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spectator<br />
Alumni Happenings, cont.<br />
writes “tackles bullying among boys at its core:<br />
the culture of toughness and silence boys live by.<br />
Rather than vilify bullies, The Boy Game looks to<br />
unpack the complex dynamics that lead some boys<br />
to bully and the vast majority to stand watching in<br />
silent conflict.” Michael Kimmel, Pulitzer Prizenominated<br />
author of Manhood In America says, “if<br />
the conversation about bullying is going to advance<br />
this is the project that will help us advance it.” The<br />
video is available through New Day Films. The<br />
interactive website is being developed by Dierdre’s<br />
Mind’s Eye Productions (mindseyeprods.com) in<br />
partnership with Men Can Stop Rape, Boys To<br />
Men, and A Call To Men. Dierdre is on the faculty<br />
of the Department of Media Studies and Film at<br />
The New School.<br />
Jim Lobley (Semiotics ‘85)<br />
Jim Lobley (Semiotics ‘85), along with his partner<br />
Kirsten Oxboel, designed what they consider to<br />
be “the first modern pre-fab outdoor shower,” and<br />
have launched a new business called Oborain.<br />
They were featured in the September 21st, 2012<br />
Home & Garden section (online) of The New York<br />
Times. Their shower was also mentioned in a piece<br />
in Custom Home, and was debuted this past June at<br />
Dwell magazine’s Dwell on Design Trade show in<br />
Los Angeles.<br />
Bridget Stokes (Art Semiotics ‘04)<br />
Bridget Stokes’ (Art<br />
Semiotics ‘04) first<br />
feature film, Herman &<br />
Shelly is now available<br />
digitally. She is currently<br />
in post-production on<br />
a feature she produced<br />
titled The Volunteer<br />
starring Aunjanue Ellis,<br />
Scott Wolf, Hill Harper,<br />
Mary-Beth Hurt, Ebon Moss-Bachrach, Eisa Davis,<br />
and Noah Gray-Cabey.<br />
Of his Semiotics concentration, Jim writes: “While<br />
I’ve had to explain semiotics many, many times<br />
over the years, I’ve come to appreciate the diversity<br />
of its applications. For a long time, I felt like I<br />
didn’t really fit the <strong>Brown</strong> mold, or that I’d failed<br />
to live up to the brand. What I’ve come to realize,<br />
though, is that what <strong>Brown</strong> seems to do is instill in<br />
us creatives the confidence, and the ability to take<br />
some hair brain, outside the fold idea and make a<br />
go of it. I appreciate that now in a way that I haven’t<br />
for years.”<br />
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