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indiana university press K e y s t o n e portrait of a jazz club K o r n e r “...a welcome and much-needed addition to the documentation of jazz in America.”—Nat Hentoff, record producer, photographer, and author of The Ghosts of Harlem, among many other books Photographs and Interviews by Kathy Sloane Edited by Sascha Feinstein and Kathy Sloane Keystone Korner Portrait of a Jazz Club Photographs and Interviews by Kathy Sloane Edited by Sascha Feinstein and Kathy Sloane Looking back at a West Coast Jazz oasis During the 1970s, when jazz clubs all over America were folding under the onslaught of rock ‘n’ roll and disco, San Francisco’s Keystone Korner was an oasis for jazz musicians and patrons. Tucked next to a police station in the city’s North Beach area, the Korner became known as one of the most important jazz spots in the United States. It was so beloved by musicians that superstars McCoy Tyner, Freddie Hubbard, Ron Carter, and Elvin Jones played a benefit concert just so the club could buy a liquor license. In this book, more than 100 black-and-white photographs and a marvelous collage of oral histories chronicle the Keystone experience. Kathy Sloane has been a freelance photographer for 35 years and has exhibited her jazz images in San Francisco, Oakland, and Los Angeles. In New York, she exhibited together with bassist/photographer Milt Hinton. A portfolio of her work was featured in Jazz Times, and five of her images appeared in Ken Burns’s PBS miniseries Jazz. The Jazz Fiction AnThology CD included EditEd by Sascha Feinstein & David Rife October 2011 Music, Photography U.S. and Canada 224 pages, 109 b&w illus., 8 1 / 2 x 10 Paper 978-0-253-35691-8 $40.00t £27.99 2 iupress.typepad.com/blog • 1.800.842.6796 Also of Interest Jazz in Black and White Cloth 978-0-253-34400-7 $34.95t Jazzwomen Cloth 978-0-253-34436-6 $24.95t The Jazz Fiction Anthology Paper 978-0-253-22137-7 $24.95t
indiana university press Beethoven in America Michael Broyles A pop-cultural tour of Beethoven’s America Beethoven permeates American culture. His image appears on countless busts and coffee mugs; his music is heard in movie scores, TV soundtracks, commercials, and pop songs; he is Schroeder’s god in Peanuts and Chuck Berry’s freaked-out parent in “Roll over Beethoven.” In this book, Michael Broyles seeks to understand the composer as he exists in the American imagination and explores how Beethoven became a cultural icon. Broyles examines Beethoven’s appearance in a variety of contexts: American commercialism, the Afrocentrist and black power movements, and the modernist critique of Romanticism. He considers portrayals of Beethoven in American film and theater and the uses of his music in film scores, as well as references to Beethoven and his music in disco, country, rock, and rap. In the end, he shows that to examine Beethoven on American soil is to examine America itself. Beethoven i n A m e r i c A M i c h a e l B r oyl e s Michael Broyles is Professor of Music at Florida State University and former Distinguished Professor of Music and Professor of American History at Pennsylvania State University. His most recent book (with Denise Von Glahn), Leo Ornstein: Modernist Dilemmas, Personal Choices (IUP, 2007), won the Irving Lowens Prize in 2007. “This book fills a great gap in our understanding both of Beethoven and of American culture. The panorama of this narrative encompasses antebellum rice plantations in South Carolina and the film studios of Hollywood, music critic John Dwight and rock star Chuck Berry, Theosophy and Black Power, Beethoven’s sketches, and YouTube videos.” —Christopher Reynolds, University of California, Davis Also of Interest Leo Ornstein Cloth 978-0-253-34894-4 $34.95s The Great American Symphony Cloth 978-0-253-35305-4 $24.95t November 2011 Music, Popular Culture World 376 pages, 61 b&w illus., 6 x 9 Cloth 978-0-253-35704-5 $29.95t £19.99 iupress.indiana.edu 3
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Indiana Indiana - Indiana University Press

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