Dan Flavin Selected Bibliography - David Zwirner

David Zwirner 

This document was updated November 15, 2013. For reference only and not for purposes of publication. For more 

information, please contact flavininfo@davidzwirner.com 

DAN FLAVIN 

(1933-1996) 

SELECTED BIBLIOGRAPHY 

ARTIST’S WRITINGS AND INTERVIEWS 

1963 

“Editor’s Letters.” Art News 62, no. 2 (April), p. 6. 

1965 

“The Artists Say.” Art Voices 4, no. 3 (Summer), p. 72. 

“‘. . . in daylight or cool white.’ an autobiographical sketch.” Artforum 4, no. 4 (December), pp. 20–24. Revised 

version (and artist’s preferred version) appears in fluorescent light, etc. from Dan Flavin/lumière fluorescente, etc. 

par Dan Flavin, exh. cat. (Ottawa: National Gallery of Canada; Vancouver: Vancouver Art Gallery, 1969). 

U.S. Congress. House. “Hearings Before the Subcommittee on National Parks and Recreation of the Committee on 

Interior and Insular Affairs.” Hudson Highlands National Scenic Riverway, serial no. 14 (July 24 and 25), pp. 312– 

13. Washington, D.C.: U.S. Government Printing Office. 

1966 

“Flavin Speech.” Blockprint (Providence, Rhode Island), March 21, unpaginated. 

“some remarks . . . excerpts from a spleenish journal.” Artforum 5, no. 4 (December), pp. 27–29. Reprinted in: Dan 

Flavin: three installations in fluorescent light/Drei Installationen in fluoreszierendem Licht (Cologne: Kunsthalle 

Köln, 1973), pp. 88–89. 

1967 

Statement. Dan Flavin: alternating pink and “gold,” exh. cat. (Chicago: Museum of Contemporary Art), 

unpaginated. 

“Letters.” Arts Magazine 41, no. 4 (February), p. 8. Reply by Corinne Robins. 

“some other comments . . . more pages from a spleenish journal.” Artforum 6, no. 4 (December), pp. 20–25. 

David Zwirner Dan Flavin: Selected Bibliography 1

1968 

“Editor’s Letters.” Art News 67, no. 4 (Summer), p. 8. Reply by Gordon N. Ray, President, John Simon 

Guggenheim Memorial Foundation. 

“Letters.” Artforum 6, no. 6 (February), p. 4. Reply by Philip Leider. 

“Letters.” Artforum 6, no. 8 (April), p. 4. Reply by Philip Leider. 

“Letters.” Artforum 7, no. 2 (October), p. 4. 

“. . . on an American artist’s education . . .” Artforum 6, no. 7 (March), pp. 28–32. 

“Several Quotations for Don Judd.” In Donald Judd, exh. cat. (New York: Whitney Museum of American Art), pp. 

6–7. 

1969 

“commentation—more or less.” Bijutso Techo (Tokyo) (May). 

“Dan Flavin.” Art Now: New York 1, no. 3 (March), unpaginated. 

Flavin, Dan, and Brydon Smith. “fluorescent light, etc. from Dan Flavin: a supplement.” Artscanada, nos. 136–37 

(October), pp. 14–19. 

“Several more remarks . . .” Studio International 177, no. 910 (April), pp. 173–75. 

1970 

“Reference Quotes.” Conceptual Art and Conceptual Aspects (New York: New York Cultural Center). 

“untitled (to dear durable Sol from Stephen, Sonja and Dan).” In Sol LeWitt, exh. cat. (The Hague: Haags 

Gemeentemuseum), ill. p. 23. Drawing reproduced as Flavin’s contribution to the section of the catalogue in which 

artists paid tribute to LeWitt. 

1971 

“Correspondence: The Guggenheim Affair.” Studio International 182, no. 935 (July–August), p. 6. 

“Letters.” Artforum 10, no. 2 (October), p. 9. 


Siegel, Jeanne (with comments by Dan Flavin). “Around Barnett Newman.” Art News 70, no. 6 (October), pp. 42– 

47, 59–62, 65–66. 

1972 

“Postscript to ‘Notes on an Exposition of Cornered Installations in Fluorescent Light by Dan Flavin Set to Celebrate 

Ten Years of the Albright-Knox Art Gallery.’” Studio International 184, no. 950 (December), p. 232. 

1973 

“A Collective Portrait of Marcel Duchamp.” In Marcel Duchamp, exh. cat., eds. Anne d’Harnoncourt and Kynaston 

McShine (New York: Museum of Modern Art), p. 199. 

“Dan Flavin über Kunst.” In Dan Flavin: three installations in fluorescent light/Drei Installationen in 

fluoreszierendem Licht, exh. cat. (Cologne: Kunsthalle Köln), pp. 81–116. 

“Letters.” Arts Magazine 47, no. 7 (May–June), p. 24. 

Statement. In drawings and diagrams from Dan Flavin 1963–1972, exh. cat. (St. Louis, Missouri: St. Louis Art 

Museum), p. 4. 

1974 

“Letters.” Artforum 13, no. 1 (September), pp. 8–9. Reply by Lawrence Alloway. 

Statement. Multiples Newsletter (Multiples, Inc., New York) (May). 

1975 

“Address Delivered by Dan Flavin at the National Gallery of Canada for Donald Judd’s Retrospective.” Studio 

International 190, no. 977 (September–October), p. 156. 

“Letter from Dan Flavin.” In Donald Judd, exh. cat. (Ottawa: National Gallery of Canada), pp. 1–2. 

1976 

Excerpts from an interview (August 17, 1976). In Dan Flavin: installations in fluorescent light, Part 2, exh. cat. 

(Edinburgh: Scottish Arts Council), pp. 8–9. 

1977 


“Statements by the Artist on His Graphic Art.” In Dan Flavin: drawings, diagrams and prints, 1972–1975. Dan 

Flavin: installations in fluorescent light, 1972–1975, exh. cat. (Fort Worth, Texas: Fort Worth Art Museum), p. 6. 

1979 

Statement. In . . . drawn along the shores, 1959–1976 by Dan Flavin, exh. cat. (Yonkers, New York: Hudson River 

Museum), unpaginated. 

1983 

“Letters to the Long Island Editor.” New York Times, July 24, Long Island Weekly sec., p. 21. 

1984 

“Letters to the Editor: Mess of a Speech.” Southampton Press, September 6, p. 11. 

“Letters to the Editor: Sad to Read Wolfe.” Southampton Press, October 4, pp. 11–12. 

“Letters to the Editor: Unfair Story on Wolfe.” Southampton Press, September 13, p. 11. 

1988 

“Letters.” Art in America 76, no. 9 (September), p. 21. 

1989 

“Some Artist’s Remarks …” In “monuments” for V. Tatlin from Dan Flavin, 1964–1982, exh. cat. (Chicago: 

Donald Young Gallery, for the Museum of Contemporary Art, Los Angeles, in collaboration with Leo Castelli 

Gallery, New York), unpaginated. 

Statement, and text titled “some more information … (to Sabine).” In Neue Anwendungen fluoreszierenden Lichts 

mit Diagrammen, Zeichnungen und Drucken von Dan Flavin/new uses for fluorescent light with diagrams, drawings 

and prints from Dan Flavin, exh. cat. (Stuttgart: Edition Cantz), pp. 7, 45–49. 

1992 

“Letters.” New York Times, March 22, sec. 2, p. 4. Reply by Paul Taylor. 

1993 

Statement. In Dan Flavin: Installationen in fluoreszierendem Licht 1989–93, exh. cat. (Frankfurt am Main: 

Städtische Galerie im Städel), pp. 28–29. 

Statement. In Dan Flavin: tall cornered fluorescent light, exh. cat. (New York: PaceWildenstein), unpaginated. 


1999 

Excerpt from a letter to Helen Harrison (July 30, 1991). In Dan Flavin: The Architecture of Light, exh. cat. (New 

York: Solomon R. Guggenheim Museum), p. 82. 

2000 

Bell, Tiffany. “Interview with Dan Flavin.” Chinati Foundation Newsletter 5 (September), pp. 26–35. 

Flavin, Dan, Donald Judd, and Barnett Newman. “Reflections of a Friendship: Notes and Essays by Dan Flavin, 

Donald Judd, and Barnett Newman on Dan Flavin, Donald Judd, and Barnett Newman, Chronologically from 1962 

to 1975.” Chinati Foundation Newsletter 5 (September), pp. 10–25. 

SOLO EXHIBITION CATALOGUES AND MONOGRAPHS 

1966 

Dan Flavin. Cologne: Galerie Rudolf Zwirner. Brochure. 

1967 

Dan Flavin: alternating pink and “gold.” Chicago: Museum of Contemporary Art. Foreword by Jan van der Marck, 

selection of quotes compiled by Dan Graham. 

1968 

Dan Flavin: an exposition of fluorescent light. University Park, Pennsylvania: Pennsylvania State University, 

College of Arts and Architecture. Text by Ira Licht. Brochure. 

Dan Flavin: lampade fluorescente gialle. Turin: Galleria Sperone. Brochure. 

1969 

fluorescent light, etc. from Dan Flavin/lumière fluorescente, etc. par Dan Flavin. Ottawa: National Gallery of 

Canada; Vancouver: Vancouver Art Gallery. Texts by Brydon Smith, Mel Bochner, and Donald Judd. The 

supplemental brochure fluorescent light, etc. from Dan Flavin: a supplement, with texts by Brydon Smith and Dan 

Flavin, was published in 1969 by the National Gallery of Canada and also appeared in its entirety in Artscanada, 

nos. 136–37 (October), pp. 14–19. 

1970 


Flavin, Dan, and Donald Judd. Dan Flavin. Paris: Galerie Ileana Sonnabend. This publication was not recognized by 

the artist. 1 

1973 

Dan Flavin: three installations in fluorescent light/Drei Installationen in fluoreszierendem Licht. Cologne: 

Kunsthalle Köln. Text by Manfred Schneckenburger. The supplemental brochure Dan Flavin: Drei Installationen in 

fluoreszierendem Licht, with texts by Evelyn Weiss and Dieter Ronte, was published in 1973 to document the works 

in the exhibition. 

drawings and diagrams from Dan Flavin 1963–1972. St. Louis, Missouri: St. Louis Art Museum. Text by Emily 

Rauh. A second volume was also published in 1973, titled corners, barriers and corridors in fluorescent light from 

Dan Flavin. St. Louis, Missouri: St. Louis Art Museum. Text by Emily Rauh. 

1975 

Huber, Carlo. fünf Installationen in fluoreszierendem Licht von Dan Flavin. Zeichnungen, Diagramme, Druckgrafik 

1972 bis 1975 und zwei Installationen in fluoreszierendem Licht von Dan Flavin. Basel: Kunsthalle Basel and 

Kunstmuseum Basel. 

1976 

Dan Flavin. Los Angeles: Otis Art Institute Gallery. Brochure. 

Dan Flavin: installations in fluorescent light, Part 1. Edinburgh: Scottish Arts Council. 

Dan Flavin: installations in fluorescent light, Part 2. Edinburgh: Scottish Arts Council. 

1977 

Dan Flavin: drawings, diagrams and prints, 1972–1975. Dan Flavin: installations in fluorescent light, 1972–1975. 

Fort Worth, Texas: Fort Worth Art Museum. Texts by Franz Meyer, Emily Rauh, and Jay Belloli. 

1978 

. . . drawn along the shores, 1959–1976 by Dan Flavin. Southampton, New York: Parrish Art Museum. 

Flavin. Berkeley, California: University Art Museum. 

1979 

. . . drawn along the shores, 1959–1976 by Dan Flavin. Yonkers, New York: Hudson River Museum. 

1 

Letter from Dan Flavin to Ileana Sonnabend, November 13, 1970, Flavin archive, New York. 


1985 

Dan Flavin: “monuments” for V. Tatlin, 1964–1982. Otterlo, Netherlands: Rijksmuseum Kröller-Müller. Brochure. 

1986 

Nisbet, Peter. New Works: Dan Flavin. Cambridge, Massachusetts: Arthur M. Sackler Museum, Harvard University. 

Brochure. 

1989 

“monuments” for V. Tatlin from Dan Flavin, 1964–1982. Chicago: Donald Young Gallery, for the Museum of 

Contemporary Art, Los Angeles, in collaboration with Leo Castelli Gallery, New York. 

Neue Anwendungen fluoreszierenden Lichts mit Diagrammen, Zeichnungen und Drucken von Dan Flavin/new uses 

for fluorescent light with diagrams, drawings and prints from Dan Flavin. Stuttgart: Edition Cantz. Texts by Jochen 

Poetter, Madeleine and Deschamps. 

1990 

Dan Flavin: untitled (for Lucie Rie, master potter) 1990 themes and variations. London: Waddington Galleries. 

Dan Flavin: untitled (for Otto Freundlich) 1990 themes and variations. Zurich: Annemarie Verna Galerie. 

1991 

Dan Flavin: Selected Works. Santa Monica, California: Daniel Weinberg Gallery. Brochure. 

1993 

Dan Flavin: Installationen in fluoreszierendem Licht 1989–93. Frankfurt am Main: Städtische Galerie im Städel. 

Texts by Klaus Gallwitz and Beatrice von Bismarck. 

Dan Flavin: tall cornered fluorescent light. New York: PaceWildenstein. 

1994 

Helmut Friedel, ed. Dan Flavin: Kunstbau Lenbachhaus München. Munich: Städtische Galerie im Lenbachhaus. 

1995 

Dan Flavin in De Zonnehof. Amersfoort, Netherlands: De Zonnehof. Introduction by Paul Coumans, discussion 

between Carel Blotkamp and Peter Struycken. 


Govan, Michael. Dan Flavin: European Couples, and Others. New York: Dia Center for the Arts. Brochure. 

1996 

Bell, Tiffany. Dan Flavin. New York: Dia Center for the Arts. Brochure. 

Keiser, Alexandra. “Dan Flavin: Arbeiten aus fluoreszierendem Licht.” Master’s thesis. Trier, Germany: Universität 

Trier. 

Loock, Ulrich, and Bernhard Schuppli. Dan Flavin. Bern: Schweizerische Bankgesellschaft, [c. 1996]. 

1997 

Celant, Germano, ed. Cattedrali d’Arte: Dan Flavin per Santa Maria in Chiesa Rossa. Milan: Fondazione Prada. 

The supplemental brochure Dan Flavin, with text by Michael Govan, was published in 1997. 

Dan Flavin: “monuments” for V. Tatlin. New York: Danese. 

Govan, Michael. Dan Flavin: 1962/63, 1970, 1996. New York: Dia Center for the Arts. Brochure. 

1998 

Dan Flavin. Rio de Janeiro: Centro Cultural Light. Texts by Marc Pottier and Chrissie Iles. 

Dan Flavin. Buenos Aires: Proa Fundación. Texts by Michael Govan and Julio Sánchez. 

Dan Flavin. Oldenburg, Germany: Oldenburger Kunstverein. Text by Rudolf Schmitz. Brochure. 

1999 

Dan Flavin: The Architecture of Light. New York: Solomon R. Guggenheim Museum. Texts by J. Fiona Ragheb, 

Joseph Kosuth, Frances Colpitt, Michael Govan, Brydon E. Smith, Jonathan Crary, Tiffany Bell, and Michael 

Newman. 

Löbke, Matthia. “Untitled (to Dan Flavin): Untersuchungen zum Werk in fluoreszierendem Licht von Dan Flavin.” 

Ph.D. dissertation. Münster, Germany: Westfälischen Wilhelms Universität. 

2001 

Dan Flavin. London: Serpentine Gallery. Text by Michael Govan. 


2002 

Light in Architecture and Art: The Art of Dan Flavin. Marfa, Texas: Chinati Foundation. Texts by Kurt W. Forster, 

Robert Rosenblum, Michael Govan, Brydon Smith, Michael Venezia, Tiffany Bell, Steve Morse, Dave Hickey, and 

Marianne Stockebrand. 

2004 

Bell, Tiffany and Govan, Michael. Dan Flavin: The Complete Lights, 1961-1996. New York and Washington, D.C.: 

Dia Art Foundation and National Gallery of Art in association with Yale University Press, New London. 

Bell, Tiffany and Govan, Michael. Dan Flavin: A Retrospective. New York and Washington, D.C.: Dia Art 

Foundation and National Gallery of Art in association with Yale University Press, New London. 

Feldman, Paula and Schubert, Karsten, eds. it is what it is: writings on Dan Flavin since 1964. London: Thames and 

Hudson. 

Dan Flavin: Stanze di luce tra Varese e New York. Milan: FAI, Fondo per l'Ambiente Italiano and Skira. Texts by 

Giuseppe Panza di Biumo, Anglea Vettese, Roberta Riccioni, Lucia Borromeo Dina, and Laura Marrioli Rossi. 

2006 

Weiss, Jeffrey, ed.; texts by Briony Fer, Hal Foster, Jeremy Gilbert-Rolfe, Alex Potts, Anne M. Wagner, and Jeffrey 

Weiss. Dan Flavin: New Light. New Haven and London: Yale University Press; Washington: National Gallery of 

Art. 

2008 

Dan Flavin: the 1964 Green Gallery exhibition. Göttingen and New York: Steidl/Zwirner & Wirth. Text by Jeffrey 

Weiss. 

Waschek, Matthias. Dan Flavin Constructed Light. St. Louis: The Pulitzer Foundation for the Arts. 

2009 

Theirolf, Corinna and Vogt, Johannes. Dan Flavin - Icons. Munich: Schirmer/Mosel and Pinakothek der Moderne. 

2010 

Dan Flavin: Series and Progresssions. Göttingen and New York: Steidl/David Zwirner. Texts by Tiffany Bell, Dan 

Graham, Anne Rorimer, Richard Shiff, and Alexandra Whitney. 


2012 

Dervaux, Isabelle, ed. Dan Flavin: Drawing. New York: The Morgan Library. Texts by Tiffany Bell, Isabelle 

Dervaux, and Jennifer Raab. 

Fuchs, Rainer and Kraus, Karola, eds., Dan Flavin: Lights. Vienna: Museum moderner Kunst Stiftung Wien. Texts 

by Rainer Fuchs, Stefan Neuner, Juliane Rebentisch, and Roland Wäspe. 

GROUP EXHIBITION CATALOGUES 

1960 

New Forms—New Media I. New York: Martha Jackson Gallery. Texts by Lawrence Alloway and Allan Kaprow. 

1965 

Art Turned On. Boston: Institute of Contemporary Art. 

Current Art. Philadelphia: Institute of Contemporary Art, University of Pennsylvania. 

1966 

Art in Process: The Visual Development of a Structure. New York: Finch College Museum of Art. Text by Elayne 

H. Varian. 

Coplans, John. Five Los Angeles Sculptors. Sculptors’ Drawings: Los Angeles/New York. Irvine, California: Art 

Gallery, University of California. 

Kunst Licht Kunst. Eindhoven, Netherlands: Stedelijk Van Abbemuseum. Texts by J. Leering and Frank Popper. 

Primary Structures: Younger American and British Sculptors. New York: Jewish Museum. 

10. New York: Dwan Gallery. 

1967 

Focus on Light. Trenton, New Jersey: New Jersey State Museum Cultural Center. Texts by Edward A. Ring and 

Lucy R. Lippard. 

