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Urban Animals - Art Gallery of Alberta

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The <strong>Alberta</strong> Foundation for the <strong>Art</strong>s Travelling Exhibition Program<br />

Pop <strong>Art</strong>: A Brief Analysis<br />

Pop <strong>Art</strong> refers to an art movement that<br />

began in the mid 1950s in Britain and<br />

in the late 1950s in the United States.<br />

From the very start its imagery was<br />

largely based on American mass media<br />

and the movement thus had a special<br />

appeal to American artists. The Pop <strong>Art</strong><br />

Movement reached its fullest<br />

development in America in the 1960s.<br />

Pop <strong>Art</strong> challenged tradition by asserting<br />

that an artist’s use <strong>of</strong> the mass-produced<br />

visual commodities <strong>of</strong> popular culture is<br />

contiguous with the perspective <strong>of</strong> Fine<br />

<strong>Art</strong>. Pop <strong>Art</strong> is aimed to employ images<br />

<strong>of</strong> popular as opposed to elitist culture in<br />

art, emphasizing the banal or kitschy<br />

elements <strong>of</strong> any given culture. As such,<br />

pop art employs aspects <strong>of</strong> mass culture<br />

such as advertising, comic books, and<br />

mundane cultural objects as art subjects<br />

such as hamburgers and ice-cream<br />

cones. Pop <strong>Art</strong> is also associated with the<br />

artists’ use <strong>of</strong> mechanical means <strong>of</strong><br />

reproduction or rendering techniques<br />

such as the commercial advertising<br />

technique <strong>of</strong> silk-screening.<br />

Jasper Johns<br />

Flag, 1954-1955<br />

Museum <strong>of</strong> Modern <strong>Art</strong>, New York<br />

Patrick Caulfield<br />

Still Life with Dagger, 1963<br />

Tate <strong>Gallery</strong>, London U.K.<br />

In the United States Pop <strong>Art</strong> was initially regarded as<br />

a reaction to Abstract Expressionism because its<br />

exponents brought back figural, representational<br />

imagery and made use <strong>of</strong> hard-edged, quasiphotographic<br />

techniques. Early Pop artists, such as<br />

Jasper Johns, used the energetic brushstrokes and<br />

boldly abbreviated shapes <strong>of</strong> Action Painting, but Pop<br />

artists differed in that their paintings are about<br />

something beyond personal symbolism and<br />

‘painterly looseness’.<br />

Pop artists were <strong>of</strong>ten labeled Neo-Dadaists because<br />

they used commonplace subjects such as comic strips<br />

(Roy Lichtenstein), soup tins (Andy Warhol) and<br />

highway signs which had affinities with Marcel Duchamp’s ‘ready-mades’ <strong>of</strong> the early 20th<br />

century.<br />

<strong>Art</strong>ists associated with the Pop <strong>Art</strong> Movement are not unified in their artistic approaches but,<br />

AFA Travelling Exhibition Program, Edmonton, AB. Ph: 780.428.3830 Fax: 780.421.0479<br />

youraga.ca

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