Agatha Christie's Poirot Episode Guide - inaf iasf bologna
Agatha Christie's Poirot Episode Guide - inaf iasf bologna
Agatha Christie's Poirot Episode Guide - inaf iasf bologna
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<strong>Agatha</strong> Christie’s <strong>Poirot</strong> <strong>Episode</strong> <strong>Guide</strong><br />
The differences are subtle. Phillip Blake’s hostility to<br />
Caroline is overt enough to draw suspicion. Meredith<br />
Blake mistrusts him, and has a very much more sympathetic<br />
view of her. Elsa seems emotionally stunted, as<br />
though her original passion for Amyas has left her prematurely<br />
devoid of emotion, except for hatred for Caroline<br />
Crale. Cecilia, the governess, gives some insight<br />
into both Caroline and Angela, but claims to have definite<br />
reason for believing Caroline guilty. Finally, Angela<br />
believes her sister to be innocent, but a letter that Caroline<br />
wrote to her after the murder contains no protestation<br />
of innocence, and makes <strong>Poirot</strong> doubt Caroline’s<br />
innocence for perhaps the first time.<br />
In the second half of the novel, <strong>Poirot</strong> considers five<br />
accounts of the case that he has asked the suspects to<br />
write for him. These establish the succession of events<br />
on the day of the murder, and establish a small number<br />
of facts that are important to the solution of the puzzle.<br />
In the first place, there is a degree of circumstantial evidence<br />
incriminating Angela. Secondly, Cecilia has seen<br />
Caroline frantically wiping fingerprints off the bottle of<br />
beer as she waited by Amyas’s corpse. Thirdly, there<br />
has been a conversation between Caroline and Amyas,<br />
apparently about Amyas ’seeing to her packing’ for Angela’s<br />
return to school. Fourthly, Elsa overheard a heated argument between Caroline and Amyas<br />
in which he swore that he would divorce her and Caroline said bitterly ’you and your women’.<br />
In the denouement, <strong>Poirot</strong> reveals the main emotional undercurrents of the story. Philip Blake<br />
has loved Caroline but his rejection by her has turned this to hatred. Meredith Blake, wearied<br />
by his long affection for Caroline, has formed an attachment to Elsa Greer, that is also unreciprocated.<br />
These are mere red herrings, though. Putting together the case that would incriminate<br />
Angela (she had the opportunity to steal the poison on the morning of the crime, she had previously<br />
put salt in Amyas’s glass as a prank and she was seen fiddling with the bottle of beer before<br />
Caroline took it down to him; she was very angry with Amyas), he demonstrates that Caroline<br />
herself would have thought that Angela was guilty. Her letter to Angela did not speak of innocence,<br />
because Caroline believed that Angela must know for a fact that Caroline was innocent.<br />
This explains why, if Caroline was innocent, she made no move to defend herself in court. Moreover,<br />
many years ago Caroline had thrown a paperweight at Angela in a jealous rage, which had<br />
left a permanent disfiguring scar on Angela’s face. Caroline had always felt deeply guilty about<br />
this and therefore felt that, by taking the blame for what she thought was Angela’s crime, she<br />
could earn redemption.<br />
Caroline’s actions, however, unwittingly proved her innocence. By wiping the fingerprints off<br />
the bottle, she showed that she believed that the poison had been placed in it, rather than in the<br />
glass. Moreover, seen to handle the bottle there was no reason to remove her own fingerprints;<br />
she can only have been removing those of a third party.<br />
Angela, however, was not guilty. All the evidence incriminating Angela can be explained by<br />
the fact that she had stolen valerian from Meredith’s laboratory that morning in preparation for<br />
playing another prank on Amyas. (Because she described the theft of the valerian in the future<br />
tense <strong>Poirot</strong> realised that she had never carried out this trick; Angela had completely forgotten<br />
that she had stolen the valerian on the morning of that fateful day).<br />
The true murderer was Elsa. Far from being about to finish with Caroline, Amyas was entirely<br />
focused on completing his portrait of Elsa. Because Elsa was young she did not realize she was<br />
just another mistress, to be left as soon as she was painted. She took the promises ’to leave my<br />
wife’ seriously. Amyas went along with her false belief, to the short term distress of his wife, so<br />
that Elsa wouldn’t leave before the painting was finished. Thus the half overheard ’see to her<br />
packing’ did not refer to Angela’s packing (why should Amyas do her packing with a wife and<br />
governess to see to such ’woman’s work’?), but to sending Elsa packing. Caroline, reassured that<br />
Amyas had no intention of leaving her, was distressed at such cruelty to Elsa. She remonstrated<br />
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