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<strong>Japan</strong> <strong>Society</strong> Gallery<br />

<strong>Japan</strong> <strong>Society</strong> Gallery is among the premier institutions in the U.S. for the<br />

exhibition of <strong>Japan</strong>ese art, presenting major exhibitions each spring and fall.<br />

“What is striking about almost<br />

everything in the show is how<br />

seamlessly East and West and old<br />

and new are wed. An uninformed<br />

visitor could be forgiven for believing<br />

that the <strong>Japan</strong>ese invented Art<br />

Deco. And, in a way, that viewer<br />

would not be wrong.”<br />

—The New York Times, on Deco <strong>Japan</strong>: Shaping Art<br />

and Culture, 1920–1945<br />

Clockwise from top left: Fiber Futures: <strong>Japan</strong>’s Textile Pioneers<br />

(September 16–December 18, 2011). Hitomi Nagai, Birth<br />

(detail), 2011. Cotton; waffle weave. Photo: Mareo Suemasa.<br />

Deco <strong>Japan</strong>: Shaping Art and Culture, 1920–1945 (March 16–<br />

June 12, 2012). Neya Chūryoku (1897–1987), Table Clock<br />

with Design of a Rabbit Pounding Rice Cakes on the Moon.<br />

Cast bronze and other metals; wood base, 1920s–30s.<br />

Photograph courtesy of The Levenson Collection. Deco<br />

<strong>Japan</strong>. Hisamaro (dates unknown); Publisher: Hakubi<br />

Shuppansha; Printer: Kishimoto Fukutarō Nihonbashi kara<br />

(From Nihonbashi), from series Hakubi chōtokusen gakufu<br />

(Hakubi’s Extra Special Sheet Music). Songbook cover;<br />

color lithograph, inks on paper. Photograph courtesy of The<br />

Levenson Collection. Fiber Futures. Kyōko Ibe, Requiem, 2011.<br />

Installation photo by Richard Goodbody.<br />

Fiber Futures: <strong>Japan</strong>’s Textile Pioneers was organized by <strong>Japan</strong> <strong>Society</strong><br />

and International Textile Network <strong>Japan</strong> in collaboration with Tama Art<br />

University Museum.<br />

Deco <strong>Japan</strong>: Shaping Art and Culture, 1920–1945 was drawn from The<br />

Levenson Collection and was organized and circulated by Art Services<br />

International, Alexandria, Virginia. The exhibition curator was Kendall H.<br />

Brown, Professor of Art, California State University, Long Beach.<br />

Support was provided by The Chisholm Foundation. His Excellency<br />

Mr. Ichiro Fujisaki, Ambassador Extraordinary and Plenipotentiary of <strong>Japan</strong><br />

to the United States of America, was Honorary Patron of the exhibition.<br />

Contributors to <strong>Japan</strong> <strong>Society</strong>’s 2011–2012 exhibitions were the E. Rhodes<br />

& Leona B. Carpenter Foundation; Chris A. Wachenheim; The Coby<br />

Foundation, Ltd.; the National Endowment for the Arts; the New York State<br />

Council on the Arts with support of Governor Andrew Cuomo and the New<br />

York State Legislature; Furthermore: a program of the J.M. Kaplan Fund;<br />

Jean S. and Frederic A. Sharf; Friends of Fiber Art International; Henry and<br />

Gilda Buchbinder Family; Kenneth A. Cowin; the New York City Department<br />

of Cultural Affairs, in partnership with the City Council; Martha J. Fleischman;<br />

Marjorie G. Neuwirth; Kathleen and Martin Feldstein, The <strong>Japan</strong> Foundation,<br />

the Nomura Foundation, and Nikkei Inc.<br />

Media sponsorship was provided by WNYC. Transportation assistance was<br />

provided by <strong>Japan</strong> Airlines.<br />

Exhibitions at <strong>Japan</strong> <strong>Society</strong> were made possible in part by the Lila<br />

Wallace-Reader’s Digest Endowment Fund and the Friends of the Gallery.<br />

Arts & Culture Lecture Programs were supported by the Lila Wallace-<br />

Reader’s Digest Endowment Fund, <strong>Japan</strong> Airlines and United Airlines.<br />

Additional support was provided by Chris A. Wachenheim, and the Sandy<br />

Heck Lecture Fund.<br />

Education Programs were made possible by generous funding from The<br />

Freeman Foundation. Generous support for Education Programs in 2011–<br />

2012 was provided by United Airlines. Additional support was provided<br />

by The Norinchukin Foundation, Inc., Chris A. Wachenheim, Joshua N.<br />

Solomon, Jon T. Hutcheson, Joshua S. Levine and Nozomi Terao, the Milton<br />

and Sally Avery Arts Foundation, Inc., and the New York City Department<br />

of Cultural Affairs, in partnership with the City Council.<br />

12 <strong>Japan</strong> <strong>Society</strong> Annual Report 2011–12

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