Iluna gordelekuan/ Oscuridad en el refugio - The Courtauld Institute ...

73
. ’Notes by Henry Moore’, in exhibition catalogue, Tate Gallery, London, Sculpture and drawings by
Henry Moore, loc. cit., p. 3.
74
. Ibid., p. 16.
75
. Neumann, op. cit., pp. 152-4. Not all the Heads can be seen in this way: Moore contrasted the
gentleness, strength and intelligence which he saw manifested in the elephant skull (of which he made a series
of etchings) with the rhinoceros skull which is entirely different in form and emotional impact, having ‘a rather
repellent, powerful tank-like ferocity.’ Moore quoted in the essay by Henry J. Seldis for Elephant Skull.
Original etchings by Henry Moore, Geneva 1970, n.p.
76
. Neumann, op. cit., pp. 146-8.
77
. G.S. Whittet, ‘Farewell to flat, goodbye to square: London commentary’, The Studio, vol. 170, no.
870, October 1966, p. 169.