Arts Calendar Spring 2014 PDF - Bowdoin College
Arts Calendar Spring 2014 PDF - Bowdoin College
Arts Calendar Spring 2014 PDF - Bowdoin College
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<strong>Bowdoin</strong><br />
artsandculture<br />
<strong>Calendar</strong> of Events<br />
bowdoin.edu/arts<br />
<strong>2014</strong> spring
artsandculture<br />
at <strong>Bowdoin</strong><br />
This spring at <strong>Bowdoin</strong><br />
Join us for an inspiring and diverse offering of arts programming,<br />
including a performance by the celebrated Ying Quartet; French and<br />
world cinema film festivals; readings and talks by authors Jennifer<br />
Finney Boylan, Elizabeth Strout, Susan Faludi, and Under Secretary of<br />
the Smithsonian Richard Kurin; a theater production of Oscar Wilde’s<br />
The Importance of Being Earnest; and new exhibitions such as American<br />
Paintings and Sculpture, 1820–1950, which features significant loans<br />
from private collections by masters such as Childe Hassam, Winslow<br />
Homer, Rockwell Kent, and others; Under the Surface: Surrealist<br />
Photography; and, opening this summer, Cool! The Jazz Photography<br />
of William P. Gottlieb.<br />
For more information: 207-725-3375<br />
All events are open to the public. Admission to most events is free and no tickets are required.<br />
Any ticket or admission requirements are listed within the event description.<br />
For information on acquiring tickets, see the inside back cover.<br />
All events are subject to change.<br />
bowdoin.edu/arts<br />
Follow @<strong>Bowdoin</strong><strong>Arts</strong> on Twitter for up-to-the-minute event information.
Pickard Theater and Wish Theater, Memorial Hall <strong>Bowdoin</strong> <strong>College</strong> Chapel Peary-MacMillan Arctic Museum, Hubbard Hall<br />
<strong>Bowdoin</strong>’s vibrant quadrangle houses world-class museums<br />
and performance venues all within a five-minute walk.<br />
Memorial Hall, home to Pickard Theater and<br />
the smaller Wish Theater, is the main hub of<br />
theater and dance performances on campus.<br />
Studzinski Recital Hall, an architectural<br />
and acoustical gem, is a state-of-the-art<br />
performance and practice facility. The <strong>Bowdoin</strong><br />
<strong>College</strong> Museum of Art offers access to one<br />
of the country’s oldest and most prestigious<br />
collegiate art collections.<br />
The <strong>Bowdoin</strong> <strong>College</strong> Library, which boasts<br />
a collection exceeding one million volumes,<br />
is housed in the main Hawthorne-Longfellow<br />
building as well as at several branches<br />
devoted to art, music, and other disciplines.<br />
Hubbard Hall houses the Peary-MacMillan<br />
Arctic Museum, home to art, natural history<br />
specimens, and equipment relating to the<br />
history of Arctic exploration.<br />
<strong>Bowdoin</strong> <strong>College</strong> Museum of Art Studzinski Recital Hall Hawthorne-Longfellow Library
<strong>Bowdoin</strong> <strong>College</strong><br />
Brunswick, Maine<br />
<strong>2014</strong><br />
Exhibitions<br />
NEW EXHIBITIONS<br />
Peary-<br />
MacMillan<br />
Arctic<br />
Museum<br />
and Arctic<br />
Studies<br />
Center<br />
Museum Hours<br />
Tuesday–Saturday<br />
10:00 a.m.–5:00 p.m.;<br />
Sunday 2:00 p.m.–5:00 p.m.<br />
Closed on Mondays and<br />
national holidays.<br />
Opens March 5, <strong>2014</strong><br />
Northwest of the Known Arctic Lands:<br />
MacMillan’s Search for Crocker Land, 1914<br />
In the spring of 1914 Donald MacMillan and three companions set off over the sea ice to find<br />
Crocker Land, an undiscovered island thought to be northwest of the known Arctic Islands, and<br />
possibly sighted by Robert E. Peary in 1906. It was a long and difficult journey, marred by tragedy<br />
and ultimately unsuccessful. Sponsored by the Russell and Janet Doubleday Foundation.<br />
Hubbard Hall Foyer<br />
Opens April 17, <strong>2014</strong><br />
Cape Dorset and Beyond:<br />
Inuit Art from the Marcia and Robert Ellis Collection<br />
This exhibit features sculptures and prints from Cape Dorset (Kinngait), home to many of<br />
Canada’s best-known Inuit artists. The pieces, recently donated to the museum by Marcia and<br />
Robert Ellis, capture the range of styles embraced by these artists, from strikingly realistic<br />
and dynamic figures to whimsical and mystical creatures. Sponsored by the Russell and Janet<br />
Doubleday Foundation.<br />
Hubbard Hall<br />
Opens May 6, <strong>2014</strong><br />
Faces of Greenland: Ivory Carvings from the Baregard Collection<br />
In the early twentieth century in the Greenlandic community of Kangaamiut, a group of talented<br />
artists began carving delightfully evocative human figures in sperm whale tooth and ivory. In 1940,<br />
Ankar Baregard purchased a collection of these remarkable sculptures, which was recently donated<br />
to the museum. Highlights of the collection include bas-relief carved walrus mandibles, teeth, and<br />
tusks, as well as carvings of men and women going about their everyday activities. Sponsored by<br />
the Russell and Janet Doubleday Foundation and the May P. Fogg Fund.<br />
Hubbard Hall Foyer<br />
MacMillan following Crocker Land trip,<br />
spring, 1914, Etah, Greenland. Photo by<br />
Crocker Land Expedition member.<br />
Ooviloo (self-portrait), Ooviloo Tunnille,<br />
Cape Dorset, stone, 2001.<br />
Dancing Goose, Pudalik Shaa,<br />
Cape Dorset, stone, 1994.<br />
Walrus mandible or lower jaw, with<br />
teeth carved as faces, unknown artist,<br />
Greenland, ca. 1935–1945. Gift of Allen<br />
Baregard, in memory of Ankar Baregard.<br />
ONGOING EXHIBITIONS<br />
Through February 23, <strong>2014</strong><br />
Spirits of Land, Air, and Water: Antler Carvings from the Robert and<br />
Judith Toll Collection<br />
Caribou antlers are a source of inspiration for Inuit artists across the Canadian Arctic. Working<br />
within the constraints of antlers’ forms, they create a variety of fanciful creatures, exuberant<br />
dancers, and ethereal figures. This exhibition highlights the ingenuity and vision of artists such<br />
as Luke Anowtalik, Luke Iksiktaaryuk, and Thomas Suvaaraq. Sponsored by the Russell and Janet<br />
Doubleday Endowment.<br />
Hubbard Hall<br />
Caribou, Sanak Etook, 2007,<br />
Kangiqsualujjuaq (George River),<br />
antler. Courtesy of Robert and Judith<br />
Toll. Photo by Dean Abramson.<br />
Through March 4, <strong>2014</strong><br />
Off to a Rocky Start: The Crocker Land Expedition, 1913<br />
In the summer of 1913, Donald B. MacMillan set sail for the far north, leading a major expedition<br />
to conduct scientific research and find “Crocker Land,” a distant landmass that Robert E. Peary<br />
had sighted to the northwest of the known Arctic islands. All did not go smoothly, however. Find<br />
out what went wrong and what went right for MacMillan and his companions through the first<br />
months of what was supposed to be a two-year expedition. Sponsored by the Russell and<br />
Janet Doubleday Foundation.<br />
Hubbard Hall Foyer<br />
Woman Sea Monster, Silas Qayaqjuaq,<br />
2001, Ottawa, antler. Courtesy of Robert<br />
and Judith Toll. Photo by Dean Abramson.<br />
For more information:<br />
207-725-3375<br />
All events are open to the public.<br />
Admission to most events is free<br />
and no tickets are required. Any<br />
ticket or admission requirements<br />
are listed within the event<br />
description. For information on<br />
acquiring tickets, see the inside<br />
back cover.<br />
All events are subject to change.<br />
Erik, at Provision Point with crates unloaded, ca. 1913, Northwest Greenland, glass lantern slide.<br />
Elmer Ekblaw Collection.<br />
For more information on these and many other events go to:<br />
bowdoin.edu/arts
<strong>Bowdoin</strong> <strong>College</strong><br />
Brunswick, Maine<br />
Through April 27, <strong>2014</strong><br />
Scrimshaw: Selections from the Peter C. Barnard Collection<br />
Many nineteenth- and early twentieth-century whalers carved intricate designs on whales’ teeth,<br />
walrus tusks, and whale bone in their spare time, creating a variety of practical and amusing<br />
objects using the tools and materials at hand. This impressive collection of scrimshaw is a gift of<br />
the late Peter C. Barnard ’50 and Danuta M. Barnard.<br />
Hubbard Hall Foyer<br />
Muskox/Hunter, Judas Ullulaq, Goja<br />
Haven, 1991, soapstone. Photo by<br />
Dean Abramson.<br />
Through August 31, <strong>2014</strong><br />
Animal Allies Inuit Views of the Natural World<br />
This exhibition explores the Inuit worldview, in which humans and animals are interdependent<br />
and connected in profound ways. Contemporary Canadian and Alaskan Inuit carvings and prints,<br />
ethnographic objects, film clips, and natural history specimens—including an Alaskan polar<br />
bear and a Labrador caribou—are on display. Sponsored by the Russell and Janet Doubleday<br />
Endowment.<br />
Hubbard Hall<br />
LONG-TERM INSTALLATION<br />
Robert E. Peary and his Northern World<br />
As a pioneering Arctic explorer, Peary relied on many extraordinary people, including his family,<br />
financial backers, loyal expedition members, and the Inughuit men and women of Northwest<br />
Greenland. He also worked ceaselessly to improve his methods of travel and his equipment,<br />
always keeping in mind efficiency on the trail and the comfort and safety of his men. Through<br />
objects, photographs, and motion pictures, this exhibit provides new perspectives on Peary and<br />
his long career in the north. Sponsored by the Russell and Janet Doubleday Endowment.<br />
Hubbard Hall<br />
Scrimshaw tooth with literary scene, man,<br />
woman, and infant. Sperm whale tooth,<br />
nineteenth or early twentieth century.<br />
Gift of Danuta M. Barnard and Peter C.<br />
Barnard ’50.<br />
George Borup, Kai-o-tah, and Donald<br />
MacMillan, photo by Koodlookto, ca.<br />
1908–1909, Northwest Greenland,<br />
glass lantern slide.<br />
FILM SERIES<br />
Northern Exposure: the Arctic on Screen<br />
The Peary-MacMillan Arctic Museum presents a year-long film series, offering both new releases<br />
and newly preserved classics. Look for the full schedule and details about each film on the<br />
Museum’s website at bowdoin.edu/arctic-museum.<br />
Seal Dancer, Gilbert Hay, Nain, 1998,<br />
serpentine. Photo by Dean Abramson.<br />
Hawthorne-<br />
Longfellow<br />
Library<br />
January 27 through May 30, <strong>2014</strong><br />
Visualizing Uncle Tom<br />
Harriet Beecher Stowe’s Uncle Tom’s Cabin, written while Stowe was a faculty spouse at <strong>Bowdoin</strong>,<br />
became an instant international bestseller. The exhibition, featuring the private holdings of<br />
Professor Richard Ellis (University of Birmingham, U.K.), explores the differences between the<br />
American and British illustrations that have appeared in the novel’s many editions. Funded in part<br />
by the Andrew W. Mellon Foundation.<br />
Hawthorne-Longfellow Library, 2nd floor<br />
Uncle Tom’s Cabin (Chicago, 1905),<br />
illustrator unkown.<br />
Uncle Tom’s Cabin (London, 1852), illustration by G. Cruikshank.<br />
For more information:<br />
207-725-3375<br />
All events are open to the public.<br />
Admission to most events is free<br />
and no tickets are required. Any<br />
ticket or admission requirements<br />
are listed within the event<br />
description. For information on<br />
acquiring tickets, see the inside<br />
back cover.<br />
All events are subject to change.<br />
For more information on these and many other events go to:<br />
bowdoin.edu/arts<br />
Uncle Tom’s Cabin (Boston, 1852),<br />
illustration by H. Billings.