Kompass New York: Malerei nach 1945 aus New York. Frankfurt am Main: Frankfurter Kunstverein. Text by Jean 

Leering. 


Miller, Dorothy. The 1960s: Painting and Sculpture from the Museum Collection. New York: Museum of Modern 

Art. Brochure. 

A New Aesthetic. Washington, D.C.: Washington Gallery of Modern Art. Texts by Charles W. Millard and Barbara 

Rose. 

Nuove Tecniche d’Immagine. [Venice]: Alfieri Edizioni d’Arte. 

Paintings and Sculpture from the Gallery Collection. Los Angeles: Irving Blum Gallery. 

Serielle Formationen. Frankfurt am Main: Studio Galerie. 

Tuchman, Maurice, ed. American Sculpture of the Sixties. Los Angeles: Los Angeles County Museum of Art. 

1968 

Beeren, W. A. L. Three Blind Mice: de collecties Visser, Peeters, Becht. Eindhoven, Netherlands: Stedelijk Van 

Abbemuseum. 

Documenta 4. Kassel, Germany: Druck + Verlag. 

Light: Object and Image. New York: Whitney Museum of American Art. Text by Robert Doty. 

Minimal Art. The Hague: Haags Gemeentemuseum. Texts by Enno Develing and Lucy Lippard. 

Plus by Minus: Today’s Half-Century. Buffalo, New York: Albright-Knox Art Gallery. Text by Gordon M. Smith. 

Sammlung Hahn: zeitgenössische Kunst. Cologne: Wallraf-Richartz Museum. Texts by Horst Keller and Paul 

Wember. 

Sammlung 1968: Karl Ströher. Munich: Galerie-Verein München, Neue Pinakothek, and Haus der Kunst. 

Selections from the Collection of Hanford Yang. Ridgefield, Connecticut: Aldrich Museum of Contemporary Art. 

Texts by Larry Aldrich and Hanford Yang. 

Wissmann, Jürgen. Sammlung 1968: Karl Ströher. Hamburg: Kunstverein Hamburg. 

1969 

Contemporary American Sculpture: Selection 2. New York: Whitney Museum of American Art. 


Guggenheim International Exhibition 1971. New York: Solomon R. Guggenheim Museum. Texts by Diane 

Waldman and Edward Fry. 

Tucker, James. Art on Paper. Greensboro, North Carolina: Weatherspoon Art Gallery. 

Works for New Spaces. Minneapolis: Walker Art Center. Text by Martin Friedman. 

1972 

American Art Since 1945: A Loan Exhibition from the Museum of Modern Art. Philadelphia: Philadelphia Museum 

of Art. Text by Evan H. Turner. 

Diagrams and Drawings. Otterlo, Netherlands: Rijksmuseum Kröller-Müller. Texts by R. Oxenaar and Carter 

Ratcliffe. 

420 West Broadway at Spoleto Festival. [New York: Leo Castelli Gallery, Andre Emmerich Gallery, Sonnabend 

Gallery, and John Weber Gallery?]. Text by Barbara Rose. 

The Modern Image. Atlanta, Georgia: High Museum of Art. Texts by Gudmund Vigtel, John Howett, and Karl 

Nickel. 

Speyer, James A. Seventieth American Exhibition. Chicago: Art Institute of Chicago. 

1973 

American Art: Third Quarter Century. Seattle: Seattle Art Museum. Text by Jan van der Marck. 

Art in Space: Some Turning Points. Detroit, Michigan: Detroit Institute of Arts. Text by E. C. Goossen. 

Bilder-Objekte-Filme-Konzepte. Munich: Städtische Galerie im Lenbachhaus. Texts by Michael Petzet and Barbara 

and Jost Herbig. 

Bonito Oliva, Achille. Contemporanea. Florence: Centro Di Edizioni. 

Diagrams and Drawings. Basel: Kunstmuseum Basel. Texts by Franz Meyer and R. Oxenaar. 

3D into 2D: Drawing for Sculpture. New York: New York Cultural Center. Texts by Mario Amaya and Susan 

Ginsburg. 


Yngre Amerikansk kunst: tegninger og grafik. [Charlottenlund, Denmark: Gentofte Rådhus; Århus, Denmark: Århus 

Kunstmuseum; Oslo: Henie-Onstad Kunstsenter; Hamburg: Hamburger Kunsthalle; and Stockholm: Moderna 

Museet, c. 1973]. Texts by Steingrim Laursen and Pierre Apraxine. 

1974 

America on Paper. Basel: Galerie Beyeler. 

Miller, Jo. Nineteenth National Print Exhibition. Brooklyn, New York: Brooklyn Museum. 

Some Recent American Art. Melbourne: National Gallery of Victoria, with the permission of the Museum of Modern 

Art, New York. Text by Jennifer Licht. 

1975 

Funkties van Tekenen/Functions of Drawing. Otterlo, Netherlands: Rijksmuseum Kröller-Müller. Texts by R. 

Oxenaar and R. H. Fuchs. 

Legg, Alicia. American Art Since 1945 from the Collection of the Museum of Modern Art. New York: Museum of 

Modern Art. 

Painting, Drawing, and Sculpture of the ’60s and the ’70s from the Dorothy and Herbert Vogel Collection. 

Philadelphia: Institute of Contemporary Art, University of Pennsylvania. Text by Suzanne Delehanty. 

Sculpture: American Directions, 1945–1975. Washington, D. C.: National Gallery of Fine Arts, Smithsonian 

Institution. 

USA Zeichnungen 3. Leverkusen, Germany: Städtisches Museum Leverkusen, Schloss Morsbroich. Text by Rolf 

Wedewer. 

1976 

America, America. Basel: Galerie Beyeler. 

Buchloh, Benjamin, et al. Prospect Retrospect: Europa 1946–1976. Cologne: Verlag der Buchhandlung Walther 

König. Texts by Buchloh, Rudi Fuchs, Konrad Fischer, John Matheson, and Hans Strelow. 

Europa-America: l’Astrazione Determinata, 1969–1976. Bologna: Galleria d’Arte Moderna. Texts by Franco Solmi, 

Flavio Caroli, and Giuseppe Panza di Biumo. 


Funkties van Tekenen/Functions of Drawing/Zeichnen, Bezeichnen. Basel: Kunstmuseum Basel. Texts by Franz 

Meyer and R. H. Fuchs. 

Kardon, Janet. Line. New York: Visual Arts Museum. 

Private Notations: Artist’s Sketchbooks II. Philadelphia: Philadelphia College of Art. Text by Janet Kardon. 

Rose, Bernice. Drawing Now. New York: Museum of Modern Art. 

Seventy-second American Exhibition. Chicago: Art Institute of Chicago. Text by Anne Rorimer. 

Two Hundred Years of American Sculpture. New York: Whitney Museum of American Art. Texts by Tom 

Armstrong et al. 

1977 

American Art in Belgium. Brussels: Palais des Beaux-Arts. Texts by K. J. Geirland and G. Roque. 

Armstrong, Tom. 20th-Century American Art from Friends’ Collections. New York: Whitney Museum of American 

Art. 

Documenta 6. 3 vols. Kassel, Germany: Paul Dierichs Verlag. Texts by Manfred Schneckenburger et al. 

New York: The State of Art. N.p. Texts by Thomas H. Hess et al. 

Rorimer, Anne. Ideas in Sculpture 1965–1977. Chicago: Renaissance Society, University of Chicago. 

Zeitgenössische Kunst aus der Sammlung des Stedelijk Van Abbemuseum Eindhoven. Bern: Kunsthalle and 

Kunstmuseum. 

1978 

Crone, Rainer. Numerals 1924–1977. New Haven, Connecticut: Yale University Art Gallery. 

Daniel Templon: dix ans. Paris: Galerie Daniel Templon. 

Honisch, Dieter. Aspekte der 60er Jahre: aus der Sammlung Reinhard Onnasch. Berlin: Neue Nationalgalerie. 

1979 


Contemporary Sculpture: Selections from the Collection of the Museum of Modern Art. New York: Museum of 

Modern Art. Text by Kynaston McShine. 

Gachnang, Johannes. Skulptur: Matisse, Giacometti, Judd, Flavin, Andre, Long. Bern: Kunsthalle Bern. 

Prokopoff, Stephen. The Reductive Object: A Survey of the Minimalist Aesthetic in the 1960s. Boston: Institute of 

Contemporary Art. 

Sims, Patterson. The Decade in Review: Selections from the 1970s. New York: Whitney Museum of American Art. 

1980 

Armstrong, Tom. American Sculpture: Gifts of Howard and Jean Lipman. New York: Whitney Museum of 

American Art. Brochure. 

Monneret, Jean, et al. L’Amerique aux Indépendants: 91e Exposition Société des Artistes Indépendants. Paris: 

Société des Artists Indépendants. 

Other Media. Miami: Visual Arts Gallery, Florida International University. Text by James M. Cooper. 

Sauer, Christel, ed. Dokumentation 6. Zurich: InK/Halle für internationale neue Kunst. 

Taylor, Joshua, C. Across the Nation: Fine Art for Federal Buildings, 1972–1979. Washington, D.C.: Smithsonian 

Institution Press. 

1981 

Glozer, Laszlo. Westkunst: zeitgenössische Kunst seit 1939. Cologne: DuMont Buchverlag. 

Minimal Art. Madrid: Fundación Juan March. Text by Phyllis Tuchman. 

New Dimensions in Drawing, 1950–1980. Ridgefield, Connecticut: Aldrich Museum of Contemporary Art. Text by 

Richard E. Anderson. 

A Seventies Selection: Works from the Whitney Museum. Oxford, Ohio: Miami University Art Museum. 

1982 

Augur, Julie, et al. Castelli and His Artists: Twenty-five Years. Aspen, Colorado: Aspen Center for the Visual Arts. 


Form and Function: Proposals for Public Art for Philadelphia. Philadelphia: Academy of the Fine Arts. Text by 

Penny Balkin Bach. 

1983 

Arkio, Tuula, and Heikke Malme, eds. Ars 83. Helsinki: Fine Art Academy of Finland. 

Brown, Julia, and Bridget Johnson, eds. The First Show: Painting and Sculpture from Eight Collections, 1940–1980. 

Los Angeles: Museum of Contemporary Art in association with The Arts Publisher, New York. 

Bücher Bilder Objekte aus der Sammlung Reiner Speck. Krefeld, Germany: Museum Haus Lange and Museum Haus 

Esters. Texts by Gerhard Storck and Reiner Speck. 

Garrels, Gary. Beyond the Monument. Cambridge, Massachusetts: MIT Committee on the Visual Arts and the New 

England Foundation for the Arts. 

Sims, Patterson. Minimalism to Expressionism: Painting and Sculpture Since 1965 from the Permanent Collection. 

New York: Whitney Museum of American Art. 

Stockebrand, Marianne, ed. Sammlung Helga und Walther Lauffs im Kaiser Wilhelm Museum Krefeld. Krefeld, 

Germany: Kaiser Wilhelm Museum. 

1984 

Atkinson, Tracy, et al. The Tremaine Collection: Twentieth Century Masters, the Spirit of Modernism. Hartford, 

Massachusetts: Wadsworth Atheneum. 

Bellman, David. Drawings by Sculptors: Two Decades of Non-Objective Art in the Seagram Collection. New York: 

Joseph E. Seagram and Sons. 

Carl Andre, Dan Flavin, Donald Judd, Sol LeWitt. London: Waddington Galleries. 

Haskell, Barbara. Blam! The Explosion of Pop, Minimalism, and Performance, 1958–1964. New York: Whitney 

Museum of American Art. 

Lewison, Jeremy. American Art: Minimal Expression. London: Tate Gallery. Brochure. 

Nemiroff, Diana. Reflections: Contemporary Art Since 1964 at the National Gallery of Canada. Ottawa: National 

Gallery of Canada. 


Praxis Collection. Vancouver: Vancouver Art Gallery. Text by Scott Watson. 

1985 

Cinquante ans de dessins américains 1930–1980. Paris: École nationale supérieure des Beaux-Arts. Text by Walter 

Hopps. 

Froment, Jean-Louis. Art Minimal I. Bordeaux, France: CAPC, Musée d’art contemporain. 

Iden, Peter, and Rolf Lauter. Bilder für Frankfurt: Bestandskatalog des Museums für moderne Kunst. Munich and 

New York: Prestel Verlag. 

Illumination: The Quality of Light. Pittsburgh: Pittsburgh Center for the Arts. Texts by Melinda Wortz and Hap 

Tivey. 

Lipp, Achim, and Peter Zec, eds. Mehr Licht/More Light. Hamburg: Kunsthalle Hamburg. 

A Tribute to Leo Castelli. London: Mayor Gallery. Text by Calvin Tomkins. 

Tuchman, Phyllis. The Maximal Implications of the Minimal Line. Annandale-on-Hudson, New York: Edith C. 

Blum Art Institute, Bard College. 

Waldman, Diane. Transformations in Sculpture: Four Decades of American and European Art. New York: Solomon 

R. Guggenheim Museum. 

1986 

After Matisse. New York: Independent Curators Inc.. Texts by Tiffany Bell, Dore Ashton, and Irving Sandler. 

The Barry Lowen Collection. Los Angeles: Museum of Contemporary Art. Text by Christopher Knight. 

Baumann, Felix, et al. Zeitgenössische Kunst aus der Sammlung MGB, Erwerbungen 1977–1986/Art contemporain 

dans la collection FMC, acquisitions 1977–1986/Contemporary Art from the FMC Collection, Acquisitions 1977– 

1986. Zurich: Kunsthaus Zürich; Geneva: Musée Rath. 

Campbell, Christopher, et al. Definitive Statements: American Art, 1964–66. Providence, Rhode Island: Department 

of Art, Brown University. 


Ghislain Mollet-Viéville, Agent d’Art. Dunkirk, France: École Régional des Beaux-Arts Georges Pompidou [c. 

1986]. Texts by Jean-François Broch, Bernard Blistène, and Jan Hoet. 

Herzogenrath, Wulf, and Gabriele Lueg, eds. Die 60er Jahre Kölns Weg zur Kunstmetropole: vom Happening zum 

Kunstmarkt. Cologne: Kölnischer Kunstverein. 

Hunter, Sam, ed. An American Renaissance: Painting and Sculpture Since 1940. New York: Abbeville Press. 

In Honor of John Chamberlain. New York: Xavier Fourcade. 

Lumières: Perception/Projection. Montreal: Centre International d’Art Contemporain de Montréal. Texts by Claude 

Gosselin et al. 

Singerman, Howard, ed. Individuals: A Selected History of Contemporary Art, 1945–1986. Los Angeles: Museum of 

Contemporary Art; New York: Abbeville Press. 

1987 

Crone, Rainer, ed. Similia/Dissimilia: Modes of Abstraction in Painting, Sculpture, and Photography Today. 

Düsseldorf: Städtische Kunsthalle; New York: Columbia University, Leo Castelli Gallery, and Sonnabend Gallery. 

Leo Castelli y Sus Artistas. Mexico City: Centro Cultural Arte Contemporáneo. Texts by Roberto Littman et al. 

Pakesch, Peter, ed. Malerei-Wandmalerei. Graz, Austria: Stadtmuseum Graz. A supplemental brochure of the same 

name was produced to document the works in the exhibition. 

Thirtieth Anniversary: The First Fifteen Years, Part Two. New York: Leo Castelli Gallery. Brochure. 

1988 

Arte Minimal de la Colección Panza. Madrid: Fundación Para el Apoyo de la Cultura. Texts by Germano Celant and 

Fernando Huici. 

Bürgi, Bernhard, ed. Rot, gelb, blau: die Primärfarben in der Kunst des 20. Jahrhunderts. Stuttgart: Verlag Gerd 

Hatje; Teufen, Switzerland: Verlag Arthur Niggli. 

Coleccion Leo Castelli. Madrid: Fundación Juan March. 

Collection Sonnabend. Bordeaux, France: CAPC, Musée d’art contemporain. Texts by Jean-Louis Froment et al. 


La Couleur seule, l’expérience du monochrome. Lyon: Musée St. Pierre Art Contemporain. Texts by Thierry 

Raspail et al. 

Drawing on the East End, 1940–1988. Southampton, New York: Parrish Art Museum. Text by Klaus Kertess. 

An Installation: Dan Flavin, Robert Gober, Yves Klein. New York: 303 Gallery. Text by Thea Westreich. 

Schjeldahl, Peter. Locations. Salzburg, Austria: Edition Thaddaeus Ropac. 

Taylor, Paul. Leo Castelli. 142 Greene Street: Last Show. New York: Leo Castelli Gallery. 

Teicher, Hendel, ed. Minimal Art dans la collection Panza di Biumo. Geneva: Musée Rath. 

Weinberg, Adam D. Aldo Crommelynck: Master Prints with American Artists. New York: Whitney Museum of 

American Art. 

Zeitlos. Berlin: Werkstatt; Munich: Prestel-Verlag. Texts by Harald Szeemann, Markus Brüderlin, and Roman 

Kurzmeyer. 

1989 

L’Art conceptuel, une perspective. Paris: Musée d’art moderne de la Ville de Paris. Texts by Claude Gintz et al. 

La Collezione Sonnabend: Dalla Pop Art in poi. Milan: Electa International. Texts by Augusta Monferini et al. 

Craig-Martin, Michael. Minimalism. Liverpool: Tate Gallery Liverpool. 

Einleuchten: Will, Vorstel und Simul in HH. Hamburg: Christians Verlag. Texts by Harald Szeemann et al. 

Gohr, Siegfried, and Johannes Gachnang, eds. Bilderstreit: Widerspruch, Einheit und Fragment in der Kunst seit 

1960. Cologne: DuMont Buchverlag. 

Judd, Donald, and Marianne Stockebrand. Donald Judd Architektur. Münster, Germany: Westfälischen Kunstverein. 

Paris. Paris: Galerie Karsten Greve. 

Repetition. New York: Hirschl and Adler Modern. Text by John Yau. 


Sculpture Since the Sixties from the Permanent Collection of the Whitney Museum of American Art. New York: 

Whitney Museum of American Art. Text by Susan Lubowsky. 

1990 

American Masters of the 60’s: Early and Late Works. New York: Tony Shafrazi Gallery. Text by Sam Hunter. 

Benezra, Neal, ed. Affinities and Intuitions: The Gerald S. Elliott Collection of Contemporary Art. Chicago: Art 

Institute of Chicago; London: Thames and Hudson. 

Dan Flavin: 4 Werke in fluoreszierendem Licht aus der Sammlung Reinhard Onnasch. Mönchengladbach, Germany: 

Städtisches Museum Abteiberg. Text by Dierk Stemmler. 

Elger, Dietmar. Neon Stücke. Hannover: Sprengel Museum. 

The Future of the Object! A Selection of American Art: Minimalism and After. Antwerp: Galerie Ronny Van de 

Velde. Text by Kenneth Baker. 

Konkret Zehn. Nuremburg: Kunsthalle Nürnberg. Text by Diet Sayler. 

Minimalism. London: Nicola Jacobs Gallery. 

Presencias Dos Mil: Minimal Art. Madrid: Theospacio. Text by Fernando Huici. 

