introduction: a work in progress - National Gallery of Australia

INTRODUCTION 17
4 See Stéphane Mallarmé: collected poems, translated and with a commentary by
Henry Weinfield, Berkley: University of California Press, 1996, p. 265.
5 Stéphane Mallarmé: collected poems, p. 267.
6 See Graham Coulter-Smith’s extensive account of Tillers’ early work in The
postmodern art of Imants Tillers: appropriation en abyme 1971–2001, Hampshire:
Fine Art Research Centre, South Hampton Publishing & Paul Holberton
Publishing, 2002.
7 Daniel Thomas, ‘Site of power’, in Imants Tillers, exhibition catalogue for the
Venice Biennale, Sydney: The Visual Arts Board of the Australia Council and the
Art Gallery Board of South Australia, 1986, p. 13.
8 Ann Stephen, ‘Ian Burn and Imants Tillers in conversation’, Art Monthly Australia,
no. 159, May 2003, p. 16.
9 Imants Tillers, ‘Appendix’, in Coulter-Smith, p. A15.
10 Fritjof Capra, The web of life, London: Flamingo, 1996, p. 100.
11 Tillers, in Coulter-Smith, p. A15.
12 Capra, p. 100.
13 Curnow, p. 13.
14 Ann Stephen (ed.), Artists think: the late works of Ian Burn, Sydney: Power
Publications in association with Monash University Gallery, Melbourne, 1996, p. 8.
15 Curnow, p. 14.
16 Genevieve Yue, ‘Jonas Mekas’, Senses of Cinema, viewed March 2006,
sensesofcinema.com/contents/directors/05/mekas.html.
17 David Malouf, ‘Diaspora’, in Diaspora in context: connections in a fragmented
world, exhibition catalogue, Pori, Finland: Pori Art Museum, 1995, pp. 30, 31.
18 See Yue ‘Jonas Mekas’.
19 Imants Tillers, ‘Imants Tillers as a site of conflict’, Art and Australia, vol. 27, no. 3,
March 1990, p. 424.
20 Tillers March 1990, p. 424.
21 Terry Smith, ‘The provincialism problem’, Artforum, vol. 13, no. 1, p. 56.
22 For more on Bell’s theorem see Imants Tillers, ‘Locality fails’, Art & Text, no. 6,
winter 1982, pp. 51–60.
23 Thomas 1984, p. 11.
24 Tillers winter 1982, p. 316.
25 Tillers winter 1982, p. 316.
26 Paul Taylor, White Aborigines, exhibition catalogue, London: Matt’s Gallery,
1983, n.p.
27 Paul Foss, ‘Mammon or millennial Eden?: interview with Imants Tillers’, Art & Text,
vol. 23, no. 4, March–May 1987, p. 126.
28 For further information on the Commitments exhibition see Imants Tillers, ‘Poetic
justice: a case study (Due allocation of reward for virtue and punishment for vice)’,
Midwest Five, no. 5, 1994, pp. 10–15.
29 Tillers 1994, p. 13.
30 Michael Eather & Marlene Hall, ‘Introduction’, in Balance 1990: views, visions,
influences, exhibition catalogue, Brisbane: Queensland Art Gallery, 1990,
pp. 9, 10.
31 Imants Tillers, ‘When locality prevails’, Heat, no. 8, new series, 2004.
32 See Paul Feyerabend, Farewell to reason, London: Verso, 2002, p. 1.
33 René Daumal, Mount Analogue: a novel of symbolically authentic non-Euclidean
adventures in mountain climbing, Roger Shattuck (trans.), Middlesex, England:
Harmondsworth, 1986, p. 37.
34 Vera Daumal, ‘Epilogue’, in Daumal, p. 103.
35 Marcel Duchamp, quoted in Karl Gerstner, Marcel Duchamp, >>Tu m’