Digital Call - Prince Claus Fund
Digital Call - Prince Claus Fund
Digital Call - Prince Claus Fund
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Second <strong>Call</strong> 2012<br />
<strong>Digital</strong> forms of social and artistic expression<br />
33 projects granted by the <strong>Prince</strong> <strong>Claus</strong> <strong>Fund</strong><br />
1
Second <strong>Call</strong> 2012: Number of applications per country<br />
Countries Projects approved Projects rejected TOTAL<br />
Afghanistan 3 3<br />
Albania 2 2<br />
Angola 1 1 2<br />
Argentina 6 6<br />
Armenia 2 2<br />
Azerbaijan 1 1<br />
Benin 3 3<br />
Bolivia 2 1 3<br />
Brazil 2 1 3<br />
Burkina Faso 4 4<br />
Cameroon 1 8 9<br />
Chad 2 2<br />
Chile 2 4 6<br />
China 1 1<br />
Colombia 6 5 11<br />
Congo 2 2<br />
Costa Rica 1 1<br />
Democratic Republic of Congo 4 4<br />
Ecuador 2 2<br />
Egypt 2 6 8<br />
Ethiopia 1 1<br />
Georgia 1 1<br />
Ghana 2 2<br />
Guatemala 2 2<br />
Guinea 1 1<br />
Haiti 2 2<br />
India 1 3 4<br />
Indonesia 6 6<br />
Ivory Coast 1 1<br />
Jordan 3 3<br />
Kenya 2 2<br />
Kosovo 1 1<br />
Lebanon 3 3<br />
Mali 1 1<br />
Mauritania 1 1<br />
Mexico 2 3 5<br />
Morocco 4 4<br />
Nepal 3 3<br />
Nicaragua 1 3 4<br />
Niger 2 2<br />
Nigeria 1 5 6<br />
Palestine 3 3<br />
Peru 2 3 5<br />
Philippines 2 2<br />
Rwanda 2 2<br />
Senegal 9 9<br />
Somalia 1 1 2<br />
South Africa 1 9 10<br />
Sri Lanka 2 3 5<br />
Syria 1 1<br />
Tajikistan 1 1<br />
Tanzania 2 2<br />
Thailand 1 1<br />
Togo 2 2<br />
Trinidad and Tobago 1 1<br />
Tunisia 1 1<br />
Turkey 2 1 3<br />
Uganda 7 7<br />
Ukraine 1 1<br />
United Arab Emirates 1 1<br />
Uruguay 1 1<br />
Uzbekistan 4 4<br />
Zimbabwe 1 1 2<br />
TOTAL 33 164 197<br />
2
Second <strong>Call</strong> 2012: Granted projects per categories<br />
Categories<br />
Number of<br />
Projects<br />
Projects’ Name<br />
Visual Arts / Festival 3 Carnival Dream, Colombia<br />
Afrikanation International Art Exchange, Somalia<br />
Visual Arts Festival Damascus @ Istanbul, Turkey<br />
Performance / Dance 2 MPEMBA WA MUKUNDU - The Magic of RED, Angola<br />
Augmented dance in Rio de Janeiro, Brazil<br />
Audio / Music / Radio 5 Radio Program on <strong>Digital</strong> Culture, Bolivia<br />
Audiomapa.org, Chile<br />
Radio Mixticius, Colombia<br />
Tzay Kin: Mayan Sound Art And Experimental Radio, Mexico<br />
Spreading the first awajun radioseries nationwide, Peru<br />
Video / Film 5 Echoes of Silent Voices, Ivory Coast<br />
Cinema at your door, Kosovo<br />
VICO, Videoclub of expanded operation, Mexico<br />
Top Goon – Diaries of a Little Dictator, Season 2, Syria<br />
Youth Activism, Arts and New Media Project, Zimbabwe<br />
Cultural Heritage 4 Audio Guide to the Egyptian Museum, Egypt<br />
Multimedia Training Resource for Classical Tibetan Artists,<br />
Nepal<br />
INCA, Peru<br />
Pattini/Kannaki Sharing Devotion and Reconciliation, Sri<br />
Lanka<br />
Platform / Forum 9 Tu Memorial – Despertemos la Memoria Local, Chile<br />
Loop en Vivo, Colombia<br />
Proyecto Rosa, Colombia<br />
NotiCultura, Nicaragua<br />
Arte Base Africa, Nigeria<br />
Zanews Network, South Africa<br />
HerSpace, Sri Lanka<br />
Website accessibility for audiences within MENA region,<br />
Turkey<br />
Microcircuitos, Colombia<br />
Workshop 5 El Bus <strong>Digital</strong>, Bolivia<br />
Labmovel, Brazil<br />
Setting up e-art and culture sections, Cameroon<br />
El Puerto MAMM, Colombia<br />
Arab <strong>Digital</strong> Expression Camp, Egypt<br />
3
CONTENTS:<br />
Page<br />
MPEMBA WA MUKUNDU – The Magic of RED 5<br />
El Bus <strong>Digital</strong> 6<br />
Radio programme on <strong>Digital</strong> Culture 7<br />
Augmented dance in Rio de Janeiro 8<br />
Labmovel 9<br />
Setting up e-art and culture sections 10<br />
Audiomapa.org 11<br />
Tu Memorial – Despertemos la Memoria Local 12<br />
Loop en Vivo 13<br />
Proyecto Rosa 14<br />
Carnival Dream 15<br />
Radio Mixticius 16<br />
Microcircuitos 17<br />
EL Puerto MAMM 18<br />
Arab <strong>Digital</strong> Expression Camp 19<br />
Audio Guide to the Egyptian Museum 20<br />
Multimedia Training Resource for Classical Tibetan Artists, 21<br />
Echoes of Silent Voices 22<br />
Cinema at your Door 23<br />
VICO, Videoclub of expanded operation 24<br />
Tzay Kin: Mayan Sound Art And Experimental Radio, 25<br />
NotiCultura 27<br />
Art Base Africa 28<br />
Spreading the first awajun radioseries nationwide 29<br />
INCA 30<br />
Afrikanation International 31<br />
Zanews Network 32<br />
Pattini/Kannaki Sharing Devotion and Reconciliation 33<br />
HerSpace 34<br />
Top Goon – Diaries of a Little Dictator, Season 2 35<br />
Visual Arts Festival Damascus @ Istanbul 36<br />
Website accessibility for audiences within MENA region 37<br />
Youth Activism, Arts and New Media Project 38<br />
4
MPEMBA WA MUKUNDU - The Magic of RED<br />
Who: Companhia de Dança Contemporânea de Angola<br />
What: A choreography based on an ancient tale, built with new media technologies<br />
Where: Angola<br />
When: From 1-10-2012 to 31-12-2012<br />
Amount attributed: 12,000 Euro<br />
Founded in 1999 as the first professional Angolan dance group, the Companhia de Danca Contemporânea<br />
(CDC) enjoys a large prestige and respect within the Angolan society and cultural sphere. The main goal<br />
of the Company is the creation of new languages and aesthetics within Angolan dance, recovering<br />
popular culture's elements and exploring the cohabitation between traditional and contemporary dance.<br />
Angolan society is developing in a fast pace despite the fact that the country civil war just ended 15<br />
years ago. The Angolan society is increasingly open to new and creative ideas in which their cultural<br />
identity has been explored by a wide range of artistic practices, especially among music and<br />
contemporary dance sectors.<br />
The proposed project is articulated in a choreography piece with 7 dancers, 3 international new media<br />
artists and a musician. It is planned to be shown in a public space in the city of Luanda as well as in<br />
different theatres among the country and abroad. The project aims to identify an oral traditional<br />
narrative, transform this narrative into a choreography and build it up with the use of new media and<br />
audiovisual technology.<br />
5
El Bus <strong>Digital</strong><br />
Who: <strong>Fund</strong>ación Visión Cultural<br />
What: A digital bus bringing digital technologies to the rural areas in Bolivia<br />
Where: Bolivia<br />
When: From 01-11-2012 to 31-10-2013<br />
Amount attributed: 22,497 Euro<br />
