(PDF) - Japan Society
(PDF) - Japan Society
(PDF) - Japan Society
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<strong>Japan</strong> <strong>Society</strong> Gallery<br />
<strong>Japan</strong> <strong>Society</strong> Gallery is among the premier institutions in the U.S. for the<br />
exhibition of <strong>Japan</strong>ese art, presenting major exhibitions each spring and fall.<br />
“What is striking about almost<br />
everything in the show is how<br />
seamlessly East and West and old<br />
and new are wed. An uninformed<br />
visitor could be forgiven for believing<br />
that the <strong>Japan</strong>ese invented Art<br />
Deco. And, in a way, that viewer<br />
would not be wrong.”<br />
—The New York Times, on Deco <strong>Japan</strong>: Shaping Art<br />
and Culture, 1920–1945<br />
Clockwise from top left: Fiber Futures: <strong>Japan</strong>’s Textile Pioneers<br />
(September 16–December 18, 2011). Hitomi Nagai, Birth<br />
(detail), 2011. Cotton; waffle weave. Photo: Mareo Suemasa.<br />
Deco <strong>Japan</strong>: Shaping Art and Culture, 1920–1945 (March 16–<br />
June 12, 2012). Neya Chūryoku (1897–1987), Table Clock<br />
with Design of a Rabbit Pounding Rice Cakes on the Moon.<br />
Cast bronze and other metals; wood base, 1920s–30s.<br />
Photograph courtesy of The Levenson Collection. Deco<br />
<strong>Japan</strong>. Hisamaro (dates unknown); Publisher: Hakubi<br />
Shuppansha; Printer: Kishimoto Fukutarō Nihonbashi kara<br />
(From Nihonbashi), from series Hakubi chōtokusen gakufu<br />
(Hakubi’s Extra Special Sheet Music). Songbook cover;<br />
color lithograph, inks on paper. Photograph courtesy of The<br />
Levenson Collection. Fiber Futures. Kyōko Ibe, Requiem, 2011.<br />
Installation photo by Richard Goodbody.<br />
Fiber Futures: <strong>Japan</strong>’s Textile Pioneers was organized by <strong>Japan</strong> <strong>Society</strong><br />
and International Textile Network <strong>Japan</strong> in collaboration with Tama Art<br />
University Museum.<br />
Deco <strong>Japan</strong>: Shaping Art and Culture, 1920–1945 was drawn from The<br />
Levenson Collection and was organized and circulated by Art Services<br />
International, Alexandria, Virginia. The exhibition curator was Kendall H.<br />
Brown, Professor of Art, California State University, Long Beach.<br />
Support was provided by The Chisholm Foundation. His Excellency<br />
Mr. Ichiro Fujisaki, Ambassador Extraordinary and Plenipotentiary of <strong>Japan</strong><br />
to the United States of America, was Honorary Patron of the exhibition.<br />
Contributors to <strong>Japan</strong> <strong>Society</strong>’s 2011–2012 exhibitions were the E. Rhodes<br />
& Leona B. Carpenter Foundation; Chris A. Wachenheim; The Coby<br />
Foundation, Ltd.; the National Endowment for the Arts; the New York State<br />
Council on the Arts with support of Governor Andrew Cuomo and the New<br />
York State Legislature; Furthermore: a program of the J.M. Kaplan Fund;<br />
Jean S. and Frederic A. Sharf; Friends of Fiber Art International; Henry and<br />
Gilda Buchbinder Family; Kenneth A. Cowin; the New York City Department<br />
of Cultural Affairs, in partnership with the City Council; Martha J. Fleischman;<br />
Marjorie G. Neuwirth; Kathleen and Martin Feldstein, The <strong>Japan</strong> Foundation,<br />
the Nomura Foundation, and Nikkei Inc.<br />
Media sponsorship was provided by WNYC. Transportation assistance was<br />
provided by <strong>Japan</strong> Airlines.<br />
Exhibitions at <strong>Japan</strong> <strong>Society</strong> were made possible in part by the Lila<br />
Wallace-Reader’s Digest Endowment Fund and the Friends of the Gallery.<br />
Arts & Culture Lecture Programs were supported by the Lila Wallace-<br />
Reader’s Digest Endowment Fund, <strong>Japan</strong> Airlines and United Airlines.<br />
Additional support was provided by Chris A. Wachenheim, and the Sandy<br />
Heck Lecture Fund.<br />
Education Programs were made possible by generous funding from The<br />
Freeman Foundation. Generous support for Education Programs in 2011–<br />
2012 was provided by United Airlines. Additional support was provided<br />
by The Norinchukin Foundation, Inc., Chris A. Wachenheim, Joshua N.<br />
Solomon, Jon T. Hutcheson, Joshua S. Levine and Nozomi Terao, the Milton<br />
and Sally Avery Arts Foundation, Inc., and the New York City Department<br />
of Cultural Affairs, in partnership with the City Council.<br />
12 <strong>Japan</strong> <strong>Society</strong> Annual Report 2011–12