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magazine editor: Louise Benson<br />
magazine@varsity.co.uk<br />
21st October <strong>2011</strong><br />
www.varsity.co.uk magazine 19<br />
The New Wave of Chick-Lit<br />
Female, a feminist, but most definitely not feminine: Stephanie Theobald talks to<br />
Clemmie Hain-Cole about breaking the ‘meat and two veg’ publishing mould and why<br />
you’ll never find her home on a Saturday baking cupcakes.<br />
When speaking to<br />
the author of four<br />
best-selling novels<br />
and former Senior<br />
editor of Harpers<br />
Bazaar, the last thing that I expected<br />
to begin our interview with was a discussion<br />
of Descartes’ theories of blood<br />
flow and his Discourse on Method. But<br />
then, Stephanie Theobald is no ordinary<br />
female writer. Having spent her<br />
formative years being told by nuns at<br />
her convent school in deepest Cornwall<br />
that she “had the Devil in her” for<br />
having curly auburn hair, Stephanie<br />
was always set to ruffle a few feathers.<br />
Within seconds of Descartes’<br />
treatise, we’re discussing her<br />
inspiration of the moment, a sexy,<br />
fierce Alaskan woman who doesn’t<br />
take no for an answer. No, Stephanie<br />
is not a closeted Sarah Palin fan:<br />
she is captivated by ecowhore.com’s<br />
blog, the tale of a young woman in<br />
the middle of the snowy wilderness,<br />
who cares for an elderly handicapped<br />
woman by day, and roams the woods<br />
for her next man prey by night.<br />
“She basically goes off gathering<br />
herbs and twigs in the woods, and<br />
then she goes off and f*cks some guy<br />
up the arse. I find myself wondering,<br />
is this really bad or is she just totally<br />
in control?” Are all women in control<br />
of their own lives? Stephanie seems<br />
to think so, even if the concept of diehard,<br />
braless feminists has long gone.<br />
“When I interview women, I<br />
always ask whether they’re a<br />
feminist, and they always say ‘Well<br />
I’m not a feminist but…’ It’s almost<br />
as if everyone has become a bit afraid<br />
of the word, and I think it’s reflected<br />
in newspapers, columns and how<br />
novels are presented.<br />
“I interviewed Beyoncé recently,<br />
someone who I think has done a lot<br />
of great things for women, speaking<br />
to all of us all over the world through<br />
her songs about patriarchy, standing<br />
up for yourself and not caring what<br />
people think. Having initially been<br />
scoffed at by her management who<br />
told her she’d never find a female<br />
band, well, of course she did! So on<br />
stage now she has these fantastic<br />
figures, black, dyke, trumpet flared<br />
wearing women. There aren’t enough<br />
stomping, ranting women in the<br />
public eye today.”<br />
It’s easy to understand Stephanie’s<br />
urge to see real women in the public<br />
eye; when I ask her who she thinks<br />
young women should aspire to be,<br />
a list of fairly formidable females<br />
enters the fray. “There’s that great<br />
[Laurel Thatcher Ulrich] quotation:<br />
‘Well-behaved women rarely make<br />
history’, and to me that means pissing<br />
people off and not being scared about<br />
it, wearing your heart on your sleeve<br />
and not caring who sees it. Julie<br />
Burchill, Tracey Emin, Courtney<br />
Love… none of these figures are<br />
those nice women who always say the<br />
right thing, who wear the appropriate<br />
‘Well-behaved<br />
women rarely make<br />
history’, and to me<br />
that means pissing<br />
people off and not<br />
being scared about it<br />
clothes and who stay at home on<br />
Saturdays making cupcakes.”<br />
Stephanie’s experience with<br />
publishers has been a tricky one, as<br />
she refuses to fit into one box. “When<br />
my first book came out, it was on a<br />
new wave of publishing and there<br />
was a sense that something new was<br />
happening, that change was coming.<br />
Biche was published by Hodder and<br />
Stoughton under their new label<br />
‘Flame’, which was actually their<br />
chick lit imprint.”<br />
“Then things changed, the market<br />
exploded and publishers wanted<br />
to make things a bit more uniform,<br />
to fit into the ‘Does my bum look<br />
big in this’ mould. A friend of mine<br />
was even asked to change part of<br />
her story to her protagonist coming<br />
to a great epiphany during a panic<br />
attack rather than during sex! The<br />
publishers started catering to a<br />
specific audience, and a lot of punters<br />
are quite sheep-like, they’ll read the<br />
paper, read a review and go out to<br />
buy it in their local supermarket.<br />
Unless you’re in Tesco, it’s hard to<br />
get your book out there. It’s all about<br />
how the marketers will sell you.”<br />
I wonder how that has affected<br />
the literary output, whether writers<br />
are trying to fit into the mould that<br />
publishers have created. “In the<br />
art world there’s a lot more weird<br />
and wonderful stuff around at the<br />