El Bus <strong>Digital</strong> is a project launched by <strong>Fund</strong>ación Visión Cultural, a Bolivian institution whose mission is<br />
to help strengthening the cultural life in Bolivia and to support the intercultural exchange in the region.<br />
The project aims at promoting digital technologies as a tool to express cultural identity of semi-urban<br />
and rural young Bolivians. For this purpose a bus will be equipped and driven throughout these rural<br />
zones.<br />
The bus will serve as a platform for a training process to motivate local participants to actively use<br />
digital tools. This challenge will involve professional artists as well as community leaders, which have a<br />
key role in the process, increasing participant’s self-esteem, strengthening identities and motivating their<br />
creativity. The <strong>Fund</strong>ación Visión Cultural as coordinator of the process will set up the cooperation with<br />
the municipalities that take part of the three planned geographical routes. Institutional participation of<br />
the La Paz, Cochabamba, Oruro and Beni governorates will be requested, as well as the participation of<br />
an internet provider that will be working in the field. Union Latina de Bolivia will be one of the strategic<br />
allies as one of the institutions that has worked with high effort in the cultural field of Bolivia.<br />
6
Radio Program on <strong>Digital</strong> Culture<br />
Who:<br />
Samanta Orihuela Yucra<br />
What:<br />
The realization of a radio programme in Quechua and Spanish concerning digital<br />
culture<br />
topics that can help people perform better socially and economically in the digital<br />
environment.<br />
Where: Bolivia; Cochabamba - Oruro- Tarija<br />
When: From 5-11-2012 to 31-10-2013<br />
Amount attributed: 9,700 Euro<br />
Samanta Orihuela Yucra, involved in research on digital culture and cultural management projects will<br />
implement a radio programme on digital culture both in Quechua and Spanish. The targeted audience of<br />
the programme are Quechua communities , which are usually unfamiliar with the possibilities that<br />
technology has to offer. The Radio Program is about life in the virtual world and about how to acquire<br />
little by little social capabilities for life in a digital society.<br />
This project aims to help youngsters enter the digital environment with more knowledge beforehand in<br />
order to help them feel more self-assured to contribute with their own content and to shorten the<br />
digital gap. The knowledge that will be offered on the programme is vital in order to prevent them from<br />
dangerous situations of the digital world so that people can practice their freedom of speech and their<br />
right to enjoy technology as part of their lives.<br />
This project could pay a great contribution in getting many youngsters to learn and get thrilled about<br />
digital world, to investigate and seize opportunities presented to them and, above all, smash<br />
technological taboos, which only generate fears and create mental barriers.<br />
7
Augmented dance in Rio de Janeiro<br />
Who: Daniella de Aguiar<br />
What: Virtual dance performances to be accessed for free.<br />
Where: Rio de Janeiro, Brazil<br />
When: From 7-01-2013 to 30-11-2013<br />
Amount attributed: 18,062 Euro<br />
This project combines Mobile Augmented Reality, Contemporary Dance, Music, and<br />
Architecture; Its main goal is to endow specific locations of the city of Rio de Janeiro with virtual dance<br />
performances, accessed through locative media (smartphones or tablets). Summarily, any user equipped<br />
with a tablet or smartphone with an Internet connection will have free access to experimental<br />
multimedia pieces of contemporary dance and music while moving through specific points of the city of<br />
Rio de Janeiro.<br />
This project will reach audiences that normally have no access to live ballet and modern dance<br />
performances staged indoors and for which admission fee is charged. It is true that recordings of such<br />
performances can be accessed on the internet, but this project offers something different: site specific<br />
dance and accompanying music. As long as those who do not own those tools will be given access to<br />
them and as long as information about the project is sufficiently disseminated as foreseen by the project<br />
it can be considered a significant, innovative, and most democratic cultural enterprise combining<br />
traditional and very modern media for aesthetic and educational purposes. A digital catalogue about the<br />
project that will be organized by João Queiroz (researcher/professor) and distributed among educational<br />
and cultural institutions.<br />
8
Labmovel<br />
Who: Gisela Domschke<br />
What: LABMOVEL, a mobile lab platform<br />
Where: São Paulo, Brazil<br />
When: From January 2013 to April 2013<br />
Amount attributed: 13,000 Euro<br />
Labmovel is a mobile lab platform based in São Paulo with the main objective of promoting social change<br />
through art and knowledge sharing. The project will be particularly focused on youth aged 12 to 18<br />
years old of critical areas in city of São Paulo, and will gradually spread to various locations in the city<br />
outlying regions. The project offers a series of activities and workshops involving the use of digital media<br />
in public spaces. Eight female artists from Brazil are invited to monitor the workshops, which will mainly<br />
discuss the themes of “Playing” and “Identity”. From building an electronic music instrument to playing<br />
with mirrors and video cameras or discussing the role of women within new media, workshops will be<br />
diverse and heterogeneous.<br />
Through its mobility, the project will be able to reach areas of the city as well as communities that are<br />
outside the hit of the main cultural hubs in Brazil. This will thus offer a unique opportunity to explore<br />
the creative and empowering use of media (arts) and technology. Through the Labmovel it is the<br />
temporary cultural infrastructure that literally goes to the heart of these communities.<br />
9
Setting up e-art and culture sections<br />
Who: National Book Development Council Cameroon<br />
What: Setting up of e-art and culture sections for 3 community libraries in Cameroon<br />
Where: Ideanau, Kumba and Bamenda, Cameroon<br />
When: 1-3-2013<br />
Amount attributed: 12,000 Euro<br />
The National Book Development Council Cameroon (NBDC) is a non-profit, non-governmental<br />
organisation. It has taken the noble responsibility of building a sustainable book/library culture in<br />