<strong>Bowdoin</strong> <strong>College</strong><br />
Brunswick, Maine<br />
<strong>Bowdoin</strong><br />
<strong>College</strong><br />
Museum of<br />
Art<br />
Museum Hours<br />
Tuesday–Saturday<br />
10:00 a.m.–5:00 p.m.;<br />
Thursday until 8:30 p.m.<br />
Sunday 2:00 p.m.–5:00 p.m.<br />
Closed on Mondays and<br />
national holidays.<br />
NEW EXHIBITIONS<br />
January 23, <strong>2014</strong><br />
Art of the Renaissance<br />
Focusing on the artistic innovations of the fourteenth to sixteenth centuries, this exhibition makes<br />
apparent why contemporaries could celebrate a rebirth or renaissance of the art of classical<br />
antiquity. On view will be selections from the Kress Collection, as well as more recent additions<br />
to the collections. The works illustrate canonical themes of the Christian tradition, as well as<br />
topics from ancient mythology.<br />
Markell Gallery<br />
January 30, <strong>2014</strong><br />
American Paintings and Sculpture, 1830-1950<br />
This introduction to art of the modern period includes masterpieces by Thomas Cole, William<br />
Merritt Chase, Childe Hassam, Winslow Homer, Maurice Prendergast, Rockwell Kent, Andrew Wyeth,<br />
and others. It features many of <strong>Bowdoin</strong>’s most beloved works of art, as well as significant loans<br />
from private collections on view for the first time.<br />
Shaw-Ruddock Gallery<br />
February 6, <strong>2014</strong><br />
Contemporary Masters, 1950 to the Present<br />
Deconstructing pictorial conventions of the past, artists of the second half of the twentieth<br />
and early twenty-first centuries reinvented the picture plane. This installation presents extreme<br />
positions, including flat silkscreens and thickly built-up oils, each circumventing more traditional,<br />
expressive forms of paint application. The installation presents a confluence of high-profile loans<br />
from private collections and significant recent acquisitions.<br />
Boyd Gallery<br />
Jacopo da Carrucci (called Pontormo),<br />
Apollo and Daphne, 1513, oil on canvas.<br />
Gift of the Samuel H. Kress Foundation.<br />
William Merritt Chase, Portrait of the Art<br />
Dealer, Otto Fleischman, ca. 1870–1879,<br />
oil on canvas. Gift of Dr. Max Hirshler.<br />
Jack Tworkov, Untitled, 1951, oil on<br />
canvas. Gift of Walter K. Gutman,<br />
<strong>Bowdoin</strong> Class of 1924.<br />
February 27 through June 1, <strong>2014</strong><br />
Surrealism in Motion<br />
Surrealist filmmakers used techniques similar to those used in other media—illogical<br />
juxtapositions, enigmatic situations, chance processes, and abstraction—but added time and<br />
motion to their unsettling experiments. The <strong>Bowdoin</strong> <strong>College</strong> Museum of Art will present a selection<br />
of short films in conjunction with the exhibition Under the Surface: Surrealist Photography.<br />
Media Gallery<br />
February 27 through June 1, <strong>2014</strong><br />
Under the Surface: Surrealist Photography<br />
To demonstrate how psychological impulses could be explored, depicted, and fused with everyday<br />
reality, surrealist photographers experimented with unprecedented technical manipulations, turning<br />
the “realist” medium of photography into a vehicle for depicting the fantastical. This exhibition<br />
features highlights from the <strong>Bowdoin</strong> <strong>College</strong> Museum of Art’s collection, supplemented with<br />
prestigious loans.<br />
Center, Focus, and Becker Galleries<br />
For more information:<br />
207-725-3375<br />
All events are open to the public.<br />
Admission to most events is free<br />
and no tickets are required. Any<br />
ticket or admission requirements<br />
are listed within the event<br />
description. For information on<br />
acquiring tickets, see the inside<br />
back cover.<br />
All events are subject to change.<br />
Manuel Álvarez Bravo, Dos Pares<br />
de Piernas (Two Pairs of Legs),<br />
1928–1929, gelatin silver print.<br />
Gift of Michael G. Frieze ’60.<br />
For more information on these and many other events go to:<br />
bowdoin.edu/arts
<strong>Bowdoin</strong> <strong>College</strong><br />
Brunswick, Maine<br />
CONTINUING EXHIBITIONS<br />
© Yayoi Kusama or Alma Woodsey<br />
Thomas, Double Cherry Blossoms,<br />
1973, acrylic on canvas. Gift of<br />
halley k harrisburg ’90 and<br />
Michael Rosenfeld.<br />
Through February 9, <strong>2014</strong><br />
Regarding the Forces of Nature<br />
This stellar selection of works by distinguished women artists includes paintings by Yayoi Kusama<br />
and Alma Thomas, a drawing by Christine Hiebert, prints by Polly Apfelbaum, and a sculpture by<br />
Alyson Shotz. They combine basic research of the natural world with a keen understanding of<br />
human perception. Supported by the Louisa Vaughan Conrad Fund.<br />
Center and Focus Galleries<br />
Through February 9, <strong>2014</strong><br />
Alfred Cheney Johnston: Portrait of a Lost Photographer<br />
This exhibition features the commercial and personal work of the forgotten artist Alfred Cheney<br />
Johnston (1884–1971), best known for his portraits of performers from the Ziegfeld Follies in<br />
the 1920s and 1930s. This exhibition was organized by Mikala Cooper ’14 and Dana Byrd,<br />
postdoctoral fellow in art history.<br />
Becker Gallery<br />
Through February 23, <strong>2014</strong><br />
Sequencing Objects: Two Films<br />
Two short films by contemporary artists present things that seem to have minds of their own. In<br />
The Way Things Go (1987), by the celebrated Swiss duo Peter Fischli and David Weiss, a chain<br />
reaction between everyday objects is amazingly inventive. In Telephones (1995), Christian Marclay<br />
masterfully stitches together excerpts from well-known Hollywood movies, sequencing clips along<br />
the narrative arc of a telephone call.<br />
Media Gallery<br />
Through June 1, <strong>2014</strong><br />
The Object Show: Discoveries in <strong>Bowdoin</strong> Collections<br />
In this exhibition, significant objects from <strong>Bowdoin</strong>’s diverse collections take<br />
center stage. Whether exquisite or quotidian, they tell expansive stories<br />
about the lives of people from around the world and throughout history. The<br />
selections range from an ancient Roman flute to one of the first x-rays created<br />
in Maine, from jade belt buckles from ancient China to James <strong>Bowdoin</strong>’s set of<br />
dueling pistols and Winslow Homer’s watercolor box. <strong>Bowdoin</strong> faculty, students,<br />
curators, and librarians present rarely seen material objects that enable us to<br />
interpret the world, communicate with each other, and learn about ourselves.<br />
Supported by the Sylvia E. Ross Fund.<br />
Osher and Halford Galleries<br />
Alfred Cheney Johnston, Julie Newmar,<br />
1950, gelatin silver print. Gift of Francis<br />
A. DiMauro.<br />
Film still from Telephones, 1995, by<br />
Christian Marclay, Museum Purchase,<br />
Lloyd O. and Marjorie Strong Coulter<br />
Fund. © Christian Marclay. Courtesy Paula<br />
Cooper Gallery, New York, New York.<br />
Gallery view of The Object Show.<br />
ONGOING EXHIBITIONS<br />
James <strong>Bowdoin</strong>’s America: Paintings and Decorative <strong>Arts</strong>,<br />
1660–1830<br />
<strong>Bowdoin</strong> <strong>College</strong> has been collecting American paintings and decorative arts for more<br />
than two centuries. The holdings in early American furniture and Colonial and Federal<br />
portraiture are regarded as among the most distinguished in the country. This display<br />
focuses on artistic highlights from the 1660s to the 1830s. Supported by the<br />
Elizabeth B. G. Hamlin Fund and the Sylvia E. Ross Fund.<br />
<strong>Bowdoin</strong> Gallery<br />
Imago and Persona: Portraits from Antiquity<br />
This exhibition explores the traditions, styles, and techniques that inform the portrayals<br />
of individuals in the ancient world. From profiles carved in relief and painted on vases to<br />
figures molded in terracotta and portraits sculpted in the round, this installation draws<br />
from a range of art representing Egyptian, Assyrian, Cypriot, Greek, and Roman cultures.<br />
Supported by the Sylvia E. Ross Fund.<br />
Walker Gallery<br />
Nathaniel Smibert, Portrait of Reverend Samson<br />
Occum, ca. 1751–1756, oil on canvas. Bequest of<br />
the Honorable James <strong>Bowdoin</strong> III.<br />
For more information:<br />
207-725-3375<br />
All events are open to the public.<br />
Admission to most events is free<br />
and no tickets are required. Any<br />
ticket or admission requirements<br />
are listed within the event<br />
description. For information on<br />
acquiring tickets, see the inside<br />
back cover.<br />
All events are subject to change.<br />
Gallery view of Imago to Persona.<br />
For more information on these and many other events go to:<br />
bowdoin.edu/arts
<strong>Bowdoin</strong> <strong>College</strong><br />
Brunswick, Maine<br />
<strong>2014</strong><br />
January<br />
Monday, January 20<br />
Children’s Celebration of Martin Luther King Jr.<br />
10:30 a.m. to Noon<br />
Daggett Lounge, Thorne Hall<br />
Join children’s book author Rohan Henry and songwriter Josephine Cameron for a wonderful<br />
program of storytelling, music, and crafts in remembrance of Dr. King. For ages 5 and up.<br />
Refreshments will be served. Copies of selected titles by each presenter will be available<br />
for purchase. FREE.<br />
Sponsored by <strong>Bowdoin</strong> <strong>College</strong> Library.<br />
Martin Luther King Jr.<br />
Monday, January 20<br />
Martin Luther King Jr. Campus Celebration<br />
Climbing PoeTree<br />
7:30 p.m.<br />
Kresge Auditorium, Visual <strong>Arts</strong> Center<br />
Our first day of classes is marked by the annual national recognition of the life and legacy of<br />
Dr. Martin Luther King Jr. <strong>Bowdoin</strong> will honor King’s legacy with a dynamic performance by Climbing<br />
PoeTree, a performance group that explores the intersection of arts and activism by interweaving<br />
spoken word, hip hop, and award-winning multi-media theater. Over the past ten years, Climbing<br />
PoeTree has toured fifteen times, performing with artists and visionary leaders such as Alicia Keys,<br />
Erykah Badu, Amiri Baraka, Angela Davis, Sonia Sanchez, Alice Walker, Vandan Shiva, Danny Glover,<br />
The Last Poets, and Dead Prez. FREE.<br />
Sponsored by the Office of Multicultural Student Programs.<br />
Climbing PoeTree<br />
Thursday, January 30<br />
“Stone, Wood, Printing Press: Remembering (Almost) Forgotten Crafts”<br />
Peter Follansbee, Martha Becker Finney, and Simon Verity<br />
4:30 p.m.<br />
Kresge Auditorium, Visual <strong>Arts</strong> Center<br />
To celebrate the exhibition The Object Show: Discoveries in <strong>Bowdoin</strong> Collections, three makers who<br />
practice rare crafts speak about their relationships to objects. Peter Follansbee is a woodcarver<br />
who reproduces seventeenth-century wood carvings, such as <strong>Bowdoin</strong>’s Great Joined Chair.<br />
Stonecarver Simon Verity, who has worked on Gothic churches such as St. John The Divine in New<br />
York City, attempts to unravel early technique in a sculpture from the <strong>Bowdoin</strong> collection. Martha<br />
Finney is an artist who hand-writes with type, experimenting with printmaking techniques, words and<br />
numbers, and ancient secret codes. Her work Weathering is included in The Object Show. FREE.<br />
Sponsored and presented by the <strong>Bowdoin</strong> <strong>College</strong> Museum of Art.<br />
Underwritten by the Sylvia E. Ross Fund.<br />
Thursday, January 30<br />