San Diego Museum of Contemporary Art: Selections from the Permanent Collection. La Jolla, California: San Diego 

Museum of Contemporary Art. Text by Ronald J. Onorato. 

Un Choix d’art minimal dans la collection Panza. Paris: Musée d’art moderne de la Ville de Paris. Texts by Suzanne 

Pagé et al. 

1991 

Felix, Zdenek. Denkbilder. Munich: Kunsthalle der Hypo-Kulturstiftung and Hirmer Verlag. 

Hulten, Pontus. Paris–New York. 1977. Reprint, Paris: Gallimard and Centre Georges Pompidou. 

Marshall, Richard. Immaterial Objects. New York: Whitney Museum of American Art. A supplemental brochure of 

the same name, with text by Richard Marshall, was produced to document the works in the exhibition. 


La Sculpture contemporain après 1970. Fréjus, France: Fondation Daniel Templon. Texts by Daniel Templon et al. 

Sélection: oeuvres de la collection. Lausanne, Switzerland: FAE Musée d’art contemporain. Text by Asher B. 

Edelman. 

Troisième Biennale de Sculpture. New York: Marisa del Re Gallery. Text by Pierre Restany. 

Virginia Dwan: Art Minimal, Art Conceptuel, Earthworks. Paris: Galerie Montaigne. Texts by Jan van der Marck 

and Loïc Malle. 

1992 

Les Extrêmes se touchent: La collection d’art moderne du Musée Boymans-van Beuningen Rotterdam. Paris: Institut 

Néerlandais. Text by Piet de Jonge. 

Hulten, Pontus. Territorium Artis. Stuttgart: Verlag Gerd Hatje. 

Loers, Veit, ed. Shapes and Positions. Klagenfurt, Austria: Kunsthalle. 

Sculpture. London: Waddington Galleries. 

1993 

Buchholz, Daniel, and Gregorio Magnani, eds. International Index of Multiples from Duchamp to the Present. 

Tokyo: Spiral/Wacaol Art Center; Cologne: Verlag de Buchhandlung Walther König. 

Das Einfache ist das Schwierige. Zug, Switzerland: Kunsthaus Zug. Text by Rainer Piekert. 

Gianelli, Ida, et al. Un’Avventura Internazionale: Torino e le Arti 1950–1970. Milan: Edizioni Charta. 

Joachimides, Christos M., and Norman Rosenthal, eds. American Art in the Twentieth Century: Painting and 

Sculpture, 1913–1993. Munich: Prestel Verlag. A supplemental brochure of the same name was published by Royal 

Academy of Arts, London. 

Kunst + Design Donald Judd/Art + Design Donald Judd. Wiesbaden, Germany: Museum Wiesbaden. Texts by 

Volker Rattemeyer et al. 

1994 

Fragmentos Para um Museu Imaginário. Porto, Portugal: Fundação de Serralves. Texts by Fernando Pernes and 

Miguel von Hafe Pérez. 


L’Orizzonte. Da Chagall a Picasso, da Pollock a Cragg. Milan: Edizioni Charta; Turin: Castello di Rivoli Museo 

d'Arte Contemporanea; Amsterdam: Stedelijk Museum. Texts by Ida Gianelli, Rudi Fuchs, and Geurt Imanse. 

Perucchi-Petri, Ursula, ed. Amerikanische Zeichnungen und Graphik von Sol LeWitt bis Bruce Nauman: aus den 

Beständen der Graphischen Sammlung des Kunsthauses Zürich. Zurich: Kunsthaus Zürich. 

Ritchie, Charles. Gemini G.E.L.: Recent Prints and Sculpture. Washington, D.C.: National Gallery of Art. 

Traum vom Absoluten/Dream of the Absolute. Basel: Galerie Beyeler. 

Zeitgenössische Kunst aus der Sammlung des Migros-Genossenschafts-Bundes/Arte contemporanea della 

Collezione della Federazione cooperative Migros/Art contemporain de la collection de la Fédération des 

coopératives Migros/Contemporary Art from the Collection of the Federation of Migros Collectives. Lugano, 

Switzerland: Museo Cantonale d’Arte. 

Zimmer in denen die Zeit nicht zählt: Die Sammlung Udo und Annette Brandhorst. Basel: Museum für 

Gegenwartskunst and Öffentliche Kunstsammlung Basel. Text by Katharina Schmidt and Theodora Vischer. 

1995 

Brandow, Wendy Waldron, and Steven P. Henry, eds. Margo Leavin Gallery: Twenty-five Years. Los Angeles: 

Margo Leavin Gallery. 

Collection: art moderne et contemporain au Van Abbemuseum Eindhoven. Luxembourg: Musée National d'Histoire 

et d'Art. Text by Jan Debbaut. 

Desmond, Michael, and Christine Dixon. 1968. Canberra: National Gallery of Australia. 

Die Sammlung Marzona: Arte Povera, Minimal Art, Concept Art, Land Art. Vienna: Museum moderner Kunst 

Stiftung Ludwig Wien. Texts by Lóránd Hegyi et al. 

Goldstein, Ann, and Anne Rorimer. Reconsidering the Object of Art: 1965–1975. Los Angeles: Museum of 

Contemporary Art; Cambridge, Massachusetts, and London: MIT Press. 

Passions privées: Collections particulières d'art moderne et contemporain en France. Paris: Musée d’art moderne 

de la Ville de Paris. 

Shioda, Junichi, et al. Revolution: Art of the Sixties from Warhol to Beuys. Tokyo: Museum of Contemporary Art. 


Wide White Space: hinter dem Museum/Behind the Museum, 1966–1976. Düsseldorf: Richter Verlag. Interviews by 

Yves Aupetitallot with Anny de Decker and Bernd Lohaus; Daniel Buren; Lawrence Weiner; Martin Visser; Isi 

Fiszman; and Johannes Cladders. 

1996 

Amerika Europa: Sammlung Sonnabend. Munich: Kunsthalle der Hypo-Kulturstiftung, Staatsgalerie moderner 

Kunst. Texts by Carla Schulz-Hoffman and Corinna Thierolf. 

Beudert, Monique, ed. The Froehlich Foundation: German and American Art from Beuys and Warhol. Stuttgart: 

Froehlich Foundation; London: Tate Gallery Publishing. German edition, Stiftung Froehlich: Sammlungsblöcke, 

published by Stuttgart: Stiftung Froehlich. 

Everything That’s Interesting Is New: The Dakis Joannou Collection. Osfildern-Ruit, Germany: Cantz. Texts by 

Jeffrey Deitch et al. 

Fischer, Alfred M., and Barbara M. Thiemann, eds. Sammlung Speck. Cologne: Museum Ludwig. 

Ommagio a Leo Castelli, da Rauschenberg a Warhol, da Flavin a Judd. Milan: Skira. Texts by Calvin Tomkins and 

Piero Dorazio. 

Rosenthal, Mark. Abstraction in the Twentieth Century: Total Risk, Freedom, Discipline. New York: Solomon R. 

Guggenheim Museum. 

1997 

Barents, Els, ed. The Art of Collecting: Twentieth Century Art in Dutch Museums. Ghent: Ludion. 

Blurring the Boundaries: Installation Art, 1969–1996. San Diego, California: Museum of Contemporary Art. Texts 

by Hugh Davies and Ron Onorato. 

Contemporary Art in Transition: From the Collection of the Ho-Am Art Museum. Seoul: Ho-Am Art Museum. Texts 

by Soyeon Ahn and Missok Song. 

Drawing Is Another Kind of Language: Recent American Drawings from a New York Private Collection. 

Cambridge, Massachusetts: Harvard University Art Museums in association with Daco-Verlag Günter Bläse. Texts 

by Dieter Schwarz and Christine Mehring. 


Lux/Lumen. Barcelona: Fundació Joan Miró. Texts by Arthur Zanjonc and Frederic Montoréns i Dalmau. 

1998 

Cinquante espèces d’espaces: oeuvres du Centre Georges Pompidou, Musée national d’art moderne. Paris: Centre 

Georges Pompidou; Marseilles: Direction des Musées de Marseille. Texts by Nadine Pouillon et al. 

Dan Flavin/Donald Judd: Aspects of Color. Houston: Menil Collection. Text by Marianne Stockebrand. Brochure. 

Elegant Austerity. London: Waddington Galleries. Text by Sophie Symons. 

Fuchs, R. H., Jean Leering, and Ad Dekkers. Als golfslag op het strand . . . Ad Dekkers in zijn tijd/Waves Breaking 

on the Shore . . . Ad Dekkers in His Time. Amsterdam: Stedelijk Museum. 

Material Perfection: Minimal Art and Its Aftermath Selected from the Kerry Stokes Collection. Perth, Australia: 

Lawrence Wilson Art Gallery, University of Western Australia. Text by John Stringer. 

Minimal Maximal. Bremen, Germany: Neues Museum Weserburg. Texts by Gregor Stemmrich et al. 

Painting-Object-Film-Concept: Works from the Herbig Collection. New York: Christie’s. Texts by Marianne Heinz 

et al. 

Then and Now: Art Since 1945 at Yale. New Haven, Connecticut: Yale University Art Gallery. Text by Joachim 

Pisarro. 

1999 

Hirner, René, Beate Reese, and Marlene Lauter. Farblicht. Ostfildern-Ruit, Germany: Cantz Verlag. 

My Name: Sammlung Falckenberg. Cologne: Oktagon Verlag. Texts by Herwig Guratzsch et al. 

Phillips, Lisa. The American Century. Art and Culture 1900–2000, Part II: 1950–2000. New York: Whitney 

Museum of American Art. 

Schellmann, Jörg, ed. Wallworks: Site-Specific Wall Installations. Munich and New York: Edition Schellmann. 

2000 

Blazwick, Iwona, and Simon Wilson, eds. Tate Modern: The Handbook. Berkeley and Los Angeles: University of 

California Press. 


Body of Painting: Günter Umberg mit Bildern aus Kölner Sammlungen. Cologne: Museum Ludwig; Ostfildern-Ruit, 

Germany: Hatje Cantz. Text by Jochen Poetter. 

Farbe>Licht. Basel-Riehen, Switzerland: Fondation Beyeler. 

Food for the Mind: Die Sammlung Udo und Annette Brandhorst. Ostfildern-Ruit, Germany: Hatje Cantz. Texts by 

Robert Rosenblum and Carla Schulz-Hoffmann. 

Lemoine, Serge, ed. Art Concret. Paris: Réunion des Musées Nationaux. 

Luci in galleria: da Warhol al 2000. Turin: Hopefulmonster Editore. Texts by Robert Rosenblum et al. 

Vision og virkelighed: Forestillinger om det 20. Århundrede. Humlebaek, Denmark: Louisiana Museum. Texts by 

Carsten Thau, Marianne Krogh Jensen, and Deyan Sudjic. 

2001 

Adriani, Götz, ed. Minimal Art aus den Sammlungen FER, Froehlich und Siegfried Weishaupt. Karlsruhe, Germany: 

Museum für neue Kunst. 

Brouwer, Marianne, ed. Dan Graham: Works 1965–2000. Düsseldorf: Richter Verlag. 

(E Così Via) (And so on) 99 Artists from the Marzona Collection. Berlin: Berlin Press. Texts by Mario Codognato et 

al. 

Kellein, Thomas, ed. Art Works: Sammlung Marzona: Kunst um 1968/ The Marzona Collection: Art Around 1968. 

Ostfildern-Ruit, Germany: Hatje Cantz. 

Minimalismos, un signo de los tiempos. Madrid: Museo Nacional Centro de Arte Reina Sofía. Texts by Anatxu 

Zabalbeascoa, Javier Rodriguez Marcos, and Tom Johnston. 

Onnasch: Aspects of Contemporary Art/Aspectos da Arte Contemporânea. Porto, Portugal: Fundação de Serralves. 

Texts by Boris Groys and Petra Kipphoff. 

Undervejs. 222 tegninger fra Picasso til Yoko Ono: The Gilbert and Lila Silverman Collection. Humlebaek, 

Denmark: Louisiana Museum. Texts by Gilbert Silverman and Jan van der Marck. 


Unterdörfer, Michaela, ed. Wechselstrom: Sammlung Hauser und Wirth in der Lokremise St. Gallen. Cologne: 

Oktagon Verlag. 

Weiss: Skulpturen und Bilder des 20. Jahrhunderts aus der Öffentlichen Kunstsammlung Basel und der Emanuel 

Hoffman-Stiftung. Basel: Museum für Gegenwartskunst der Öffentlichen Kunstsammlung Basel und der Emanuel 

Hoffman-Stiftung. Text by Hartwig Fischer. 

2002 

American Beauty. London: Annely Juda Fine Art. 

Grisebach, Lucius, et al. Einfach Kunst: Sammlung Rolf Ricke. Bremen, Germany: Neues Museum Weserburg; 

Nuremberg: Verlag für moderner Kunst. 

The Magic of Light. Yonkers, New York: Hudson River Museum. Texts by Carter Ratcliffe and Arthur Zajonc. 

United Kingdom United States. London: Waddington Galleries. 

2003 

Hudson River School Drawings from Dia Art Foundation. Poughkeepsie, New York: Frances Lehman Loeb Art 

Center, Vassar College. Text by Patricia Phagan. 

3 x 3: Flavin, Andre, Judd. Ottawa: National Gallery of Canada. Text by Diana Nemiroff. 

2004 

Goldstein, Ann. A Minimal Future? Art as Object, 1958–1968. Los Angeles: Museum of Contemporary Art; 

Cambridge, Massachusetts, and London: MIT Press. Texts by Diedrich Diederichsen, Jonathan Flatley, Goldstein, 

Carrie Lambert, James Meyer, and Ann Rorimer; reprint of Lucy R. Lippard's 1968 text 10 Structurists in 20 

Paragraphs. 

Serota, Nicholas, ed. Donald Judd. Exh. cat. London: Tate Publishing. 

Texts by Lou Reed, Henrik List, and Laus Lynggaard. Max's Kansas City - Art Imitating Life, Imitating Art. 

Copenhagen: Contemporary Art Center. 

Zelevansky, Lynn, ed. Beyond Geometry: Experiments in Form, 1940s-70s. Cambridge, Ma.: MIT Press. 

2005 


Waschek, Matthias. Minimalism and Beyond. Saint Louis: The Pulitzer Foundation for the Arts, brochure. 

2006 

Flavin. 

London: Gagosian Gallery. 

2007 

Bourgeois, Caroline, ed. Passage du Temps, Une sélection d'oeuvres autour de l'image, Collection François Pinault 

Foundation. Milan: Skira Editore S.p.A. 

Dreishpoon, Douglas and Bonett, David. The Panza Collection: An Experience of Color and Light. Buffalo, NY: 

Albright-Knox Art Gallery. 

2008 

Temkin, Ann. Color Chart: Reinventing Color, 1950 to Today. New York: The Museum of Modern Art. 

2009 

Bourgeois, Caroline, ed. Un Certain Etat de Monde? A selection of works from the Francois Pinault Foundation. 

Milan: Skira Editore S.p. A. 

Bourgeois, Caroline. Qui a peur des artististes? Une selection d’oeuvres de la François Pinault Foundation. Paris: 

Skira Flammarion. 

Rales, Emily Wei and Weiss, Jeffrey. If we could imagine. Potomac, Md.: Glenstone Foundation. 

Roselione-Valadez, Juan, ed. Beg Borrow and Steal. Miami: Rubell Family Collection. 

2011 

Darling, Michael, ed. The Language of Less (Then and Now). Chicago: Museum of Contemporary, Art, 2011. 

2012 

Rosenberg, David, ed; texts by Luis de Miranda and David Rosenberg. Le Neon Dans L’Art Des Annees 1940 a Nos 

Jours. Paris: Archibooks and La Maison Rouge. 

Waxter, Dorsey, ed. Unlikely Friends: James Brooks and Dan Flavin. New York: Greenberg Van Doren Gallery. 

Text by Tiffany Bell. 


Hinkson, Lauren, ed. Il Guggenheim: L’Avanguardia Americana, 1945-1980. Milan and New York: Skira and 

Solomon R. Guggenheim Museum. 

2013 

Philip Ball, Cliff Lauson, and Anne Wagner. Light Show. London: Hayward Publishing, 2013. 

ARTICLES AND REVIEWS 

1961 

Johnston, Jill. “Reviews and Previews. New Names This Month: Dan Flavin.” Art News 60, no. 3 (May), pp. 20–21. 

1963 

Fried, Michael. “New York Letter.” Art International 7, no. 2 (February 25), pp. 60–64. 

Johnston, Jill. “Reviews and Previews. New Works: Green.” Art News 62, no. 1 (March), p. 50. 

Tillim, Sidney. “Month in Review.” Arts Magazine 37, no. 6 (March), pp. 59–62. 

1964 

Birge, Kathleen. “‘Black, White and Grey’ Provocative, Rewarding.” Hartford Courant, January 25. 

Bourdon, David. “Art: Dan Flavin.” Village Voice, November 20, p. 11. 

Horowitz, Leonard. “Art: A New Sense of Beauty.” Village Voice, April 23, pp. 7, 19. 

Johnston, Jill. “Reviews and Previews. New York: Mixed Group, Kaymar.” Art News 63, no. 3 (May), p. 15. 

Judd, Donald. “Black, White and Grey.” Arts Magazine 38, no. 6 (March), pp. 36–38. 

———. “Local History.” Arts Yearbook 7, pp. 23–35. 

———. “New York Exhibitions: In the Galleries.” Arts Magazine 38, no. 7 (April), p. 31. 

Levin, Kim. “Reviews and Previews. New Names This Month: Dan Flavin.” Art News 63, no. 1 (March), p. 14. 

Lippard, Lucy R. “New York: Dan Flavin, Kaymar Gallery.” Artforum 2, no. 11 (May), pp. 52–54. 


O’Doherty, Brian. “Art: Avant-Garde Deadpans on Move, Kaymar Gallery Shows Recent Works.” New York Times, 

April 11, p. 22. 

Preston, Stuart. “Art: A Galaxy of Variety.” New York Times, November 28, p. 17. 

Rose, Barbara. “New York Letter.” Art International 8, nos. 5–6 (Summer), pp. 77–81. 

1965 

Brown, Gordon. “An Architect Collects: An Interview with Hanford Yang.” Art Voices 4, no. 4 (Fall), pp. 21–24. 

Grossberg, Jacob. “In the Galleries: Dan Flavin.” Arts Magazine 39, no. 4 (January), p. 54. 

Johnston, Jill. “Reviews and Previews: Dan Flavin.” Art News 63, no. 9 (January), p. 13. 

Judd, Donald. “Specific Objects.” Arts Yearbook 8, pp. 74–82. 

Kozloff, Max. “The Further Adventures of American Sculpture.” Arts Magazine 39, no. 5 (February), pp. 24–31. 

Lippard, Lucy R. “New York Letter.” Art International 9, no. 2 (February), pp. 34–37. 

Rose, Barbara. “ABC Art.” Art in America 53, no. 5 (October–November), pp. 57–69. 

1966 

Ashton, Dore. “Excavating the Recent Past.” Studio International 172, no. 880 (August), pp. 100–103. 

Benedikt, Michael. “New York Letter.” Art International 10, no. 10 (December 20), pp. 64–65. 

Blok, C. “Letter from Holland.” Art International 10, no. 10 (December 20), pp. 41–45. 

