THE ROMANTIC TRUMPET - Historic Brass Society

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Berlin valve was already in use in 1833—see below.)
98. Dudgeon, "Keyed Bugle" (New Grove), p. 415.
99. Ibid. The duel ended without a clear winner, but Gilmore, with his cornet, proved capable of
imitating anything which Kendall could produce on his keyed bugle. For more information on
soloists, see Dudgeon, "Checklist."
100. Dudgeon, "Keyed Bugle" (diss.), pp. 100-133. These are missing from Anzenberger's dissertation,
although he includes a section on ICIappen-Signalhorn on p. 537 which contains only Schiltz'
Methode de clairon avec at sans clefs (Paris ca. 1835), a work missing from Dudgeon's list.
101. See note 8.
102. Dudgeon, "Keyed Bugle" (diss.), pp. 105-131.
103. Mentioned above; ten of its sixty-eight pages are devoted to the keyed bugle; see Dudgeon,
"Keyed Bugle" (diss.), p. 118.
104.A new and complete preceptor forthe royal Kent or keyed bugle (London, stated by the author to have
been written twentyyears after his earlier trumpet tutor); see Dudgeon, "Keyed Bugle" (diss.), pp. 119-
120.
105. Logier's Introduction to the Art of Playing on the Royal Kent Bugle (Dublin, 1813, followed by at
least two more editions: London, 1823 and 1835); see Dudgeon, "Keyed Bugle" (diss.), pp. 121-127.
106. A discussion of this work is to be found in Dahlqvist, Bidrag, 1: 386-387. My orthography of
the title follows the tide page of this work (Mainz, B. Schott fils, publisher's number 1919), which
survives in Vienna, Gesellschaft der Musikfreunde, VIII.41261 [last two numbers illegible].
107. Dudgeon, "Keyed Bugle" (diss.), pp. 148-151. The composer was born Anton Philipp Heinrich
in Bohemia in 1781, inherited a large fortune from an uncle, lost it in the Napoleonic wars, and
emigrated to the United States. Dudgeon writes (149): "Heinrich later became a colorful figure in New
York's musical life of the 1840s and 1850s, and he died in that city in 1861." The solo part to
Heinrich's concerto is on pp. 166-169 of Dudgeon's dissertation.
108. This often-told story can be found in many places, for example in Baines, Brass Instruments, pp.
135-6.
109. Charles Cudworth, "The Vauxhall 'Lists'," GaOin Society Journal 20 (1967): 24-42, here 31-32.
110. Rice, "Tutors and Treatises," p. 19 (see n. 19).
111. Hyde, p. 51; see also Anunberger, "Oberblick," p. 35.
112. Scott Sorenson, "Printed Trumpet Instruction to 1835", Journal of the International Trumpet