Cameroon for the past two decades. Between 2008 and 2011, they initiated a mobile library, “books-onwheels”,<br />
a project which distributed books among ten community libraries in the region.<br />
Their current project’s goal is to use the access to the internet and e-resources to promote research,<br />
information exchange and enhancement of artistic skills in Cameroon. Actually, e-learning has hardly<br />
taken off in the country even though it is known its great potential to improve art exchange and skills.<br />
The three pilot libraries are having a relative high influx of users. They are located in towns where<br />
electricity supply is stable and their internet speed relatively fast and with enough library space.<br />
This project aims to directly respond to the problem by using ICT hardware and training and establish e-<br />
art corners in the 3 pilot libraries. These e-art corners will offer the possibility for students, artists,<br />
cultural practitioners and researchers to have access to solutions, websites, resources, software, and all<br />
material present on the Internet.<br />
10
Audiomapa.org<br />
Who: Tsonami<br />
What: Audiomapa.org<br />
Where: Aysen, Campos de Hielo and Atacama desert in Chile.<br />
When: February 2013<br />
Amount attributed: 8,000 Euro<br />
Tsonami is a non-profit organisation dedicated to promote culture of sound and technologies in Chile<br />
and South America. The organisation, from Valparaiso, organises an international festival once a year,<br />
where people interested in sound and related contemporary issues share experiences and projects.<br />
Audiomapa is a Soundmap on the web dedicated to sound recording of natural and urban places in<br />
ecological or social danger. The project focuses on field recordings of sound in different places in Chile.<br />
This grant finances three travels into Chilean territory, where we can identify potential political,<br />
economical, or ecological disasters. The selected locations include Atacama region (mineral and natural<br />
resources extraction and devastation), Aysen (huge hydroelectric project) and glaciers (big water<br />
resources). The idea is to preserve the actual Soundscape of this three in danger places, and put the<br />
recordings on an open web platform. www.audiomapa.org<br />
11
Tu Memorial - Despertemos la Memoria Local<br />
Who: Museo de la Memoria y los Derechos Humanos<br />
What: A microwebsite with research on collective memory of dictatorship done by youth<br />
groups throughout Chile.<br />
Where: Cities throughout Chile<br />
When: From 1-11- 2012 until 30- 09- 2013<br />
Amount attributed: 12,000 Euro<br />
The Museum of Memory and Human Rights is dedicated to expose the systematic human right violations<br />
which occurred between 1973 and 1990 under Chile’s military dictatorship led by general Augusto<br />
Pinochet. The museum offers a permanent exhibition based on the findings of commissions of truth and<br />
reconciliation in the country. In addition, the museum offers educational, cultural and research-based<br />
activities. By exposing these crimes to the public, and by instigating an ethical reflection on memory,<br />
solidarity and the importance of respect for human rights, the museum aims to “strengthen the national<br />
will so that never again these events will be repeated and the dignity of human beings affected”.<br />
The project Tu Memorial’ – Despertemos la Memoria Local (‘Your Memorial’ – Awaken Local Memory) is a<br />
microwebsite fueled by research from youth groups throughout Chile. The site documents local<br />
memory (memorials, street names, places of torture, disappearance, political imprisonment, memories<br />
of relatives and neighbors, etc.). The project aims to give new impact and appreciation to the more than<br />
200 memorials throughout the country, reveal the diverse perspectives of local memory and contribute<br />
to the development of human rights education.Working with the second generation after the<br />
dictatorship the project seeks to contribute to heal and overcome the polarization that still exists in the<br />
country. Once the project is finished, the website will remain online as part of the museum website.<br />
12
Loop en Vivo<br />
Who: Wilson Diaz on behalf of Helena Producciones<br />
What: An online critical TV show providing live broadcasting of the 8 th edition of “the Festival<br />
de Performance de Cali” and promoting a critical dialogue from different points of view.<br />
Where: Cali, Colombia<br />
When: From 20-11-2012 to 24-11-2012<br />
Amount attributed: 9,000 Euro<br />
Loop en vivo (8th edition of the Festival de Performance de Cali) will become an online critical TV show<br />
that will provide live broadcasts of all the events of the Festival de Performance de Cali and promote a<br />
critical dialogue from different points of view (gender, geography, culture, diasporas) about the 8th<br />
Festival de Performance de Cali, which will take place from 20 until 24 November 2012. This project<br />
will also link this broadcast to the video archive of Helena Producciones. Loop en vivo aims to create a<br />
bigger audience for art in Cali through opportunities that promote access for and encourage discussion<br />
between people.<br />
13
Proyecto Rosa<br />
Who: Blogosfera Producciones SAS-La Silla Vacía<br />
What: Proyecto Rosa, Visibilization of a land restitution leader's work through art and<br />
journalism.<br />
Where: Bogota<br />
When: From 12-8-2012 to 21-12-2012<br />
Amount attributed: 20,000 Euro<br />
Throughout journalistic contents, artistic proposals such as works of art, posters and songs, and online<br />
viral campaigns, Proyecto Rosa is a project that wants to make visible the universe of those who lead<br />
the fight of the victims in Colombia. Ever since the Project’s conception, the idea was to rescue an<br />
anonymous figure who would deserve to become a national hero, thanks to his or her work, effort and<br />
struggle. This idea was perfectly articulated to a second objective of journalistic nature: not to allow the<br />
killing of those who are struggling to regain their land, or those who tell the reality or know the truth<br />
about the war, with getting no reactions from the country. Proyecto Rosa is one of La Silla’s journalistic<br />
experiments, which intends to generate new multidisciplinary narrative and research possibilities that<br />
revolve around stories of power and politics in Colombia.<br />
14
Carnival Dream<br />
Who:<br />
Efrain Fajardo on behalf of ReconoSer Foundation<br />
What:<br />
Self-expressions of children artists in “El Carnaval de Negros y Blancos” in Pasto<br />
Where:<br />
