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DAVID<br />

TOTA L R U N N I N G T I M E : 77 M I N U T E S<br />


<br />

<strong>“Faith</strong>, <strong>Friendship</strong>, <strong>Family…</strong>.<strong>and</strong> <strong>the</strong> <strong>challenges</strong> <strong>of</strong><br />

<strong>being</strong> different in America.”<br />

Sales / Publicity Contac t:<br />

Julian Schwar tz<br />

646-234-7708<br />

Julian@madmonk media.com<br />

David-<strong>the</strong>movie.com Facebook .com/david<strong>the</strong>movie t witter.com/david<strong>the</strong>movie


DAVID<br />

THE MOVIE<br />

SYNOPSIS:<br />

“David” tells <strong>the</strong> story <strong>of</strong> Daud, an eleven<br />

year old Muslim boy growing up in<br />

Brooklyn. As <strong>the</strong> son <strong>of</strong> <strong>the</strong> Imam <strong>of</strong> <strong>the</strong><br />

local mosque, he has to juggle his fa<strong>the</strong>r’s<br />

high expectations, <strong>the</strong> dynamics <strong>of</strong> a<br />

conservative family, <strong>and</strong> <strong>being</strong> different –<br />

even from his peers in <strong>the</strong> Muslim community.<br />

Through an innocent act <strong>of</strong> good faith, Daud<br />

inadvertently befriends a group <strong>of</strong> Jewish<br />

boys who mistake him for <strong>being</strong> Jewish<br />

<strong>and</strong> accept him as one <strong>of</strong> <strong>the</strong>ir own. While<br />

working toge<strong>the</strong>r on a summer project,<br />

a genuine friendship is formed between<br />

Daud <strong>and</strong> Yoav, one <strong>of</strong> <strong>the</strong> Jewish boys.<br />

Unable to resist <strong>the</strong> joy <strong>of</strong> a camaraderie<br />

that he has never felt before, David, as he is<br />

known to <strong>the</strong> Jewish boys, gets drawn into a<br />

complicated situation that is based upon both<br />

<strong>the</strong> best <strong>of</strong> intentions, <strong>and</strong> youthful deceit.<br />

When <strong>the</strong> Jewish boys discover that Daud<br />

has lied to <strong>the</strong>m, his world is shattered,<br />

<strong>and</strong> he is left alone, struggling to come<br />

to terms with his place in <strong>the</strong> world.<br />

Starring: Maz Jobrani as Ahmed<br />

• The Interpreter – Opposite Sean Penn /<br />

Nicole Kidman<br />

• Axis <strong>of</strong> Evil Comedy Tour – HBO /<br />

Comedy Central<br />

• Funny in Farsi - ABC


Uppsala Int.<br />

Short Film Festival<br />

WINNER<br />

ARAB<br />

Film Festival<br />

WINNER<br />

Sidewalk Moving Picture<br />

Film Festival<br />

Kathryn Tucker Windham<br />

Storytelling Award<br />

WINNER<br />

INDIE Memphis<br />

Film Festival<br />

B A S E D O N T H E AWA R D W I N N I N G S H O R T F I L M “ DAU D ”.<br />

ABOUT THE FILM<br />

“David” is first <strong>and</strong> foremost a story <strong>of</strong> friendship<br />

between two boys. It is not a political or religious movie,<br />

but, after watching it, <strong>the</strong>se topics will inevitably<br />

seep into <strong>the</strong> conversation. The film questions <strong>the</strong><br />

boundaries <strong>of</strong> our cultures <strong>and</strong> religions, <strong>and</strong> looks<br />

at how static <strong>and</strong> yet fluid <strong>the</strong>se boundaries can be.<br />

As recent news about <strong>the</strong> Islamic community<br />

center in Lower Manhattan has shown, this is<br />

clearly a deeply sensitive issue, <strong>and</strong> one that<br />

has been central to <strong>the</strong> American experience.<br />

It is also an issue that is largely unresolved, <strong>and</strong><br />

a source <strong>of</strong> tension in many parts <strong>of</strong> <strong>the</strong> world.<br />

