Dealing with Martin Crimp - Royal Holloway, University of London
Dealing with Martin Crimp - Royal Holloway, University of London
Dealing with Martin Crimp - Royal Holloway, University of London
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<strong>Dealing</strong> <strong>with</strong> <strong>Martin</strong> <strong>Crimp</strong><br />
One-day conference, hosted by <strong>Royal</strong> <strong>Holloway</strong>, <strong>University</strong> <strong>of</strong> <strong>London</strong> and the <strong>University</strong><br />
<strong>of</strong> Birmingham<br />
12 January 2012, <strong>Royal</strong> Court Theatre, <strong>London</strong><br />
09.30-10.00 Arrivals and registration<br />
10.00-10.45 Keynote: Vicky Angelaki (Birmingham) – ‘le porte-plume redevient oiseau’:<br />
Reclaiming Substance and the Theatre <strong>of</strong> <strong>Martin</strong> <strong>Crimp</strong>’<br />
Respondent: Dan Rebellato (RHUL)<br />
10.45-12.00 <strong>Dealing</strong> <strong>with</strong> Affect<br />
Elisabeth Angel-Perez (Paris-Sorbonne) – <strong>Martin</strong> <strong>Crimp</strong>’s Nomadic Voices<br />
Elizabeth Sakellaridou (Aristotle) – Cruel [or] Tender? Protocols <strong>of</strong> Atrocity – New and<br />
Old<br />
Rachel Clements (Manchester) – Spectrality, Narration and the Politics <strong>of</strong> Absence<br />
12.00-1.15 <strong>Dealing</strong> <strong>with</strong> Character<br />
Tracy Cruickshank (De Montfort) – Defining Our Territory: The City as Character in the<br />
Plays <strong>of</strong> <strong>Martin</strong> <strong>Crimp</strong><br />
Liz Tomlin (Birmingham) – Citational Theory in Practice: Characterisation and<br />
Subjectivity in Mitchell’s Staging <strong>of</strong> <strong>Crimp</strong>’s Texts<br />
Solange Ayache (Paris-Sorbonne/Sheffield) – Centre Stage/Offstage: Women and<br />
Space in <strong>Crimp</strong>’s Theatre<br />
1.15-2.15 Break for lunch<br />
2.15-3.30 <strong>Dealing</strong> <strong>with</strong> Narratives<br />
Aloysia Rousseau (Paris-Sorbonne) – ‘Didn’t see anything, love. Sorry’: <strong>Martin</strong> <strong>Crimp</strong>’s<br />
Theatre <strong>of</strong> Denial<br />
Geraldine Brodie (UCL) – Reflections <strong>of</strong> Translation in <strong>Martin</strong> <strong>Crimp</strong>’s The City
Richard Rowland (York) – Sophocles and the Tender Cruelty <strong>of</strong> <strong>Martin</strong> <strong>Crimp</strong><br />
3.30-4.30 <strong>Dealing</strong> <strong>with</strong> Cultures<br />
Mireia Aragay, Clara Escoda and Enric Monforte (Barcelona) – <strong>Martin</strong> <strong>Crimp</strong> at Sala<br />
Beckett, Barcelona<br />
Eléonore Obis (Paris-Sorbonne) – Fewer Emergencies in Paris (2008): Interpreting the<br />
Word ‘Blank’<br />
4.30-4.45 Break (refreshments provided)<br />
4.45-5.30 <strong>Martin</strong> <strong>Crimp</strong> in Conversation, followed by the playwright’s reading<br />
5.30-6.00 Book launch – introduction by Chris Megson (RHUL)<br />
The Plays <strong>of</strong> <strong>Martin</strong> <strong>Crimp</strong>: Making Theatre Strange (Palgrave Macmillan, 2012), by<br />
Vicky Angelaki