Pasto, Colombia<br />
When: From15-11- 2012 to 28-2- 2013<br />
Amount attributed: 10,000 Euro<br />
Foundation ReconoSer designs, implements and promotes educational, cultural and social<br />
projects for marginalized people. Through artistic, cultural and educational programmes, the<br />
organisation promotes inclusion and employment and aims at strengthening these vulnerable groups.<br />
The project Carnival Dream aims to present “El Carnaval de Negros y Blancos” (“The Carnival of Blacks<br />
and Whites”) as perceived in children’s imagination through modern technology and media. There will<br />
be an open invitation to children aged 8-12 years to participate in the Carnival and perform as dancers,<br />
actors, musicians etc. Carnival Dream collects the true stories from children and create a digital book.<br />
The content of the book will include texts, photographs, drawings or videos made by the children during<br />
the workshops and the carnival. The training sessions aim to develop the necessary skills for a digital<br />
world among the children. Sessions will promote creativity, artistic experience and play.<br />
15
Radio Mixticius<br />
Who: Radio Mixticius<br />
What: The on-site recording of five music festivals in Colombia.<br />
Where: Latin America<br />
When: From January 2013 until January 2014<br />
Amount attributed: 10,000 Euro<br />
Radio Mixticius is a radio-blog that presents digital recordings, interviews, analysis and interpretation of<br />
local music in specialized podcasts. Radio Mixticius has an innovative approach that integrates digital<br />
culture and social networks with digital recording of live music. With this particular project, Radio<br />
Mixticius wants to increase the breadth of music and reach new audiences. The grant will enable<br />
recording and broadcasting five festivals of traditional music. En la escena, one of the Mixticius’ nine<br />
streams, presents local concerts and cultural events. Documenting current music helps creating a state<br />
of art, which is invaluable for those who cannot attend the events, as well as for archiving purposes.<br />
16
MICROCIRCUITOS<br />
Who: Microcircuitos<br />
What: A web platform with free and public access of specialized contents about sound art,<br />
radio art and contemporary music<br />
Where: Colombia<br />
When: October 2012 to May 2012<br />
Amount attributed: 23,000 Euro<br />
Microcircuitos is an open access website with sound art, radio art and contemporary music materials<br />
from1960 to the present. The platform aims to make accessible a set of publications that are the result<br />
of longstanding research carried during the past 15 years. The research has been done and self-managed<br />
by Cortocircuitos members and it will now be available to download under the Creative Commons 3.0<br />
license. The website will cover a database of artists, events and institutions that promote sound art and<br />
contemporary music in Colombia, Ecuador, Peru, Argentina and Venezuela. The online Library will<br />
propose a collection of documents, scores, audio and visual material built for the specific purpose of<br />
public consultation.<br />
Microcircuitos will also provide an online radio, the first of its kind in South America, featuring the<br />
existing catalog of approximately 100 works by South American sound artists. The power of the radio<br />
will consist on developing current audiences and promoting exchange and interaction within sound art<br />
communities in the subcontinent. In short, a pioneering project that proposes a regional dialogue among<br />
the artists themselves and an excellent vehicle for visibility of works of this type where artistic and<br />
cultural merit often outweigh commercial appeal.<br />
17
El Puerto MAMM<br />
Who: El Museo de Arte Moderno de Medellín (MAMM)<br />
What: El Puerto MAMM<br />
Where: Medellín, Colombia<br />
When: From 15-06-2012 to 15-06-2013<br />
Amount attributed: 12,000 Euro<br />
Since its establishment in 1978, the Medellin ModernArt Museum considers itself as a participative<br />
meeting space for Colombian citizens, a permanent cultural centre for the development of conservation,<br />
research and dissemination of art practices in the audiovisual field. The museum aims to stablish a link<br />
between the public, issues in society and art practices.<br />
El Puerto MAMM (the port of MAMM) is a project of El Museo de Arte Moderno de Medellín based on<br />
the model of the so called Media Lab. With El Puerto the museum aims to create a space for research<br />
and creation of projects that integrate art, science, ecology and digital media for the benefit of the<br />
community. El Puerto is conceived as a laboratory prototype for Medellín that extends the opportunities<br />
of technology and uses technology to try to solve specific problems or questions from groups in the<br />
local community and neighborhoods.<br />
18
Arab <strong>Digital</strong> Expression Camp<br />
Who: Arab <strong>Digital</strong> Expression Foundation<br />
What: Arab <strong>Digital</strong> Expression Camp<br />
Where: Egypt<br />
When: From 1-10-2012 to 30-09-2013<br />
Amount attributed: 15,000 Euro<br />
Arab <strong>Digital</strong> Expression Camp is a yearly residential summer camp for Arab youngsters aged between 12<br />
and 15 years. It aims at promoting the sustainable use of information and communication technologies<br />
for digital expression and artistic creation. Each year they develop - in collaboration with distinguished<br />
Arab professional artists, thinkers, techies, bloggers and educators from across the region - a multi track<br />
educational curriculum in <strong>Digital</strong> Sound and Music, <strong>Digital</strong> Video , Animation and Web 2.0 based on<br />
open source concepts and tools. In these canmps children and young learn how to use new media and<br />
digital culture and specially how to apply these tools to develop freedom of expression and critical<br />
thinking.<br />
On "Training of Trainers" Arab professionals train younger aged 20-30 in implementing this curriculum<br />
and mentoring youngsters (aged 12-15) for a two-week summer residential camp in "digital expression".<br />
These camps bring together youth from all over the Arab world, which ensures that the used<br />
methodology is will be duplicated in the different Arab countries in the future.<br />
19
Audio Guide to the Egyptian Museum<br />
Who: Contemporary Image Collective (CIC) / Thomas Hartwell<br />
What: Mp3 'audio guide' to the Egyptian Museum<br />
Where: Cairo, Egypt<br />
When: From 1-10-2012 to 31-8-2013<br />
