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<strong>Are</strong> <strong>You</strong> as “<strong>Hip</strong>” as a <strong>4th</strong> <strong>Grader</strong>?<br />
EQUIP, INSPIRE, EXCITE, ACHIEVE AND GO! WITH POPULAR MUSIC<br />
Presented by Jim Tinter<br />
Over a 30+ year career as a music educator in grades K-9, my students and I have had many wonderful<br />
experiences with popular music. This session will offer numerous examples of how popular music was<br />
incorporated into our program in an educationally effective manner.<br />
I. Musical People - TBA - Tuneful, Beatful, Artful (may not be literate)...John Feierabend<br />
II. Warm up with movement<br />
A. “Billie Jean,” from Thriller. See separate handout for listening/movement activities.<br />
III. Three suggestions<br />
A. Embrace the teachable moment.<br />
B. Choose wisely - try to find quality examples and be able to justify using them.<br />
C. Never play music blind!<br />
IV. Flea trainers place limits and restrict opportunities. Fleaberators take the lid off the jar and liberate the<br />
fleas!<br />
A. Recognizing and overcoming self-imposed limitations in ourselves and our students.<br />
1. Nurtured by Love, Schinichi Suzuki.<br />
B. The Lion King — “I Just Can’t Wait to be King.” 5th grade flutes playing in F# major.<br />
V. Movement/Promoting beatfulness/Form identification<br />
A. “Billie Jean,” from Thriller, the #1 selling album of all time. See separate handout for process.<br />
VI. Cool recorder examples<br />
A. “Stairway to Heaven” — alto, tenor, & bass recorders.<br />
B. “Angela,” theme from TV show Taxi — alto recorder.<br />
C. “Wild Thing” — Ocarina (sweet potato). <strong>You</strong> Tube: Troggs — Wild Thing 1992. Easy solo to play.<br />
GGEGEGEGGE…. Uses the notes E, G, A & B. Figure out the rest by ear.<br />
VII. Jingle Bells in 10 Favors — “Rap”<br />
VIII. Listening opportunities<br />
A. Word Painting.<br />
1. Nat King Cole — “The Christmas Song.” “...to see if reindeer really know how to fly.”<br />
2. Eagles — “Lying Eyes.” “...to comfort an old friend who’s feeling down.”<br />
3. Tommy James — “I Think We’re Alone Now.” “...the beating of our hearts is the only sound.”<br />
B. The break (or the freeze).<br />
1. Mamas and Papas — “Monday, Monday.”<br />
2. Rascals — “Good Lovin.’”<br />
C. Dynamic contrast, quick beat/slow beat.<br />
1. Aerosmith — “Back in the Saddle.” Also word painting & how not to sing!<br />
2. Foreigner — “Juke Box Hero.” Somewhat controversial after used in Rock of Ages movie.<br />
3. Elvis Presley — “An American Trilogy.” One of the most dramatic crescendos ever!<br />
D. A classic song and it’s covers — “White Christmas”<br />
1. Bing Crosby (1942). #1 single of all time.<br />
2. The Drifters (1954) — Doo wop version. Used in Home Alone I. Influenced Elvis.<br />
3. Elvis (1957). Loved by me - HATED by Irving Berlin! Tried to get it banned.<br />
E. “Blue Christmas,” by Elvis. Use of color (blue memories, blue snowflakes, etc.).<br />
IX. Teachable moments<br />
A. “Iron Man” (in E and A. Original in B) — Black Sabbath, 3rd grade recorders, voices, guitar,<br />
alternate B. Alternate lyric: “I am Iron Man, I learn every melody that I can. <strong>You</strong> can learn them too,<br />
A-B-C-D-E-F-G that will do.”<br />
1. Notes for SR: E G G AA CBCBCBG G A A. Same fingerings for AR. In A and you have parallel<br />
fifths — POWER CHORDS! — “Bad for Bach, but rad for Rock!”<br />
2. Original recording in B. Another teachable moment — high register and high F#: B D D E E<br />
GF#GF#GF#D D E E.
B. “Do, Re, Mi” — The Sound of Music.<br />
1. How a shy, introverted 3rd grade girl experienced fleaberation.<br />
C. Star Wars, “Main Theme” — John Williams. In G. Awesome on recorders and/or saxes.<br />
D. “We Will Rock <strong>You</strong>” — Queen (A).<br />
1. Collaboration, drums, soprano & alto recorders, improvisation, A/D pentatonic (SR/AR).<br />
X. Three Chord Bliss — I IV V Chords. Letters in ( ) represent the key of the song.<br />
A. Lots to choose from: “Green Onions” (F) - Booker T & The MG’s, “Pride and Joy” (Eb) - Stevie Ray<br />
Vaughn, “Lucille” (C# or C, it varies. Probably a tape speed issue) - Little Richard, “Bama Lama<br />
Bama Loo” (F) - Little Richard, “Barbara Ann” (F#) - Beach Boys, “The Twist” (E) - Chubby<br />
Checker, “Peppermint Twist” (C) - Joey D and the Starliters, “At the Hop” (Ab) - Danny and the<br />
Juniors, “Hound Dog” (C) - Elvis Presley, “Hard Headed Woman” (C) - Elvis, “Too Much” (Ab) -<br />
Elvis, “I Feel Good” (D) - James Brown, “Johnny B. Goode” (Bb) - Chuck Berry.<br />
B. Movement activity to “Green Onions,” by Booker T and the MG’s. (Could be done with any of the<br />
tunes listed above.<br />
1. Movement Level 1 (individual): I — pat legs; IV — clap; V — snap w/hands over head.<br />
Simultaneous imitation (leader faces students and students imitate exactly, at the same time).<br />
a) Extension 1 — Say “one, four and five” on beat 1 of each chord.<br />
b) Extension 2 — Sing the root pitch of each chord. Use “I, IV, V” or solfege (do, fa, so).<br />
2. Movement level 2 (preparation for partner activity): I — pat, clap; IV — patty cake (clap/pretend<br />
to clap a partner’s hands, both at the same time. Clap, partner, clap, partner.<br />
a) Extension 1 — Alternate the partner clap to increase difficulty (clap, right, clap, left).<br />
3. Movement level 3 — Pick or assign partners. Concentric circles. Face partner. Level 2 movement.<br />
Everyone says “head” on beat one of the next chorus, indicating we're at the beginning or the<br />
head of the tune.<br />
4. Movement level 4 — Same as level 3 except on the first beat of the next chorus, do a right steptogether<br />
while saying, “head.” Now you have a new partner.<br />
XI. Christmas with Elvis.<br />
A. “All Shook Up” played on guitar and sung by <strong>4th</strong> grader, Robert Rossman.<br />
B. A word to music educators by Robert as a college student.<br />
Further reading —<br />
“A Whole Lot of Learnin’ Going On,” Mac Randall. Teaching Music, August, 2010. Volume 18, Number 1<br />
Further study —<br />
Consider attending the Summer Teacher Institute at the The Rock and Roll Hall of Fame and Museum in<br />
Cleveland. Here’s the link: http://rockhall.com/education/inside-the-classroom/summer-teacher-institute.<br />
Publications by Jim Tinter<br />
A Minor Melody<br />
Big Mouth Blues<br />
B-A-G Bossa Nova<br />
Jingle Bells in 10 Flavors<br />
VFX<br />
jimtinter@gmail.com<br />
recorderman.com<br />
This session partially sponsored by:<br />
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