A SOUND EAR II - Association of British Orchestras
A SOUND EAR II - Association of British Orchestras
A SOUND EAR II - Association of British Orchestras
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A <strong>SOUND</strong> <strong>EAR</strong> <strong>II</strong><br />
FREQUENCY SELECTIVITY AND STEREOCILIAR DAMAGE<br />
Threshold <strong>of</strong> Response<br />
Normal<br />
Frequency<br />
Outer (V-shaped) Stereocilla Damaged<br />
In this state, they do not ‘dance’ effectively and<br />
so there is less amplification <strong>of</strong> their favourite<br />
frequencies. The result is the red curve, where the<br />
fine tuning response has disappeared.<br />
You would normally have 50% damage to a region <strong>of</strong> outer stereocilia before seeing any change in threshold shift<br />
(audiogram), and may suffer 75% damage before there is a change in threshold shift. Thus, the first consequence <strong>of</strong><br />
noise damage is not deafness but ‘blurred’ hearing. NB: damage to the outer stereocilia can be gauged by otoacoustic<br />
emission testing (OAE) and while OAE results differ markedly from person to person, the change in an individual’s<br />
results over time are useful for monitoring subtle noise damage. (See Health Surveillance).<br />
11<br />
Every cell has a write-<strong>of</strong>f point and kills itself when<br />
too damaged. The stereocilia are part <strong>of</strong> a nerve cell,<br />
and are not replaced after write-<strong>of</strong>f - they are only<br />
filled in by scar tissue.<br />
When an array <strong>of</strong> stereocilia is damaged, the neighbours will normally also be damaged. A second look at the pink<br />
curve shows that it has shifted away from the original tip. When the brain receives information from damaged<br />
stretches, it can struggle to determine whether it is intensity or frequency that has changed so, for instance, it may<br />
seem that colleagues go sharp during a crescendo.