Open House at the <strong>Bowdoin</strong> <strong>College</strong> Museum of Art<br />
5:30 p.m. to 7:00 p.m.<br />
<strong>Bowdoin</strong> <strong>College</strong> Museum of Art<br />
Open House to celebrate the beginning of the spring semester and the exhibition The Object Show:<br />
Discoveries in <strong>Bowdoin</strong> Collections. FREE.<br />
French, Head of a King, 1220–1230,<br />
limestone. Gift of Edward Perry Warren,<br />
Esq., H ’26.<br />
For more information:<br />
207-725-3375<br />
All events are open to the public.<br />
Admission to most events is free<br />
and no tickets are required. Any<br />
ticket or admission requirements<br />
are listed within the event<br />
description. For information on<br />
acquiring tickets, see the inside<br />
back cover.<br />
All events are subject to change.<br />
Gallery view of The Object Show.<br />
For more information on these and many other events go to:<br />
bowdoin.edu/arts
<strong>Bowdoin</strong> <strong>College</strong><br />
Brunswick, Maine<br />
<strong>2014</strong><br />
February<br />
Saturday, February 1<br />
Family Saturday at the <strong>Bowdoin</strong> <strong>College</strong> Museum of Art<br />
10:00 a.m.<br />
<strong>Bowdoin</strong> <strong>College</strong> Museum of Art<br />
<strong>Bowdoin</strong> <strong>College</strong> students lead a program of activities and fun for children, working with the<br />
exhibitions on view. FREE.<br />
Wednesday, February 5<br />
Ying Quartet<br />
7:30 p.m.<br />
Kanbar Auditorium, Studzinski Recital Hall<br />
The Ying Quartet occupies a position of unique prominence in the classical music world, combining<br />
brilliantly communicative performances with a fearlessly imaginative view of contemporary<br />
chamber music. The Ying Quartet’s performance is part of a multi-day residency at the <strong>College</strong>.<br />
Tickets: $15 public/FREE Friends and <strong>Bowdoin</strong>.<br />
Sponsored by the Donald M. Zuckert Visiting Professorship Fund.<br />
Ying Quartet<br />
For more information:<br />
207-725-3375<br />
All events are open to the public.<br />
Admission to most events is free<br />
and no tickets are required. Any<br />
ticket or admission requirements<br />
are listed within the event<br />
description. For information on<br />
acquiring tickets, see the inside<br />
back cover.<br />
All events are subject to change.<br />
Wednesday through Saturday, February 5–8<br />
The <strong>Bowdoin</strong> French Film Festival<br />
See times below.<br />
Kresge Auditorium, Visual <strong>Arts</strong> Center<br />
The <strong>Bowdoin</strong> French Film Festival brings to campus five poignant and thought-provoking movies<br />
from around the Francophone world. Some details of the festival are still being finalized. Updates<br />
will be available on the online <strong>Bowdoin</strong> arts calendar. FREE.<br />
Wednesday, February 5 at 7:00 p.m.—Après Mai (Something in the Air)<br />
Set in the early 1970s, this bracing semi-autobiographical film by Olivier Assayas resists easy<br />
nostalgia, focusing instead on the turbulence of late adolescence and young adulthood. While<br />
delving deeply into the private dramas of Gilles, a high-school student consumed with belated<br />
revolutionary zeal, this coming-of-age tale never lets us forget that this richly drawn adolescent<br />
protagonist is also a player in a much broader historical moment: the era when revolutionary hopes<br />
of May ’68 began to splinter and fade.<br />
Thursday, February 6 at 7:00 p.m.—La Pirogue<br />
Moussa Touré’s trenchant chronicle of a sea trek from West Africa to Europe lays bare the incalculable<br />
perils of immigration, as veteran fisherman Baye Laye reluctantly agrees to be the captain of the<br />
long, narrow canoe of the title. Illegally transporting a group of people from Dakar, Senegal, to Spain,<br />
the pirogue’s passengers hope to start anew in the West and escape the grim economic realities at<br />
home. Unlike most films about immigration, The Pirogue refuses to speak in hazy ideologies:<br />
it presents the brutal realities that millions worldwide face in the effort to leave one land for another.<br />
Friday, February 7 at 4:30 p.m.—Couleur de Peau: Miel (Approved for Adoption)<br />
This adaptation of co-director Jung’s autobiographical graphic novel recounts his childhood and<br />
adolescence after a Belgian couple adopts him from a South Korean orphanage in the early 1970s.<br />
Though raised by loving parents and supported by his four older siblings, he often feels like an<br />
outsider and endures many painful episodes, some self-inflicted, in his struggle to understand his<br />
identity. Approved for Adoption poignantly traces one man’s interrogation of the definitions of ethnicity,<br />
culture, and the concept of “home.”<br />
Friday, February 7 at 7:30 p.m.—L’Enfant d’en Haut<br />
An examination of class differences and tenuous family ties, cinematographer Ursula Meier’s<br />
second film focuses on 12-year-old Simon and his desperate attempts to survive a bleak housing<br />
project in the valley of a posh Swiss ski resort. The money Simon earns from stealing skis and<br />
other expensive equipment supports not just himself but his young mother, Louise, a wayward,<br />
unemployed young woman in her twenties who tries to pass him off as her brother.<br />
Saturday, February 8 at 7:00 p.m.—Monsieur Lazhar<br />
Writer-director Philippe Falardeau’s unforgettable movie, based on a one-person play by Evelyne de<br />
la Chenelière, explores the intricate process by which M. Lazhar earns the respect and trust of his<br />
pupils, some the children of immigrants or, like this devoted instructor, recent arrivals to Quebec.<br />
As the reasons for M. Lazhar’s immigration to Canada from Algeria are made clear, so too is his<br />
rather unconventional method for applying for the teaching position. Monsieur Lazhar is that rarest<br />
of movies about education, one that avoids clichés and sentimentality, favoring instead honesty and<br />
clear-eyed compassion.<br />
For more information on these and many other events go to:<br />
bowdoin.edu/arts<br />
Après Mai<br />
La Pirogue<br />
Couleur de Peau: Miel<br />
L’Enfant d’en Haut<br />
Monsieur Lazhar
<strong>Bowdoin</strong> <strong>College</strong><br />
Brunswick, Maine<br />
Saturday, February 8<br />
Environmental Justice Symposium<br />
9:00 a.m. to 5:00 p.m.<br />
Schwartz Outdoor Leadership Center<br />
Angela Park, executive director of Diversity Matters and author of Everybody’s Movement, will<br />
be the keynote speaker to kick off a day-long symposium on social justice and diversity in the<br />
environmental movement. The event brings together practitioners and experts in the environmental<br />
justice movement who will focus on the interconnected issues of environmental health, conservation<br />
politics, and climate change. To register call 207-725-3396. Register: $10 public and Friends/<br />
FREE <strong>Bowdoin</strong> ID.<br />
Co-sponsored by the Department of Government and Legal Studies, Environmental Studies Program, and<br />
the Joseph McKeen Center for the Common Good.<br />
Wednesday, February 12<br />
“Crimes of the Dream World: French Trials of Diola Witches”<br />
Robert Baum<br />
4:30 p.m.<br />
Room 315, Searles Science Building<br />
Robert Baum is a professor in religion and the African and African American Studies program<br />
at Dartmouth <strong>College</strong>. His first book, Shrines of the Slave Trade: Diola Religion and Society in<br />
Pre-Colonial Senegambia, won an American Academy of Religion award for the best first book<br />
in the history of religions (2000). He was recently chair of the religious studies department at<br />
the University of Missouri–Columbia and has previously taught at various institutions. He has<br />
also played an extensive role in the Ford Foundation-funded program “Difficult Dialogues,” which<br />
trained faculty in how to deal with controversial issues that have a religious dimension in the<br />
university classroom. FREE.<br />
Sponsored by the programs in Africana Studies and Gender and Women’s Studies, and the Department of Religion.<br />
Angela Park<br />
Thursday, February 13<br />
The Peary-MacMillan Arctic Museum Film Series<br />
Film #1: For the Rights of All: Ending Jim Crow in Alaska<br />
7:00 p.m.<br />
Smith Auditorium, Sills Hall<br />
This documentary reveals the true-life story of an extraordinary Alaskan woman who became an<br />
unlikely hero in the fight for civil rights. Kelly Fayard, assistant professor of anthropology, <strong>Bowdoin</strong><br />
<strong>College</strong>, and member of the Poarch Band of Creek tribe, will introduce the film. FREE.<br />
Sponsored by the Russell and Janet Doubleday Endowment.<br />
Movie poster. Courtesy of Blueberry<br />
Productions.<br />
Thursday, February 13<br />
Thursday Night Salon at the Museum of Art<br />
“Thomas Cole at Work: Landscape Painting in the Catskills”<br />
Frank Goodyear<br />
7:00 p.m.<br />
<strong>Bowdoin</strong> <strong>College</strong> Museum of Art<br />
<strong>Bowdoin</strong> <strong>College</strong> Museum of Art Co-director Frank Goodyear speaks about the working process of<br />
Thomas Cole, one of America’s most celebrated landscape painters. FREE.<br />
Sponsored and presented by the <strong>Bowdoin</strong> <strong>College</strong> Museum of Art.<br />
Underwritten by the Louisa Vaughan Conrad Fund.<br />
Thomas Cole, Lake<br />
Mohonk, ca. 1846,<br />
oil on canvas.<br />
For more information:<br />
207-725-3375<br />
All events are open to the public.<br />
Admission to most events is free<br />
and no tickets are required. Any<br />
ticket or admission requirements<br />
are listed within the event<br />
description. For information on<br />
acquiring tickets, see the inside<br />
back cover.<br />
All events are subject to change.<br />
Friday and Saturday, February 14 and 15<br />
“On the Wing, A Celebration of Birds”<br />
Krista River, mezzo-soprano, and George Lopez, piano<br />
4:00 p.m., Friday Teatime<br />
7:30 p.m., Saturday<br />
Kanbar Auditorium, Studzinski Recital Hall<br />
“On the Wing, A Celebration of Birds” is a song cycle for soprano and piano, that celebrates nature,<br />
creativity, and its connection to the human spirit. The cycle includes twelve songs composed by<br />
Berklee <strong>College</strong> of Music composer Andrew List, set to original poetry about birds written by Babson<br />
<strong>College</strong>’s poet Mary Pinard. FREE.<br />
Sponsored by the Department of Music.<br />
For more information on these and many other events go to:<br />
bowdoin.edu/arts<br />
Krista River
<strong>Bowdoin</strong> <strong>College</strong><br />
Brunswick, Maine<br />
Map of the Sounds of Tokyo<br />
Monday though Sunday, February 17–23<br />
World Cinema Film Festival<br />
7:00 p.m. to 9:00 p.m.<br />
Kresge Auditorium, Visual <strong>Arts</strong> Center<br />
<strong>Bowdoin</strong>’s World Cinema Film Festival offers a varied program of important contemporary narrative<br />
and documentary films from around the world with post-screening discussions moderated by faculty<br />
and students. FREE.<br />
Monday, February 17—Memories of Overdevelopment (Miguel Coyula, Cuba, 2010)<br />
Join us opening night for a film screening and discussion with director Miguel Coyula. An intellectual<br />
leaves the Cuban Revolution and ‘underdevelopment’ behind only to find himself at odds with the<br />
ambiguities of his new life in the ‘developed’ world. This portrait of an alienated man wonders if<br />
an individual can truly belong in any society. Presented by Miguel Coyula, Nadia Celis (Romance<br />
