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MUSI 3570 - University of Virginia

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B8<br />

B9<br />

B10<br />

South Africa – Paul Simon meets Ladysmith Black Mambazo<br />

South Africa – Music and Politics<br />

South Africa – Kwaito and Hip Hop<br />

[Port 4: Cape Town, South Africa, Feb. 24-29]<br />

B11<br />

B12<br />

South Africa FDP Presentations<br />

** Papers also due this day **<br />

QUIZ #2, Music <strong>of</strong> Mauritius<br />

[Port 5: Port Louis, Mauritius, Mar. 6]<br />

UNIT 2: INDIA<br />

India Readings:<br />

Manuel, “South Asia,” pp. 171-192<br />

Tim Taylor, “Anglo-Asian Self-Fashioning,” pp. 147-172<br />

Film Viewings (in class and on ship CC TV):<br />

There’ll Always Be Stars in the Sky (Bollywood documentary)<br />

Om Shanti Om (retro/modern Bollywood)<br />

Kandukondain Kandukondain (I Have Found It) (South Indian Tamil-language film)<br />

B13<br />

B14<br />

Bollywood: Film Music as Popular Music<br />

Indian Pop Music and Identity: Bhangra, etc.<br />

[Port 6: Cochin, India, Mar. 12-17]<br />

UNIT 3: SOUTHEAST AND EAST ASIA – VIETNAM, CHINA, AND JAPAN<br />

East/Southeast Asia Readings:<br />

Manuel, “Southeast Asia: Vietnam,” pp. 198-204<br />

Manuel, “China,” 221-235<br />

Manuel, “The Pacific: Hawai’i,” pp. 236-241<br />

Ian Condry, “A History <strong>of</strong> Japanese Hip Hop,” pp. 222-247<br />

B15<br />

Popular Music <strong>of</strong> Vietnam<br />

[Port 7: Singapore, Mar. 22]<br />

B16<br />

QUIZ #3, Popular Music <strong>of</strong> Vietnam, cont.<br />

[Port 8: Ho Chi Mihn City, Vietnam. Mar. 25-29]<br />

B17<br />

Popular Music <strong>of</strong> China – Shifting Identities I<br />

SEMS – Spring 2012 – Popular Musics <strong>of</strong> the World Syllabus, p. 5

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