Curing the monster Some images of and considerations - Prof. Dr ...

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- 23 - - Rank, O. (1922), Das Brüdermärchen. In: O. Rank, Psychoanalytische Beiträge zur Mythenforschung aus den Jahren 1912 - 1914. Leipzig, 2. ed.,(Internationaler Psychoanalytischer Verlag), 119 - 145 - Rank, O. (1971), The double. A psychoanalytic study. Chapel Hill (The University of North Carolina Press) - Redaktion der Time-Life-Bücher (ed.), (1985), Verzauberte Welten. Drachen (Time-Life-Books B. V.) - Roheim, G. (1972), Animism, magic and the divine king. New York (International University Press) - Rosenberg, A. (1956), Michael und der Drache. Urgestalten von Licht und Finsternis. Olten, Freiburg (Walter-Verlag) - Schmidt, H. and M. Schmidt (1982), Die vergessene Bildersprache christlicher Kunst. Ein Führer zum Verständnis der Tier-, Engel- und Mariensymbolik. München (C. H. Beck) - Schmitt, C. (1982), Der Leviathan in der Staatslehre des Thomas Hobbes. Sinn und Fehlschlag eins politischen Symbols. Köln (Hohenheim); (first edition 1938) - Schmögner, W. (1975), Das Drachenbuch. Frankfurt (Insel) - Sievers, B. (1986a), Beyond the surrogate of motivation. Organization Studies 7, 335 - 351 - Sievers, B. (1986b), Work, death, and life itself. Dragon 1, 8, 82 - 93 - Smith, E. (1919), The evolution of the dragon. Manchester (University Press) - Steffen, U. (1984), Drachenkampf. Der Mythos vom Bösen. Stuttgart (Kreuz) - Steiner, G. (1971), In Bluebeard's castle. Some notes towards the re-definition of culture. London (Faber & Faber) - Time-Life-Bücher (1987), Verzauberte Welten. Liebesglück und Liebesleid. (Time-Life-Books Inc.) - Vance, J. (1986), Die Drachenreiter. In: J. Vance, Drachenbrut. Bergisch- Gladbach (Bastei), 89 - 205 - Vinycomb, J. (1906), Fictious and symbolic creatures inart. With special reference to their use in British heraldry. London (Chapman and Hall)
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Page 3 and 4: - 2 - The more I allowed the dragon
Page 5 and 6: - 4 - (1986: 6) states, in the hist
Page 7 and 8: - 6 - by a dragon, a tragedy which
Page 9 and 10: - 8 - relatively clear origin but a
Page 11 and 12: - 10 - Eglamour unknowingly had fou
Page 13 and 14: - 12 - flying horse due to its enor
Page 15 and 16: - 14 - events in the present in so
Page 17 and 18: - 16 - machine" (Berg 1987a). There
Page 19 and 20: - 18 - not primarily through analog
Page 21 and 22: - 20 - Once upon a time there was a
Page 23: - 22 - - Johnsgard, P., K. Johnsgar

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