Indira Gandhi Rashtriya Manav Sangrahalaya (National ... - IGRMS
Indira Gandhi Rashtriya Manav Sangrahalaya (National ... - IGRMS
Indira Gandhi Rashtriya Manav Sangrahalaya (National ... - IGRMS
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<strong>Indira</strong> <strong>Gandhi</strong> <strong>Rashtriya</strong> <strong>Manav</strong> <strong>Sangrahalaya</strong> 291<br />
and constructivist approach to gender studies. It challenges the stereotypical image<br />
of woman as confined to home and hearth by emphasizing the role of women in<br />
various subsistence activities. It celebrates the triumph of creativity of the subaltern<br />
woman amidst the dreary drudgery of daily life. The display of kitchen with<br />
utensils of different communities implies multiple cultural heritage as well as<br />
hybridity.<br />
Umang: Special programme for vulnerable groups is organized annually in order to<br />
enable differently abled persons and children to visit indoor museum galleries.<br />
Since 2006, the World Disabled Day (December 3) is celebrated in collaboration<br />
with the Department of Social Justice Government of Madhya Pradesh. On that<br />
day, an awareness rally is organised in the City of Bhopal for the cause of differently<br />
abled people. Special arrangements are made for the differently abled children to<br />
visit <strong>IGRMS</strong> exhibition galleries on that day and present their special items cultural<br />
programme. Some children who brought laurels for India in the Special Olympic<br />
in China were felicitated, in 2007. Provisions for ramps and wheel chair have<br />
been re-created. Labeling on Braille has been done for the benefit of blind visitors,<br />
to understand the cultural dimensions of displays in the galleries.<br />
Parvarish: an innovative project was started for slum children with the initiative<br />
of an NGO ‘Oasis’ whose objective was to introduce museum as a school of<br />
learning in a non-formal manner. The students were taught in a non-formal manner<br />
in the <strong>IGRMS</strong> open air exhibition for two days a week. Other museums also<br />
participated in it including Regional Museum of Natural History and Regional<br />
Science Centre.<br />
These activities received commendable response, and acknowledged at various<br />
fora that the <strong>IGRMS</strong> has already broken certain barriers of the conventional<br />
museum functioning, and that it has laid a new track for a new museum movement.<br />
Conclusion<br />
To conclude, the typical features of <strong>IGRMS</strong> are highlighted as follows. While<br />
museums generally are set up to house an already available collection, for <strong>IGRMS</strong><br />
the concept came first and collection followed. The <strong>Indira</strong> <strong>Gandhi</strong> <strong>Rashtriya</strong> <strong>Manav</strong><br />
<strong>Sangrahalaya</strong> has lived a vigorous life of more than three decades, transcended<br />
some barriers of museum in a conventional sense, and laid new tracks by working<br />
in collaboration with folk and tribal communities all over the country for<br />
preservation of their bio-cultural identities and their self respect. It has established<br />
bridges among different regions and communities in the country, and tried to<br />
achieve the goal of national integration by establishing contacts with the youth,<br />
women and disadvantaged groups. Within its modest resources, the <strong>IGRMS</strong> has<br />
tried to affirm the fact that the Indian communities, which have lived in harmony<br />
for thousands of years, may have the answer for human survival in an age when<br />
there is apprehension of bio-cultural extinction. By emphasizing traditional<br />
knowledge system <strong>IGRMS</strong> does not like to romanticize it as a changeless essentialist