Amount attributed: 20,000 Euro<br />
Contempory Image Collctive (CIC) is an independent initiative founded in Egypt in 2004. Its<br />
mission spans comtemporary art and media educational programming that responds to and develops<br />
visual culture and artistic practice, engagement and discourse. Contemporary art programming at CIC<br />
aims to produce critical contexts for a range of practices via exhibitions, residencies, special projects,<br />
discursive events, publications and educational activities.<br />
Starting October 2012, the Audio Guide project commissions 8 practitioners in the fields of art, sound<br />
art, music to develop audio works for free download, with an open brief of the work designed to be<br />
listened specifically in the Egyptian Museum. 4 of the practitioners are Egypt-based and 4 come from<br />
abroad. Foreign visitors are welcomed in a research residency of up to two weeks', during which they<br />
would be asked also to give a public talk or short workshop at CIC in relation to their practice. All<br />
verbal contributions are produced in Arabic and English.<br />
Furthermore, the area of Tahrir and Downtown Cairo where the Museum is sited is being associated<br />
with crime, graffiti, and protest violence. Due to this context and despite being affordable to Egyptians,<br />
the Museum is suffering low visitor figures. This project aims to attract visitors back to Downtown<br />
Cairo, enlivening this area where a great deal of the contemporary art scene is also located.<br />
20
Multimedia Training Resource for Classical Tibetan Artists<br />
Who: The Orient Foundation<br />
What: <strong>Digital</strong> multimedia training<br />
Where: India and Nepal<br />
When: 15/10/2012 to 14/10/2013<br />
Amount attributed: 12,000 Euro<br />
Since 2003, The Orient Foundation has been working in cooperation with leading artists of central<br />
Tibet, Amdo and Kham to create a digital multimedia resource documenting the endangered knowledge<br />
and skills of Tibet’s greatest 20th century classical artists. If the rich and sophisticated classical painting<br />
traditions of Tibet are to be revitalised, if the regional communities for whom the arts have been the<br />
mainstay of the economy need to survive, and if the historic sacred Buddhist sites of the Tibetan cultural<br />
areas of Asia are to be restored to a high standard, the artistic knowledge and skills held by elder master<br />
artists have to be successfully transferred to future generations.<br />
Over a year, The Orient Foundation photographer, Lobsang Palden, will visit each of the partner<br />
collections photographing their works which are of exemplary quality. The photographs will then be<br />
assessed by the Foundation’s arts consultants at the Central University of Tibetan Studies and selected<br />
works will be included. Thus, the current generation of classical artists will be able to view and study an<br />
extensive range of surviving masterpieces of classical Tibetan art. Also during that period, the research<br />
team will add the remaining 300 iconographic charts to the existing collection, providing a complete<br />
reference of 1,200 major sacred figures which compose the principal iconographic spectrum of Tibetan<br />
art.<br />
21
Echoes of Silent voices<br />
Who: Selay Marius Kouassi<br />
What: Bringing voices of people from zones of silence to the global world.<br />
Where: Ivory Coast; Abidjan (South), Man, Guiglo, Duékoué (West)<br />
When: From 1-11-2012 to 1-11-2013<br />
Amount attributed: 12,000 Euro<br />
“Echoes of Silent voices” is a project that aims at facilitating freedom of expression and development of<br />
the conflict-affected rural community in the western Ivory Coast. It aims at telling, to a wider audience,<br />
the stories of people hit by the conflict in that region of the country. Foreign journalists covered<br />
extensively the events in Ivory Coast , however the people on the ground had limited opportunities of<br />
telling their stories. The digital news mobile project proposes to promote forms of expression within<br />
and outside these communities to foster understanding of the past. The first goal of the project is to<br />
establish an interactive platform, and make it central to the access and exchange of information. The<br />
second aim is to empower members of the former warring communities by teaching them how to share<br />
news content within the platform. Equipped with internet connected phones these leaders will be the<br />
main actors and editors of the news updates on the platform. The news will be also broadcasted in local<br />
languages (Weh, Guerey, Dioula) to ensure reaching the local population.<br />
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Cinema At Your Door<br />
Who: Dokufest, The International Documentary and Short Film Festival<br />
What: : A documented series of film screenings in 30 rural villages in the region of Prizren.<br />
Where: Kosovo; Rural villages of Prizren Region<br />
When: From 1-12- 2012 until 30-11- 2013<br />
Amount attributed: 16,000 Euro<br />
DokuFest started in 2002 with the screening of films, mostly from Kosovo and the neighbouring<br />
countries, on the old cinema of Prizren. The growth of attendance each year forced them to explore for<br />
alternative options of screening venues and exhibiting spaces.The number of cinemas in Kosovo, which<br />
was 30 before the conflict, has dropped to a single permanent cinema operating in the new millennia in<br />
the capital of Kosovo – Pristina.<br />
DokuFest is now planning a further enlargement of its activities that would include communities<br />
inhabiting rural areas of the Prizren region. After the initiatives involving the inclusion of high school<br />
students into the group of film lovers, this project concentrates on the activation of rural areas in the<br />
industry. The lack of cultural activities is a reality of the rural areas of Kosovo, including the film sector.<br />
The incapacity of providing the country with permanent cinemas has deeply affected the local film<br />
production which is made up of individual initiatives in general.<br />
To offer a solution in this matter, Dokufest introduces travelling cinema throughout rural areas of<br />
Prizren region offering free film screenings. As part of the project, each day a new village will be<br />
introduced to new films, while the audience will have the chance of participating in debates on the<br />
everyday difficulties and the lack of the cultural activities in their surroundings. After the 2 months<br />
travelling, the entire material will be collected and edited into a single film. The film will be exhibited in<br />