Languages), and the Latin American Student Organization.<br />
Tuesday, February 18—The Return (Andrey Zvyagintsev, Russia, 2003)<br />
In this award-winning thriller, a man returns to his wife and two adolescent sons after a long<br />
and unexplained absence. Father and sons embark on a fishing trip, but their quest for reunion<br />
becomes a struggle for survival. Presented by Kristina Toland (Russian).<br />
Wednesday February 19—The Great Beauty (Paolo Sorrentino, Italy, 2013)<br />
A love letter to Roman decadence, this tragicomedy of Italy’s leisured classes is a sensual overload<br />
and a scathing commentary on Italian politics and society. Presented by Allison Cooper (Italian) and<br />
Gretchen Williams ’14.<br />
Thursday, February 20—The Ambassador (Mads Brügger, Denmark, 2011)<br />
Armed with hidden cameras, black-market credentials, and his wit, a journalist transforms himself<br />
into the caricature of a European-African consul to expose Africa’s blood diamond trade. A postscreening<br />
reception will be provided by the students of Reed House. Presented by Ericka Albaugh<br />
(Government) and Evan Bulman ’16.<br />
Friday, February 21—Map of the Sounds of Tokyo (Isabel Coixet, Spain, 2009)<br />
A Japanese assassin makes the mistake of falling for her Spanish quarry in this stylish and beautiful<br />
thriller set in Tokyo. Presented by David George (Bates <strong>College</strong>, Spanish/European Studies).<br />
Saturday, February 22—Please Vote for Me (Weijun Chen, China, 2007)<br />
A democratic experiment is happening in central China’s most populous city: third-grade students<br />
are electing a class monitor. Their experience reveals the sacrifices and benefits required by<br />
democracy’s implementation. Presented by Shu-chin Tsui (Asian Studies).<br />
Sunday, February 23—Blancanieves (Pablo Berger, Spain, 2012)<br />
This wonderfully eerie silent film treat—and Oscar nominee—recasts Snow White as a talented<br />
bullfighter in 1920s southern Spain. A post-screening reception will be provided by the students<br />
of MacMillan House. Presented by Elena Cueto-Asín (Romance Languages), Tricia Welsch (Film<br />
Studies), Birgit Tautz (German), and MacMillan House.<br />
Support for the World Cinema Film Festival has been generously provided by the Blythe Bickel Edwards Fund, the<br />
Kurtz Fund, the Film Studies Program, the Department of Romance Languages, the Latin American Student Organization,<br />
the <strong>Bowdoin</strong> Film Society, the Asian Studies Program, and the Department of English.<br />
The Great Beauty<br />
The Ambassador<br />
Please Vote for Me<br />
Jennifer Finney Boylan<br />
For more information:<br />
207-725-3375<br />
All events are open to the public.<br />
Admission to most events is free<br />
and no tickets are required. Any<br />
ticket or admission requirements<br />
are listed within the event<br />
description. For information on<br />
acquiring tickets, see the inside<br />
back cover.<br />
All events are subject to change.<br />
Thursday, February 20<br />
Gallery Talk: Multiple Perspectives in The Object Show:<br />
Discoveries in <strong>Bowdoin</strong> Collections<br />
Tess Chakkalakal and John Cross<br />
Noon<br />
<strong>Bowdoin</strong> <strong>College</strong> Museum of Art<br />
Tess Chakkalakal, associate professor of Africana studies and English, and John Cross, secretary<br />
of development and college relations, lead an interdisciplinary discussion of select works in<br />
The Object Show: Discoveries in <strong>Bowdoin</strong> Collections. First in a series of three gallery talks during<br />
the <strong>Spring</strong> <strong>2014</strong> semester. FREE.<br />
Sponsored and Presented by the <strong>Bowdoin</strong> <strong>College</strong> Museum of Art.<br />
Monday, February 24<br />
A Reading by Author Jennifer Finney Boylan<br />
4:30 p.m.<br />
Faculty Room, Massachusetts Hall<br />
Writer and activist Jennifer Finney Boylan has published twelve books, including a collection of<br />
short stories, three novels, a number of books for young adults, and her autobiography She’s Not<br />
There: A Life in Two Genders, the first book by a transgendered American to become a bestseller.<br />
Her most recent book is a memoir about “parenthood in two genders,” Stuck in the Middle With<br />
You, scheduled for publication by Random House in 2013. She has worked with the original cast<br />
of Saturday Night Live as managing editor of American Bystander magazine and also served on the<br />
editorial staffs at Penguin Books, Viking Press, and E.P. Dutton Inc., and is currently a professor of<br />
English at Colby <strong>College</strong> in Waterville, Maine. FREE.<br />
Sponsored by the Department of English.<br />
Thursday, February 27<br />
Exhibition Preview and Reception for Museum and Maine Alumni Club<br />
Members: Under the Surface: Surrealist Photography<br />
5:30 p.m. to 7:00 p.m.<br />
<strong>Bowdoin</strong> <strong>College</strong> Museum of Art<br />
A special preview of the exhibition Under the Surface: Surrealist Photography, including tours and<br />
presentations by Andrea Rosen, curatorial assistant at the Museum of Art and curator of the<br />
exhibition, along with students from “Modernism/Modernity” a course taught in the fall of 2013 by<br />
Harrison King McCann Professor of English Marilyn Reizbaum. FREE.<br />
Underwritten by the Louisa Vaughan Conrad Fund, Becker Fund for the <strong>Bowdoin</strong> <strong>College</strong> Museum of Art, Stevens L.<br />
Frost Endowment Fund, and Elizabeth B. G. Hamlin Fund.<br />
For more information on these and many other events go to:<br />
bowdoin.edu/arts<br />
Gallery view of The Object Show.<br />
Brassai, Untitled (Graffiti number 80<br />
from the series “Magic”), printed, ca.<br />
1933–1956, gelatin silver print.<br />
Museum Purchase, Gridley W. Tarbell II<br />
Fund and the Lloyd O. and Marjorie<br />
Strong Coulter Fund.
<strong>Bowdoin</strong> <strong>College</strong><br />
Brunswick, Maine<br />
Thursday, February 27<br />
Tallman Lecture<br />
”Feminism, Interrupted: Why Can’t the Women’s Movement Pass<br />
Down Power?”<br />
Susan Faludi<br />
7:00 p.m.<br />
Kresge Auditorium, Visual <strong>Arts</strong> Center<br />
Susan Faludi, Tallman Scholar in Gender and Women’s Studies, is a Pulitzer-Prize winning journalist<br />
and the author of the bestselling Backlash: The Undeclared War Against American Women, which<br />
won the National Book Critics Circle Award for Nonfiction, and Stiffed: The Betrayal of the American<br />
Man. In her most recent book, The Terror Dream: Myth and Misogyny in an Insecure America, she<br />
examines the post-9/11 outpouring in the media, popular culture, and political life. Faludi’s work<br />
has appeared in The New Yorker, The Wall Street Journal, The New York Times, The Los Angeles Times,<br />
and The Nation, among other publications. FREE.<br />
Sponsored by the Tallman Lecture Fund.<br />
Susan Faludi<br />
Thursday, Friday, and Saturday, February 27, 28, and March 1<br />
The Importance of Being Earnest by Oscar Wilde<br />
8:00 p.m.<br />
Pickard Theater, Memorial Hall<br />
Masque and Gown presents The Importance of Being Earnest by Oscar Wilde. Wilde uses this show,<br />
subtitled “A Trivial Comedy for Serious People,” to showcase the Victorian views of marriage and<br />
self-image in an entirely humorous way. A group of people, young and old, stumble around innocent<br />
love and the little lies we tell when we need our privacy. Sometimes, however, those little lies get<br />
entirely out of control! Earnest is both a satire of Victorian culture and a farcical smorgasbord of<br />
quips, misunderstandings, and whimsical charm. Tickets: $3 public/$1 <strong>Bowdoin</strong> ID.<br />
Sponsored by the Student Activities Fund.<br />
Friday, February 28<br />
“Strange Passion: Frederick Sommer’s Wartime Surrealism”<br />
Robin Kelsey<br />
4:30 p.m.<br />
Kresge Auditorium, Visual <strong>Arts</strong> Center<br />
Robin Kelsey is Burden Professor of Photography and Chair of the Department of History of Art and<br />
Architecture at Harvard University. Kelsey has written extensively on photography, landscape, and<br />
American art and will speak about the American surrealist photographer Frederick Sommer. FREE.<br />
Sponsored and Presented by the <strong>Bowdoin</strong> <strong>College</strong> Museum of Art.<br />
Underwritten by the Louisa Vaughan Conrad Fund, Becker Fund for the <strong>Bowdoin</strong> <strong>College</strong> Museum of Art,<br />
Stevens L. Frost Endowment Fund, and Elizabeth B. G. Hamlin Fund.<br />
Frederick Sommer, Portrait of Max Ernst,<br />
1946, gelatin silver print. Museum<br />
Purchase, Gridley W. Tarbell II Fund.<br />
© Frederick & Frances Sommer Foundation.<br />
Friday, February 28<br />
Open House at the <strong>Bowdoin</strong> <strong>College</strong> Museum of Art<br />
5:30 p.m. to 7:00 p.m.<br />
<strong>Bowdoin</strong> <strong>College</strong> Museum of Art<br />
A festive reception to anticipate spring and celebrate the current exhibitions,<br />
including Under the Surface: Surrealist Photography. FREE.<br />
Sponsored and presented by the <strong>Bowdoin</strong> <strong>College</strong> Museum of Art.<br />
Friday, February 28<br />
Steve Grover Quintet<br />
7:30 p.m.<br />
Kanbar Auditorium, Studzinski Recital Hall<br />
The Steve Grover New Quintet (featuring Steve Grover, drums/composer;<br />
Christine Correa, voice; Andrew Rathbun, sax; Chris Van Voorst Van Beest, bass;<br />
and Frank Carlberg, piano) is dedicated to performing the original songs of its<br />
leader, Steve Grover. Using texts by poets both well-known and contemporary,<br />
the songs follow forms suggested by the verse, resulting in unpredictable, yet<br />
accessible music from a contemporary jazz perspective. The personality of each<br />
musician imbues the quintet’s music with a uniqueness central to its expression.<br />
FREE.<br />
Sponsored by the Department of Music.<br />
Man Ray, Space Writing (Self-Portrait), 1935, gelatin silver<br />
print. Museum Purchase, Lloyd O. and Marjorie Strong<br />
Coulter Fund.<br />
For more information:<br />
207-725-3375<br />
Steve Grover<br />
All events are open to the public.<br />
Admission to most events is free<br />
and no tickets are required. Any<br />
ticket or admission requirements<br />
are listed within the event<br />
description. For information on<br />
acquiring tickets, see the inside<br />
back cover.<br />
All events are subject to change.<br />
For more information on these and many other events go to:<br />
bowdoin.edu/arts
<strong>Bowdoin</strong> <strong>College</strong><br />
Brunswick, Maine<br />
<strong>2014</strong><br />
March<br />
Saturday, March 1<br />
Family Saturday at the <strong>Bowdoin</strong> <strong>College</strong> Museum of Art<br />
10:00 a.m.<br />
<strong>Bowdoin</strong> <strong>College</strong> Museum of Art<br />
<strong>Bowdoin</strong> <strong>College</strong> students lead a program of activity and fun for children, working with the<br />
exhibitions on view. FREE.<br />
Monday, March 3<br />
“Science is Fiction”: A Selection of Films by Jean Painlevé<br />
Sarah Childress, Damon Gannon, Andrea Rosen, and students<br />
6:00 p.m.<br />
Beam Classroom, Visual <strong>Arts</strong> Center<br />
This screening and discussion will explore Jean Painlevé’s “scientific-poetic” films. These dreamlike<br />
short films reveal the wonder of sea creatures, presenting their social lives as a challenge to<br />
human conventions. Sarah Childress, visiting assistant professor of film studies; Damon Gannon,<br />