Bochner, Mel. “Art in Process: Structures.” Arts Magazine 40, no. 9 (September–October), pp. 38–39. 

———. “Less Is Less (for Dan Flavin).” Art and Artists 1, no. 9 (December), pp. 24–27. 

———. “Primary Structures.” Arts Magazine 40, no. 8 (June), pp. 32–35. 

Glueck, Grace. “ABC to Erotic.” Art in America 54, no. 5 (September), pp. 105–8. 


Goldin, Amy. “Requiem for a Gallery.” Arts Magazine 40, no. 3 (January), pp. 25–29. 

Hoene, Anne. “In the Galleries: Group Show.” Arts Magazine 40, no. 6 (April), p. 55. 

Hutchinson, Peter. “Mannerism in the Abstract.” Art and Artists 1, no. 6 (September), pp. 18–21. 

Lippard, Lucy R. “New York Letter: Off Color.” Art International 10, no. 4 (April 20), pp. 73–79. 

Popper, Frank. “L’Art de la lumière artificielle.” L’Oeil, no. 144 (December), pp. 32–43, 60, 62. 

Robins, Corinne. “Object, Structure, or Sculpture: Where Are We?” Arts Magazine 40, no. 9 (September–October), 

pp. 33–37. 

Rosenblum, Robert. “Pop Art and Non-Pop: An Essay in Distinction.” Canadian Art 23, no. 1 (January), pp. 50–54. 

Smithson, Robert. “Entropy and the New Monuments.” Artforum 4, no. 10 (June), pp. 26–31. 

———. “The X Factor in Art.” Harper’s Bazaar, July, pp. 78–79. 

1967 

Baker, Elizabeth C. “The Light Brigade.” Art News 66, no. 1 (March), pp. 52–55, 63–66. 

———. “Reviews and Previews: Dan Flavin.” Art News 65, no. 10 (February), p. 13. 

Barry, Edward. “. . . Let There Be Light.” Chicago Tribune, December 10, sec. A, p. 4. 

Bochner, Mel. “Serial Art, Systems: Solipsism.” Arts Magazine 41, no. 8 (Summer), pp. 39–43. 

———. “The Serial Attitude.” Artforum 6, no. 4 (December), pp. 28–33. 

Clay, Jean. “The Cool School Is Not on the Rocks.” Réalités, no. 200 (July), pp. 74–79. 

Danieli, Fidel A. “Los Angeles: Dan Flavin, Nicholas Wilder Gallery.” Artforum 5, no. 6 (February), pp. 62–65. 

Davis, Douglas M. “The Dimensions of the Miniarts.” Art in America 55, no. 6 (November–December), pp. 84–91. 

de Bretteville, Peter, and Arthur Golding, eds. “Portfolio: Four Sculptors.” Perspecta, no. 11, pp. 47–48. 


Eagle, Joanna. “Artists as Collectors.” Art in America 55, no. 6 (November–December), pp. 54–63. 

Haydon, Harold. “Enlightening Exhibition of Fluorescent Tubes.” Chicago Sun-Times, December 17, sec. 3, p. 8. 

Leider, Philip. “Who Said Abstract Art Is Waning?” New York Times, December 24, sec. 2, p. 24. 

LeWitt, Sol. “Paragraphs on Conceptual Art.” Artforum 5, no. 10 (Summer), pp. 79–83. 

Lippard, Lucy R. “Homage to the Square.” Art in America 55, no. 4 (July–August), pp. 50–57. 

Livingston, Jane. “Los Angeles: Group, Irving Blum Gallery.” Artforum 6, no. 4 (December), pp. 62–64. 

Mellow, James. “New York Letter.” Art International 11, no. 10 (Christmas), pp. 71–76. 

Morris, Robert. “Notes on Sculpture, Part 3. Notes and Non-Sequiturs.” Artforum 5, no. 10 (Summer), pp. 24–29. 

Panhuysen, Paul B. M. “Flavin, Berns, and Moholy-Nagy.” Museumjournaal 12, nos. 5–6, pp. 138–49, 160–62. 

Perreault, John. “A Minimal Future? Union Made: Report on a Phenomenon.” Arts Magazine 41, no. 5 (March), pp. 

26–31. 

———. “New York.” Art International 11, no. 3 (March 20), pp. 62–66. 

———. “Reviews and Previews. Dan Flavin: Kornblee.” Art News 66, no. 8 (December), p. 14. 

Piene, Nan R. “Light Art.” Art in America 55, no. 3 (May–June), pp. 24–47. 

Piene, Otto. “The Proliferation of the Sun.” Arts Magazine 41, no. 8 (Summer), pp. 24–31. 

Rose, Barbara. “Shall We Have a Renaissance?” Art in America 55, no. 2 (March–April), pp. 30–39. 

———. “The Value of Didactic Art.” Artforum 5, no. 8 (April), pp. 32–36. 

Rose, Barbara, and Irving Sandler. “Sensibility of the Sixties.” Art in America 55, no. 1 (January–February), pp. 44– 

57. 


Sommer, Ed. “Germany.” Art International 11, no. 3 (March 20), pp. 50–54. 

Spear, Athena Tacha. “Sculptured Light.” Art International 11, no. 10 (Christmas), pp. 29–49. 

Trini, Tommaso. “Exhibitions in Milan: Dan Flavin, Galleria Sperone.” Domus, no. 446 (January), p. 33. 

———. “San Marino: Automazione dell’Icone.” Domus, no. 454 (September), pp. 47–48. 

Tuten, Frederick. “American Sculpture of the Sixties. A Los Angeles ‘Super Show.’” Arts Magazine 41, no. 7 

(May), pp. 40–44. 

von Meier, Kurt. “Los Angeles.” Art International 11, no. 4 (April 20), pp. 51–55. 

Wasserman, Emily. “New York: Dan Flavin, Kornblee Gallery.” Artforum 6, no. 4 (December), pp. 59–61. 

Wechsler, Judith. “Why Scale?” Art News 66, no. 4 (Summer), pp. 32–35, 67–68. 

1968 

Blok, C. “Minimal Art at the Hague.” Art International 12, no. 5 (May 15), pp. 18–24. 

Brett, Guy. “Kassel Puts on Documenta 4.” Times (London), July 2, p. 13. 

Brumer, Miriam. “In the Galleries: Dan Flavin.” Arts Magazine 43, no. 3 (December 1968–January 1969), p. 60. 

Burnham, Jack. “Systems Esthetics.” Artforum 7, no. 1 (September), pp. 30–35. 

Calvesi, Maurizio. “Situazioni: Topologia e Ontologia, Aggetto e Comportamento, Forma e Struttura: Rilievi 

Provisori.” Cartabianca, May, pp. 2–5. 

Celant, Germano. “Agenda Italiana: Lampade al Flavin.” Cartabianca, May, pp. 10–11. 

Develing, Enno. “Ideologische Kunst: Minimal Art.” Museumjournaal 13, no. 1, pp. 2–12, 54–55. 

“Environment: Sculpture to Walk Through.” Time, May 3, pp. 56–59. 

Finch, Christopher. “The Role of the Spectator.” Design Quarterly, no. 73, unpaginated. 


Glueck, Grace. “Artist, Citing ‘Noise,’ Withdraws Whitney Exhibit.” New York Times, July 25, p. 30. 

———. “Documenta: It Beats the Biennale.” New York Times, July 7, sec. 2, p. 20. 

Halstead, Whitney. “Chicago.” Artforum 6, no. 8 (April), pp. 66–67. 

Kurtz, Stephen A. “Reviews and Previews: Dan Flavin.” Art News 67, no. 8 (December), p. 17. 

Leering-van Moorsel, L. “De Collectie Geert Jan Visser.” Museumjournaal 13, no. 2, pp. 67–68, 130. 

———. “De Collectie Martin en Mia Visser.” Museumjournaal 13, no. 2, pp. 59–67, 130. 

Leider, Philip. “The Flavin Case.” New York Times, November 24, sec. 2, pp. 27, 29. 

———. “Gallery ’68, High Art and Low Art.” Look, January 9, pp. 14–21. 

———. “New York. Light: Object and Image, Whitney Museum.” Artforum 7, no. 1 (September), p. 65. 

Licht, Ira. “Dan Flavin.” Artscanada, nos. 124–27 (December), pp. 62–64. 

Lippard, Lucy R., and John Chandler. “The Dematerialization of Art.” Art International 12, no. 2 (February 20), pp. 

31–36. 

Mellow, James R. “New York Letter.” Art International 12, no. 8 (October 20), pp. 60–64. 

Perreault, John. “Art: Dump, Drop, Drape.” Village Voice, November 14, p. 18. 

“Primärstrukturen bei Friedrich.” Süddeutsche Zeitung (Munich), June 21. 

Restany, Pierre. “Kassel, Le Coup de Cassel.” Domus, no. 467 (October), pp. 41–42. 

Smithson, Robert. “A Museum of Language in the Vicinity of Art.” Art International 12, no. 3 (March 20), pp. 21– 

27. 

Trini, Tommaso. “Un Diario Segreto di Quadri Celebri: La Collezione Panza di Biumo.” Domus, no. 458 (January), 

pp. 48–53. 


1969 

Ashton, Dore. “New York Commentary.” Studio International 177, no. 907 (January), pp. 44–46. 

Burnham, Jack. “A Dan Flavin Retrospective in Ottawa.” Artforum 8, no. 4 (December), pp. 48–55. 

Celant, Germano. “Dan Flavin.” Casabella, no. 332 (January), pp. 54–55. 

“Flavin Brings His Light Touch to Ottawa.” Ottawa Citizen, August 23, p. 23. 

Hale, Barrie. “A Big Show Lights Up the National Gallery.” Toronto Daily Star, September 13, p. 29. 

Judd, Donald. “Complaints Part I.” Studio International 177, no. 910 (April), pp. 182–88. 

Kerber, Bernhard. “Der Ausdruck des Sublimen in der Amerikanischen Kunst.” Art International 13, no. 10 

(December), pp. 31–36. 

Ketchum, W. Q. “World of Light Opens National Gallery Show.” Ottawa Journal, September 13, p. 8. 

Kosuth, Joseph. “Art after Philosophy.” Studio International 178, no. 915 (October), pp. 134–37. 

Kramer, Hilton. “The Emperor’s New Bikini.” Art in America 57, no. 1 (January–February), pp. 48–55. 

Krauss, Rosalind. “New York.” Artforum 7, no. 5 (January), pp. 53–55. 

Kritzwiser, Kay. “Fluorescent Tubes: The Pigments on His Palette.” Globe and Mail (Toronto), September 13, p. 30. 

Lowndes, Joan. “Flavin’s ‘Mystical’ Aura.” Province (Vancouver), November 15. 

———. “VAG Sets About Letting in the (Fluorescent) Light.” Province (Vancouver), November 13. 

Malcolmson, Harry. “Art: Light and Shade Conveyed by a Fluorescent Tube Are Aesthetic Enough in Character to 

Make for Powerful and Compelling Art.” Saturday Night (Toronto) (November), pp. 68–70. 

Marshall, Neil. “A Clean, Well-Lit Place.” Varsity (University of Toronto), October 3. 

Masheck, Joseph. “Correspondence: Corn-Fed Egotism.” Studio International 177, no. 911 (May), pp. 209–10. 


Mellow, James R. “New York Letter.” Art International 13, no. 1 (January 20), pp. 52–57. 

Perreault, John. “Literal Light.” Art News Annual 35 (October), pp. 128–41. 

Pomeroy, Ralph. “New York: Moving Out.” Art and Artists 3, no. 10 (January), pp. 54–56. 

Reise, Barbara. “Correspondence: Art Called ‘Minimal.’” Studio International 177, no. 912 (June), p. 256. 

———. “‘Untitled 1969’: A Footnote on Art and Minimal-Stylehood.” Studio International 177, no. 910 (April), 

pp. 166–72. 

Riley, Marie. “Artist or Electrician?” Evening Times Globe (Toronto), September 29. 

Rose, Barbara. “Problems of Criticism V: The Politics of Art, Part II.” Artforum 7, no. 5 (January), pp. 44–49. 

Rosenberg, Harold. “The Art World: Educating Artists.” New Yorker, May 17, pp. 118, 120–123. 

Russell, John. “Collector: Larry Aldrich.” Art in America 57, no. 1 (January–February), pp. 56–65. 

Sable, Jared. “Flavin Makes Going to Ottawa Worthwhile.” Telegram (Toronto), September 20, sec. 3, p. 4. 

Seitz, William. “The Relevance of Impressionism.” Art News 67, no. 9 (January), pp. 28–34, 43, 56–60. 

Townsend, Charlotte. “A Room Full of Green Light.” Vancouver Sun, November 15. 

1970 

Alloway, Lawrence. “Art.” Nation, February 9, pp. 155–56. 

Bannard, Walter Darby. “Walter Darby Bannard.” Art Now: New York 2, no. 7. 

Battcock, Gregory. “The Politics of Space.” Arts Magazine 44, no. 4 (February), pp. 40–43. 

Bourgeois, Jean-Louis. “New York: Dan Flavin, Dwan, Castelli, Jewish Museum.” Artforum 8, no. 8 (April), pp. 

81–82. 

Cameron, Eric. “Drawing Lines in the Desert (a Study of North American Art).” Studio International 180, no. 926 

(October), pp. 150–55. 


Canaday, John. “Art: Jewish Museum Retrospective for Artist of 36.” New York Times, January 24, p. 25. 

“Dan Flavin Retrospective from Vancouver, B.C.” Northwest Art: News and Views 1, no. 1 (January–February), pp. 

26–27. 

Genauer, Emily. “Art and the Artist.” New York Post, January 31, Magazine, p. 14. 

Glozer, Laszlo. “Quadrat im Lichthof.” Frankfurter Allgemeine Zeitung, November 21, p. 9. 

Glueck, Grace. “Museum Beckoning Space Explorers.” New York Times, January 2, p. 34. 

Graham, Dan. “Flavin’s Proposal.” Arts Magazine 44, no. 4 (February), pp. 44–45. 

Gruen, John. “Fun House in Space.” New York, January 19, p. 50. 

———. “No Light Is Shed.” New York, February 2, p. 57. 

Judd, Donald. “Aspects of Flavin.” Art and Artists 4, no. 12 (March), pp. 48–49. 

Kline, Katherine. “Reviews and Previews: Dan Flavin, Dwan, Castelli.” Art News 69, no. 2 (April), p. 20. 

Kramer, Hilton. “Participatory Esthetics.” New York Times, January 11, sec. 2, p. 25. 

Leider, Philip. “New York. Spaces: Museum of Modern Art, New York.” Artforum 8, no. 6 (February), pp. 69–70. 

“News: Lighting Luminary.” Industrial Design 17, no. 1 (January–February), p. 8. 

Perreault, John. “Art: A Different Light.” Village Voice, February 5, pp. 16, 29. 

Pleynet, Marcelin. “Lettre de Paris.” Art International 14, no. 10 (Christmas), pp. 55–63, 70. 

Ratcliff, Carter. “New York Letter.” Art International 14, no. 2 (February 20), pp. 77–80. 

Shirey, David L. “Art in Space.” Newsweek, January 12, pp. 63–64. 

Strelow, Hans. “Die Macht des Farblichts.” Frankfurter Allgemeine Zeitung, April 4, p. 9. 


Trini, Tommaso. “At Home with Art: The Villa of Count Giuseppe Panza di Biumo.” Art in America 58, no. 5 

(September–October), pp. 102–9. 

Tuchman, Phyllis. “American Art in Germany: The History of a Phenomenon.” Artforum 9, no. 3 (November), pp. 

58–69. 

Tuten, Frederic. “Soggy Day in Venice Town.” New York Times, July 12, sec. D, pp. 19, 21. 

Vinklers, Bitite. “New York.” Art International 14, no. 3 (March 20), pp. 91–94. 

———. “New York.” Art International 14, no. 4 (April 20), pp. 64–66. 

von Bonin, Wibke. “Germany: The American Presence.” Arts Magazine 44, no. 5 (March), pp. 52–55. 

Welish, Marjorie. “Art.” Manhattan East, January 28. 

Wilson, William S. “Dan Flavin: Fiat Lux.” Art News 68, no. 9 (January), pp. 48–51. 

1971 

Anderson, Laurie. “Reviews and Previews.” Art News 70, no. 8 (December), p. 15. 

Baker, Kenneth. “New York: Castelli Gallery, Group Show, Dwan.” Artforum 9, no. 6 (February), pp. 79–81. 

Borgeaud, Bernard. “Art Abroad: Paris.” Arts Magazine 45, no. 3 (December 1970–January 1971), p. 46. 

Buren, Daniel, et al. “Gurgles Around the Guggenheim.” Studio International 181, no. 934 (June), pp. 246–50. 

Butterfield, Jan. “Dallas Exhibitions Offer Varied Artistic Approach.” Star-Telegram (Fort Worth), April 25, sec. H, 

p. 5. 

———. “Texas.” Arts Magazine 45, no. 8 (Summer), pp. 45–46. 

Coplans, John. “An Interview with Don Judd.” Artforum 9, no. 10 (June), pp. 40–50. 

Davis, Douglas. “The Last International?” Newsweek, February 22, p. 64. 


Domingo, Willis. “Galleries: Dan Flavin at Leo Castelli.” Arts Magazine 45, no. 4 (February), pp. 55–58. 

———. “New York Galleries: Dan Flavin at Dwan.” Arts Magazine 45, no. 6 (April), pp. 82–84. 

Gibson, Michael. “L’Avant-garde et le réel.” L’Oeil, no. 204 (December), pp. 18–23. 

Glueck, Grace. “Museum Presents Wide Media Range.” New York Times, February 12, p. 26. 

Greene, Denise. “Reviews: Dan Flavin, Castelli Gallery.” Arts Magazine 46, no. 3 (December 1971–January 1972), 

pp. 62–65. 

Linville, Kasha. “New York: Jo Baer, School of Visual Art.” Artforum 9, no. 9 (May), pp. 77–79. 

Masheck, Joseph. “Sorting Out the Whitney Annual.” Artforum 9, no. 6 (February), pp. 70–74. 

“Minneapolis: The New Museum.” Art International 15, no. 9 (November 20), pp. 17–21. 

Monte, James. “Looking at the Guggenheim International.” Artforum 9, no. 7 (March), pp. 28–31. 

Ohff, Heinz. “Multiples in Germany.” Studio International 182, no. 936 (September), pp. 97–98. 

Perreault, John. “Art: Snotty Remarks.” Village Voice, March 23, p. 17. 

———. “Review of the Guggenheim International.” Village Voice, February 18, pp. 19, 21. 

———. “We Applaude [sic] the Artist’s Good Taste and Exquisite Control.” Village Voice, November 4, pp. 25–26. 

Pfeiffer, Gunter. “Review: Galerie Friedrich, Cologne.” Das Kunstwerk 24 (November), pp. 78–79. 

Pincus-Witten, Robert. “New York: Neil Jenney, David Whitney.” Artforum 9, no. 5 (January), p. 79. 

Plagens, Peter. “Los Angeles: Dan Flavin, Ace Gallery.” Artforum 10, no. 3 (November), pp. 83–85. 

