Walking Corpses & Conscious Plants: Possibilist Ecologies in ...
Walking Corpses & Conscious Plants: Possibilist Ecologies in ...
Walking Corpses & Conscious Plants: Possibilist Ecologies in ...
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B<strong>in</strong>gham 32<br />
Corben's, reads as follows: "BLOODSTAR is a new, revolutionary concept —a graphic<br />
novel which comb<strong>in</strong>es all the imag<strong>in</strong>ation and visual power of comic strip art with the<br />
richness of the traditional novel” (Howard). Besides Bloodstar, two other texts labeled<br />
themselves as graphic novels before Eisner's project. These were Chandler: Red Tide by<br />
Joe Steranko and Beyond Time and Aga<strong>in</strong> by George Metzger (Williams & Lyons xiv).<br />
Understandably, there is some confusion as to what exactly differentiates a<br />
graphic novel from a comic book. Allyson and Barry Lyga assert that the term is, “used<br />
to describe the specific format of a comic book that has greater production values and<br />
longer narrative” (162-3). Its use became widespread with the popularity of such works<br />
as Frank Miller's The Dark Knight Returns and Alan Moore and Dave Gibbon's<br />
Watchmen. Both of these works were published <strong>in</strong> 1986 and challenged the accepted<br />
superhero formula which had been perpetuated <strong>in</strong> graphic narratives s<strong>in</strong>ce the Golden<br />
Age of Comics. Accord<strong>in</strong>g to the Oxford English Dictionary, a graphic novel is “a fulllength<br />
(esp. science fiction or fantasy) story published as a book <strong>in</strong> comic-strip format.”<br />
Often graphic novels are confused with trade paperbacks or compendiums that collect<br />
and repr<strong>in</strong>t a story arc <strong>in</strong> a s<strong>in</strong>gle edition after its previous episodic publication (Lyga &<br />
Lyga 165). These compendiums differ from graphic novels, which, accord<strong>in</strong>g to the most<br />
precise def<strong>in</strong>ition, can only conta<strong>in</strong> a completely self-conta<strong>in</strong>ed story arc. This def<strong>in</strong>ition<br />
comes with an exception, though. As a result of colloquial <strong>in</strong>dication, it's possible that<br />
graphic novels may name the often square-bound object illustrat<strong>in</strong>g a s<strong>in</strong>gle story or<br />
series of related ones (ibid. 163). Metzjer's Beyond Time and Aga<strong>in</strong> was actually a<br />
compendium, whereas Bloodstar was a long story released as a limited edition hardbound<br />
luxury item. If we believe material construction plays significant role <strong>in</strong> determ<strong>in</strong><strong>in</strong>g