MUSI 3570 - University of Virginia

[Port 9: Hong Kong to Shanghai, China, Apr. 1-7]
B18
Japanese Hip Hop
[Port 10: Kobe to Yokohama, Japan, Apr. 10-14]
B19
Popular Music of Japan – Shifting Identities II
B20 QUIZ #4
B21
Review/Catch-up day
B22
Popular Music of Hawai’i
[Port 11: Hilo, Hawai’i, Apr. 25]
FINAL EXAM – Sun. April 29, time TBA
READING ASSIGNMENT SOURCES (not in the Manuel text):
Collins, E. J. 1976. “Ghanaian Highlife,” African Arts 10(1): 62-68, 100.
Collins, John and Paul Richards. 1989. “Popular Music in West Africa (1981),” in Simon Frith (ed.)
World Music, Politics, and Social Change. New York: Manchester University Press, 12-46.
Condry, Ian. 2001. “A History of Japanese Hip Hop,” in Tony Mitchell (ed.) Global Noise: Rap and Hip
Hop Outside the USA. Middletown: Wesleyan University Press, 227-247.
Dunn, Christopher. 2002. “Tropicália, Counterculture, and the Diasporic Imagination in Brazil,” in
Charles Perrone and Christopher Dunn (eds.) Brazilian Popular Music and Globalization. New
York: Routledge, 72-95.
Feld, Steven. 2000. “A Sweet Lullaby for World Music,” Public Culture 12(1): 145-171.
Garofalo, Reebee. 1993. “Whose World, What Beat: The Transnational Music Industry, Identity, and
Cultural Imperialism,” The World of Music 35(2): 16-32.
Meintjes, Louise. 1990. “Paul Simon's Graceland, South Africa, and the Mediation of Musical
Meaning,” Ethnomusicology 34(1): 37-73.
Murphy, John P. 2006. Music in Brazil: Experiencing Music, Expressing Culture. New York: Oxford.
Steingo, Gavin. 2008. “Historicizing Kwaito,” African Music 8(2): 76-91.
Taylor, Timothy D. 1997. Global Pop. New York: Routledge.
SEMS – Spring 2012 – Popular Musics of the World Syllabus, p. 6