Ratcliff, Carter. “Reviews and Previews.” Art News 70, no. 2 (April), p. 12. 

Restany, Pierre. “Notes de Voyage Houston New York.” Domus, no. 498 (May), pp. 45–53. 

Rose, Barbara. “Gobbledygook at the Guggenheim.” New York, March 8, pp. 48–50. 


Shepherd, Gyde Vanier. “Icon: Studies in Content, the Life of Forms.” Artscanada, no. 154 (April), pp. 26–29. 

Shirey, David. “Two-Part Show: Flavin Works of Light.” New York Times, October 30, p. 27. 

Siegel, Jeanne. “Reviews and Previews.” Art News 70, no. 8 (December), p. 15. 

———. “Reviews and Previews: Dan Flavin, Castelli.” Art News 69, no. 9 (January), p. 18. 

Wilson, William. “Flavin Display in Westwood.” Los Angeles Times, August 23, sec. 4, p. 10. 

1972 

Anderson, Laurie. “Review: Leo Castelli Gallery.” Art News 71, no. 8 (December), pp. 76–77. 

Baker, Kenneth. “Light Sculpture.” Christian Science Monitor, September 22, sec. 1, p. 16. 

———. “A Note on Dan Flavin.” Artforum 10, no. 5 (January), pp. 38–40. 

Davis, Douglas. “The Season—Keeping Its Cool.” Newsweek, November 20, pp. 115–16. 

“Five Works Sold at Gallery Here.” New York Times, March 4, p. 18. 

Kerber, Bernard. “Documenta und Szene Rhein-Ruhr.” Art International 16, no. 8 (October), pp. 68–77. 

Picasso, Claude. “The Attic of the Imagination.” Saturday Review 55, no. 41 (October), pp. 42–47. 

Reeves, Jean. “Flavin Exhibit at Albright-Knox Casts New Light on Sculpture.” Buffalo Evening News, May 13. 

Stitelman, Paul. “Gallery Reviews: Flavin, Castelli Downtown.” Arts Magazine 47, no. 3 (December), pp. 74–75. 

Wood, James N. “Notes on an Exposition of Cornered Installations in Fluorescent Light by Dan Flavin Set to 

Celebrate Ten Years of the Albright-Knox Art Gallery.” Studio International 184, no. 950 (December), pp. 230–32. 

1973 

Ballo, Guido. “Un grand collectionneur européen d’art américain: Giuseppe Panza.” XXe Siècle 35, no. 41 



Boice, Bruce. “Reviews: Dan Flavin, John Weber Gallery.” Artforum 11, no. 9 (May), pp. 79–83. 

Borden, Lizzie. “New York: Dan Flavin, Leo Castelli Gallery Downtown.” Artforum 11 , no. 6 (February), pp. 81– 

83. 

Celant, Germano. “Dan Flavin.” Domus, no. 519 (February), pp. 44–47, unpaginated English translation at rear of 

journal. 

Crimp, Douglas. “New York Letter.” Art International 17, no. 2 (February 20), pp. 46–48. 

“Dan Flavin: Kunsthalle im Lichterglanz.” Die Welt, November 15. 

Felix, Zdenek. “Neue Räume nur aus weichem Licht.” National-Zeitung Basel, December 31. 

“Fluorescent Light Show Opens at UB Gallery.” Bridgeport Sunday Post, March 4. 

Glozer, Laszlo. “Installationen in fluoreszierendem Licht: Dan Flavin in der Kunsthalle Köln.” Süddeutsche Zeitung 

(Munich), November 17–18, p. 99. 

Großkopf, Annegret. “Es werde Neonlicht.” Kölner Stadt-Anzeiger, November 9, p. 8. 

Jappe, Georg. “Leuchtend, aber nicht einleuchtend.” Frankfurter Allgemeine Zeitung, December 17, p. 22. 

King, Mary. “The Prosaic Fluorescent Light Turns On as Astonishing Art.” St. Louis Post-Dispatch, January 28. 

———. “A Show for Turning On: Dan Flavin’s Fluorescents.” St. Louis Post-Dispatch, March 4, Sunday Pictures 

sec., pp. 16–18, 20, 23. 

Klapheck, Anna. “Die strahlende Röhre.” Rheinische Post, November 28. 

Krauss, Rosalind. “Sense and Sensibility: Reflection on Post-60’s Sculpture.” Artforum 12, no. 3 (November), pp. 

43–53. 

Krüger, Werner. “In fluoreszierendem Licht.” Mannheimer Morgen, November 4. 

“Kunst: Ekstasen von Osram.” Der Spiegel, November 12, pp. 193–95. 


Lebeer, Paul. “Le Minimal Art ou le Rasoir d’Occam.” XXe Siècle 35, no. 41 (December), pp. 141–45. 

Leisegang, H. “Bauen mit Licht.” Westfalen Blatt Bielefeld, November 16. 

Loring, John. “Open to Re-definition.” Arts Magazine 48, no. 2 (November), pp. 42–43. 

Peters, John Brod. “‘Work of Dan Flavin’ at Museum.” St. Louis Globe-Democrat, January 27–28, sec. D, p. 5. 

Plagens, Peter. “Rays of Hope, Particles of Doubt.” Artforum 11, no. 10 (June), pp. 32–35. 

“Purchases.” Gallery Notes (Albright-Knox Art Gallery) 37, no. 1. 

Railing, Patricia. “La Sculpture américaine depuis 1960.” XXe Siècle 35, no. 41 (December), pp. 146–51. 

Reinke, Klaus Ulrich. “Neon plus ultra.” Zeitmagazin, December 7, pp. 55–56. 

Richter, Wolfgang. “Die Kölner Kunsthalle in neuen Licht.” Dürener Zeitung, November 9. 

Russell, John. “Dimensions of Light.” Sunday Times (London), November 25. 

Schneckenburger, Manfred. “Dan Flavin: Drei Räume in Fluoreszierendem Licht.” Museen in Köln: Bulletin 12, no. 

11 (November), pp. 1187–90. 

Schoen, Wolf. “Die Ausstellung: Dan Flavin/Otto Piene.” Kunstforum International (1973–74), pp. 184–95. 

Schreiber, Helene. “Die Lichträume des Dan Flavin.” Schwäbische Zeitung, November 28. 

Schwartz, Barbara. “Letter from New York.” Craft Horizons 33, no. 1 (February), pp. 59–60. 

Stitelman, Paul. “Reviews, New York: Dan Flavin, John Weber.” Arts Magazine 47, no. 6 (April), pp. 72–74. 

Vitt, Walter. “Kunsthalle in Licht getaucht.” Aachener Nachrichten, November 13. 

1974 

Alloway, Lawrence. “Reviews: Castelli Gallery.” Artforum 12, no. 9 (May), pp. 63–65. 


Brühlow, Heide. “Köln: Kunsthalle Ausstellung. Dan Flavin: Drei Installationen in fluoreszierendem Licht.” 

Pantheon 32, no. 2 (April–June), pp. 177–78. 

Catoir, Barbara. “Ausstellungen: Dan Flavin Kunsthalle Köln und Galerie Heiner Friedrich.” Das Kunstwerk 27 

(January), p. 56. 

Dreiss, Joseph. “Arts Reviews.” Arts Magazine 48, no. 8 (May), pp. 68–70. 

“Exerzitien und Traum.” Süddeutsche Zeitung (Munich), June 20, p. 15. 

Fuller, Peter. “Dan Flavin Neons 1973.” Connoisseur, January, p. 92. 

Goosen, E. C. “Color and Light.” Arts Magazine 48, no. 4 (January), pp. 32–41. 

Kerber, Bernard. “Szene Rhein-Ruhr.” Art International 18, no. 4 (April 20), pp. 47–49, 66. 

“Lucy Lippard, Freelancing the Dragon.” Art-Rite, no. 5 (Spring), pp. 16–19. 

McDonald, Robert H. “Dan Flavin.” Artweek 5, no. 39 (November 16). 

McKaskell, Robert. “Review: Jared Sable Gallery, Toronto.” Artscanada, nos. 192–95 (December), pp. 115–16. 

Rees, R. J. “UK Reviews.” Studio International 187, no. 963 (February), Review sec., pp. 9–10. 

Russell, John. “Exhibitions Abroad.” Art News 73, no. 1 (January), pp. 76–77. 

Thwaites, John Anthony. “Cologne.” Art and Artists 9 (April), p. 42. 

1975 

Agee, William C. “Unit, Series, Site: A Judd Lexicon.” Art in America 63, no. 3 (May–June), pp. 40–49. 

Belloli, Jay. “The Fort Worth Art Museum, Dan Flavin: Installations in Fluorescent Light from 1972 through 1975.” 

Star-Telegram (Fort Worth), December 7. 

Bessenich, Wolfgang. “Ein Kunstklima: Farbe als Lebensraum.” National-Zeitung Basel, March 15. 

“Dan Flavin.” Museum Boymans-van Beuningen Rotterdam Bulletin, no. 19 (October), pp. 148–49. 


“Dan Flavin und Minimal Art.” Baseler Woche, March 21. 

Daval, Jean-Luc. “Lettre de Suisse.” Art International 19, no. 5 (May 15), p. 47. 

Ellenzweig, Allen. “Arts Reviews.” Arts Magazine 49, no. 8 (April), pp. 12–14. 

Frenken, Toon. “Kunstlichtkunst in Rotterdam Om Snel Doorheen Te Lopen: Dan Flavin in Boymans.” Eindhovens 

Dagblad, October 25. 

Glozer, Laszlo. “Die Lichtquelle ist Skulptur: Zwei Ausstellungen von Dan Flavin in Basel.” Süddeutsche Zeitung 

(Munich), April 17. 

Götz, Margrit. “Das Licht als Kunstwerk.” Luzerner Neueste Nachrichten, March 17. 

Heinemann, Susan. “Review: Leo Castelli and John Weber Galleries.” Artforum 13, no. 1 (September), p. 77. 

Hoesterey, Ingeborg. “New York.” Art International 19, no. 6 (June 15), pp. 72–79. 

“‘Kunst’ Licht van Dan Flavin in Rotterdam.” De Waarheid, October 22. 

Kuris, G. “Een Duistere Expositie.” Trouw (Amsterdam), October 21. 

Kutner, Janet. “Sculptor Masters Lights.” Dallas Morning News, December 21, sec. C, p. 7. 

“Les Installations fluorescentes de Dan Flavin.” La Liberté (Fribourg), March 31. 

“Leuchtröhr.” Der Bund (Bern), March 13. 

Lubell, Ellen. “Arts Review.” Arts Magazine 49, no. 10 (June), pp. 17–20. 

Muschte, Christiana. “Zeichnungen und Kunst auf Zeit.” Baseler Nachrichten, March 18. 

Netter, Maria. “Dan Flavin und das farbige Licht.” Schweizer Finanzzeitung, April 1. 

Nigg, Heinz. “Dan Flavins fluoreszierende Röhren in Basel.” Tages Anzeiger (Zurich), April 1. 


Ratcliff, Carter. “New York.” Art International 19, no. 6 (June 15), p. 102. 

Russell, John. “Dan Flavin.” New York Times, April 19, p. 24. 

Schmidt, Bertus. “‘Fietstunnelverlichtint’ in Boymans.” Het Vrije Volk (Rotterdam), October 21. 

Stutzer, Bea. “. . . der mit den Neonröhren!” Baseler Volksblatt, March 14. 

“Tentoonstellingen.” Avenue (Amsterdam) (October). 

Vachtova, Ludmilla. “Mit Achtung und Zuneigung Dan Flavin.” Neue Zürcher Zeitung, March 20. 

Welling, Dolf. “Lichtbassins met tl-hekken in Museum Boymans.” Haagsche Courant, October 13. 

Zucker, Barbara. “Review: Leo Castelli and John Weber Galleries.” Art News 74, no. 6 (Summer), pp. 144–46. 

1976 

Andre, Michael. “Review: Leo Castelli Gallery.” Art News 75, no. 7 (September), pp. 115–16, 118. 

“Art. Dan Flavin: Installation in Fluorescent Light 1972 through 1975.” D, The Magazine of Dallas, January, p. 26. 

Brown, Gordon. “Group Show: Leo Castelli.” Arts Magazine 51, no. 1 (September), p. 37. 

Feaver, William. “Haven of 20-Watt Calm.” Observer (London), August 29, p. 20. 

Iida, Yoshikuni. “Sculpture: From David Smith to Dan Flavin.” Mizue (Tokyo), no. 850 (January), pp. 116–23. 

Overy, Paul. “Putting One in the Picture.” Times (London), August 24, p. 5. 

Russell, John. “Donald Judd/Dan Flavin.” New York Times, April 3, p. 20. 

Vaizey, Marina. “Scottish Dilemma.” Sunday Times (London), August 29. 

von Graevenitz, Antje. “Amerikaanse Lichtkunst.” Museumjournaal 21, no. 4 (August), pp. 145–56. 

Wilson, William. “Flavin Exhibit at Otis Institute.” Los Angeles Times, December 17, sec. 4, p. 14. 


1977 

Artner, Alan G. “Don [sic] Flavin Literally Lights Up the Indoors.” Chicago Tribune, May 1. 

Ebbinghouse, David. “Friends and Artists.” Rivertown Times (Cincinnati), March 9–22, pp. 10–11. 

Failing, Patricia. “How the ‘Seed Money’ in Portland Has Grown.” Art News 76, no. 5 (May), pp. 58–61. 

Findsen, Owen. “The On and Off Art of Flavin.” Cincinnati Enquirer, February 20, sec. F, p. 7. 

Hess, Thomas. “Dan Flavin at the Gates of Light.” New York Magazine, February 14, pp. 67–70. 

Kind, Joshua. “The Flavin File.” New Art Examiner 4, no. 9 (June), p. 8. 

Kingsley, April. “Art for All.” Village Voice, December 12, p. 86. 

———. “The Color of Pure Snow.” SoHo Weekly News, February 3, pp. 18–19. 

Perry, Art. “At the Ace Gallery: Flavin Throws Light on His Art.” Province, February 17, p. 27. 

Rosenblum, Robert. “Mondrian’s Late Style.” Allen Memorial Art Museum Bulletin 35, nos. 1–2 (1977–78), pp. 68– 

77. 

Rubinfien, Leo. “Artists’ Sketchbooks.” Artforum 15, no. 7 (March), pp. 53–55. 

Russell, John. “Art: Dan Flavin.” New York Times, February 11, sec. C, p. 18. 

———. “Dan Flavin, Fluorescent Installations.” New York Times, October 28, sec. 3, p. 20. 

Sager, Peter. “Documenta 6.” Zeitmagazin, July, pp. 5–10, 14–20. 

Shapiro, David. “A View of Kassel.” Artforum 16, no. 1 (September), pp. 56–62. 

Skoggard, Ross. “Flavin ‘According to His Lights.’” Artforum 15, no. 8 (April), pp. 52–54. 

Tatransky, Valentin. “Arts Reviews.” Arts Magazine 51, no. 10 (June), pp. 40–41. 

———. “Arts Reviews: Dan Flavin, Heiner Friedrich.” Arts Magazine 51, no. 8 (April), p. 25. 


Tuchman, Phyllis. “Minimalism and Critical Response.” Artforum 15, no. 9 (May), pp. 26–31. 

Vitt, Walter. “Dan Flavin in der Galerie Friedrich: Kunst aus dem Licht.” Kölner Stadt-Anzeiger, January 13. 

1978 

Albright, Thomas. “Two Plus Two Should Sometimes Equal Five.” San Francisco Chronicle, January 30. 

Bohdan, Carol Lorraine, and Todd Mitchell Volpe. “Collecting Art and Crafts.” Nineteenth Century 4, no. 3 

(Autumn), pp. 52–57. 

Burnside, Madeleine. “New York Reviews.” Art News 77, no. 8 (October), p. 188. 

Dunbar, Jill. “At the Galleries.” Villager (New York), January 12, p. 17. 

Firmin, Margaret J. “A Very Public Display.” Alaska Advocate, December 14–20. 

Levin, Kim. “Dan Flavin.” Arts Magazine 53, no. 1 (September), p. 20. 

Meisel, Alan. “Exhibitions.” Craft Horizons 38, no. 2 (April), p. 64. 

Morrison, Ann. “Transformation by Tube.” Vanguard (Vancouver) 7, no. 1 (February), p. 14. 

Perlberg, Deborah. “Reviews. New York: Dan Flavin, Heiner Friedrich.” Artforum 16, no. 7 (March), p. 60. 

Raynor, Vivien. “Art: Casting Space in a Different Light.” New York Times, January 20, sec. C, p. 18. 

Shapiro, Linsay Stamm. “Review: Heiner Friedrich Gallery and Parrish Art Museum.” Craft Horizons 38, no. 7 

(October), p. 18. 

Smith, Roberta. “Review: Dan Flavin at Heiner Friedrich.” Art in America 66, no. 4 (July–August), pp. 113–14. 

Tatransky, Valentin. “Arts Reviews: Dan Flavin.” Arts Magazine 52, no. 7 (March), pp. 16–17. 

———. “Review: Heiner Friedrich Gallery.” Arts Magazine 53, no. 1 (September), p. 28. 

Tuchman, Phyllis. “Background of a Minimalist: Carl Andre.” Artforum 16, no. 7 (March), pp. 29–33. 


Tully, Judd. “Dan Flavin Lit the Tracks.” Art/World, January 14–February 10. 

“The Vasari Diary: A Light in the Tunnel.” Art News 77, no. 2 (February), pp. 29–30. 

Venet, Bernar. “The Rational Image: Against the Abuses of Individual Expression.” Colóquio (Lisbon), 2nd ser., 20, 

no. 38 (September), pp. 38–45, 80–82. 

Wooster, Ann-Sargent. “New York Reviews.” Art News 77, no. 3 (March), pp. 165–66. 

Zimmer, William. “Cathedral Fluorescence.” SoHo News, January 26, pp. 25, 42. 

1979 

“Der Galerie-Verein.” Süddeutsche Zeitung (Munich), January 10, p. 29. 

Gardner, Paul. “I Was a Guard for a Day at the Whitney.” Art News 78, no. 6 (Summer), pp. 52–54. 

Gendel, Milton. “If One Hasn’t Visited Count Panza’s Villa, One Doesn’t Know What Collecting Is All About.” Art 

News 78, no. 10 (December), pp. 44–49. 

Glowen, Ron. “Review: Six Exemplars of Recent Sculptures.” Artweek 10, no. 4 (January 27), p. 17. 

Graham, Dan. “Art in Relation to Architecture/Architecture in Relation to Art.” Artforum 17, no. 6 (February), pp. 

22–29. 

Nadelman, Cynthia. “What’s That Forest Doing in Greenwich Village?” Art News 78, no. 9 (November), pp. 66–71. 

Raynor, Vivien. “Standing on a Beach Extends the Horizon.” New York Times, August 19, sec. 22, p. 14. 

Russell, John. “Art: Red Grooms and Dan Flavin.” New York Times, August 3, sec. C, p. 19. 

———. “Recent Installations by Dan Flavin.” New York Times, October 26, sec. C, p. 20. 

1980 

Bell, Jane. “Review: Leo Castelli Gallery.” Art News 79, no. 1 (January), pp. 158, 160. 

