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Dealing with Martin Crimp - Royal Holloway, University of London

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<strong>Dealing</strong> <strong>with</strong> <strong>Martin</strong> <strong>Crimp</strong><br />

One-day conference, hosted by <strong>Royal</strong> <strong>Holloway</strong>, <strong>University</strong> <strong>of</strong> <strong>London</strong> and the <strong>University</strong><br />

<strong>of</strong> Birmingham<br />

12 January 2012, <strong>Royal</strong> Court Theatre, <strong>London</strong><br />

09.30-10.00 Arrivals and registration<br />

10.00-10.45 Keynote: Vicky Angelaki (Birmingham) – ‘le porte-plume redevient oiseau’:<br />

Reclaiming Substance and the Theatre <strong>of</strong> <strong>Martin</strong> <strong>Crimp</strong>’<br />

Respondent: Dan Rebellato (RHUL)<br />

10.45-12.00 <strong>Dealing</strong> <strong>with</strong> Affect<br />

Elisabeth Angel-Perez (Paris-Sorbonne) – <strong>Martin</strong> <strong>Crimp</strong>’s Nomadic Voices<br />

Elizabeth Sakellaridou (Aristotle) – Cruel [or] Tender? Protocols <strong>of</strong> Atrocity – New and<br />

Old<br />

Rachel Clements (Manchester) – Spectrality, Narration and the Politics <strong>of</strong> Absence<br />

12.00-1.15 <strong>Dealing</strong> <strong>with</strong> Character<br />

Tracy Cruickshank (De Montfort) – Defining Our Territory: The City as Character in the<br />

Plays <strong>of</strong> <strong>Martin</strong> <strong>Crimp</strong><br />

Liz Tomlin (Birmingham) – Citational Theory in Practice: Characterisation and<br />

Subjectivity in Mitchell’s Staging <strong>of</strong> <strong>Crimp</strong>’s Texts<br />

Solange Ayache (Paris-Sorbonne/Sheffield) – Centre Stage/Offstage: Women and<br />

Space in <strong>Crimp</strong>’s Theatre<br />

1.15-2.15 Break for lunch<br />

2.15-3.30 <strong>Dealing</strong> <strong>with</strong> Narratives<br />

Aloysia Rousseau (Paris-Sorbonne) – ‘Didn’t see anything, love. Sorry’: <strong>Martin</strong> <strong>Crimp</strong>’s<br />

Theatre <strong>of</strong> Denial<br />

Geraldine Brodie (UCL) – Reflections <strong>of</strong> Translation in <strong>Martin</strong> <strong>Crimp</strong>’s The City


Richard Rowland (York) – Sophocles and the Tender Cruelty <strong>of</strong> <strong>Martin</strong> <strong>Crimp</strong><br />

3.30-4.30 <strong>Dealing</strong> <strong>with</strong> Cultures<br />

Mireia Aragay, Clara Escoda and Enric Monforte (Barcelona) – <strong>Martin</strong> <strong>Crimp</strong> at Sala<br />

Beckett, Barcelona<br />

Eléonore Obis (Paris-Sorbonne) – Fewer Emergencies in Paris (2008): Interpreting the<br />

Word ‘Blank’<br />

4.30-4.45 Break (refreshments provided)<br />

4.45-5.30 <strong>Martin</strong> <strong>Crimp</strong> in Conversation, followed by the playwright’s reading<br />

5.30-6.00 Book launch – introduction by Chris Megson (RHUL)<br />

The Plays <strong>of</strong> <strong>Martin</strong> <strong>Crimp</strong>: Making Theatre Strange (Palgrave Macmillan, 2012), by<br />

Vicky Angelaki

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