This film is a street-level look at an eleven-yearold<br />

Muslim boy’s struggle to fit in – within his<br />

family, community <strong>and</strong> wider world. What starts<br />

as an innocent mistake, develops into an unlikely<br />

friendship. Two boys, both <strong>of</strong> conservative religious<br />

backgrounds, find commonality in each o<strong>the</strong>r.<br />

The irony that Daud, a Muslim, finds friendship<br />

amongst a group <strong>of</strong> Jewish kids is as far into <strong>the</strong><br />

explicit politics that we wanted to go in <strong>the</strong> film.<br />

Their connection is born out <strong>of</strong> a closeness that<br />

reflects <strong>the</strong> unique positions <strong>of</strong> both <strong>the</strong> Arab <strong>and</strong><br />

orthodox Jewish communities in America: <strong>the</strong>y<br />

both strive to live modern lives while retaining<br />

<strong>the</strong>ir core religious <strong>and</strong> cultural virtues. This in itself<br />

is a microcosm <strong>of</strong> four centuries <strong>of</strong> <strong>the</strong> American<br />

experience for successive waves <strong>of</strong> immigrants, as<br />

expressed in <strong>the</strong> film by <strong>the</strong> Rabbi in <strong>the</strong> Yeshiva.<br />

to go to university – not as a way <strong>of</strong> escaping a<br />

conservative up bringing, but ra<strong>the</strong>r because it is <strong>the</strong><br />

path that will allow her to realize her dreams. Like<br />

many Muslims in America, Aishah’s struggle is one <strong>of</strong><br />

retaining her core Muslim identity, while at <strong>the</strong> same<br />

time becoming part <strong>of</strong> <strong>the</strong> fabric <strong>of</strong> American society.<br />

The film is not our attempt to provide answers<br />

to issues <strong>of</strong> prejudice, culture or religion – as<br />

<strong>the</strong>y run far deeper than <strong>the</strong> scope <strong>of</strong> a film -<br />

but ra<strong>the</strong>r to raise questions in a different tone;<br />

ones we hope can help us better underst<strong>and</strong><br />

a little bit about each o<strong>the</strong>r, <strong>and</strong> ourselves.<br />

Too much <strong>of</strong> <strong>the</strong> conversation about Islam<br />

in America has been tainted by ignorance <strong>and</strong><br />

misunderst<strong>and</strong>ings, <strong>and</strong> <strong>the</strong> same is true within<br />

<strong>the</strong> wider Islamic world about Americans <strong>and</strong> Jews.<br />

Unfortunately it seems easier to deal with each o<strong>the</strong>r<br />

as stereotypes ra<strong>the</strong>r than people. It was a truly special<br />

experience to watch <strong>the</strong> actors who played Daud<br />

<strong>and</strong> <strong>the</strong> Jewish boys interacting when <strong>the</strong> camera<br />

was <strong>of</strong>f: an Arab boy <strong>and</strong> five Jewish boys playing,<br />

joking around, <strong>and</strong> <strong>being</strong> friends. It was difficult to<br />

shoot <strong>the</strong> moments <strong>of</strong> tension between <strong>the</strong> boys, as<br />

it contradicted how <strong>the</strong>y related in real life. In a time<br />

<strong>of</strong> pervasive cynicism <strong>and</strong> mistrust, <strong>the</strong>se deeply<br />

touching moments <strong>of</strong>fered a useful lesson that<br />

perhaps we should be spending more time reflecting<br />

upon <strong>the</strong> similarities that we all share, ra<strong>the</strong>r<br />

than <strong>being</strong> scared by <strong>the</strong> differences we perceive.<br />

We also wanted to show a little <strong>of</strong> <strong>the</strong><br />

tension within conservative communities living<br />

in America – as told through <strong>the</strong> story lines<br />

involving Daud’s family. Daud’s fa<strong>the</strong>r, Ahmed,<br />

embodies <strong>the</strong> ‘old ways’. Playing <strong>the</strong> role <strong>of</strong> a<br />

conservative Imam in New York puts him in <strong>the</strong><br />

middle <strong>of</strong> <strong>challenges</strong> that he never would have<br />

been trained to deal with in his home country, as<br />

members <strong>of</strong> his community <strong>and</strong> family engage<br />

with <strong>the</strong> <strong>of</strong>ferings <strong>of</strong> an open <strong>and</strong> different world.<br />

His resistance to change is shown through his<br />

conflict with his daughter, Aishah, who is desperate


J O E L F E N D E L M A N Writer Producer Director<br />

It all started with his trick skates <strong>and</strong> a video<br />

camera. More recently, Joel Fendelman has<br />

been in New York producing <strong>and</strong> directing<br />

award winning films. His feature debut<br />

documentary “Needle Through Brick” surveys<br />

<strong>the</strong> quickly vanishing art <strong>of</strong> traditional Kung<br />