the cinema run by DokuFest.<br />
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VICO, Videoclub of expanded operation<br />
Who:<br />
Javier Toscano<br />
What:<br />
The VICO project: A mini-archive for exhibition, production and analysis of<br />
visual media from Mexico and Central America and the workshop “Citizen<br />
Video”.<br />
Where:<br />
Mexico ; Tijuana, San Luis Potosí, Oaxaca, Mérida<br />
When: From 1-11- 2012 until 31 August 2013<br />
Amount attributed: 14,350 Euro<br />
The VICO, Videoclub of Expanded Operation, is a dynamic mini-archive of contemporary video art and<br />
short film. This initiative is already widely known in Mexico City, but the limitation of resources has<br />
constrained its outreach. The VICO proposes ways of expanding to different cities and contexts within<br />
the country though a specific seminar-workshop: Citizen Video, based on a civic-engaged approach to<br />
contemporary video tools. The special module The Citizen Video is designed for 35-40 hour courses,<br />
repeated along 4 major presentations of the project in 4 Mexican cities. It is aimed at a general audience,<br />
with emphasis on young artists and students in the areas of communication, filmmaking and journalism.<br />
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Tzay Kin: Mayan Sound Art And Experimental Radio<br />
Who:<br />
What:<br />
Where:<br />
When:<br />
Byrt Manfred Wammack, Yoochel Kaaj: Cine Video Cultura, A.C. Turix Collective<br />
independent<br />
New media training, creation of collective artworks, setting up a radio station for local<br />
communities<br />
Mérida and Valladolid, Yucatán México<br />
Amount attributed: 15,000 Euro<br />
Tzay Kin: Mayan Sound Art And Experimental Radio is a contemporary sound art and experimental<br />
electronics project, which will connect two rural Mayan communities in the Yucatán Peninsula with<br />
international collaborators from Europe, Latin America, and elsewhere by means of a locally-built and<br />
operated open internet radio station. The project takes its name from one of the original sound artists,<br />
Cicada, or Tzay K’in, as it is known in Yucatec Maya. This project will be a diagnostic exploration of<br />
digital and analogue technologies that have failed to provide a voice for the rural Maya. Marginalized<br />
group have limited access to radio and television, and are bound to listen to broadcasts in a language<br />
other than their own. This creative alternative outside of the mainstream radio stations will provide the<br />
possibilities of open communication and greater opportunities for artistic and intercultural collaboration<br />
for marginalized groups.<br />
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NotiCultura<br />
Who: NotiCultura.com<br />
What: Workshops on digital cultural journalism<br />
Where: Carribean coast of Nicaragua; cities: Bilwi (Puerto Cabeza), Bluefields<br />
When: From 12-11-2012 until 25-10- 2013<br />
Amount attributed: 10,000 Euro<br />
The Nicaraguan online platform, NotiCultura, has the goal of promoting regional cultural activism in<br />
Nicaragua through the use of new online media tools. The platform has the objective of creating and<br />
facilitating intercultural dialogue between the Caribbean and the Pacific region of Nicaragua. Through<br />
workshops participants from the Caribbean region will learn about Internet journalism, tools for online<br />
activism and will have the opportunity to share opinions and experience with their counterparts in the<br />
Pacific region.<br />
This first phase of the project includes workshops on digital cultural journalism for participants from<br />
Bilwi and Bluefields, two important cities in the Nicaraguan Caribbean region. The participants will be<br />
young leaders (between 18 and 30) of different organisations that work on subjects connected to the<br />
Nicaraguan Caribbean community. After the workshops are finished the works resulting from them will<br />
be published on the platform NotiCultura.org, hosting the opinions, cultural information and productions<br />
coming from both the Pacific and the Caribbean regions of Nicaragua.<br />
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Art Base Africa<br />
Who: African Artists’ Foundation<br />
What: Online Journal, Database, Participatory Forum for Contemporary African Art<br />
Where: Lagos, Nigeria<br />
When: From 1-11-2012 until 1-11-2013<br />
Amount attributed: 19,200 Euro<br />
The Nigerian non-profit organization African Artists’ Foundation is planning on establishing the ART<br />
BASE AFRICA, an online platform for fostering an interactive and participatory forum for critical debate<br />
on contemporary African art. Through a website, mobile application, and radio broadcast, ART BASE<br />
AFRICA will act as an artistic journal published quarterly on thematic issues. ART BASE AFRICA is<br />
important because it fills the gap between the access to information that is readily available in Western<br />
art markets, and levels the playing field for African artists to gain exposure and situate their work in a<br />
critical discourse. The expected result of ART BASE AFRICA is to build and sustain an online<br />
community for those seeking information about contemporary African art and to build a platform that<br />
allows for artistic collaboration and scholarly reflection. For the local audience, such a project will allow<br />
for the general public to gain access to the African arts community and become involved. For local<br />
artists, it will allow for their work to be exhibited online.<br />
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Spreading the first awajun radioseries nationwide<br />
Who: Asociación cultural Proyecto Radionovela<br />
What: Spreading the first awajun radioseries nationwide<br />
Where: Peru<br />
When: From October 2012 until 01-03-2013<br />
Amount attributed: 15,000 Euro<br />
“Etsa nantu, pasión en la Amazonía” was the first ever radio program to portray the native Amazonian<br />
ethnic groups: Awajun and Wampis. The 24-episode series was written, recorded and produced by<br />
ethnic minorities in question. The current project aims at broadcasting "Etsa nantu, pasón en la<br />
Amazonía" to the whole country and raising awareness about cultural diversity through entertainment.<br />
The organization wants to create a new way of digital media production in Peru making the series<br />
available through cell phones. Making “Etsa nantu” a mass media phenomenon will mark the first time<br />