Gillette-Thompson, Helen. “Art in the Federal Building: Dan Flavin Finds Alaska Illuminating.” Anchorage Times, 

July 20, sec. E, p. 1. 


Matta, Marianne, Christian Vogt, and Peter Blum. “Die Sammlung Panza di Biumo.” Du, no. 8, pp. 4–15. 

McFadden, Sarah. “Going Places, Part I: Beyond Museum Row.” Art in America 68, no. 2 (February), pp. 68–80. 

Natsios, Valerie. “Dan Flavin’s Neon Works.” New York Arts Journal (January), pp. 33–34. 

Platt, Susan. “Dan Flavin’s Factual Fantasies.” Artweek 11, no. 2 (January 19), pp. 1, 16. 

Ratcliff, Carter. “Review: Dan Flavin at Castelli.” Art in America 68, no. 1 (January), pp. 108–9. 

Stimson, Paul. “Dan Flavin.” Flash Art, nos. 94–95 (January–February), pp. 27–28. 

Talley, Dan. “Stephen Antonakos Interviewed by Dan Talley.” Atlanta Art Papers 4, no. 5 (September–October), 

pp. 1–3. 

1981 

Lawson, Thomas. “Review: Leo Castelli Gallery.” Artforum 20, no. 2 (October), p. 76. 

Linker, Kate. “Public Sculpture: The Pursuit of the Pleasurable and Profitable Paradise.” Artforum 19, no. 7 

(March), pp. 64–73. 

Raynor, Vivien. “Art: Dan Flavin Lights SoHo with Neon.” New York Times, July 17, sec. C, p. 22. 

1982 

Bliss, Anna Campbell. “Art, Color, Architecture.” AIA Journal 71, no. 2 (February), pp. 48–55. 

Dreyfuss, John. “A Design Conference Smorgasbord: Programs to Deal with Architectural Topics, Opinions.” Los 

Angeles Times, March 19, sec. 5, pp. 2, 16. 

Drohojowska, Hunter. “A Museum of Movable Walls: Flavin Installation at Hauserman.” Arts and Architecture 1, 

no. 3, pp. 20–21. 

Giovannini, Joseph. “‘Blue Whale’ Becomes a Fairground.” Los Angeles Herald Examiner, March 22, sec. B, pp. 1, 

6. 

“Hauserman, Vignelli Associates.” GA Document, no. 5 (Spring), pp. 48–49. 


“Light Show: The Hauserman Showroom in the Pacific Design Center, Los Angeles.” Interior Design 53, no. 7 

(July), pp. 146–51. 

Marzorati, Gerald. “Art Picks.” SoHo News, February 10–16, p. 36. 

Owens, Craig. “Back to the Studio.” Art in America 70, no. 1 (January), pp. 99–107. 

Slesin, Suzanne. “At California Show, Innovations from East and West.” New York Times, March 25, sec. C, pp. 1, 

6. 

“The Walls: A Showroom Clothed in Light.” Architectural Record 170, no. 9 (July), pp. 120–23. 

1983 

Dietsch, Deborah. “Annual Interiors Awards Winners: Hauserman Showroom, Los Angeles, by Vignelli 

Assocs./Dan Flavin.” Interiors, January, pp. 110–11. 

Harrison, Helen A. “Firehouse Becomes His Own Museum.” New York Times, June 26, Long Island Weekly sec., p. 

18. 

Rosenthal, Mark. “The Structured Object in Contemporary Art: Reflections on Works in the Twentieth-Century 

Galleries.” Philadelphia Museum of Art Bulletin 79, no. 340 (Fall 1983). 

Wortz, Melinda. “Reviews: Los Angeles.” Artforum 21, no. 5 (January), p. 82. 

1984 

Boody, Peter. “Tom Wolfe Predicts Return to Realism.” Southampton Press, August 30. 

Braff, Phyllis. “From the Studio.” East Hampton Star, January 26, sec. 2, p. 5. 

———. “From the Studio.” East Hampton Star, April 5, sec. 2, p. 6. 

Danieli, Fidel. “Industrial Icons/Egyptian Deco.” Artweek 15, no. 24 (June 16), p. 3. 

Ennis, Michael. “The Marfa Art War.” Texas Monthly, August, pp. 138–42, 186–91. 

Hart, Claudia. “Environments of Light: Ornament in Search of Architecture.” Industrial Design 31, no. 2 (March), 

pp. 22–27. 


Judd, Donald. “A Long Discussion Not About Master-pieces But Why There Are So Few of Them, Part II.” Art in 

America 72, no. 9 (October), pp. 9–11, 13, 15. 

Kessler, Pamela. “Dan Flavin: A Sculptor with the Light Touch.” Washington Post, September 28, Weekend sec., p. 

49. 

Knight, Christopher. “A Sculptor’s Ironic Tribute.” Los Angeles Herald Examiner, May 13, sec. E, pp. 5, 7. 

Levin, Kim. “An Opinionated Survey of the Week’s Events.” Village Voice, April 24, p. 68. 

Muchnic, Suzanne. “Flavin Exhibit: His Artistry Comes to Light.” Los Angeles Times, April 23, Calendar sec., pp. 

1–2. 

Raynor, Vivien. “Dan Flavin.” New York Times, April 15, sec. C, p. 30. 

Richard, Paul. “Taking It to the Min: Minimalists Reinhardt, Flavin at the Corcoran.” Washington Post, October 3, 

sec. B, pp. 1, 10. 

Smith, Roberta. “Art: Chrysler’s Wings of Fashion.” Village Voice, April 24, p. 99. 

———. “Splat!” Village Voice, October 16, p. 109. 

1985 

DeAk, Edit, and Ingrid Sischy. “Light.” Artforum 23, no. 5 (January), pp. 48–49. 

Hoban, Phoebe. “Medicis for a Moment: The Collapse of the Dia Dream.” New York, November 25, pp. 52–58. 

“Luce Colore Arte/Light Color Art.” Abitare, no. 234 (May), cover ill., pp. 70–76. 

Raynor, Vivien. “Art: The Colorful Fluorescent Bars of Dan Flavin.” New York Times, June 28, sec. C, p. 23. 

Rorimer, Anne. “Up and Down, In and Out, Step by Step, a Sculpture, a Work by Daniel Buren.” Museum Studies 

11, no. 2 (Spring), pp. 140–55. 

Russell, John. “In the Hamptons, Dan Flavin’s Fluorescent Light Works Are Aglow.” New York Times, August 2, 

sec. C, p. 21. 


Stapen, Nancy. “Neon Installation at Sackler.” Boston Herald, April 27. 

1986 

“Album: Transformations in Sculpture, Four Decades of American and European Art, Solomon R. Guggenheim.” 

Arts Magazine 60, no. 5 (January), pp. 114–15. 

“Dan Flavin.” Stedelijk Museum Bulletin, October. 

de Vries, Peter Yvon. “Het valse licht van honderd tl-buizen.” Het Parool (Amsterdam), November 5, p. 5. 

Fox, Judith Hoos. “Curatorial Departments, Acquisitions.” The One Hundred Eleventh Annual Report of the 

Museum of Fine Arts, Boston (1986–87), pp. 25–65. 

Glueck, Grace. “The de Menil Family: The Medici of Modern Art.” New York Times Magazine, May 18, pp. 28–46, 

66, 106, 113. 

Muchnic, Suzanne. “Art Review: A Show That Is Wired for Brightness.” Los Angeles Times, June 9, Arts sec., pp. 

1, 5. 

Piguet, Philippe. “XXe Siècle: une sculpture plurielle.” L’Oeil, no. 375 (October), pp. 44–49. 

Ringnalda, Mariana. “Dan Flavin.” Art Press, no. 100 (February), pp. 79–80. 

Tilroe, Anna. “Flavin maakt trappehuis tot uitstalkast.” De Volkskrant (The Hague), November 8. 

1987 

Annosse, André. “L’Art du néon.” Paris Match, March 6, pp. 102–3. 

Crémin, Ann. “Dan Flavin, maître du néon.” Décoration Internationale, June, p. 14. 

Francblin, Catherine. “Dan Flavin.” Art Press, no. 116 (July–August), p. 80. 

Gibson, Michael. “A Light Show of Simplicity.” International Herald Tribune, May 30–31, p. 6. 

———. “The Strange Case of the Fluorescent Tube.” Art International, no. 1 (Autumn), pp. 105–10. 


Hindry, Ann. “Dan Flavin: ‘Le Pur Vase d’aucun breuvage. …’” Artstudio, no. 6 (Fall), pp. 102–13. 

Pinckney, Patricia. “Light as Art: Dan Flavin Creates ‘Icons’ of Light with Fluorescents.” Lighting Dimensions 11, 

no. 2 (March–April), pp. 76–78. 

Sans, Jérôme. “Dan Flavin.” Beaux Arts Magazine, no. 47 (June), p. 105. 

Vedrenne, Elisabeth. “Un temple du vide.” Décoration Internationale, no. 59 (March), pp. 137–41, 152. 

1988 

Deschamps, Madeleine. “Dan Flavin: Situations.” Art Press, no. 121 (January), pp. 32–35. 

Johnson, Ken. “Showcase in Arcadia.” Art in America 76, no. 7 (July), pp. 94–103. 

1989 

Decter, Joshua. “New York in Review.” Arts Magazine 64, no. 1 (September), p. 104. 

Denson, G. Roger. “Dan Flavin.” Flash Art, no. 147 (Summer), p. 137. 

Dienst, Rolf Gunter. “Dan Flavin: Staatliche Kunsthalle, Baden-Baden.” Das Kunstwerk 42, no. 2 (June), p. 95. 

Morgan, Stuart. “No Warts, No Fanny.” Artscribe, no. 74 (March–April), pp. 12–13. 

Puvogel, Renate. “Dan Flavin und Donald Judd in der Kunsthalle Baden-Baden/Dan Flavin and Donald Judd in the 

Kunsthalle Baden-Baden.” Parkett, no. 22, pp. 14–23. 

Schjeldahl, Peter. “Flavin of the Week.” 7 Days (New York), June 7, p. 62. 

Smith, Roberta. “Learning to See by Minimalism’s Slow Fire.” New York Times, December 10, sec. 2, pp. 41, 46. 

1990 

Bourriaud, Nicolas. “L’Art en tube.” Beaux Arts, no. 83 (October), pp. 106–11. 

Chave, Anna C. “Minimalism and the Rhetoric of Power.” Arts Magazine 64, no. 5 (January), pp. 44–63. 

Cotter, Holland. “Dan Flavin at 65 Thompson.” Art in America 78, no. 3 (May), pp. 236–37. 


Krauss, Rosalind. “The Cultural Logic of the Late Capitalist Museum.” October, no. 54 (Fall), pp. 3–17. 

Sandback, Amy Baker. “Virginia Dwan: L’Aventure d’un marchand d’art.” Art Press, no. 151 (October), pp. 41–46. 

1991 

Bouisset, Maiten. “L’Espace au néon de Dan Flavin.” Beaux Arts, no. 90 (May), pp. 68–79. 

Chattopadhyay, Collette. “The Margins of Minimalism: Dan Flavin and Alan Saret at Daniel Weinberg Gallery.” 

Artweek 22, no. 1 (January 10), p. 14. 

De Vuono, Frances. “Review: Dan Flavin, Mary Boone Gallery.” Art News 90, no. 7 (September), pp. 127–28. 

Decter, Joshua. “New York in Review.” Arts Magazine 65, no. 5 (January), pp. 97–100. 

Graham, Dan. “Art as Design/Design as Art.” Parachute, no. 61 (January–March), pp. 14–19. 

Krauss, Rosalind. “Overcoming the Limits of Matter: On Revising Minimalism.” Studies in Modern Art 1, pp. 122– 

41. 

Puvogel, Renate. “Bild-Objekte oder Licht-Körper.” Kritisches Lexikon der Gegenwartskunst, no. 13. 

Schina, Athena. “Dan Flavin.” Arti 5 (May–June), pp. 183–85. 

1992 

Adams, Brooks. “Flavin in the Rotunda.” Art in America 80, no. 9 (September), pp. 118–19. 

Athineos, Doris. “Equal Time at the Guggenheim.” Antique Monthly 25, no. 7 (July), p. 8. 

Cameron, Dan. “Anxieties of Influence.” Flash Art 25, no. 164 (May–June), pp. 75–81. 

Castle, Frederick Ted. “Occurrences/New York.” Art Monthly, no. 160 (October), pp. 11–14. 

Decker, Andrew. “What Price Guggenheim?” Village Voice, June 23, pp. 39–42. 

Dullea, Georgia. “With This Spiral: Guggenheim Inaugurates a Marriage.” New York Times, June 26, sec. B, pp. 1– 

2. 

Gimelson, Deborah. “Lawsuits Trail Flavin, Gagosian Twits Vogue.” New York Observer, May 4, pp. 1, 20. 


———. “Ravin’ Dan Flavin’s Trail of Fluorescent Tears.” New York Observer, November 23, p. 24. 

“Guggenheim in a New Light.” New York Times, June 28, sec. 9, p. 6. 

Guggenheim Memorial Magazine (June 1992), n.p. 

Larson, Kay. “Better Light Than Never.” New York, March 9, p. 78. 

Leen, Frederik. “. . . Notes for an Electric Light Art. (Dan Flavin).” Forum International 3, no. 15 (November– 

December), pp. 71–82. 

Meyer, James. “Dan Flavin.” Flash Art 25, no. 164 (May–June), pp. 113–14. 

Mous, Huub. “On the Edge of a Semantic Implosion: On Art, Design, and the Quadrature of the Ready-made.” 

Kunst & Museumjournaal 4, no. 1, pp. 39–43. 

Pittel, Christine. “Light Fantastic.” House Beautiful, June, pp. 89, 134. 

Rose, Matthew. “Bright Lights, Big Museums.” Art and Antiques 9, no. 6 (Summer), p. 17. 

Schjeldahl, Peter. “The Guggenheim Born Again.” Village Voice, July 7, pp. 86–87. 

Slivka, Rose C. S. “From the Studio.” East Hampton Star, February 27, sec. 2, p. 5. 

Smith, Roberta. “Guggenheim Reopens on a New Chapter.” New York Times, June 29, sec. C, pp. 11, 14. 

Soutif, Daniel. “Lumières, Retour aux sources.” L’Architecture d’Aujourd’hui, no. 284 (December), pp. 106–13. 

Spangle, Morgan E. “Letters.” Art and Antiques 9, no. 7 (September), pp. 16–17. 

Taylor, Paul. “Leo Castelli in His Eighty-fifth Year: A Lion in Winter.” New York Times, February 16, sec. C, p. 33. 

1993 

Bernard, Jonathan W. “The Minimalist Aesthetic in the Plastic Arts and in Music.” Perspectives of New Music 31, 

no. 1 (Winter), pp. 86–133. 


Graham, Dan. “My Works for Magazine Pages ‘A History of Conceptual Art.’” Kunst & Museumjournaal 4, no. 6, 

pp. 1–7. 

Schjeldahl, Peter. “How American Is It?” Modern Painters 6, no. 4 (Winter), pp. 12–17. 

Turner, Jonathan. “The Berlingieris: A Nun, an Eskimo, and Elvis.” Art News 92, no. 5 (May), pp. 83–86. 

Wilson, Andrew. “Sol LeWitt Interviewed.” Art Monthly, no. 164 (March), pp. 3–9. 

Zevi, Adachiara. “Icone fluorescenti/Dan Flavin’s Fluorescent Icons.” L’Architettura 39, nos. 7–8 (July–August), 

pp. 567–70. 

1994 

Decker, Andrew. “Can the Guggenheim Pay the Price?” Art News 93, no. 1 (January), pp. 142–49. 

Hoffmann, Justin. “Dan Flavin, Kunstbau Lenbachhaus.” Kunstforum International, no. 127 (July–September), pp. 

381–82. 

Krauss, Rosalind, Dennis Hollier, Annette Michelson, Hal Foster, Silvia Kolbowski, Martha Buskirk, and Benjamin 

Buchloh. “The Reception of the Sixties.” October, no. 69 (Summer), pp. 3–21. 

Millet, Catherine. “Yves Klein: La peinture subtilisée.” Art Press Spécial, hors série, no. 15, pp. 68–73. 

Nicolson, Adam. “Bambi in the Lion’s Den.” Modern Painters 7, no. 4 (Winter), pp. 42–47. 

Thurn und Taxis, Lilli. “Kunstschacht.” Baumeister (Munich), June, p. 6. 

1995 

Bergoffen, Celia. “A Day in the Life of Dan Flavin.” Villager (New York), September 6, p. 7. 

Brockhaus, Christoph. “Wilhelm Lehmbruck Museum Duisburg: Neuerwerbungen 1994/1995.” Wallraf-Richartz- 

Jahrbuch 56, pp. 332–35. 

Carrier, David. “New York: Sculpture in New York.” Burlington Magazine 137, no. 1113 (December), pp. 870–71. 

Collings, Matthew. “No Frills.” Modern Painters 8, no. 1 (Spring), pp. 36–40. 


Diehl, Carol. “Dan Flavin: Leo Castelli, John Good.” Art News 94, no. 1 (January), p. 160. 

Glueck, Grace. “Flavin Doesn’t Lack for Exposure.” New York Observer, October 9, p. 24. 

Karmel, Pepe. “Outrageous in the 1960’s but Seeming Serene in the 90’s.” New York Times, September 22, sec. C, 

p. 30. 

Kastner, Jeffrey. “Lighting by Dan Flavin.” Art Monthly, no. 191 (November), pp. 6–8. 

Lee, Pamela M. “Die Externalisierungen von Dan Flavin.” Texte zur Kunst 5, no. 20 (November), pp. 177–80. 

Marchetti, Corinne. “Au Royaume du minimal.” Beaux Arts, no. 131 (February), pp. 67–71. 

Meyer, James. “Reviews: Dan Flavin Guggenheim Museum SoHo, Dia Center for the Arts.” Artforum 34, no. 4 

(December), p. 86. 

Newhall, Edith. “A Question of Taste.” Art News 94, no. 7 (September), p. 30. 

Stevens, Mark. “Hot and Cold.” New York Magazine, October 16, pp. 68–69. 

Vogel, Carol. “Art in the Hamptons: More Is Clearly More.” New York Times, August 8, sec. C, pp. 13, 15. 

1996 

Colman, David. “Holiday Windows for the Id in All of Us.” New York Times, December 1, pp. 59, 62. 

Fujimori, Manami. “New York.” Bijutso Techo (Tokyo) 48, no. 721 (March), p. 98. 

Kalina, Richard. “In Another Light.” Art in America 84, no. 6 (June), pp. 68–73. 

McEvilley, Thomas. “When Light Becomes Enlightenment.” Interview, May, p. 42. 

Scott, Deborah Emont. “A ‘Modern Sculpture Initiative’: Recent Acquisitions at the Nelson-Atkins Museum.” 

Apollo 144, no. 417 (November), pp. 27–31. 

Smith, Roberta. “Dan Flavin, 63, Sculptor of Fluorescent Light, Dies.” New York Times, December 4, sec. C, p. 20. 


Stockebrand, Marianne. “Pink, Yellow, Blue, Green, and Other Colors in the Work of Dan Flavin.” Chinati 

Foundation Newsletter 2, pp. 2–11. 

