THE ROMANTIC TRUMPET - Historic Brass Society

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126. Report in the Revue Musicale (18 May 1833), pp. 123ff. See Anzenberger, "French Tutor," p.
106.
127. Report in Lavoix, Histoire, p. 140. See Anzenberger, "French Tutor," note 13 (where the year
is given as 1978 instead of 1878).
128. Anzenberger, "French Tutor," p. 106.
129. Ibid., quoting Langwill, Index, p. 21, who in turn quotes the Revue Musicale article referred to
in note 126.
130. Steel engraving by A. Collette from Manuel elementaire de musique (Paris, 1849), Bad Sackingen
Trumpet Museum, 1519-021.
131. Dauverne, Methode, p. 157.
132. See Herbert Heyde, "Zur Friihgeschichte der Ventile and Ventilinstrumente in Deutschland
(1814-1833)," Brass Bulletin 24 (1978): 9ff; 25 (1979): 41ff; 26 (1979): 69ff; and 27 (1979): 51ff (also
in English and French; and his book, Das Ventilblasinstrument (Leipzig, 1987).
133. Heyde, "Fruhgeschichte," 24:11. See also Philip Bate, The Trumpet and Trombone (London and
New York, 1966), p. 182, note 11: "The International Patents Convention, by which a number of
nations agreed to respect each other's patents, was not signed until 1883. Prior to that date there was
nothing to prevent an invention, fully protected in the country of its origin, being freely copied once
it had crossed the frontier. Before 1870 also, the various independent German-speaking States granted
their own patents or privileges, but would not necessarily recognise one another's unless specific trade
agreements were in force."
134. Heyde, "Fruhgeschichte," 24: 19, 30. Stoelzel's name also apears as "Stolzel."
135. He speaks of"Trompeten" and "Signal-Homer", and "eine Musik... woriiber die Welt erstaunen
soli." Ibid., p. 13.
136. Ibid., pp. 21-22, 30-31.
137. Ibid., pp. 22, 31.
138. Germanisches Nationalmuseum, MIR 130, ill. in ibid., p. 23.
139. Musikinstrumenten-Museum des Staatlichen Instituts fur Musikforschung Preugischer
Kulturbesitz, No. 3104; ill. in ibid., p. 79.
140. Paris, MusEe du Conservatoire National Sup6rieur de Musique, no. 1404. According to Heyde,
this is probably one of the instruments which Spontini sent to Paris. See below, also note 177. See also
Heyde, Ventilbhasinstrumen*, p. 16; ill. there: Photos 54a and b.