director of <strong>Bowdoin</strong> Scientific Station at Kent Island; Andrea Rosen, curatorial assistant, <strong>Bowdoin</strong><br />
<strong>College</strong> Museum of Art; and students. Organized in conjunction with Sarah Childress’s course “The<br />
Reality Effect: Documentary Film” and the <strong>Bowdoin</strong> <strong>College</strong> Museum of Art’s exhibition Under the<br />
Surface: Surrealist Photography. FREE.<br />
Sponsored and presented by the <strong>Bowdoin</strong> <strong>College</strong> Museum of Art.<br />
Underwritten by the Louisa Vaughan Conrad Fund, Becker Fund for the <strong>Bowdoin</strong> <strong>College</strong> Museum of Art,<br />
Stevens L. Frost Endowment Fund, and Elizabeth B. G. Hamlin Fund.<br />
Wednesday, March 5<br />
Elizabeth Weigle, soprano, and Daniel Lippel, guitar<br />
7:30 p.m.<br />
Kanbar Auditorium, Studzinski Recital Hall<br />
Soprano Elizabeth Weigle and guitarist Daniel Lippel will present a program featuring works by<br />
<strong>Bowdoin</strong> faculty composer Vineet Shende, including the world premiere of his recently completed<br />
solo guitar work, Suite in Raag Marva, and his sensitive settings of Pablo Neruda sonnets, Sonetos<br />
de Amor. Complementing the Shende works will be other works for guitar and soprano which set<br />
Spanish texts, including music by Peter Gilbert and Manuel De Falla. FREE.<br />
Sponsored by the Department of Music.<br />
Elizabeth Weigle<br />
Daniel Lippel<br />
Tuesday, March 25<br />
Gallery Talk: Multiple Perspectives in The Object Show:<br />
Discoveries in <strong>Bowdoin</strong> Collections<br />
Noon<br />
<strong>Bowdoin</strong> <strong>College</strong> Museum of Art<br />
Susan Kaplan, professor of anthropology and director of Peary-MacMillan Arctic Museum and Arctic<br />
Studies Center, leads a discussion of select works in the exhibition, The Object Show: Discoveries in<br />
<strong>Bowdoin</strong> Collections. Second in a series of three gallery talks during the <strong>Spring</strong> <strong>2014</strong> semester. FREE.<br />
Sponsored and presented by the <strong>Bowdoin</strong> <strong>College</strong> Museum of Art.<br />
Film still from Hunting Musk Ox,<br />
by Donald B. MacMillan.<br />
Ivory carving of bowhead whale, Eldon<br />
Boolowon, Gambell, Alaska, ca. 1988.<br />
For more information:<br />
207-725-3375<br />
All events are open to the public.<br />
Admission to most events is free<br />
and no tickets are required. Any<br />
ticket or admission requirements<br />
are listed within the event<br />
description. For information on<br />
acquiring tickets, see the inside<br />
back cover.<br />
All events are subject to change.<br />
Tuesday, March 25<br />
Kates Lecture<br />
“The 21st Century’s Technology Story: Biology, Physics and<br />
Engineering Converge”<br />
Susan Hockfield<br />
7:30 p.m.<br />
Kresge Auditorium, Visual <strong>Arts</strong> Center<br />
Susan Hockfield, William Edward Gilbert Professor of Neurobiology and President Emerita,<br />
Massachusetts Institute of Technology. As the first life scientist to lead MIT, she championed the<br />
breakthroughs emerging from the historic convergence of the life sciences with the engineering and<br />
physical sciences, in fields from clean energy to cancer. FREE.<br />
Sponsored by the Arnold D. Kates Lecture Fund.<br />
Thursday, March 27<br />
The Peary-MacMillan Arctic Museum Film Series<br />
Film #2: The Eskimo and the Whale<br />
7:00 p.m.<br />
Smith Auditorium, Sills Hall<br />
Explore the strength and courage of Inupiat people struggling to preserve their subsistence whaling<br />
culture in the Arctic regions of Alaska. Challenged by hostile weather, intricate international politics,<br />
the potential opening of ANWR, and off-shore oil exploration, Inupiat whalers remain as determined<br />
as their icebound ocean. FREE.<br />
Sponsored by the Russell and Janet Doubleday Endowment.<br />
For more information on these and many other events go to:<br />
bowdoin.edu/arts<br />
Susan Hockfield
<strong>Bowdoin</strong> <strong>College</strong><br />
Brunswick, Maine<br />
Thursday March 27<br />
Santagata Lecture<br />
“Still Life: An Anthropology of Stone”<br />
Hugh Raffles<br />
7:30 p.m.<br />
Kresge Auditorium, Visual <strong>Arts</strong> Center<br />
Hugh Raffles is professor of anthropology at the New School for Social<br />
Research. Raffles’ current work uses a cultural and historical anthropology<br />
of “nature” to explore the relationships between humans and other animals,<br />
specifically how we identify and make sense of the complex connections<br />
among people, other beings, and “inanimate” phenomena. He is the author<br />
of Insectopedia. FREE.<br />
Sponsored by the Kenneth V. Santagata Memorial Fund.<br />
Stonewall<br />
<strong>2014</strong><br />
April<br />
Tuesday, April 1<br />
Harry Spindel Memorial Lectureship<br />
Recovering Nazi Art Loot—Unfinished Business<br />
David D’Arcy<br />
7:30 p.m.<br />
Kresge Auditorium, Visual <strong>Arts</strong> Center<br />
David D’Arcy is a film producer, journalist, and critic who is a correspondent for The Art<br />
Newspaper of London. He is a frequent commentator on the BBC. He has been writing about<br />
cultural property disputes for more than 25 years for many publications (The Economist, Vanity<br />
Fair, Art + Auction, Art & Antiques) and is the co-producer and co-writer of Portrait of Wally, a<br />
documentary film about a Nazi-looted painting that turned up on loan at the Museum of Modern<br />
Art. FREE.<br />
Sponsored by the Harry Spindel Memorial Lectureship Fund.<br />
David D’Arcy<br />
Thursday, April 3<br />
“The Portrait in Antiquity”<br />
Fred Albertson<br />
4:30 p.m.<br />
Kresge Auditorium, Visual <strong>Arts</strong> Center<br />
Fred Albertson, associate professor of art history, the University of Memphis, Tennessee.<br />
Various aspects of portraiture in the ancient world will be explored in this lecture. Presented in<br />
conjunction with the exhibition Imago to Persona: Portraits from Antiquity. FREE.<br />
Sponsored and presented by the <strong>Bowdoin</strong> <strong>College</strong> Museum of Art.<br />
Underwritten by the Sylvia E. Ross Fund.<br />
For more information:<br />
207-725-3375<br />
All events are open to the public.<br />
Admission to most events is free<br />
and no tickets are required. Any<br />
ticket or admission requirements<br />
are listed within the event<br />
description. For information on<br />
acquiring tickets, see the inside<br />
back cover.<br />
All events are subject to change.<br />
For more information on these and many other events go to:<br />
bowdoin.edu/arts<br />
Roman, Portrait Head of Emperor<br />
Antoninus Pius, ca. 138-150, marble. Gift<br />
of Edward Perry Warren, Esq., H ’26.
<strong>Bowdoin</strong> <strong>College</strong><br />
Brunswick, Maine<br />
Thursday, April 3<br />
Russwurm Lecture Series<br />
“Frederick Douglass, Abraham Lincoln, and the Civil War”<br />
Robert Levine<br />
7:00 p.m.<br />
Lancaster Lounge, Moulton Union<br />
Robert S. Levine is professor of English and Distinguished Scholar-Teacher at the University of<br />
Maryland, <strong>College</strong> Park. His recent books include Martin Delany, Frederick Douglass, and the Politics<br />
of Representative Identity (1997), and Dislocating Race and Nation: Episodes in Nineteenth-Century<br />
American Literary Nationalism (2008). He serves on the editorial boards of American Literary<br />
History; Leviathan: A Journal of Melville Studies; ESQ: A Journal of the American Renaissance;<br />
Authorship; The Frederick Douglass Papers; and The Nathaniel Hawthorne Review. He was recently<br />
named general editor of the five-volume The Norton Anthology of American Literature. His lecture will<br />
be drawn from his current book project, “The Lives of Frederick Douglass,” for which he received a<br />
John Simon Guggenheim fellowship in 2012. FREE.<br />
Sponsored by the Africana Studies Program.<br />
Robert Levine<br />
Saturday, April 5<br />
Family Saturday at the <strong>Bowdoin</strong> <strong>College</strong> Museum of Art<br />
10:00 a.m.<br />
<strong>Bowdoin</strong> <strong>College</strong> Museum of Art<br />
<strong>Bowdoin</strong> <strong>College</strong> students lead a program of activity and fun for children, working with the<br />
exhibitions on view. FREE.<br />
Sunday, April 6<br />
The Zamir Chorale of Boston<br />
Joshua Jacobson, artistic director<br />
2:00 p.m.<br />
Kanbar Auditorium, Studzinski Recital Hall<br />
Since its formation in 1969, this fifty-member adult chorale, dubbed a “virtuoso outfit” by the<br />
Boston Globe and recognized by American Record Guide as “America’s foremost Jewish choral<br />
ensemble,” has remained committed to the highest quality performance of music spanning<br />
thousands of years, four continents, and a variety of styles, both popular and classical. FREE.<br />
Sponsored by the Department of Music.<br />
The Zamir Chorale of Boston<br />
Wednesday, April 9<br />
Amernet String Quartet<br />
7:30 p.m.<br />
Kanbar Auditorium, Studzinski Recital Hall<br />
The Amernet String Quartet with Rachel Calloway, mezzo<br />
soprano, will present two recent works for voice and quartet,<br />
including a premiere by <strong>Bowdoin</strong> faculty member Vineet<br />
Shende and the Incan-inspired work “Baalkah” by Mexican<br />
composer Gabriela Ortiz. The program is counterbalanced by<br />
two wonderful Czech works from the 1920s, the “Five Pieces”<br />
by Erwin Schulhoff and Leos Janacek’s “Intimate Letters.”<br />
FREE.<br />
Sponsored by the Department of Music.<br />
Thursday, April 10<br />
Thursday Night Salon at the Museum of Art<br />
“Man Ray, Marcel Duchamp, and the Surrealist Movement”<br />
Anne Collins Goodyear<br />
7:00 p.m.<br />
<strong>Bowdoin</strong> <strong>College</strong> Museum of Art<br />
An evening of conversation and enjoyment based on the exhibitions currently on view at<br />
the Museum of Art. Anne Collins Goodyear, co-director of the <strong>Bowdoin</strong> <strong>College</strong> Museum of<br />
Art, will speak about the role of Man Ray and Marcel Duchamp in the Surrealist Movement,<br />
focusing on works in the Under the Surface: Surrealist Photography. FREE.<br />
Sponsored and presented by the <strong>Bowdoin</strong> <strong>College</strong> Museum of Art.<br />
The Amernet String Quartet<br />
For more information:<br />
207-725-3375<br />
All events are open to the public.<br />
Admission to most events is free<br />
and no tickets are required. Any<br />
ticket or admission requirements<br />
are listed within the event<br />
description. For information on<br />
acquiring tickets, see the inside<br />
back cover.<br />
All events are subject to change.<br />
Thursday, Friday, and Saturday, April 10, 11, and 12<br />
<strong>Spring</strong> Theater Performance<br />
Harrison Bergeron Escapes from the Zoo by Kurt Vonnegut<br />
8:00 p.m.<br />
Wish Theater, Memorial Hall<br />
The year is 2081, and agents of the of U.S. Handicapper General have finally seen to it that<br />
everyone is equal. Based on Kurt Vonnegut’s dystopic nightmare, Harrison Bergeron, this<br />
circus-theatre-cabaret is a collective creation by students of the Departments of Theater and<br />
Dance, Music, and Visual <strong>Arts</strong>, under the direction of Kathryn Syssoyeva. Tickets FREE.<br />
Sponsored by the Alice Cooper Morse Fund for the Performing <strong>Arts</strong>.<br />
Presented by the Department of Theater and Dance.<br />
For more information on these and many other events go to:<br />
bowdoin.edu/arts<br />
Man Ray, Untitled, 1921, gelatin silver<br />
print. Museum Purchase, Lloyd O. and<br />
Marjorie Strong Coulter Fund.
