Adaption and Pattern formation, have a strong<br />

influence on UVA’s practice, these themes,<br />

which occur in nature, are explored in their<br />

relation to similar complexities in technology.<br />

UVA are represented by Gazelli Art House,<br />

London w<strong>here</strong> their work Continuum is<br />

currently being exhibited until 20th June.<br />

Exhibitions & Commissions<br />

UVA’s work has been exhibited in cities<br />

worldwide including; Barcelona, Beijing, Berlin,<br />

Hong Kong, Melbourne, New York, Paris, Sao<br />

Paolo, St Petersburg, Taipei and Tokyo.<br />

They have been commissioned by; Artwise<br />

Curators, The Creators Project, La Gaite<br />

Lyrique, Madison Square Garden, National<br />

Maritime Museum, Opera North, Royal<br />

Academy of Arts, Tate Modern Turbine Hall,<br />

Victoria & Albert Museum and YCAM in Japan<br />

and exhibited at; South Bank Centre, Wellcome<br />

Collection, Durham Cathedral, Riflemaker,<br />

Gazelli Art House and The British Library.<br />

Permanent installations include; Canopy at<br />

Maple Leaf Square building in Toronto and<br />

Passage, Combe Down Tunnel in Bath.<br />

UVA have received awards for several works<br />

including; Creative Review Annual ‘Best in<br />

Book’, 2011 for Speed of Light, Prix Arts<br />

Electronica ‘Distinction’ in 2010 for Chorus and<br />

the D&AD ‘Yellow Pencil’ in 2007 for Volume.<br />

For further information, press, image or interview requests please contact: Ché Zara Blomfield<br />

By email: che@uva.co.uk or by phone: UK +44(0)7512150743 & DE +49(0)1798076072


UVA – Chorus, 2009<br />

UVA Noteworthy Works<br />

Origin, 2011<br />

In Origin, UVA explore society’s acceptance of<br />

technological engagement. The work embodies<br />

polarities in nature: passive and calm, and<br />

erratic and unreliable, somewhat reflectively<br />

of systems we have become reliant on in<br />

technology.<br />

The work is UVA’s largest responsive<br />

installation, spanning 10m2. The geometric<br />

structure, formed of cubes, neatly conceals<br />

speakers, producing compelling soundscapes<br />

by Scanner (aka Robin Rimbaud) and energetic,<br />

animated light.<br />

In its entirety Origin presents both the attractive<br />

and negative qualities of technology, an interest<br />

in keeping with UVA’s past work, especially<br />

including works Monolith, Tryptich, Volume<br />

and Array.<br />

Chorus, 2009<br />

UVA’s first kinetic work, Chorus, consisted of<br />

eight tall black pendulums, heavily referencing<br />

Steve Reich. Each pendulum housed a light<br />

and speaker which emitted a piece by award<br />

winning British composer, Mira Calix.<br />

Calix specifically constructed the soundscape<br />

from recordings of core members of the Opera<br />

North Company. The whole composition was<br />

produced to work in perfect harmony, the<br />

movement triggering sound and light, each<br />

pendulum falling in and out of synchrony, yet all<br />

corresponding.<br />

UVA believe Chorus is the work that has<br />

received the most emotive response to date.<br />

The piece was originally installed for the<br />

opening of the Howard Assembly Room,<br />

commissioned by Opera North Projects in<br />

association with The Culture Company in 2009<br />

then, in November at The Durham Cathedral<br />

for the Lumiere festival and the Boiler Room at<br />

East London’s Wapping Project in 2010.<br />

UVA were awarded a distinction at the Prix Ars<br />

Electronica, for Chorus in 2010.<br />

Volume, 2006<br />

Volume was UVA’s first responsive, large-scale<br />

installation. It inaugurated in the John Madejski<br />

garden at London’s V&A Museum.<br />

Volume was key in UVA’s development, the<br />

totemic structures created a garden of light<br />

and sound which drew visitors to, and into the<br />

work. It was the first work that really succeeded<br />

in engaging viewers and at the same time<br />

explored their interest in the similarities<br />

between technology and nature.<br />

Volume’s original sound score was by Robert<br />

Del Naja and onepointsix. Since 2006, Volume<br />

traveled to Hong Kong, Taiwan, St. Petersburg<br />

and Melbourne.<br />

For further information, press, image or interview requests please contact: Ché Zara Blomfield<br />

By email: che@uva.co.uk or by phone: UK +44(0)7512150743 & DE +49(0)1798076072

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