Fu through <strong>the</strong> eyes Kung Fu Masters that<br />

fled China over <strong>the</strong> last 100 years. The film,<br />

which he shot in Malaysia, won <strong>the</strong> Silver<br />

Palm award from <strong>the</strong> Mexico International<br />

film festival. It is currently attracting interest<br />

for distribution in <strong>the</strong> European Market.<br />

In only 5 years, Joel has directed a<br />

number <strong>of</strong> award winning short films<br />

that have been accepted <strong>and</strong> shown at<br />

prestigious film festivals, including Cannes,<br />

Chicago, Miami, Woodstock <strong>and</strong> IDFA. His<br />

company, Fendelman Films, is a boutique<br />

production company based in Brooklyn. Joel<br />

won <strong>the</strong> Chipotle Commercial Competition in<br />

2009 <strong>and</strong> continues to produce commercial<br />

content for agencies such as Kern & Lead.<br />

Joel also works as a film editor, editing<br />

episodes <strong>of</strong> Watching <strong>the</strong> Detectives for<br />

<strong>the</strong> A&E Network, The Artist’s Den for PBS,<br />

Total Makeover for Allure <strong>and</strong> does ongoing<br />

portrait pr<strong>of</strong>iles for American Express.<br />

Education: BFA in Film <strong>and</strong> television from<br />

<strong>the</strong> Savannah College <strong>of</strong> Art <strong>and</strong> Design.<br />

J U L I A N S C H WA R T Z Producer<br />

Julian worked in New York as a Music<br />

Producer for Television <strong>and</strong> Film for 14<br />

years. He worked on feature films, television<br />

commercials, <strong>and</strong> hundreds <strong>of</strong> episodes <strong>of</strong><br />

animated television programming for Kids<br />

WB <strong>and</strong> FOX Kids including <strong>the</strong> children’s hits<br />

“Pokemon”, “Yugioh”, <strong>and</strong> “Teenage Mutant<br />

Ninja Turtles”. His feature film credits include<br />

“Hope <strong>and</strong> a Little Sugar”, “Southie”, “The Spell<br />

<strong>of</strong> The Unknown”, <strong>and</strong> “Yugioh: The First Movie”.<br />

Julian was born <strong>and</strong> raised in Montreal,<br />

where he graduated from McGill University with<br />

a Bachelor <strong>of</strong> Science in Human Physiology.<br />

He attended Naropa University in Boulder<br />

Colorado where he received a BA in Music<br />

<strong>and</strong> Theatre, <strong>and</strong> studied Jazz Improvisation<br />

at New Engl<strong>and</strong> Conservatory with Paul Bley.<br />

Julian is also an actor, <strong>and</strong> has appeared on<br />

many regional <strong>and</strong> <strong>of</strong>f-<strong>of</strong>f Broadway stages as well<br />

as in numerous short films. He lives in Brooklyn.<br />

M A Z J O B R A N I Actor Producer<br />

Maz Jobrani is best known as a founding member<br />

<strong>of</strong> <strong>the</strong> Axis <strong>of</strong> Evil Comedy Tour, which featured<br />

some <strong>of</strong> <strong>the</strong> top Middle Eastern-American<br />

comics in <strong>the</strong> world. The Axis <strong>of</strong> Evil Comedy<br />

Central Special premiered in 2007 as <strong>the</strong> first<br />

show on American TV with an all Middle Eastern/American<br />

cast. In movies Maz starred in <strong>the</strong><br />

role <strong>of</strong> “Moly” in Ice Cube’s “Friday After Next.”<br />

He also played Secret Service Agent “Mo” in <strong>the</strong><br />

Sydney Pollack thriller “The Interpreter,” opposite<br />

Sean Penn <strong>and</strong> Nicole Kidman as well as<br />

Jennifer Garner’s colleague, Glenn, in “13 Going<br />

on 30.” In television he recently shot a pilot for<br />

ABC titled “Funny in Farsi” <strong>and</strong> is recurring on<br />

ABC’s “Better <strong>of</strong>f Ted.” He has been a regular on<br />

ABC’s “Knights <strong>of</strong> Prosperity” as well as FOX’s<br />

“Life on a Stick.” In 2008 Maz sold a TV show to<br />

CBS based on his life as an Iranian-American in<br />

<strong>the</strong> United States. The show was best described as<br />

a Middle Eastern “Everybody Loves Raymond.”<br />

PAT R I C K D A LY Writer Producer Co-director<br />

Patrick Daly is a director <strong>and</strong> producer<br />

who divides his time between academic <strong>and</strong><br />

creative pursuits. After working as a consultant<br />

on several documentary projects, he directed<br />

NEEDLE THROUGH BRICK in collaboration<br />

with filmmakers James Adolphus <strong>and</strong> Joel<br />

Fendelman. Patrick completed a PhD in<br />

archaeology at <strong>the</strong> University <strong>of</strong> Oxford.<br />

During this time he conducted extensive field<br />

research in Europe, South America, <strong>the</strong> Middle<br />

East <strong>and</strong> South East Asia. As part <strong>of</strong> this work<br />

he lived for extended periods <strong>of</strong> time on farms<br />

in Engl<strong>and</strong>, with Bedouin in <strong>the</strong> deserts <strong>of</strong><br />

sou<strong>the</strong>rn Jordan, <strong>and</strong> in traditional villages in<br />