<strong>Bowdoin</strong> <strong>College</strong><br />
Brunswick, Maine<br />
Friday, April 11<br />
Common Hour: Student Chamber Ensembles<br />
12:30 p.m.<br />
Kanbar Auditorium, Studzinski Recital Hall<br />
Common Hour will feature a recital by the Department of Music’s chamber ensembles. FREE.<br />
Sponsored by the Department of Music.<br />
Saturday, April 12<br />
<strong>Bowdoin</strong> Orchestra<br />
George Lopez, director<br />
3:00 p.m.<br />
Kanbar Auditorium, Studzinski Recital Hall<br />
FREE.<br />
Sponsored by the Department of Music.<br />
Sunday, April 13<br />
<strong>Bowdoin</strong> <strong>College</strong> Concert Band<br />
John P. Morneau, director<br />
2:00 p.m.<br />
Kanbar Auditorium, Studzinski Recital Hall<br />
FREE.<br />
Sponsored by the Department of Music.<br />
George Lopez<br />
John P. Morneau<br />
Wednesday, April 16<br />
A Reading by Poet Dan Albergotti<br />
4:30 p.m.<br />
Faculty Lounge, Massachusetts Hall<br />
Poet and Coastal Carolina University professor Dan Albergotti, author of The Boatloads (BOA<br />
Editions, 2008) and the forthcoming Millennial Teeth (Southern Illinois University Press, <strong>2014</strong>),<br />
will read from his work. To sample Albergotti’s poetry, go to: fishousepoems.org. FREE.<br />
SPONSORED BY From the Fishouse.<br />
Dan Albergotti<br />
Thursday, April 17<br />
Gallery Talk: Multiple Perspectives in The Object Show: Discoveries in<br />
<strong>Bowdoin</strong> Collections<br />
Susan Wegner and Nathaniel Wheelwright<br />
Noon<br />
<strong>Bowdoin</strong> <strong>College</strong> Museum of Art<br />
Susan Wegner, associate professor of art history, and Nathaniel Wheelwright, professor of natural<br />
sciences, lead an interdisciplinary discussion of select works in The Object Show: Discoveries in<br />
<strong>Bowdoin</strong> Collections. Third in a series of three gallery talks during the <strong>Spring</strong> <strong>2014</strong> semester. FREE.<br />
Sponsored and presented by the <strong>Bowdoin</strong> <strong>College</strong> Museum of Art.<br />
Underwritten by the Sylvia E. Ross Fund.<br />
Gallery view of The Object Show.<br />
Thursday, April 17<br />
A Reading by Author Elizabeth Strout<br />
7:30 p.m.<br />
Kresge Auditorium, Visual <strong>Arts</strong> Center<br />
Elizabeth Strout is the author of numerous short stories and three novels, including Amy and Isabelle,<br />
which was shortlisted for the 2000 Orange Prize and nominated for the 2000 PEN/Faulkner Award for<br />
fiction, and Olive Kitteridge, a collection of connected short stories about a woman and her immediate<br />
family and friends on the coast of Maine, for which Strout won the Pulitzer Prize in 2009. Her most<br />
recent novel, The Burgess Boys, was published in March of 2013. Strout has been a professor at<br />
Colgate University and on the faculty of the MFA program at Queens University of Charlotte. FREE.<br />
Sponsored by the Department of English and the Blythe Bickel Edwards Fund.<br />
For more information:<br />
207-725-3375<br />
All events are open to the public.<br />
Admission to most events is free<br />
and no tickets are required. Any<br />
ticket or admission requirements<br />
are listed within the event<br />
description. For information on<br />
acquiring tickets, see the inside<br />
back cover.<br />
All events are subject to change.<br />
Thursday and Friday, April 17 and 18<br />
Symposium: “Visions of Reality: Science and Other Means of Seeking Knowledge”<br />
7:30 p.m. to 9:00 p.m., Thursday, keynote address by Don J. Wyatt<br />
Main Lounge, Moulton Union<br />
9:00 a.m. to 4:00 p.m., Friday, panels, “The Peripatetic,” “The Encyclopedic,”<br />
“The Reflexive,” “The Pious,” and “The Mathematical”<br />
Lancaster Lounge, Moulton Union<br />
Modern science enjoys a prominent place and enormous authority in our age. Such prestige is the<br />
outcome of a long historical process, during which scientific knowledge and method have been<br />
gradually promoted over other forms of knowledge and methods of inquiry. This symposium will bring<br />
together an interdisciplinary group of scholars to examine the diverse means of creating technical<br />
knowledge before and after the birth of modern science. The keynote address and the panels will<br />
highlight the latest scholarship on a range of issues from scientific transference between traditional<br />
China and the West to nuclear power during the Cold War period. For more information and the<br />
complete schedule of events, go to: bowdoin.edu/history/calendar/kemp-symposium/. FREE.<br />
Sponsored by Robert J. Kemp Lectureship Fund and the Departments of History, Asian Studies, Religion, Chemistry,<br />
and Earth and Oceanographic Science.<br />
For more information on these and many other events go to:<br />
bowdoin.edu/arts<br />
Elizabeth Strout
<strong>Bowdoin</strong> <strong>College</strong><br />
Brunswick, Maine<br />
Navarana Sorensen<br />
Thursday, Friday, and Saturday, April 17, 18, and 19<br />
<strong>Spring</strong> Dance Performance<br />
8:00 p.m.<br />
Pickard Theater, Memorial Hall<br />
<strong>Bowdoin</strong>’s <strong>Spring</strong> Dance concert features faculty-directed modern and Afro-modern dance pieces,<br />
and independent work by students. The evening emphasizes the collective strength of the<br />
ensemble with students of every level filling the stage. Tickets FREE.<br />
Sponsored by the Alice Cooper Fund for the Performing <strong>Arts</strong> and the June Vail Fund for Dance.<br />
Presented by the Department of Theater and Dance.<br />
Saturday, April 19<br />
George Lopez, piano<br />
4:00 p.m.<br />
Kanbar Auditorium, Studzinski Recital Hall<br />
<strong>Bowdoin</strong>’s Beckwith Artist in Residence, George Lopez, will give a performance of unique<br />
contemporary works by Vin Shende and Carter Pann among others, inspired by forms and composers<br />
of the distant past and present. Come and hear the living sounds of living composers. FREE.<br />
Sponsored by the Department of Music.<br />
Thursday, April 24<br />
The Peary-MacMillan Arctic Museum Film Series<br />
Film #3: Vanishing Point (2012)<br />
7:00 p.m.<br />
Smith Auditorium, Sills Hall<br />
Navarana is an Inughuit elder from the most northern district of Greenland. In the 1860s, her<br />
ancestor led a legendary Inuit migration to Greenland. More than 150 years later, Navarana<br />
connects with distant cousins and explores these two isolated groups. FREE.<br />
Sponsored by the Russell and Janet Doubleday Endowment.<br />
Thursday, April 24<br />
Thursday Night Salon at the Museum of Art<br />
“<strong>Spring</strong> Flowers: Andy Warhol and James Rosenquist”<br />
Joachim Homann and Sarah Montross<br />
7:00 p.m.<br />
<strong>Bowdoin</strong> <strong>College</strong> Museum of Art<br />
Andrew W. Mellon Post-Doctoral Curatorial Fellow Sarah Montross and Curator Joachim Homann<br />
moderate a conversation about flowers in Pop Art, exemplified by a silkscreen by Andy Warhol,<br />
recently donated to <strong>Bowdoin</strong> by the Andy Warhol Foundation, and a monumental painting by James<br />
Rosenquist on loan to the Museum. FREE.<br />
Sponsored and presented by the <strong>Bowdoin</strong> <strong>College</strong> Museum of Art.<br />
<strong>Spring</strong> dance. Photo by Alex Cornell<br />
du Houx.<br />
George Lopez<br />
Andy Warhol, Flowers, 1970, screenprint.<br />
Gift of The Andy Warhol Foundation for the<br />
Visual <strong>Arts</strong>.<br />
Monday, April 28<br />
Middle Eastern Ensemble<br />
7:30 p.m.<br />
Kanbar Auditorium, Studzinski Recital Hall<br />
The <strong>Bowdoin</strong> Middle Eastern Ensemble, directed by Eric LaPerna<br />
and Amos Libby, will present classical and contemporary music<br />
from the Arabic and Ottoman Turkish traditions. The ensemble<br />
performs on traditional Middle Eastern musical instruments like the oud (Middle Eastern lute)<br />
and qanun (72-stringed Middle Eastern zither) as well vocals and Western instruments along with<br />
Middle Eastern percussion. FREE.<br />
Sponsored by the Department of Music.<br />
Wednesday, April 30<br />
“The Smithsonian’s History of America in 101 Objects”<br />
Richard Kurin<br />
4:30 p.m.<br />
Kresge Auditorium, Visual <strong>Arts</strong> Center<br />
Richard Kurin, under secretary for history, art, and culture at the Smithsonian<br />
Institution, will discuss objects in the Smithsonian’s collections, such as the<br />
Star-Spangled Banner, Lincoln’s hat, Bell’s telephone, Armstrong’s trumpet,<br />
Warhol’s Marilyn Monroe, and even the National Zoo’s pandas to weave an<br />
engaging history of our nation. FREE.<br />
Sponsored and presented by the <strong>Bowdoin</strong> <strong>College</strong> Museum of Art.<br />
Underwritten by the Sylvia E. Ross Fund.<br />
Richard Kurin<br />
For more information:<br />
207-725-3375<br />
Wednesday, April 30<br />
Afro-Latin Music Ensemble<br />
7:30 p.m.<br />
Kanbar Auditorium, Studzinski Recital Hall<br />
Under the direction of Michael Wingfield, <strong>Bowdoin</strong>’s Afro-Latin Music Ensemble<br />
will present a concert highlighting the scintillating rhythms and cultural richness<br />
of the descendants of Africans in the Carribbean. FREE.<br />
Sponsored by the Department of Music.<br />
Richard Kurin; The Star-Spangled Banner, Smithsonian Institution<br />
All events are open to the public.<br />
Admission to most events is free<br />
and no tickets are required. Any<br />
ticket or admission requirements<br />
are listed within the event<br />
description. For information on<br />
acquiring tickets, see the inside<br />
back cover.<br />
All events are subject to change.<br />
For more information on these and many other events go to:<br />
bowdoin.edu/arts<br />
Afro-Latin Music Ensemble
<strong>2014</strong><br />
May<br />
<strong>Bowdoin</strong> <strong>College</strong><br />
Brunswick, Maine<br />
Thursday, May 1<br />
Gallery Talk on the exhibition, Under the Surface: Surrealist Photography<br />
Jessica May<br />
4:30 p.m.<br />
<strong>Bowdoin</strong> <strong>College</strong> Museum of Art<br />
Jessica May, curator of modern and contemporary art at the Portland Museum of Art and curator<br />
