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The Art of Political Science: Spatial Diagrams as Iconic and Revelatory

The Art of Political Science: Spatial Diagrams as Iconic and Revelatory

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APSA Presidential Address |<br />

<strong>The</strong> <strong>Art</strong> <strong>of</strong> <strong>Political</strong> <strong>Science</strong><br />

Figure 8<br />

<strong>Spatial</strong> representation <strong>of</strong> dimensions <strong>of</strong><br />

conflict in the Sixteenth General Assembly <strong>of</strong><br />

the United Nations in 1961–1962: Hayward<br />

Alker (1964)<br />

Figure 11<br />

Realignment from a new line <strong>of</strong> cleavage<br />

cutting across an old one: James Sundquist<br />

(1973)<br />

Figure 9<br />

<strong>Spatial</strong> representation <strong>of</strong> perceptual distortions<br />

in two-dimensional party space <strong>as</strong> a function<br />

<strong>of</strong> the relative centrality <strong>of</strong> the dimensions<br />

for the perceiver: Philip Converse (1966)<br />

Figure 12<br />

Cleavages in American politics in the early<br />

1970s: Walter Dean Burnham (1975)<br />

Figure 10<br />

<strong>Spatial</strong> model <strong>of</strong> the electoral process: Otto<br />

Davis, Melvin Hinich, <strong>and</strong> Peter Ordeshook (1970)<br />

Figure 13<br />

<strong>Spatial</strong> representation <strong>of</strong> issue consistency:<br />

Norman Nie, Sidney Verba, <strong>and</strong> John<br />

Petrocik (1976)<br />

314 Perspectives on Politics

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