moment, whereas your average novel<br />
that sells now is a bit ‘meat and two<br />
veg’ and I find myself wondering<br />
where the spark has gone.<br />
But the literary world is not<br />
all doom and gloom, at least not<br />
according to Stephanie: “I’ve huge<br />
confidence in women working<br />
together and making a stand against<br />
the mundane uniform. To a certain<br />
extent, I’m happy that the chick lit<br />
figures are going down as it suggests<br />
we’ll have to remarket in some way.<br />
“Women have a harder lot in life;<br />
we’ve always had to ask for things:<br />
please can we vote, please can we<br />
get a divorce, please can we go to<br />
university… We’ve got a little voice<br />
now and it’s inevitable that marketing<br />
is going to jump on that bandwagon.<br />
They just need to find a snappy line for<br />
women writers, rather than labelling<br />
us all as ‘chick litters’.<br />
“Whilst I was living in France<br />
after I graduated, I was constantly<br />
irritated by the fact that the<br />
adjective for female in French is<br />
feminine, which suggests that we’re<br />
all covered in flowers and wear<br />
pretty dresses. Why can’t women be<br />
strong and successful without being<br />
‘feminine’?”<br />
Stephanie’s interviewer at Jesus<br />
told her back in the late eighties,<br />
“all novels end in either death or<br />
marriage”. Fifteen years later, at<br />
the reading of her first novel back in<br />
college, that fellow ate his words. As<br />
fierce, female (not feminine) writers<br />
continue to flood the literary world -<br />
flowers and pretty dresses are most<br />
certainly nowhere to be seen - the<br />
landscape of the ‘chick-lit’ novel, and<br />
its former proponents, are changing<br />
for good.<br />
Visit varsity.co.uk to read an<br />
interview with Polly Courtney, who<br />
sacked her publisher last month after<br />
being branded as chick-lit.<br />
Occupy London protests<br />
Exactly a month since the Wall Street<br />
protests began, the Occupy movement<br />
has spread to London.Now a<br />
camp has been set up in the shadow<br />
of St Paul’s Cathedral,<br />
with more<br />
than 200 tents,<br />
cooking facilities,<br />
and even a library<br />
tent named<br />
the ‘Freedom<br />
University’.<br />
Films at the<br />
Architecture Faculty<br />
Free film screenings<br />
courtesy of Arcsoc<br />
are back this term<br />
to ward off the bad<br />
weather and give you<br />
a chance to catch a couple of great<br />
films projected on the big screen. First<br />
up this month - Fellini’s Amarcord.<br />
Woody Allen but not Woody Allen<br />
His latest loveletter to Europe takes<br />
the shape of Paris. Fantastically<br />
funny time travel is topped only by<br />
the fact that Woody<br />
seems to have firmly<br />
stepped away from<br />
casting himself in<br />
the lead role - and<br />
about time too, we<br />
say.<br />
Evening talks<br />
Late night poetry readings and talks<br />
are becoming an autumn fixture,<br />
with Jeremy Hardingham’s performance<br />
lectures in full swing, and a<br />
panel discussion and reading of Rae<br />
Armantrout, professor of poetry<br />
at the University of California, this<br />
Friday evening.<br />
Shorter days<br />
We’re already dreading the clocks<br />
going back - and that horrible<br />
moment when you come out from the<br />
library at 5pm and it’s already pitch<br />
dark.<br />
Looking at how we imagine the spaces that we live<br />
in, we asked students to draw a map and present a<br />
photograph of their view of Cambridge, and the places<br />
they most like to spend time in. This week, antonia<br />
Stringer presents the best way to spend an afternoon:<br />
duck watching with a mouth full of banana cake.<br />
LOUiSe BenSOn<br />
1. Duck-watcher’s Paradise<br />
Hours can and have been spent in this<br />
strip grass watching the surprisingly<br />
viscious ducks of Cambridge town.<br />
2. G. David Booksellers<br />
This little bookshop opposite Indigo<br />
Café contains endless second-hand<br />
treasures.<br />
3. Cake Stall<br />
The best place in Cambridge to pick up<br />
a loaf of banana cake.<br />
4. Clowns Cafe<br />
The artwork is terrifying but the<br />
coffee, pasta and service make up for it.<br />
Stone Roses reforming<br />
Their last show in 1996 were<br />
notoriously a shambles, so we’re<br />
hoping they’ve turned it around for<br />
the upcoming tour.<br />
Is it worth the risk<br />
of overturning the<br />
reputation they’ve<br />
garnered over<br />
the last decade,<br />
though?<br />
Sore throats<br />
Definitely a bug going around Cambridge<br />
- feels like a wasp’s got stuck<br />
when you swallow. We dread to think<br />
how we’ll be feeling by Week 5.<br />
5. The Haymakers Pub<br />
It’s a little out of the way (bring your<br />
bike) but a really nice place to see a gig.<br />
6. Vintage Stall<br />
This stall appears every Tuesday and<br />
is a great place for woolly jumpers<br />
to guard against the Narnia that is<br />
Cambridge