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Academy Opera Today 2013 / 2014 - Deutsche Bank Stiftung

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Fellows<br />

2012–<strong>2014</strong><br />

page 13<br />

Clemens Jüngling<br />

Category: Conducting<br />

Dimana Lateva<br />

Category: Stage Design<br />

Catherine Leiter<br />

Category: Cultural Management<br />

Freelance conductor and pianist<br />

since 2012. Projects with<br />

Musikfabrik Köln amongst others.<br />

Previously, from 2008,<br />

kapellmeister and répétiteur<br />

at MiR Gelsenkirchen; has<br />

produced and conducted many<br />

productions including national<br />

and world premieres. Founder<br />

of a youth opera orchestra at<br />

MiR and winner of Gelsen -<br />

kirchener Theaterpreis 2010.<br />

Works and assists regularly<br />

with orchestras at home and<br />

internationally, incl. Neue<br />

Philharmonie Westfalen and<br />

Staatsphilharmonie Breslau.<br />

Radio recordings for MDR. Lieder<br />

and chamber music evenings<br />

at the Wiener Staatsoper and the<br />

Kurhaus Baden-Baden amongst<br />

others. 2001–2008 studied<br />

conducting, piano, voice and<br />

law at Leipzig and at<br />

Universität für Musik in Vienna,<br />

under Fabio Luisi, Bernard<br />

Haitink, Seiji Ozawa and Kurt<br />

Masur. Born 1981 in Ravensburg.<br />

Freelance stage designer.<br />

Currently stage design assistant<br />

for ”Ein Sommernachtstraum“,<br />

Komische Oper Berlin (director,<br />

Viestur Kairish), <strong>2013</strong> ”Die<br />

Meistersinger von Nürnberg“,<br />

Salzburger Festspiele (director,<br />

Stefan Herheim), 2012 ”Xerxes“,<br />

Komische Oper Berlin (director,<br />

Stefan Hehrheim), 2011 stage<br />

and costume design ”Bonnie<br />

und Clyde“, Stadttheater Gießen<br />

(director, Abdul M. Kunze). 2011,<br />

concept / design for children’s<br />

artistic activities in at the<br />

Parochialkirche Berlin. 2009–<br />

2012, assisted on productions<br />

by Heike Scheele, Stefan<br />

Heyne and Marsha Ginsberg in<br />

Germany, Switzerland and New<br />

York. 2010, participated in the<br />

”Sprungbrett 2010“ and<br />

”Meisterszenen“ exhibitions at<br />

TU Berlin. 2010, Master of Arts<br />

in stage design, TU Berlin.<br />

2008, architecture degree, Hafen<br />

City University, Hamburg. Born<br />

1982 in Haskovo.<br />

Developing and managing<br />

Jugend an der Wien, and opera<br />

education at Theater an der<br />

Wien – Das neue Opernhaus<br />

since 2008, where she has<br />

conceptualized and staged<br />

”Béatrice et Bénédict“ based<br />

on the Berlioz opera of the<br />

same name (<strong>2013</strong>), ”The Voice<br />

of Hoffmann“ based on<br />

Offenbach’s ”Les Contes<br />

d’Hoffmann“ (2012), and<br />

”Rodelinda – Barock meets<br />

E-Bass“ based on Händel's<br />

”Rodelinda“ (2011). 2006–2008,<br />

press office assistant at Theater<br />

an der Wien, postgraduate<br />

course in journalism at the<br />

Donauuniversität, Krems. 2001–<br />

2006, studied music therapy<br />

at the University of Music<br />

and Performing Arts Vienna;<br />

practising music therapist.<br />

Music and theater studies in<br />

Berlin and Vienna. Has been<br />

involved in theater since<br />

childhood. Born 1980 in Bozen.<br />

fellow 2012–<strong>2014</strong>, is a finalist in the Concours Musical Reine Elisabeth +++ Evelyn<br />

Hriberšek, fellow 2009–2011, has received the distinguished title of “Kultur- und

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