of the 2013 Portland Museum of Art Biennial, will join Andrea Rosen, curatorial assistant and<br />
curator of Under the Surface: Surrealist Photography, for an informal gallery talk. FREE.<br />
Sponsored and presented by the <strong>Bowdoin</strong> <strong>College</strong> Museum of Art.<br />
Underwritten by the Louisa Vaughan Conrad Fund, Becker Fund for the <strong>Bowdoin</strong> <strong>College</strong> Museum of Art,<br />
Stevens L. Frost Endowment Fund, and Elizabeth B. G. Hamlin Fund.<br />
Thursday, May 1<br />
Harry Spindel Memorial Lectureship<br />
“Culture and Barbarism: Nazi Art Plundering and the Restitution Field<br />
Moving Forward”<br />
Jonathan Petropoulos<br />
7:30 p.m.<br />
Kresge Auditorium, Visual <strong>Arts</strong> Center<br />
Jonathan Petropoulos is the John V. Croul Professor of European History at Claremont McKenna <strong>College</strong><br />
in Southern California. He is the author of Art as Politics in the Third Reich (University of North Carolina<br />
Press, 1996), and The Faustian Bargain: The Art World in Nazi Germany (Oxford University Press, 2000),<br />
Royals and the Reich: The Princes von Hessen in Nazi Germany (Oxford University Press, 2006), and the<br />
forthcoming Artists Under Hitler: The Power of Seduction and the Fate of Modernism in Nazi Germany (Yale<br />
University Press, <strong>2014</strong>). He has also served as research director for art and cultural property on the<br />
Presidential Commission on Holocaust Assets in the United States, where he helped draft the report,<br />
Restitution and Plunder: The U.S. and Holocaust Victims’ Assets (2001). Petropoulos has helped organize<br />
art exhibitions, such as Degenerate Art: The Fate of the Avant-Garde in Nazi Germany, which opened at<br />
the Los Angeles County Museum of Art in 1991, and he has served as a consultant for a number of<br />
Holocaust victims and heirs trying to recover lost artworks, including assisting members of the Bloch-<br />
Bauer family as they recovered five paintings by Gustav Klimt in 2006. He has also appeared in over a<br />
dozen documentary films: among them, the award-winning The Rape of Europa (2007). FREE.<br />
Sponsored by the Harry Spindel Memorial Lectureship Fund.<br />
George Platt Lynes, Portrait of Thomas<br />
Bacon, 1939, gelatin silver print. Museum<br />
Purchase, Lloyd O. and Marjorie Strong<br />
Coulter Fund.<br />
Thursday and Friday, May 1 and 2<br />
Symposium: “Social Politics and the Cold War”<br />
7:30 p.m., Thursday, keynote address by Dagmar Herzog<br />
9:00 a.m. to 5:00 p.m., Friday, panels<br />
Lancaster Lounge, Moulton Union<br />
The year <strong>2014</strong> marks the 25th anniversary of the fall of the Berlin Wall and the last moments of<br />
the Cold War that defined the second half of the 20th century. The “Social Politics and the Cold<br />
War” symposium brings together an interdisciplinary group of scholars to investigate the cultural<br />
impacts of superpower rivalry. Rather than focusing exclusively on the political or military aspects<br />
of the Cold War, the symposium examines the effects of the bi-polar world on cultural production,<br />
women’s issues, health and sexuality, the environment, youth movements, the production of<br />
science, and the reshaping of national educational paradigms. For more information and the<br />
complete schedule of events, go to: bowdoin.edu/gender-women. FREE.<br />
SPONSORED BY the Office of the Dean for Academic Affairs and the Departments of Gender and Womens Studies,<br />
History, and German.<br />
Thursday and Friday, May 1 and 2<br />
<strong>Bowdoin</strong> Chorus<br />
Anthony Antolini ’63, director<br />
7:30 p.m.<br />
Kanbar Auditorium, Studzinski Recital Hall<br />
<strong>Bowdoin</strong> Chorus and Mozart Mentors Orchestra, under the direction of Anthony Antolini ’63,<br />
will present Mendelssohn’s Psalm 114 and Stravinsky’s Symphony of Psalms. FREE.<br />
Sponsored by the Department of Music.<br />
Saturday, May 3<br />
Family Saturday at the <strong>Bowdoin</strong> <strong>College</strong> Museum of Art<br />
10:00 a.m.<br />
<strong>Bowdoin</strong> <strong>College</strong> Museum of Art<br />
Robert K. Greenlee<br />
<strong>Bowdoin</strong> <strong>College</strong> students lead a program of activity and fun for children, working with the<br />
exhibitions on view. FREE.<br />
Sponsored and presented by the <strong>Bowdoin</strong> <strong>College</strong> Museum of Art.<br />
Anthony Antolini ’63<br />
For more information:<br />
207-725-3375<br />
All events are open to the public.<br />
Admission to most events is free<br />
and no tickets are required. Any<br />
ticket or admission requirements<br />
are listed within the event<br />
description. For information on<br />
acquiring tickets, see the inside<br />
back cover.<br />
All events are subject to change.<br />
Saturday and Sunday, May 3 and 4<br />
<strong>Bowdoin</strong> Chamber Choir<br />
Robert K. Greenlee, director<br />
3:00 p.m.<br />
<strong>Bowdoin</strong> Chapel<br />
FREE.<br />
Sponsored by the Department of Music.<br />
For more information on these and many other events go to:<br />
bowdoin.edu/arts
<strong>Bowdoin</strong> <strong>College</strong><br />
Brunswick, Maine<br />
Tuesday, May 6<br />
Jazz Night<br />
Frank Mauceri, director<br />
7:30 p.m.<br />
Kanbar Auditorium, Studzinski Recital Hall<br />
FREE.<br />
Sponsored by the Department of Music.<br />
Thursday, May 8<br />
Chamber Music Fest<br />
4:00 p.m. and 7:30 p.m.<br />
Kanbar Auditorium, Studzinski Recital Hall<br />
FREE.<br />
Sponsored by the Department of Music.<br />
Friday, May 9<br />
Museum Pieces<br />
12:30 p.m.<br />
Museum Steps on the <strong>Bowdoin</strong> Quad<br />
Museum Pieces, a <strong>Bowdoin</strong> tradition for more than twenty years, will conclude the 2013–<strong>2014</strong><br />
Common Hour series. The annual event celebrates the arrival of spring through dancing and music<br />
provided by the Department of Theater and Dance, class projects, and independent student work.<br />
FREE.<br />
Sponsored by the Department of Theater and Dance and Common Hour.<br />
Follow @<strong>Bowdoin</strong><strong>Arts</strong> on Twitter for<br />
up-to-the-minute event information.<br />
For more information:<br />
207-725-3375<br />
All events are open to the public.<br />
Admission to most events is free<br />
and no tickets are required. Any<br />
ticket or admission requirements<br />
are listed within the event<br />
description. For information on<br />
acquiring tickets, see the inside<br />
back cover.<br />
All events are subject to change.<br />
Photo by Matt Jones.
January<br />
Mon, 20 ◆ 10:30 a.m.–Noon ◆ Children’s Celebration of Martin Luther King Jr. ◆ Daggett Lounge, Thorne Hall<br />
Mon, 20 ◆ 7:30 p.m. ◆ Martin Luther King Jr. Campus Celebration, Climbing PoeTree ◆ Kresge Auditorium, Visual <strong>Arts</strong> Center<br />
Thu, 30 ◆ 4:30 p.m. ◆ “Stone, Wood, Printing Press: Remembering (Almost) Forgotten Crafts” ◆ Kresge Auditorium, Visual <strong>Arts</strong> Center<br />
Thu, 30 ◆ 5:30 p.m.–7:00 p.m. ◆ Open House at the <strong>Bowdoin</strong> <strong>College</strong> Museum of Art ◆ <strong>Bowdoin</strong> <strong>College</strong> Museum of Art<br />
February<br />
Sat, 1 ◆ 10:00 a.m. ◆ Family Saturday at the <strong>Bowdoin</strong> <strong>College</strong> Museum of Art ◆ <strong>Bowdoin</strong> <strong>College</strong> Museum of Art<br />
Wed, 5 ◆ 7:30 p.m. ◆ Ying Quartet ◆ Kanbar Auditorium, Studzinski Recital Hall<br />
Wed–Sat, 5–8 ◆ See times below ◆ The <strong>Bowdoin</strong> French Film Festival ◆ Kresge Auditorium, Visual <strong>Arts</strong> Center<br />
Wed, 5 ◆ 7:00 p.m. ◆ Après Mai (Something in the Air)<br />
Thu, 6 ◆ 7:00 p.m. ◆ La Pirogue<br />
Fri, 7 ◆ 4:30 p.m. ◆ Couleur de Peau: Miel (Approved for Adoption)<br />
Fri, 7 ◆ 7:30 p.m. ◆ L’Enfant d’en Haut<br />
Sat, 8 ◆ 7:00 p.m. ◆ Monsieur Lazhar<br />
Sat, 8 ◆ 9:00 a.m.–5:00 p.m. ◆ Environmental Justice Symposium ◆ Schwartz Outdoor Leadership Center<br />
Wed, 12 ◆ 4:30 p.m. ◆ “Crimes of the Dream World: French Trials of Diola Witches” ◆ Room 315, Searles Science Building<br />
Thu, 13 ◆ 7:00 p.m. ◆ The Peary-MacMillan Arctic Museum Film Series Film #1: For the Rights of All: Ending Jim Crow in Alaska ◆ Smith Auditorium, Sills Hall<br />
Thu, 13 ◆ 7:00 p.m. ◆ Thursday Night Salon at the Museum of Art “Thomas Cole at Work: Landscape Painting in the Catskills” ◆ <strong>Bowdoin</strong> <strong>College</strong><br />
Museum of Art<br />
Fri–Sat, 14–15 ◆ “On the Wing, A Celebration of Birds” Krista River, mezzo-soprano, and George Lopez, piano ◆ Kanbar Auditorium, Studzinski Recital Hall<br />
◆ 4:00 p.m. ◆ Friday Teatime<br />
◆ 7:30 p.m. ◆ Saturday<br />
Mon–Sun, 17–23 ◆ 7:00 p.m.–9:00 p.m. ◆ World Cinema Film Festival ◆ Kresge Auditorium, Visual <strong>Arts</strong> Center<br />
Mon, 17 ◆ Memories of Overdevelopment (Miguel Coyula, Cuba, 2010)<br />
Tue, 18 ◆ The Return (Andrey Zvyagintsev, Russia, 2003)<br />
Wed, 19 ◆ The Great Beauty (Paolo Sorrentino, Italy, 2013)<br />
Thu, 20 ◆ The Ambassador (Mads Brügger, Denmark, 2011)<br />
Fri, 21 ◆ Map of the Sounds of Tokyo (Isabel Coixet, Spain, 2009)<br />
Sat, 22 ◆ Please Vote for Me (Weijun Chen, China, 2007)<br />
Sun, 23 ◆ Blancanieves (Pablo Berger, Spain, 2012)<br />
Thu, 20 ◆ Noon ◆ Gallery Talk: Multiple Perspectives in The Object Show: Discoveries in <strong>Bowdoin</strong> Collections ◆ <strong>Bowdoin</strong> <strong>College</strong> Museum of Art<br />
Mon, 24 ◆ 4:30 p.m. ◆ A Reading by Author Jennifer Finney Boylan ◆ Faculty Room, Massachusetts Hall<br />
Thu, 27 ◆ 5:30 p.m.–7:00 p.m. ◆ Exhibition Preview and Reception for Museum and Maine Alumni Club Members: Under the Surface: Surrealist<br />
Photography ◆ <strong>Bowdoin</strong> <strong>College</strong> Museum of Art<br />
Thu, 27 ◆ 7:00 p.m. ◆ Tallman Lecture ”Feminism, Interrupted: Why Can’t the Women’s Movement Pass Down Power?” ◆ Kresge Auditorium,<br />
Visual <strong>Arts</strong> Center<br />
Thu–Sat, 27–1 ◆ 8:00 p.m. ◆ The Importance of Being Earnest by Oscar Wilde ◆ Pickard Theater, Memorial Hall<br />
Fri, 28 ◆ 4:30 p.m. ◆ “Strange Passion: Frederick Sommer’s Wartime Surrealism” ◆ Kresge Auditorium, Visual <strong>Arts</strong> Center<br />
