Centre national des arts plastiques - Cnap
Centre national des arts plastiques - Cnap
Centre national des arts plastiques - Cnap
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Supporting artists<br />
and <strong>arts</strong> professionals<br />
Further acquisitions of art pieces, the <strong>Centre</strong> <strong>national</strong> <strong>des</strong> <strong>arts</strong> <strong>plastiques</strong><br />
manages a series of structures <strong>des</strong>igned to support artists and private<br />
organisations (galleries, publishers, audiovisual producers), as well as<br />
contemporary art restorers and conservators, art theorists, critics and<br />
documentary photographers. In this way, the CNAP demonstrates its<br />
partnership with contemporary artistic creation and contributes to the<br />
development and professionalisation of the art scene.<br />
SUPPORTING ARTISTS<br />
Recognising that research is a key component of any artist’s work,<br />
the CNAP encourages practices that do not have an immediate role<br />
in a productive economy. Like any other researcher, an artist develops<br />
through what is often a long process of thought and discovery,<br />
involving intuition as much as method, and which is not always apt<br />
to generate a viable income. The CNAP provi<strong>des</strong> various means of<br />
support at this fragile stage in the artistic process.<br />
FUNDING FOR CONTEMPORARY DOCUMENTARY<br />
PHOTOGRAPHIC CREATION<br />
Twice a year, the CNAP allocates funding to documentary photographers<br />
whose work has been recognised by publication in the press, or,<br />
in certain cases, through professional exhibition. The award, financed<br />
from a special trial production fund that was introduced in 2011,<br />
provi<strong>des</strong> advance funding for the production of a documentary work.<br />
Recent beneficiaries include in 2012 Samuel Gratacap (Immersion(s) – Tunisie)<br />
Marie-Paule Nègre (Conte <strong>des</strong> temps modernes ou la misère ordinaire – Deuxième génération)<br />
Hélène David (Kerkennah. La Renaissance du bleu) in 2011 Édouard Beau<br />
(Entre Tigre et Euphrate, un défi : Reconstruire) Johann Rousselot (Colères) Laetitia Tura<br />
(Sur les territoires de la Retirada).<br />
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FUNDING OF ARTISTIC RESEARCH<br />
AND ONE-OFF GRANTS<br />
The CNAP makes an annual award to working artists to finance<br />
research or develop a project in or outside France.<br />
Recent beneficiaries include in 2012 Françoise Vergier, Un Continent de plâtre et<br />
de porcelaine à découvrir, France (sculpture) Béatrice Cussol, Mots monstres, France<br />
(painting) Caroline Duchatelet, Aube au couvent de San Marco, lumières florentines, Italy<br />
(film/video) in 2011 Boris Achour, Recherches préalables au projet “Séances”, France,<br />
Belgium, Germany (installation) Jean-François Lecourt, Un Processus de répétition et<br />
d’absence de pensée dans l’instant décisif (photography) Olivier Zabat, Commentaire,<br />
narration et action sur l’image, France, UK (video).<br />
An emergency grant of up to €1,000 can be given to artists who are<br />
experiencing temporary financial difficulties which prevent them from<br />
continuing their work. This funding is additional to any allowance<br />
provided by the State. Applications are examined four times a year by<br />
a committee comprising representatives of professional and administrative<br />
organisations and one other qualified individual.<br />
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Guillaume Greff, Untitled,<br />
Dead Cities, 2012. 120 x 160 cm,<br />
C-print. © Photo Guillaume Greff<br />
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Antoine Agoudjian, Ergen, 2012.<br />
From the Mémoire <strong>des</strong> Arméniens<br />
series, 2012. 80 x 120 cm.<br />
© Photo Antoine Agoudjian<br />
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