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Come Join The Celebration! - Wayne State College

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Campus Notes<br />

Pfaltzgraff Pfinds Pfriends at <strong>Wayne</strong> <strong>State</strong><br />

Philip Pfaltzgraff will mark time<br />

for <strong>Wayne</strong> <strong>State</strong> <strong>College</strong> as the college<br />

celebrates its centennial. Unveiling his<br />

new composition, Pfaltzgraff has created a<br />

unique, lasting time capsule for the event<br />

with a work that focuses on time.<br />

“‘<strong>The</strong> Time Cycle’ is a work with five<br />

sections: ‘Once Forever,’ ‘Timeless,’ ‘<strong>The</strong><br />

Time Keeper,’ ‘Junctures’ and ‘Time to<br />

Sing,’’’ Pfaltzgraff said. “This work will<br />

involve the Concert Choir, Concert Band, a<br />

Soprano solo and piano. My creative process<br />

has been all over the map for this centennial<br />

project. I have been looking at some of John<br />

Neihardt’s writing for inspiration. Some of<br />

the phrases of his writing have imagery that<br />

is wonderful. When I write music, I start out<br />

with a text, a scripture or some idea, and then<br />

a chord progression jumps out. In this case,<br />

there also are all the colors of the concert<br />

band available to create something that is<br />

hopefully memorable.’’<br />

Pfaltzgraff began in August as a staff<br />

accompanist for the college. He has also been<br />

performing, composing and helping students<br />

and faculty with practices and performances.<br />

“Music is a good way to bridge gaps<br />

with people. It has a way of reaching<br />

people,’’ Pfaltzgraff said. “My contact with<br />

students has included working with nonmusic<br />

majors in the Topics in Music Class.<br />

I’m very impressed with the students here at<br />

<strong>Wayne</strong> <strong>State</strong> <strong>College</strong>. I like the attitude of the<br />

students here.”<br />

Pfaltzgraff staged “Pfaltzgraff and<br />

Pfriends” last year at Lutheran Churches<br />

in the community with other WSC faculty<br />

members. He has also consulted with them<br />

on his compositions including “<strong>The</strong> Time<br />

Cycle.” In February, the <strong>Wayne</strong> <strong>State</strong> <strong>College</strong><br />

Concert Choir performed choral music by<br />

traditional and contemporary composers,<br />

including the Nebraska premiere of a work<br />

by Pfaltzgraff.<br />

Pfaltzgraff graduated from Westmar<br />

<strong>College</strong> in LeMars, Iowa, in 1971 with a<br />

music education (major in voice) degree.<br />

He has worked in public and private<br />

schools (K-12) in Hubbard, Des Moines<br />

and Waukee, Iowa, St. Petersburg, Fla., and<br />

Mt. Pleasant, Mich. In addition to a career<br />

in music education, he has served in music<br />

and pastoral leadership in churches in Iowa,<br />

Florida, and Michigan.<br />

12<br />

Philip Pfaltzgraff<br />

As a Methodist pastor’s son, Pfaltzgraff<br />

said he’s always written works for churches<br />

including praise and worship music and small<br />

anthems. He worked with musical theater<br />

shows such as “Godspell’’ and “Jesus Christ<br />

Superstar.’’ He was one of nine children in his<br />

family who all took organ and piano lessons.<br />

At the age of 12, he began to give piano<br />

lessons. Pfaltzgraff said his family is multiethnic<br />

as his parents adopted two children<br />

who are Korean American and two from the<br />

United <strong>State</strong>s.<br />

“It was a good experience growing up<br />

with a large and diverse family. We always<br />

had music in the house,’’ Pfaltzgraff said.<br />

“Mom and Dad have both been singers and<br />

instrumentalists, and many of my nieces and<br />

nephews are also involved in music. We put<br />

on a musical program with family members<br />

for my Mom and Dad’s 60th anniversary.’’<br />

Pfaltzgraff has worked with nationallyknown<br />

composers. Some of his original<br />

compositions were written with specific<br />

groups of people in mind who will be<br />

performing it.<br />

“When you write for someone, there is<br />

a sound expectation,” he said. “Music on a<br />

page is just dots on a page until they come to<br />

life in performance.”<br />

Pfaltzgraff composed a set of pieces<br />

for Josh Calkin’s students to perform in his<br />

low brass studio after walking by his office,<br />

hearing music and stopping to ask what he<br />

was working on. Calkin, who was hired in the<br />

2007-08 academic year, is assistant director<br />

of bands and instructor of low brass at <strong>Wayne</strong><br />

<strong>State</strong>.<br />

“I have been very impressed with <strong>Wayne</strong><br />

<strong>State</strong> <strong>College</strong>. Every aspect of the WSC<br />

performance spaces, classrooms and pianos<br />

have been great,’’ Pfaltzgraff said. “I’m an<br />

advocate of higher education, but I believe<br />

that smaller colleges have a unique way of<br />

caring for and working with students.’’

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