Fri, 28 ◆ 5:30 p.m.–7:00 p.m. ◆ Open House at the <strong>Bowdoin</strong> <strong>College</strong> Museum of Art ◆ <strong>Bowdoin</strong> <strong>College</strong> Museum of Art<br />
Fri, 28 ◆ 7:30 p.m. ◆ Steve Grover Quintet ◆ Kanbar Auditorium, Studzinski Recital Hall<br />
March<br />
Sat, 1 ◆ 10:00 a.m. ◆ Family Saturday at the <strong>Bowdoin</strong> <strong>College</strong> Museum of Art ◆ <strong>Bowdoin</strong> <strong>College</strong> Museum of Art<br />
Mon, 3 ◆ 6:00 p.m. ◆ “Science is Fiction”: A Selection of Films by Jean Painlevé ◆ Beam Classroom, Visual <strong>Arts</strong> Center<br />
Wed, 5 ◆ 7:30 p.m. ◆ Elizabeth Weigle, soprano, and Daniel Lippel, guitar ◆ Kanbar Auditorium, Studzinski Recital Hall<br />
Tue, 25 ◆ Noon ◆ Gallery Talk: Multiple Perspectives in The Object Show: Discoveries in <strong>Bowdoin</strong> Collections ◆ <strong>Bowdoin</strong> <strong>College</strong> Museum of Art<br />
Tue, 25 ◆ 7:30 p.m. ◆ Kates Lecture “The 21st Century’s Technology Story: Biology, Physics and Engineering Converge” ◆ Kresge Auditorium, Visual <strong>Arts</strong> Center<br />
Thu, 27 ◆ 7:00 p.m. ◆ The Peary-MacMillan Arctic Museum Film Series Film #2: The Eskimo and the Whale ◆ Smith Auditorium, Sills Hall<br />
Thu, 27 ◆ 7:30 p.m. ◆ Santagata Lecture “Still Life: An Anthropology of Stone” ◆ Kresge Auditorium, Visual <strong>Arts</strong> Center<br />
April<br />
<strong>Bowdoin</strong> <strong>College</strong> <strong>Arts</strong> and Culture Events <strong>Spring</strong> <strong>2014</strong><br />
Tue, 1 ◆ 7:30 p.m. ◆ Harry Spindel Memorial Lectureship, “Recovering Nazi Art Loot—Unfinished Business” ◆ Kresge Auditorium, Visual <strong>Arts</strong> Center<br />
Thu, 3 ◆ 4:30 p.m. ◆ “The Portrait in Antiquity”◆ Kresge Auditorium, Visual <strong>Arts</strong> Center<br />
Thu, 3 ◆ 7:00 p.m. ◆ Russwurm Lecture Series, “Frederick Douglass, Abraham Lincoln, and the Civil War” ◆ Lancaster Lounge, Moulton Union<br />
Sat, 5 ◆ 10:00 a.m. ◆ Family Saturday at the <strong>Bowdoin</strong> <strong>College</strong> Museum of Art ◆ <strong>Bowdoin</strong> <strong>College</strong> Museum of Art<br />
Sun, 6 ◆ 2:00 p.m. ◆ The Zamir Chorale of Boston ◆ Kanbar Auditorium, Studzinski Recital Hall<br />
Wed, 9 ◆ 7:30 p.m. ◆ Amernet String Quartet ◆ Kanbar Auditorium, Studzinski Recital Hall<br />
Thu, 10 ◆ 7:00 p.m. ◆ Thursday Night Salon at the Museum of Art “Man Ray, Marcel Duchamp, and the Surrealist Movement” ◆ <strong>Bowdoin</strong> <strong>College</strong><br />
Museum of Art<br />
Thu–Sat, 10–12 ◆ 8:00 p.m. ◆ <strong>Spring</strong> Theater Performance, Harrison Bergeron Escapes from the Zoo by Kurt Vonnegut ◆ Wish Theater, Memorial Hall<br />
Fri, 11 ◆ 12:30 p.m. ◆ Common Hour: Student Chamber Ensembles ◆ Kanbar Auditorium, Studzinski Recital Hall<br />
Sat, 12 ◆ 3:00 p.m. ◆ <strong>Bowdoin</strong> Orchestra ◆ Kanbar Auditorium, Studzinski Recital Hall<br />
Sun, 13 ◆ 2:00 p.m. ◆ <strong>Bowdoin</strong> <strong>College</strong> Concert Band ◆ Kanbar Auditorium, Studzinski Recital Hall<br />
Wed, 16 ◆ 4:30 p.m. ◆ A Reading by Poet Dan Albergotti ◆ Faculty Lounge, Massachusetts Hall<br />
Thu, 17 ◆ Noon ◆ Gallery Talk: Multiple Perspectives in The Object Show: Discoveries in <strong>Bowdoin</strong> Collections ◆ <strong>Bowdoin</strong> <strong>College</strong> Museum of Art<br />
Thu, 17 ◆ 7:30 p.m. ◆ A Reading by Author Elizabeth Strout ◆ Kresge Auditorium, Visual <strong>Arts</strong> Center<br />
Thu–Fri, 17–18 ◆ Symposium: “Visions of Reality: Science and Other Means of Seeking Knowledge”<br />
◆ 7:30 p.m.–9:00 p.m. ◆ Thursday, keynote address by Don J. Wyatt ◆ Main Lounge, Moulton Union<br />
◆ 9:00 a.m.–4:00 p.m. ◆ Friday, panels, “The Peripatetic,” “The Encyclopedic,” “The Reflexive,” “The Pious,” and “The Mathematical” ◆ Lancaster Lounge,<br />
Moulton Union<br />
All events are open to the public. Admission to most events is free and no tickets are required. Any ticket or admission requirements are listed<br />
within the full event description. For information on acquiring tickets, see the back cover. All events are subject to change.<br />
For more information on these and many other events go to:<br />
bowdoin.edu/arts
Thu–Sat, 17–19 ◆ 8:00 p.m. ◆ <strong>Spring</strong> Dance Performance ◆ Pickard Theater, Memorial Hall<br />
Sat, 19 ◆ 4:00 p.m. ◆ George Lopez, piano ◆ Kanbar Auditorium, Studzinski Recital Hall<br />
Thu, 24 ◆ 7:00 p.m. ◆ The Peary-MacMillan Arctic Museum Film Series Film #3: Vanishing Point (2012) ◆ Smith Auditorium, Sills Hall<br />
Thu, 24 ◆ 7:00 p.m. ◆ Thursday Night Salon at the Museum of Art: “<strong>Spring</strong> Flowers: Andy Warhol and James Rosenquist” ◆ <strong>Bowdoin</strong> <strong>College</strong> Museum of Art<br />
Mon, 28 ◆ 7:30 p.m. ◆ Middle Eastern Ensemble ◆ Kanbar Auditorium, Studzinski Recital Hall<br />
Wed, 30 ◆ 4:30 p.m. ◆ “The Smithsonian’s History of America in 101 Objects” ◆ Kresge Auditorium, Visual <strong>Arts</strong> Center<br />
Wed, 30 ◆ 7:30 p.m. ◆ Afro-Latin Music Ensemble ◆ Kanbar Auditorium, Studzinski Recital Hall<br />
May<br />
Thu, 1 ◆ 4:30 p.m. ◆ Gallery Talk on the exhibition, Under the Surface: Surrealist Photography ◆ <strong>Bowdoin</strong> <strong>College</strong> Museum of Art<br />
Thu, 1 ◆ 7:30 p.m. ◆ Harry Spindel Memorial Lectureship, “Culture and Barbarism: Nazi Art Plundering and the Restitution Field Moving Forward” ◆<br />
Kresge Auditorium, Visual <strong>Arts</strong> Center<br />
Thu–Fri, 1–2 ◆ Symposium: “Social Politics and the Cold War” ◆ Lancaster Lounge, Moulton Union<br />
◆ 7:30 p.m. ◆ Thursday, keynote address by Dagmar Herzog<br />
◆ 9:00 a.m.–5:00 p.m. ◆ Friday, panels<br />
Thu–Fri, 1–2 ◆ 7:30 p.m. ◆ <strong>Bowdoin</strong> Chorus ◆ Kanbar Auditorium, Studzinski Recital Hall<br />
Sat, 3 ◆ 10:00 a.m. ◆ Family Saturday at the <strong>Bowdoin</strong> <strong>College</strong> Museum of Art ◆ <strong>Bowdoin</strong> <strong>College</strong> Museum of Art<br />
Sat–Sun, 3–4 ◆ 3:00 p.m. ◆ <strong>Bowdoin</strong> Chamber Choir ◆ <strong>Bowdoin</strong> Chapel<br />
Tue, 6 ◆ 7:30 p.m. ◆ Jazz Night◆ Kanbar Auditorium, Studzinski Recital Hall<br />
Thu, 8 ◆ 4:00 p.m. and 7:30 p.m. ◆ Chamber Music Fest ◆ Kanbar Auditorium, Studzinski Recital Hall<br />
Fri, 9 ◆ 12:30 p.m. ◆ Museum Pieces ◆ Museum Steps on the <strong>Bowdoin</strong> Quad<br />
Ticket Information<br />
Public<br />
Advance tickets available at the David Saul Smith Union information desk, 207-725-3375. A limited<br />
number of tickets may also be available at the door immediately before the event. Patrons are advised<br />
to call ahead. Notes: Dates tickets become available may vary. Due to limited seating, tickets expire<br />
five minutes before showtime.<br />
Association of <strong>Bowdoin</strong> Friends Members<br />
Advance tickets available at the David Saul Smith Union Information desk, 207-725-3375. Patrons<br />
must present their Friends membership card. Tickets limited to two per card. Please call ahead to<br />
ensure ticket availability, 207-725-3253. A limited number of tickets may also be available at the<br />
door immediately before the event. Notes: Dates tickets become available may vary. Due to limited<br />
seating, tickets expire five minutes before showtime.<br />
<strong>Bowdoin</strong> Students, Faculty, and Staff<br />
Advance tickets available at the David Saul Smith Union information desk, 207-725-3375. Patrons<br />
must present their <strong>Bowdoin</strong> student, faculty, or staff ID. A limited number of tickets may also be<br />
available at the door immediately before the event. Notes: Dates tickets become available may vary.<br />
Due to limited seating, tickets expire five minutes before showtime.<br />
<strong>Bowdoin</strong> <strong>College</strong> is committed to making its campus accessible to persons with disabilities.<br />
Individuals who have special needs should contact the Office of Events and Summer Programs<br />
at 207-725-3433.<br />
The <strong>Bowdoin</strong> <strong>College</strong> <strong>Arts</strong> and Culture <strong>Calendar</strong> is produced by the Office of Communications and<br />
Public Affairs and the Office of the Dean for Academic Affairs. The <strong>Bowdoin</strong> <strong>College</strong> community is<br />
mindful of the use of natural resources and committed to actions that promote sustainability on<br />
campus and in the lives of our graduates.<br />
Printed by Franklin Printing, Farmington, Maine<br />
Follow @<strong>Bowdoin</strong><strong>Arts</strong> on Twitter for up-to-the-minute event information.<br />
<strong>Bowdoin</strong> <strong>College</strong><br />
Office of Communications<br />
and Public Affairs<br />
3900 <strong>College</strong> Station<br />
Brunswick, Maine 04011-8430<br />
Coming This Summer<br />
June 26, <strong>2014</strong><br />
Richard Tuttle: Prints—A Retrospective<br />
In the summer of <strong>2014</strong>, the <strong>Bowdoin</strong> <strong>College</strong> Museum of Art will open Richard Tuttle: Prints<br />
—A Retrospective. The first exhibition of its kind, this exhibition will feature works from the<br />
1970s to the present. In sensitively exploiting the unique possibilities inherent in different<br />
printmaking processes, Tuttle demonstrates his deep interest in the interrelationship of the<br />
materials, tools, and actions that make printmaking a collaborative experience—for Tuttle a<br />
poetic process of transfer and exchange.<br />
July 10, <strong>2014</strong><br />
Cool! The Jazz Photography of William P. Gottlieb<br />
This exhibition features photographs of jazz musicians in performance by William P. Gottlieb<br />
(1917–2006). The images were created between 1938 and 1948, a period when African<br />
American jazz musicians first brought the concept of “cool” into the modern vernacular.<br />
Gottlieb’s photographic portraits celebrate jazz musicians whose rebellious self-expression,<br />
charisma, edge, and mystery made them American icons.<br />
bowdoin.edu/arts<br />
Follow @<strong>Bowdoin</strong><strong>Arts</strong> on Twitter for up-to-the-minute event information.<br />
Richard Tuttle, Step by Step, 2002,<br />
woodcut.