Academy Opera Today 2013 / 2014 - Deutsche Bank Stiftung
Academy Opera Today 2013 / 2014 - Deutsche Bank Stiftung
Academy Opera Today 2013 / 2014 - Deutsche Bank Stiftung
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Fellows<br />
2012–<strong>2014</strong><br />
page 13<br />
Clemens Jüngling<br />
Category: Conducting<br />
Dimana Lateva<br />
Category: Stage Design<br />
Catherine Leiter<br />
Category: Cultural Management<br />
Freelance conductor and pianist<br />
since 2012. Projects with<br />
Musikfabrik Köln amongst others.<br />
Previously, from 2008,<br />
kapellmeister and répétiteur<br />
at MiR Gelsenkirchen; has<br />
produced and conducted many<br />
productions including national<br />
and world premieres. Founder<br />
of a youth opera orchestra at<br />
MiR and winner of Gelsen -<br />
kirchener Theaterpreis 2010.<br />
Works and assists regularly<br />
with orchestras at home and<br />
internationally, incl. Neue<br />
Philharmonie Westfalen and<br />
Staatsphilharmonie Breslau.<br />
Radio recordings for MDR. Lieder<br />
and chamber music evenings<br />
at the Wiener Staatsoper and the<br />
Kurhaus Baden-Baden amongst<br />
others. 2001–2008 studied<br />
conducting, piano, voice and<br />
law at Leipzig and at<br />
Universität für Musik in Vienna,<br />
under Fabio Luisi, Bernard<br />
Haitink, Seiji Ozawa and Kurt<br />
Masur. Born 1981 in Ravensburg.<br />
Freelance stage designer.<br />
Currently stage design assistant<br />
for ”Ein Sommernachtstraum“,<br />
Komische Oper Berlin (director,<br />
Viestur Kairish), <strong>2013</strong> ”Die<br />
Meistersinger von Nürnberg“,<br />
Salzburger Festspiele (director,<br />
Stefan Herheim), 2012 ”Xerxes“,<br />
Komische Oper Berlin (director,<br />
Stefan Hehrheim), 2011 stage<br />
and costume design ”Bonnie<br />
und Clyde“, Stadttheater Gießen<br />
(director, Abdul M. Kunze). 2011,<br />
concept / design for children’s<br />
artistic activities in at the<br />
Parochialkirche Berlin. 2009–<br />
2012, assisted on productions<br />
by Heike Scheele, Stefan<br />
Heyne and Marsha Ginsberg in<br />
Germany, Switzerland and New<br />
York. 2010, participated in the<br />
”Sprungbrett 2010“ and<br />
”Meisterszenen“ exhibitions at<br />
TU Berlin. 2010, Master of Arts<br />
in stage design, TU Berlin.<br />
2008, architecture degree, Hafen<br />
City University, Hamburg. Born<br />
1982 in Haskovo.<br />
Developing and managing<br />
Jugend an der Wien, and opera<br />
education at Theater an der<br />
Wien – Das neue Opernhaus<br />
since 2008, where she has<br />
conceptualized and staged<br />
”Béatrice et Bénédict“ based<br />
on the Berlioz opera of the<br />
same name (<strong>2013</strong>), ”The Voice<br />
of Hoffmann“ based on<br />
Offenbach’s ”Les Contes<br />
d’Hoffmann“ (2012), and<br />
”Rodelinda – Barock meets<br />
E-Bass“ based on Händel's<br />
”Rodelinda“ (2011). 2006–2008,<br />
press office assistant at Theater<br />
an der Wien, postgraduate<br />
course in journalism at the<br />
Donauuniversität, Krems. 2001–<br />
2006, studied music therapy<br />
at the University of Music<br />
and Performing Arts Vienna;<br />
practising music therapist.<br />
Music and theater studies in<br />
Berlin and Vienna. Has been<br />
involved in theater since<br />
childhood. Born 1980 in Bozen.<br />
fellow 2012–<strong>2014</strong>, is a finalist in the Concours Musical Reine Elisabeth +++ Evelyn<br />
Hriberšek, fellow 2009–2011, has received the distinguished title of “Kultur- und