that an Amazonian fiction series is listened to by a broad audience. Ultimately, the initiative will raise<br />
awareness and knowledge of the cultural richness and issues that exist in this part of Peru.<br />
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INCA<br />
Who: Alejandra Ballón Gutierrez<br />
What: Nationwide, Critical research and Art/Investigación Nacional Crítica y Arte.<br />
Where: Lima, Peru<br />
When: From 1-10-2012 until 30-09-2013<br />
Amount attributed: 15,000 Euro<br />
INCA project is an online platform for contemporary Peruvian memory and theory. The first stage<br />
encompasses the development of an e-archive with around 70 digitalized documents from the Peruvian<br />
art scene from the 1950s up to the present. Articles and audios of the abstracts will available in Spanish,<br />
Quechua and English. The second stage involves the production and online publication of 10 trilingual e-<br />
books. The aim of the project is twofold: to recuperate and protect the content of the recent Peruvian<br />
cultural memory, and to produce new opportunities for viewing the contemporary Peruvian cultural<br />
scene.<br />
Due to the extreme censorship and destructive policy towards the arts during the decade of the<br />
Fujimori dictatorship (1990-2000), Peru was left with a ‘vacuum’ in which there are no archives,<br />
publications, or critics. INCA proposes to regenerate and heal Peru’s contemporary arts scene by filling<br />
the gap in the infrastructure for the creation, presentation, and discussion concerning contemporary<br />
arts, to create a space for critical reflection on Peru’s social, economic and political context.<br />
29
Afrikanation International Art Exchange<br />
Who:<br />
What:<br />
Where:<br />
When:<br />
Afrikanation Artists Organization<br />
Afrikanation International Art Exchange, an intercultural, artistic exchange online<br />
amongst Somali & Ethiopian artists<br />
Hargeisa, Somalia and Addis Ababa, Ethiopia<br />
From 15-10- 2012 until 15-10- 2013 (one year)<br />
Amount attributed: 10,900 Euro<br />
Afrikanation Artists Organization develops a website for international, cross-cultural and<br />
interdisciplinary artistic collaborations, centering around two main topics: ‘Family Rituals and Traditions’<br />
and ‘Goals and Dreams’. The initial content of the website will be a result of artistic collaborations<br />
between 10 artists in Hargeisa, Somalia and 10 artists in Addis Ababa, Ethiopia. With support from local<br />
community organizers Mustafe Saeed (Hargeisa) and Zerihun Seyoum (Addis Ababa), they will upload<br />
video interviews, images, audio files, and personal profiles. The platform and the artists involved will be<br />
presented at a community event in Hargeisa, Somalia in October 2013. Afrikanation Artists Organisation<br />
envisions a world where cultural differences are respected, where cultural heritage is safeguarded and<br />
where artists are offered the opportunities to gain a better understanding of their cultural heritage.<br />
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Zanews Network<br />
Who: Bothe Worlds Investment pty Limited<br />
What: Makeover of existing website<br />
Where: South Africa<br />
When: From 1-06-2012 until 30-05-2013<br />
Amount attributed: 15,000 Euro<br />
The ZANEWS NETWORK project involves a major overhaul of the ZANEWS website, to create the<br />
ZANEWSNETWORK, a content-rich online platform combining videos, audio, articles, cartoons, art<br />
and user-generated content, providing a one-stop hub for active citizens wishing to stay in sync with<br />
local and global current affairs. In cooperation with affiliated quality satirical content creators, the ZA<br />
NEWS NETWORK will be filling a gap in the local and international current online offering, addressing a<br />
need for free, vibrant and humorous political and social commentary, providing an open and flexible<br />
platform to access and share the best satirical forms of expression, deepening engagement via a vibrant<br />
community of active and critical users, available to all, from legacy phone users to tablet owners, via an<br />
innovative website powered by the latest web and mobile technologies.<br />
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Pattini/Kannaki Sharing Devotion and Reconciliation<br />
Who: Sharni Jayawardena<br />
What: Pattini/Kannaki Sharing Devotion and Reconciliation<br />
Where: Sri Lanka<br />
When: From 1-01-2013 until 31-12-2013<br />
Amount attributed: 20,000 Euro<br />
The project will explore concepts of justice, security, healing and reconciliation in the current Sri Lankan<br />
post-war context by studying and documenting devotion to the Goddess Pattini/Kannaki by Sinhala<br />
Buddhists and Tamil Hindus. Devotion to Pattini/Kannaki is an inspiring example of Hindu-Buddhist<br />
syncretism in Sri Lanka. The goddess is revered by both Sinhala Buddhist and Tamil Hindu Sri Lankans,<br />
though rituals and practices of veneration vary between the two religions, and regionally. Ironically, most<br />
Sri Lankans are unaware that she is a shared. Sinhala Buddhists know her as Pattini, and Tamil Hindus as<br />
Kannaki. Pattini/Kannaki is a fascinating and complex example of womanhood: She remains the chaste<br />
and loyal wife of Kovalan, despite his unfaithfulness and betrayal. She is also the outraged widow who<br />
pulls out her left breast and sets alight an entire city in her determination to redress injustice.<br />
The documentation – comprising photography and text – will be shared through an interactive and<br />
trilingual website that will enable the continuous incorporation of information and perspectives. It is<br />
hoped that the narratives and conversations that are generated will bring about a keener sensitivity to<br />
the experiences of people affected by the armed conflict and a better understanding of what is needed<br />
to achieve reconciliation.<br />
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HerSpace<br />
Who:<br />
Women and Media Collective<br />
What:<br />
Training in new media production and design for a multi-ethnic online community<br />
Where:<br />
Colombo and two other selected districts in Sri Lanka<br />
When: From1-10- 2012 until 30-09-2013<br />
Amount attributed: 15,000 Euro<br />
Women and Media Collective will develop HerSpace (Agay Avakashaya in Sinhala and Aval Kalam in<br />
Tamil), a community of women bloggers and other women new media producers in Sri Lanka<br />
(photographers, film makers, graphic designers, cartoonists, painters, etc.). They will meet, train and<br />
work together; operate online and offline, to become a strong community that works, writes and<br />