Borneo. Political <strong>and</strong> social reasons brought<br />

him to take up a position as a visiting pr<strong>of</strong>essor<br />

at An-Najah National University in Nablus,<br />

Palestine. He spent more than a year living at<br />

<strong>the</strong> center <strong>of</strong> <strong>the</strong> Palestinian/Israeli conflict.<br />

It was during this time that he was convinced<br />

to pursue filmmaking as a vehicle for telling<br />

stories about pressing cultural <strong>and</strong> social issues.<br />

G I L TA L M I Composer<br />

At only 38 years <strong>of</strong> age, Gil Talmi is a worldrenowned<br />

Emmy nominated composer<br />

with a focus on socially conscious projects.<br />

His music can be heard in a variety <strong>of</strong> films,<br />

television programs <strong>and</strong> <strong>the</strong>atre productions.<br />

Gil’s most recent work includes music for<br />

<strong>the</strong> award winning documentary feature<br />

“New Year Baby” (Broken English Prods/<br />

ITVS), <strong>the</strong> 3 hour epic “Galapagos” (BBC/<br />

National Geographic), “The Mummy<br />

Who Would Be King” (Nova/PBS), “TED:<br />

The Future We Will Create” (Independent) <strong>and</strong><br />

a TV series for Bravo called “TV Revolutions”.<br />

A gifted composer, Gil’s music reflects a wide<br />

spectrum <strong>of</strong> musical influences. His styles<br />

range from timeless orchestral to driving urban<br />

beats, from ethnic world music to electronic<br />

euro-pop. Gil was nominated for a “National<br />

News <strong>and</strong> Documentary Emmy Award” for his<br />

work on “CBS Evening News with Dan Ra<strong>the</strong>r”.<br />

J A S O N D U B I N Executive Producer<br />

Jason formed O.D.D. Entertainment in 2004,<br />

which went to produce it’s first feature,<br />

“The Babysitters” starring John Leguizamo<br />

<strong>and</strong> Cynthia Nixon. Along with producing<br />

Domino Effect, a documentary television<br />

show focusing on people making a difference<br />

around <strong>the</strong> world; Jason is currently an actor<br />

<strong>and</strong> filmmaker in New York City where he is<br />

developing <strong>and</strong> producing a slate <strong>of</strong> projects<br />

including “Downer’s Grove”, a novel adapted<br />

by Brett Easton Ellis (American Psycho) which<br />

is going into production in <strong>the</strong> fall <strong>of</strong> 2010<br />

starring Hayden Panittiere (Heroes), Nikke Reed<br />

(Twilight) <strong>and</strong> Josh Hartnett (Black Hawk Down).


C A S T<br />

Ahmed<br />

Daud<br />

Yoav<br />

Aishah<br />

Fatima<br />

Moshe<br />

Mendy<br />

Dovi<br />

Yoseph<br />

Rabbi Harowitz<br />

Rabbi Schmully<br />

Rami<br />

Suhad<br />

Rami’s Fa<strong>the</strong>r<br />

Yoav’s Mom<br />

Yoav’s Dad<br />

Yussef<br />

Rifqa<br />

Maz Jobrani<br />

Muatasem Mishal<br />

Binyomin Shtaynberger<br />

Dina Shihabi<br />

Gamze Ceylon<br />

Michael Golden<br />

Daniel Luttway<br />

Markus Goldberg<br />

Jared Kirsch<br />

David M<strong>and</strong>elbaum<br />

Noam Wienberg<br />

Akram Basuni<br />

Ayse Richardson<br />

Taufiq Abid<br />

Lara Gedzelman<br />

Joel Gedzelman<br />

Abdu Almasmary<br />

Aya Abid<br />

C R E W<br />

Director<br />

Co-director<br />

Writers<br />

Produced by<br />

Producers<br />

Executive Producers<br />

Co-Producer<br />

Assistant Director<br />

Director <strong>of</strong> Photography<br />

Original Music<br />

Editor<br />

Additional Editors<br />

Art Direction<br />

Location Sound<br />

Associate Producer<br />

Gaffer<br />

Joel Fendelman<br />

Patrick Daly<br />

Joel Fendelman, Patrick Daly<br />

Julian Schwartz<br />

Joel Fendelman, Patrick Daly, Maz Jobrani<br />

Jason Dubin, Andrew Cohen<br />

Yuta Silverman<br />

Kevin harttman<br />

Robbie Renfrow<br />

Gil Talmi<br />

Joel Fendelman<br />

Martin Levenstien, Chris Houghton<br />

Shruti Parekh<br />

Rick McMunn<br />

Asmi Fa<strong>the</strong>lbab<br />

Patrick Welty

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