Thomsen, Christian W. “Part 8: Light-Architecture-Media.” A + U (Tokyo) 7, no. 310 (July), pp. 116–23. 

Wagner, Thomas. “Licht-Ekstasen.” Frankfurter Allgemeine Zeitung, December 5, p. 37. 

William, Wilson. “Dan Flavin: Specifying Light/Dan Flavin: Tornando Específica a la Luz.” Trans>Magazine, no. 

2, pp. 111–15. 

1997 

Alberro, Alexander. “The Turn of the Screw: Daniel Buren, Dan Flavin, and the Sixth Guggenheim International 

Exhibition.” October, no. 80 (Spring), pp. 57–84. 

Bickers, Patricia. “Obituary.” Art Monthly, no. 203 (February), p. 19. 

Braff, Phyllis. “The 1997 Season: Something for All.” New York Times, May 18, Long Island Weekly sec., p. 38. 

———. “Works That Suggest Asian Art Influence.” New York Times, August 10, Long Island Weekly sec., p. 14. 

Cash, Stephanie, and David Ebony. “Obituaries: Dan Flavin.” Art in America 85, no. 1 (January), p. 118. 

Martin, Timothy. “Stephen Prina: Monumental Restraint.” Art/Text, no. 56 (February–April), pp. 70–75. 

Moszynska, Anna. “Obituary, Dan Flavin, American Artist, 1931–1996.” Tate, no. 11 (Spring), pp. 52–53. 

Rosenblum, Robert. “Name in Lights.” Artforum 36, no. 7 (March), pp. 11–12. 

Smith, Roberta. “Arranging Light to Make the Most of Minimalism.” New York Times, September 19, sec. E, p. 38. 

Vogel, Carol. “Artful Back-Scratching Hitches Couture Names to Needy Museums.” New York Times, January 4, 

pp. 13, 17. 

1998 

Anaya, Jorge López. “La luz como fuente de revelaciones.” La Nación (Buenos Aires), October 11, p. 5. 


Bader, Joerg. “Les Kaléidoscopes de Dan Graham: The Architecture of Seeing.” Art Press, no. 231 (January), pp. 

20–23. 

Battistozi, Ana Maria. “Poesía de los tubos de luz fluorescente.” Clarin (Buenos Aires), October 21, p. 73. 

Braff, Phyllis. “Dan Flavin: Drawings 1962–1975.” New York Times, August 23, Long Island Weekly sec., p. 8. 

Buck, Louisa. “Dan Flavin: Prada Foundation.” World of Interiors, June, pp. 112–17. 

“Claves para descrubrir la fluorescencia.” El Diario (Buenos Aires), November 1, p. 3. 

Coignard, Jerome. “Sous le signe de néon. À Milan, l’oeuvre ultime de Dan Flavin.” L’Oeil, no. 495 (April), pp. 82– 

85. 

“Dan Flavin Drawings.” Chinati Foundation Newsletter 3, pp. 9–11. 

“Dan Flavin minimalista iluminado.” El Diario (Buenos Aires), November 1, pp. 2–3. 

“Dan Flavin: obras de luz en una muestra simple y elegante.” El Cronista (Buenos Aires), October 21, p. 26. 

Forn, Juan. “Hágase la luz.” Página 12 (Buenos Aires), October 11, p. 12. 

Froning, Hubertus. “Museum Folkwang Essen: Neuerwerbungen.” Wallraf-Richartz-Jahrbuch: Jahrbuch für 

Kunstgeschichte, no. 59, pp. 326–28. 

Ippolito, Jon. “Cross Talk. The Museum of the Future: A Contradiction in Terms?” Artbyte 1, no. 2 (June–July), pp. 

18–19. 

Lebenglik, Fabian. “De Einstein a Flavin.” Página 12 (Buenos Aires), October 18, p. 3. 

Martínez, Guillermo. “Esto no es una pipa.” Página 12 (Buenos Aires), November 8, p. 8. 

Nadelman, Cynthia. “Dan Flavin: The Line Electric.” Art News 97, no. 4 (April), p. 98. 

Navarro, Santiago García. “Mística sin Dios.” La Nación (Buenos Aires), October 23, p. 26. 

Panza di Biumo, Giuseppe. “La luce, realtà iniziale del mondo reale/Light, the Initial Reality of the Real World.” 

Domus, no. 802 (March), pp. 74–77. 


Pissarro, Joachim. “Dan Flavin’s Epiphany.” Yale University Art Gallery Bulletin 1997–98, pp. 85–88. 

Sirmans, Franklin. “Milan: Dan Flavin, Fondazione Prada, S. Maria in Chiesa Rossa.” Flash Art 31, no. 199 

(March–April), p. 121. 

Verlichak, Victoria. “Luz divina.” Noticias (Buenos Aires), October 31, p. 16. 

1999 

Albrecht, Donald. “Art on Stage.” Guggenheim Magazine, Fall, pp. 30–43. 

Blistène, Bernard. “Une histoire de l’art du XXe siècle.” Beaux Arts, no. 182 (July), p. 93. 

Braff, Phyllis. “Social Issues of the 90’s and Icons of the 60’s.” New York Times, June 13, Long Island Weekly sec., 

p. 23. 

Ehlers, Fiona. “Die Mäzene von Mailand.” Art: das Kunstmagazin, no. 4 (April), pp. 66–71. 

Exley, Roy. “Art of the Luminous.” Contemporary Visual Arts, no. 25 (1999), pp. 28–33. 

Goldberger, Paul. “The Guggenheim Effect.” Guggenheim Magazine, Fall, pp. 44–49. 

Hogrefe, Jeffrey. “Dia Hired Ed Hayes to ‘Deal with the Garganos.’” New York Observer, March 22, p. 25. 

Jocks, Heinz-Norbert. “Jeff Wall: ‘Judd plus Flavin plus ein Foto.’” Kunstforum International, no. 144 (March– 

April), pp. 230–45. 

Kimmelman, Michael. “Influence Cast in Stone.” New York Times, May 14, sec. E, pp. 31, 35. 

Vogel, Carol. “Dia Center to Open a Museum Upstate.” New York Times, March 9, sec. E, pp. 1, 4. 

Warchol, Paul. “MASS MoCA.” Guggenheim Magazine, Fall, pp. 50–55. 

2000 

Anfam, David. “Berlin: Dan Flavin.” Burlington Magazine 142, no. 1166 (May), pp. 326–27. 

Beal, Daphne. “The Chinati Foundation: A Museum in Process.” Art in America 88, no. 10 (October), pp. 116–25, 

181. 


Bell, Tiffany. “Dan Flavin, Posthumously.” Art in America 88, no. 10 (October), pp. 126–33. 

Bouruet-Aubertot, Véronique. “Lumière et couleur, les oeuvres solaires.” Beaux Arts, no. 193 (June), p. 38. 

Butcher, Sterry. “Flavin Installation Completes Judd’s Vision for Chinati.” Big Bend Sentinel (Marfa, Texas), 

October 5. 

“Chinati Foundation Open House Will Inaugurate Major Flavin Work.” Big Bend Sentinel (Marfa, Texas), July 13, 

pp. 1, 10. 

Cohen, Rebecca. “Dan Flavin: Untitled (Marfa Project), Richmond Hall (Menil Collection).” Artlies, no. 29 

(Winter), pp. 78–79. 

Colpitt, Frances. “Report from Houston.” Art in America 88, no. 10 (October), pp. 66–75. 

“Dan Flavin, untitled (Marfa project).” Chinati Foundation Newsletter 5 (September), front and back cover ill., pp. 

4–9. 

Darwent, Charles. “Judd’s Uneasy Shade.” Modern Painters 13, no. 4 (Winter), pp. 66–68. 

———. “Light after Death in Texas.” Independent on Sunday (London), October 1, Culture sec., p. 4. 

Davidson, John. “Neon Lights of Marfa.” San Antonio Express-News, October 15, sec. H, pp. 7 , 11. 

Esplund, Lance. “Lit: Three Artists Sculpting with Light.” Modern Painters 13, no. 1 (Spring), pp. 108–11. 

Ewing, John. “Flavin’s New Flavor at Chinati.” San Antonio Current, November 9–15, p. 16. 

Francblin, Catherine, and Claire Fayrolle. “L’Art électrique.” Beaux Arts, no. 199 (December), pp. 78–85. 

Haase, Amine. “Abenteur des Sehens.” Kunstforum International, no. 152 (October–December), pp. 282–86. 

Hickey, Dave. “Safe Flavin: Flavin Lights Up Texas.” Vanity Fair, September, p. 307. 

Israel, Nico. “Last Is More.” Vogue, October, p. 320. 


Johnson, Ken. “Art Guide: Galleries, Chelsea.” New York Times, January 14, sec. E, p. 48. 

Jones, Ronald. “The There There.” Artforum 39, no. 1 (September), p. 53. 

Leider, Philip. “Perfect Unlikeness.” Artforum 38, no. 6 (February), pp. 98–103. 

Lumpkin, Libby. “Dan Flavin: Chinati Foundation, Marfa, Texas.” Artforum 39, no. 4 (December), cover ill., p. 141. 

McBride, Elizabeth. “Finishing the Fort.” Art News 99, no. 7 (Summer), p. 66. 

Meyer, James. “Best of 2000: Thirteen Top Tens.” Artforum 39, no. 4 (December), pp. 114–15. 

Moffat, Laura. “Dan Flavin: The Chinati Foundation, Marfa.” Art Monthly, no. 241 (November), pp. 34–35. 

———. “Lights of the Desert.” Guardian (London), October 17, sec. G2 supplement, p. 13. 

“Neon Pilgrimage.” Art Monthly, no. 240 (October), p. 13. 

“Publications Rave about the Flavin Installation.” Big Bend Sentinel (Marfa, Texas), September 21. 

Robinson, Gaile. “Minimal Marfa.” Star-Telegram (Fort Worth), December 13, sec. F, p. 1. 

Russell, John. “Putting Money to Work for a Bankable Cause.” New York Times, September 1, sec. E, p. 30. 

Schjeldahl, Peter. “Light in Juddland.” New Yorker, September 25, pp. 98–99. 

Stockebrand, Marianne. “Director’s Message.” Chinati Foundation Newsletter 5 (September), pp. 2–3. 

Sudjic, Deyan. “Marfa, Texas: il sogno di Judd e Flavin/Marfa, Texas: Judd and Flavin’s Dream.” Domus, no. 832 


Tyson, Janet. “A Flavin Light Show Two Decades in the Making.” Art Newspaper 11, no. 107 (October). 

2001 

Adams, Tim. “To Boldly Glow.” Observer (London), August 26, Review sec., p. 13. 


Barrot, Olivier, and Sophie Schmit. “New York contemporain de Chelsea au Meat Market.” L’Oeil, no. 526 (May), 

pp. 30–37. 

Brown, Davina. “Lights Fantastic.” Morning Star (London), September 11. 

Butcher, Sterry. “Light in Architecture and Art: The Work of Dan Flavin.” Chinati Foundation Newsletter 6 


Cork, Richard. “Richard Cork’s Choice: Dan Flavin.” Times (London), August 25, Play sec., p. 27. 

Darwent, Charles. “How I Found Heaven on the Tube.” Independent on Sunday (London), September 2, Arts Etc. 

sec., p. 11. 

Dorment, Richard. “Bathed in the Light of Experience.” Daily Telegraph (London), August 29. 

“Fluorescent Light Being Installed” Independent (London), August 23, p. 1. 

“Framed: Dan Flavin.” Tate Magazine, no. 26 (Autumn), pp. 18–19. 

French, Christopher. “Dan Flavin: Chinati Foundation, Marfa, Texas.” Art News 100, no. 2 (February), pp. 161, 163. 

Gayford, Martin. “Tubes That Strike a Glowing Light.” Sunday Telegraph (London), September 2. 

Irving, Mark. “Conceptual Artist with a Light Touch.” Financial Times, August 28, p. 12. 

Johnson, Patricia C. “The Art of Change in Marfa.” Houston Chronicle, Texas Magazine, August 5, cover ill., pp. 8– 

11. 

Jones, Jonathan. “How Many Artists Does It Take to Change a Lightbulb?” Guardian (London), August 28, p. 11. 

Kent, Sarah. “Light Relief.” Time Out (London), September 5–12. 

Kimmelman, Michael. “The Last Great Art of the Twentieth Century.” New York Times, February 4, sec. 2, pp. 1, 

39. 

Lambirth, Andrew. “Pillar of Light.” Spectator (London), September 1. 

Lubbock, Tom. “Optical Manoeuvres in the Light.” Independent (London), August 28, p. 10. 


Melhuish, Clare. “Dan Flavin’s Exploration of Light at the Serpentine.” Architect’s Journal, September 6, pp. 58– 

60. 

Ohlin, Alix. “Minimal Sculpture, Maximal Lights.” Texas Observer, April 13, pp. 20–21. 

Riese, Hans-Peter. “Texanischer Gral der Minimal Art.” Frankfurter Allgemeine Zeitung, May 5, p. 6. 

Stables, Fraser. “Lines and Rules: Marfa Lights.” Sculpture Matters, no. 12 (Summer), cover ill. 

Vogel, Carol. “Inside Art: Minimal to the Max.” New York Times, May 4, sec. E, p. 30. 

———. “When Modern Art Shows Its Age.” New York Times, April 5, sec. E, pp. 1, 5. 

Wadman, Anders. “Minimalismen bor i Marfa, Texas.” Svenska Dagbladet, January 20. 

Weil, Rex. “Dan Flavin: Zwirner and Wirth.” Art News 100, no. 1 (January), p. 154. 

Whitford, Frank. “New Lamps for Old.” Sunday Times (London), September 2, sec. 9, pp. 3, 14–15. 

Williams, Gilda. “Dan Flavin: Serpentine Gallery.” Art Monthly, no. 250 (October), pp. 27–29. 

2002 

Glueck, Grace. “Painting Exuberant Forms with a Palette of Light.” New York Times, March 1, sec. E, p. 40. 

Serota, Nicholas. “Donald Judd's Art Continues to Shine.” World of Interiors, April, pp. 172–79. 

2003 

Bird, Cathy. “The Chinati Foundation: Une Utopie du désert.” Beaux Arts, no. 228 (May), pp. 68–73. 

Cotter, Holland. “Uptown, Too, Has Heat and Light Aplenty.” New York Times, May 30, sec. E, pp. 31, 35. 

Feldman, Paula. “Dan Flavin: Site-Specific Installations in the Netherlands, 1966–68.” Burlington Magazine 145 

(October), pp. 721–24. 

Foster, Hal. “At Dia:Beacon.” London Review of Books, June 5, p. 29. 


Heartney, Eleanor. “Dia:Beacon. La Magie des chefs-d’oeuvre.” Art Press, no. 294 (October), pp. 47–52. 

Johnson, Ken. “Art in Review: Dan Flavin, Paula Cooper Gallery.” New York Times, May 30, sec. E, p. 36. 

Kimmelman, Michael. “The Dia Generation.” New York Times Magazine, April 6, pp. 30–37, 58, 61, 72, 76–77. 

———. “The Forgotten Godmother of Dia’s Artists.” New York Times, May 11, Arts sec., p. 19. 

———. “A New Museum as Unconventional as Its Collection.” New York Times, May 16, sec. E, pp. 29, 31. 

Kuspit, Donald. “Dan Flavin: Paula Cooper Gallery.” Artforum 42, no. 3 (November), p. 190. 

Saltz, Jerry. “Apotheosis Now.” Village Voice, July 16–22, p. 59. 

Tomkins, Calvin. “The Mission.” New Yorker, May 19, pp. 46–53. 

Zimmer, William. “Works That Explore the Force of Light.” New York Times, May 4, sec. 14, p. 8. 

2004 

Croft, Catherine. “Floor Show.” World of Interiors, February, pp. 78–87. 

Danto, Arthur C. “The Light Fantastic: The Dan Flavin Art Institute.” Art News 103, no. 4 (April), p. 97. 

Gopnik, Blake. “…And We're Moths.” Washington Post, October 3, pp. N1, N4. 

Govan, Michael. “Dan Flavin’s Architecture of Light.” Guggenheim Magazine, Winter, pp. 20–25. 

Kimmelman, Michael. “Sculptures in the Earth and Colored Lines in Space.” New York Times (Arts and Leisure), 

September 12, p. 84. 

-------. “To Be Enlightened You Pull the Switch.” New York Times, October 1, p. E 27, 29. 

Lacayo, Richard. “Blunt Objects.” Time, May 24, pp. 75-6. 

McNatt, Glenn. “Flavin's light show has bewitching glow.” The Sun Baltimore, October 13, pp. C1, C8 

Muschamp, Herbert. “Planet Prada.” New York Times Magazine, April 11, pp. 44-51. 


O'Sullivan, Michael. “Flavin's Enlightening Installations.” Washington Post (Weekend section), October 8, p. 61. 

Spagnesi, Licia. “Dan Flavin: La rivoluzione della luce pura.” Arte, (October 2004): 116-121. 

Vogel, Carol. “National Gallery Adds to Collection.” New York Times, February 13, sec. E, p. 32. 

2005 

Allen, Greg. “The Dark Side of Success.” New York Times, January 2, section 2, pp.1, 28, 30. 

Artner, Alan G. “Quite Illuminating.” Chicago Tribune, July 4, 2005. 

Atwood, Roger. “Light Art, Dark Glasses.” Artnews (February), p. 56. 

Foster, Hal. “Six Paragraphs on Dan Flavin.” Artforum 43, no. 6 (February), pp.160-1. 

Irving, Mark. “Light of the World.” Independent (London), February 6, Section ABC, pp. 10-12. 

Johnson, Patricia C. “Flavin's Glow.” Houston Chronicle, March 13, pp. 1, 8-9, 24. 

Jones, Caroline A. “Light Speed: Dan Flavin at the National Gallery.” Artforum 43, no. 6 (February), pp.154-159. 

Knight, Christopher. “Painting with Light.” Los Angeles Times, April 3, pp. E29, 38-39. 

Nance, Kevin. “Glow & Tell.” Chicago Sun-Times, July 5, 2005. 

Vetrocq, Marcia E. “Dan Flavin: Singing the Art Electric.” Art in America 93, no. 1 (January), pp. 80- 89. 

2006 

Argenson, Remy. “Dan Flavin, un art sour tension.” Art 21, (July-August). 

Baron, Marie-Guy. “Flavin, minimal Fluo.” Le Figaro, June 19, p. 35. 

Bellet, Harry. “Les illuminations de Dan Flavin.” Le Monde, June 13. 

Boutoulle, Myriam. “Lumineux.” Connaissance des Arts, (June): pp. 80-84. 

Brown, Mick. “Tubular Belles.” Telegraph Magazine, January 14, pp. 44-49 


Campbell, Peter. “At the Hayward.” London Review of Books, February 23, p. 19. 

Couturier, Elisabeth. “Dan Flavin a Fait de son Art un Tube.” Paris Match, (September 13). 

Crompton, Simon. “The Light Frantastic.” The Times, February 4, Science section, p. 12. 

Cumming, Laura. “Tubular Spells.” The Observer, January 22, 

Darwent, Charles. “The Incredible Lightness of Flavin.” The Independent on Sunday, January 22. 