produces via new media on the most salient issues in post-war Sri Lanka. The project aims to impart<br />
knowledge and skills on safety in ICT use so that the participants are more aware of paramount need<br />
for self-protection. The workshops include training on online security and safety, production of creative<br />
and effective new media, promotion of content online, and awareness raising workshops on prominent<br />
issues in post-conflict Sri Lanka, such as reconciliation, gender based violence, migration and inter-ethnic<br />
development and arts and culture. The space will be in English, Sinhala and Tamil to allow these women<br />
to express themselves and create a network as well as a common voice, something innovative in its local<br />
context and especially relevant socially as it targets women living inside and outside Colombo.<br />
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Top Goon – Diaries of a Little Dictator, Season 2<br />
Who:<br />
What:<br />
Where:<br />
When:<br />
Masasit Mati, a group young Syrian and international artists<br />
Fifteen episodes of Top Goon – Diaries of a Little Dictator, a weekly web-based finger<br />
puppet show<br />
Social media and in broadcasts on Syrian and Arabic satellite channels.<br />
From 15-5-2012 until1-8-2012<br />
Masasit Mati aims to implement the second season of Top Goon during May and<br />
broadcast its first episode around June.<br />
Amount attributed: 17,150 Euro<br />
Top Goon – Diaries of a Little Dictator is a weekly web-based finger puppet show created by a<br />
group of young Syrian and international artists seeking to contribute to the popular uprising and peaceful<br />
regime change in Syria through political satire, using creative resistance to fight for freedom of<br />
expression. It is strongly inspired by the principles of the non-violence successfully practiced by<br />
movements around the world and theorized by Gene Sharp, its most prominent theoretical<br />
representative. The artists are from different backgrounds, such as acting, playwriting, sculpturing,<br />
scenography, costume designing, music and film making.<br />
As the crisis in Syria enters a dangerous new phase of escalating violence, with an increasingly violent<br />
regime and the emergence of armed opposition groups, threatening to tip the country into civil wa Top<br />
goon – Diaries of a Little Dictator spreads its core message of peace and non-violence, using humour and<br />
black comedy to foster democratic debate and reduce sectarian tensions.<br />
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Visual Arts Festival Damascus @ Istanbul<br />
Who: DEPO / Anadolu Kültür<br />
What: Visual Arts Festival Damascus, Eastern Mediterranean Region <strong>Digital</strong> arts festival<br />
Where: Istanbul, Turkey<br />
When: June 2013<br />
Amount attributed: 12,030 Euro<br />
The VAFD was set up in Damascus in 2010 as a platform for exchange and artistic collaboration, where<br />
Syrian and international artists could meet. In June 2013, DEPO and VAFD intend to collaborate on a<br />
special program, which focuses on how visual artists from Arab countries, Syria in particular, make use<br />
of digital media to reflect on the social and political conflict currently affecting their societies. During the<br />
‘revolution period’, digital technologies have emerged as popular means of communication for many<br />
artists. Art therefore has transformed from something that was exclusive to the elites, to a tool for<br />
protest reaching people from all layers of society, and artists have become emblematic characters of the<br />
revolution (Ahmed Bassiony in Egypt, Ali Ferzat in Syria).<br />
Arab contemporary visual arts will be introduced through video artworks (selected though an open call<br />
on social networks in November 2012), films and documentaries from well-known and emerging Syrian<br />
film makers, a digital art installation, an exhibition (showing work from Turkish and Middle Eastern<br />
artists selected via an open call, who will also have the chance to meet each other), and panel<br />
discussions between Arab and Turkish artists and intellectuals.<br />
35
Website accessibility for audiences within MENA region<br />
Who: ArtRole<br />
What: To engage with local artists and communities through a sophisticated website in<br />
Kurdish, Arabic and Turkish and Persian<br />
Where: Turkey-Iraq<br />
When: From 01-05-2012<br />
Amount attributed: 8500Euro<br />
As an international organisation, ArtRole has been instrumental in raising the profile of contemporary art<br />
and culture within Iraq and Iraqi Kurdistan overseas. The supported project proposes an online platform<br />
that provides information in Arabic, Kurdish, Turkish and Persian on contemporary cultural activities<br />
and projects in the region of Turkey and Iraq. Besides cultural information, this new website will feature<br />
information on local art galleries, art organizations and educational centres. It will include links to<br />
relevant social media and provide facilitation tools, resources and materials to learning institutions and<br />
individuals.<br />
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Youth Activism, Arts and New Media Project<br />
Who: Magamba Network<br />
What: Art, Cultural Activism, New Media<br />
Where: Zimbabwe<br />
When: From 1-09-2012 until 31-08-2013<br />
Amount attributed: 7,300 Euro<br />
The Magamba Network was set up in November 2007 with the aim of using arts and culture in<br />
the struggle for democracy and social justice in Zimbabwe. The aim is to develop free expression for<br />
young people and to build a new generation of community activists who can heal and democratise their<br />
communities. Magamba tries to fulfil this aim by creating and disseminating a satirical show that<br />
addresses issues in Zimbabwean society. In addition, Magamba is developing a new youth project<br />
focused on empowering youth organisers with social media skills in order to report on the society they<br />
live in. The aim is to create well rounded, creative activists who can organise actions and events, as well<br />
as report on them.<br />
As a parody of a typical Zimbabwe Broadcasting Corporation news program, Zambezi News satirizes the<br />
relentless propaganda and astounding journalistic ineptitude on state TV through its two comical news<br />
presenters. It has been performed at the presentation of the <strong>Prince</strong> <strong>Claus</strong> Award to Pamberi Trust in<br />
Harare in March 2012.<br />
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