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spectator<br />
Graduate Student Conferences<br />
The conference series serves several functions, including increasing awareness of our graduate students’<br />
scholarly work among the <strong>Brown</strong> community at large and permitting our students to have an impact on<br />
discussions occurring within the university in a context that is more far-reaching than that provided by a<br />
graduate seminar. The series also assists students in the process of professionalization by creating a forum<br />
in which to receive essential criticism and feedback of students’ scholarship as it progresses through the<br />
stages of revision and development. Receptions following the conferences provide a further opportunity<br />
for engagement between students, peers, and faculty.<br />
MCM is also hosting a graduate student conference, “New Perspectives on Modern Culture and Media,”<br />
on Saturday, February 23rd. The schedule is as follows:<br />
• Andrew Lison, “Countercultural Dreams, Technological Nightmares: ‘The President’s Analyst,’1968,<br />
and the Future”<br />
• Aniruddha Maitra, “Cosmopolitanism and Gender in the Commons”<br />
• Hunter Hargraves, “The Addictive Gaze in Reality Television”<br />
• Jeremy Powell, “Elemental Destructions: Irigaray and Van Sant”<br />
• Seth Watter, “Flipping a Coin, Smoking a Cigarette: Of Cinema and Gesture”<br />
• Matt Noble-Olson, “The Late Work of Cinematic Excess”<br />
• Kenny Berger, “Anxiety, Power, and the Pacified Eye: Re-Envisioning Anti-Spectacular Film”<br />
• Mauro Resmini, “Death Every Night: Genre and Cinematic Ontology in ‘The Prestige’”<br />
The next graduate student conference will take place at the end of the semester.<br />
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