Dixon, Andrew Graham. “Dan Flavin.” Sunday Telegraph – Seven, January 22, p. 21 

Domino, Christophe. “Un Flavin lumineux.” Le Journal des Arts, (June 23 – July 8): pp. 10-11. 

Dorment, Richard. “Simply Dazzling.” The Daily Telegraph, January 24, p. 26. 

Glover, Michael. “A Light Shining in the Darkness.” The Independent, January 27. 

Hackworth, Nick. “Trip to the light fantastic.” Evening Standard, January 19. 

Januszczak, Waldemar. “Shine a Light.” Sunday Times – Culture, January 22, pp. 6-7. 

Karcher, Eva. “Alles, was der Strahl ist.” Suddeutsche Zeitung, November 23. 

Kent, Sarah. “Switched on.” Time Out London, January 25 – February 1, p. 35. 

Lebovici, Elisabeth. “Dan Flavin , Untitled (to the "innovator" of Wheeling Peachblow).” Art Press 324, (June): pp. 

24-26. 

Levy, Paul. “A radiant Dan Flavin retrospective.” Wall Street Journal, February 3. 

Reitter-Welter, Barbara. “Lichte Kunst in der Pinakothek.” Welt am Sonntag, November 19. 

Searle, Adrian. “Strip tease.” The Guardian, January 24, pp. 18-19. 

Scherf, Martina. “Magie fragiler Monumente.” Suddeutsche Zeitung, November 16. 


2007 

Genocchio, Benjamin. “Sculptures Chiseled With Light.” New York Times, Long Island Section, July 1, p. 10. 

Muchnic, Suzanne. “The Material is the Message.” Los Angeles Times, April 15. 

Pagel, David. “Shining Glories.” Los Angeles Times, May 12. 

Pincus, Robert L. “Minimalist Flavin cast a lasting aura.” San Diego Union Tribune, May 20. 

2008 

Chave, Anna C. “Revaluing Minimalism: Patronage, Aura, and Place.” The Art Bulletin XC, no. 3 (September), pp. 

466-486. 

Cooper, Ivy. “Dan Flavin, Pulitzer Foundation for the Arts.” Artforum XLVII, no. 4 (December), pp. 307-398. 

Cotter, Holland. “Dan Flavin: The 1964 Green Gallery Exhibition.” New York Times, April 18. 

Jerry Saltz. “The Day the Lights Went On.” New York Magazine. April 27. 

2009 

Cotter, Holland. “Golden Oldies All Over Chelsea” (part of “Uptown and Downtown, an Island of Art” Special 

Gallery Issue). New York Times, December 4, 2009, p. C31 and C37. 

Blake Gopnik. “Head north and follow the signs of contemporary times.” The Washington Post. November 22, 

2009, p. E5. 

Welish, Marjorie. “Form, a Series.” New York Observer, November 23, p. 41. 

2010 

Kastner, Jeffrey. “Reviews: Dan Flavin.” Artforum, February, p. 196 

2011 

Duponchelle, Valérie. “Fiac, the Game of 7 Families.” Le Figaro, October 20, p. 30. 

Esman, Abigail R. “Lessons From An Art Fair As Fiac 2011 Opens In Paris.” Forbes.com, October 22. 

Gleadell, Colin. “Fiac vs. Frieze: Battle of the Art Fairs.” The Telegraph, October 26. 


Grimm-Weissert, Olga. “Great Art in the Grand Palais.” Handelsblatt / Kunstmarkt, October 28, p. 84. 

Wach, Alexandra. “Erhellendes zum Thema Neonlicht: Wie aus Reklameröhren Symbole der Subkultur wurden.” 

Monopol, December, p. 117. 

Wolff, Rachel. “Homage to an Art-World Odd Couple.” The Wall Street Journal, December 31. 

2012 

Jedrzejczak, Antonina. “Eye to Eye: An Exhibition Celebrates the Artistic Friendship of James Brooks and Dan 

Flavin.” Vogue.com, January 5. 

Baker, R.C. “James Brooks and Dan Flavin at Greenberg Van Doren.” The Village Voice, January 11. 

Landes, Jennifer. “The Art Scene: 02.09.12.” The East Hampton Star, February 7. 

Miller, Michael H. “Morgan Library’s Show of Dan Flavin’s Drawings Casts Light on the Artist’s Quirks.” 

GalleristNY/Observer.com, February 16. 

“On View: Dan Flavin: Drawing.” Architect’s Newspaper Blog, February 17. 

Lundborg, Zinta. “NYC Weekend.” Bloomberg News, February 20. 

Miranda, Carolina. “This Week: Must See Arts in the City.” WNYC.org, February 22. 

Rosenberg, Karen. “Everything is Illuminated: Dan Flavin, Light Sculptor, in Another Medium at the Morgan.” The 

New York Times, February 23. 

Wander, Robin. “Interpreting an artist's intent involves a team of experts at Stanford's Cantor Arts Center.” 

Standford University News, March 30. 

Fensom, Sarah E. “Light Years, but Mostly Beyond.” Art & Antiques, April, p. 52. 

Mac Adam, Alfred. “Dan Flavin at the Morgan Library & Museum.” ARTnews, May 2012, p. 110. 

Lipsky-Karasz, Elisa. “Bazaar’s Guide to the Frieze Art Fair.” Harper’s Bazaar.com (May 2012). 

Pollack, Maika. “Out of the Fluorescent’s Glare: ‘Dan Flavin: Drawing,’ at the Morgan Library, Shows Another 

Side of the Minimalist.” The New York Observer.com/GalleristNY.com (May 8, 2012). 


“The Smithsonian Institution: Sights and Shadows.” Time.com (July 17, 2012). 

Simek, Peter. “To Celebrate 10 th Anniversary of Tadao Ando Home, Fort Worth Modern Acquires New Work.” D 

Magazine.com (July 25, 2012). 

Weiss, Jeffrey. “Fugitive Presence.” Artforum (September 2012), p. 104 

Siegal, Nina. “Restoring a Long-Missing Dutch Reference Point.” International Herald Tribune (September 12, 

2012). 

2013 

Gopnik, Blake. “Dan Flavin Enlightened Us.” The Daily Beast (February 28, 2013). 

Momen, Martin. “Exhibit Review: Dan Flavin and Donald Judd.” StyleZeitgeist.com (February, 2013). 

Loos, Ted. “Lighting the Way.” Vogue (March, 2013). 

BOOKS AND COLLECTION CATALOGUES 

1968 

Battcock, Gregory, ed. Minimal Art: A Critical Anthology. New York: E. P. Dutton. 

Brett, Guy. Kinetic Art. London: Studio-Vista; New York: Reinhold Book Corporation. 

Burnham, Jack. Beyond Modern Sculpture. New York: George Braziller. 

Kultermann, Udo. The New Sculpture: Environments and Assemblages. New York and Washington, D.C.: Praeger. 

1969 

Recent Acquisitions 1969: Modern Painting, Sculpture, Drawings, Prints, and Photography. Pasadena, California: 

Pasadena Art Museum. 

1970 

Hunter, Sam. American Art of the Twentieth Century. New York: Harry N. Abrams. 


van den Osten, Gert, et al. Kunst der sechziger Jahre: Sammlung Ludwig im Wallraf-Richartz Museum Köln. 

Revised edition, Cologne: Wallraf-Richartz Museum. 

Wasserman, Burton. Modern Painting: The Movements, the Artists, their Work. Worcester, Massachusetts: Davis 

Publications. 

1971 

Burnham, Jack. The Structure of Art. New York: George Braziller. 

Calas, Nicholas, and Elena Calas. Icons and Images of the Sixties. New York: E. P. Dutton. 

Kerber, Bernhard. Amerikanische Kunst seit 1945: ihre theoretischen Grundlagen. Stuttgart: Philipp Reclam. 

Lippard, Lucy. Changing: Essays in Art Criticism. New York: E. P. Dutton. 

Ohff, Heinz. Galerie der neuen Künste: Revolution ohne Programm. Gütersloh, Berlin, Munich, Vienna: 

Verlagsgruppe Bertelsmann. 

1972 

Müller, Grégoire. The New Avant-Garde: Issues for the Art of the Seventies. New York and Washington, D.C.: 

Praeger. 

1973 

Davis, Douglas. Art and the Future: A History/Prophecy of the Collaboration Between Science, Technology, and 

Art. New York and Washington, D.C.: Praeger. 

de Wilde, E. De collectie van het Stedelijk Museum 1963–1973: Aanwinsten 1963–1973, Schilder-en 

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Desiano, Michael. “American Chromatic Non-Representational Sculpture of the 1960’s.” Ph.D. dissertation. New 

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1974 

de Vries, Gerd, ed. Über Kunst. Cologne: Dumont. 


1975 

Anderson, Wayne. American Sculpture in Process, 1930–1970. New York: New York Graphic Society; Boston: 

Little, Brown. 

Art Actuel, Skira Annuel 76. Geneva: Editions d’Art Albert Skira. 

Judd, Donald. Complete Writings, 1959–1975. Halifax, Nova Scotia: Press of the Nova Scotia College of Art and 

Design; New York: New York University Press. 

1976 

Bonito Oliva, Achille. Europe/America: The Different Avant-gardes. Milan: Deco Press. 

Lipman, Jean, and Helen M. Franc. Bright Stars: American Painting and Sculpture Since 1976. New York: E. P. 

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1977 

Arnason, H. H. History of Modern Art. New York: Harry N. Abrams. 

Brundage, Susan, and Janelle Reiring, eds. Leo Castelli: Twenty Years. New York: Leo Castelli Gallery. 

Krauss, Rosalind. Passages in Modern Sculpture. New York: Viking Press. 

———. Works on Paper: American Art 1945–1975. Seattle, Washington: Washington Art Consortium. 

Quist, W. Nieubouw 1970–1977/Extension 1970–1977: Rijksmuseum Kröller-Müller. Otterlo, Netherlands: 

Rijksmuseum Kröller-Müller, [c. 1977]. 

1978 

Collectie Van Abbemuseum. Eindhoven: Stedelijk Van Abbemuseum. 

1979 

Burgbacher-Krupka, Ingrid. Strukturen zeitgenössischer Kunst. Stuttgart: Ferdinand Enke Verlag. 

Kultermann, Udo. Art contemporain. Tokyo: Mondadori-Shogakukan. 

Ruhrberg, Karl, ed. Handbuch Museum Ludwig. Cologne: Museum Ludwig. 


1980 

Celant, Germano. Das Bild einer Geschichte 1956–1976: Die Sammlung Panza di Biumo. Milan: Electa 

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Freeman III, R. G. Art in Alaska. Washington, D.C.: General Services Administration. 

Thalacker, Donald W. The Place of Art in the World of Architecture. New York: Chelsea House Publishers in 

association with R. R. Bowker. 

1981 

Alley, Ronald. Catalogue of the Tate Gallery’s Collection of Modern Art Other Than by British Artists. London: 

Tate Gallery. 

Harney, Andy Leon, ed. Art in Public Places:A Survey of Community-Sponsored Projects Supported by the National 

Endowment for the Arts. Washington, D.C.: Partners for Livable Places. 

Lucie-Smith, Edward. Art Now: From Abstract Expressionism to Superrealism. New York: William Morrow. 

Oxenaar, R., et al. Sculptures in the Rijksmuseum Kröller-Müller. Otterlo, Netherlands: Rijksmuseum Kröller- 

Müller. 

1982 

Schnackenburg, Bernhard, and Wilhelm Bojescul. Kunst der sechziger Jahre in der Neuen Galerie Kassel: 38 

Werkinterpretationen. Kassel, Germany: Neue Galerie, Staatliche und Städtische Kunstsammlungen. 

1983 

Rosenberg, Harold. The De-definition of Art. 1972. Reprint, Chicago: University of Chicago Press. 

Sauer, Christel. Die Sammlung FER/The FER Collection. Cologne: Verlag Gerd de Vries. 

1984 

Bonita Oliva, Achille. Daniel Templon: 1978–1983. Paris: Galerie Daniel Templon. 


de Coppet, Laura, and Alan Jones. The Art Dealers. New York: Clarkson N. Potter. 

Hopps, Walter, and Jean-Yves Mock. La Rime et la raison. Paris: Galeries Nationales du Grand Palais. 

Joosten, Joop M., ed. 20 Jaar Verzameling/20 Years of Art Collecting. Amsterdam: Stedelijk Museum. 

Oldenburg, Richard E., et al. The Museum of Modern Art: The History and the Collection. New York: Harry N. 

Abrams in association with The Museum of Modern Art, New York. 

Schjehldahl, Peter. Art of Our Time: The Saatchi Collection. Vol. 1. London: Lund Humphries in association with 

Rizzoli International, New York. 

1985 

Ashton, Dore, ed. Twentieth Century Artists on Art. New York: Pantheon Books. 

1986 

Gohr, Siegfried. Museum Ludwig Köln: Gemälde, Skulpturen, Environments vom Expressionismus bis zur 

Gegenwart. Munich and New York: Prestel Verlag. 

Stein, Harvey. Artists Observed. New York: Harry N. Abrams. 

1987 

Art of the Sixties and Seventies: The Panza Collection. New York: Rizzoli International. 

Collection 1987. Lyon: Musée d’art contemporain de Lyon. 

1988 

Baker, Kenneth. Minimalism. New York, London, and Paris: Abbeville Press. 

Geirland, Karel J., Jan Hoet, and Bart De Baere. Catalogus van de collectie 1988. Ghent, Belgium: Museum van 

Hedendaagse Kunst. 

Jensen, Knud W. Louisiana: Samling og bygninger/The Collection and Buildings. Humlebaek, Denmark: Louisiana 

Museum. 

Rudenstine, Angelica Zander. Modern Painting, Drawing, and Sculpture Collected by Emily and Joseph Pulitzer, 

Jr. Cambridge, Massachusetts: Harvard University Art Museums. 


Sandler, Irving. American Art of the 1960s. New York: Harper and Row. 

1989 

Collection 1989. Lyon: Musée d’art contemporain de Lyon. 

Lauter, Rolf, ed. Museum für moderne Kunst Frankfurt am Main: 2. Informationsheft zur Architektur und 

Sammlung/Museum of Modern Art Frankfurt am Main: Second Publication on the Architecture and Collection. 

Frankfurt am Main: Museum für moderne Kunst. 

O’Doherty, Brian, et al. Twenty-seven Installations: Portland Center for the Visual Arts. Portland, Oregon: Oregon 

Art Institute. 

Pieters, Din, ed. A Survey of the Collection. Amsterdam: Stedelijk Museum. 

1990 

Friedman, Martin, et al. Walker Art Center: Painting and Sculpture from the Collection. Minneapolis: Walker Art 

Center; New York: Rizzoli International. 

Hindry, Ann, ed. Claude Berri rencontre/Meets Leo Castelli. Paris: Renn. 

Kirschner, Judith Russi, et al. The Refco Collection. Chicago: Refco Group. 

Moszynska, Anna. Abstract Art. London: Thames and Hudson. 

1991 

Ammann, Jean-Christophe, and Peter Präger. Museum für moderne Kunst und Sammlung Ströher. Frankfurt am 

Main: Museum für moderne Kunst. 

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1992 

Brouwer, Marianne, and Rieja Brouns, eds. Sculpture in the Rijksmuseum Kröller-Müller. Amsterdam: Enschedé. 

Kerber, Bernhard. Bestände Onnasch. Bremen, Germany: Neues Museum Weserburg. 

Lloyd, Michael, and Michael Desmond. European and American Paintings and Sculptures 1870–1970 in the 

Australian National Gallery. Canberra: Australian National Gallery. 


Navarro, Mariano, María de Corral, and Josefina Alix Trueba. Museo Nacional Centro de Arte Reina Sofía. Madrid: 

Museo Nacional Centro de Arte Reina Sofía. 

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1993 

Beeren, Wim, et al. Aanwinsten/Acquisitions Stedelijk Museum, 1985–1993. Amsterdam: Stedelijk Museum. 

Butterfield, Jan. The Art of Light and Space. New York: Abbeville Press. 

Jacobson, Marjory. Art and Business: New Strategies for Corporate Collecting. London: Thames and Hudson. 

Strickland, Edward. Minimalism: Origins. Bloomington and Indianapolis, Indiana: Indiana University Press. 

1994 

Bremer-Cox, Angeline, and Rieja Brouns, eds. Kröller-Müller Museum. Otterlo, Netherlands: Rijksmuseum Kröller- 

Müller. 

Craven, Wayne. American Art: History and Culture. Madison, Wisconsin; Dubuque, Iowa; Indianapolis, Indiana; 

Melbourne, Australia; and Oxford, England: Brown and Benchmark. 

Sims, Patterson. Whitney Museum of American Art: Selected Works from the Permanent Collection. 1985. Second 

edition, New York: Whitney Museum of American Art. 

1995 

Flam, Jack, Monique Beudert, and Jennifer Wells. The Paine Webber Art Collection. New York: Rizzoli 

International. 

Johnson, Ellen H. Modern Art and the Object: A Century of Changing Attitudes. 1976. Revised edition, New York: 

HarperCollins. 

Lucie-Smith, Edward. Movements in Art Since 1945. 1969. Revised edition, London and New York: Thames and 

Hudson. 

Mollet-Viéville, Ghislain. Art minimal et conceptuel. Geneva: Skira. 

Puvogel, Renate. Lehrgeld: zwanzig Künstler-Portraits. Cologne: Oktagon Verlag. 


Shioda, Junichi, et al. Revolution: Art of the Sixties from Warhol to Beuys. Tokyo: Museum of Contemporary Art. 

1996 

Bastian, Heiner, ed. Sammlung Marx. Berlin: Arkadien-Verlag. 

Feist, Peter H. Figur und Objekt. Plastik im 20. Jahrhundert. Leipzig: E. A. Seeman. 

Haden-Guest, Anthony. True Colors: The Real Life of the Art World. New York: Atlantic Monthly Press. 

Olson, Eva M., et al. Collective Vision: Creating a Contemporary Art Museum. Chicago: Museum of Contemporary 

Art. 

Smithson, Robert. Robert Smithson: The Collected Writings. Edited by Jack Flam. Berkeley, Los Angeles, and 

London: University of California Press. 

1997 

Batchelor, David. Minimalism. London: Tate Gallery Publishing. 

Guasch, Anna Maria. El Arte del siglo XX en sus exposiciones, 1945–1995. Barcelona: Ediciones del Serbal. 

Hopps, Walter, et al. The Menil Collection: A Selection from the Paleolithic to the Modern Era. Revised edition, 

New York: Harry N. Abrams. 

Schmidt, Katharina, and Katharina Katz. Öffentliche Kunstsammlung Basel: 20. Jahrhundert. Basel: Öffentliche 

Kunstsammlung Basel. 

Schmitz, Britta, and Dieter Honisch, eds. Hamburger Bahnhof: Museum for the Present, Berlin. Munich and New 

York: Prestel Verlag. 

Tesch, Jürgen, and Eckhard Hollmann, eds. Icons of Art: The Twentieth Century. Munich and New York: Prestel 

Verlag. 

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Garden, Smithsonian Institution. 

1998 

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Song, Misook. Modern Collection from the Ho-Am Art Museum. Seoul: Samsung Foundation of Culture. 

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Dan Flavin Selected Bibliography - David Zwirner

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