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CHAIRS, SOFAS AND TABLES - Kilga

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<strong>CHAIRS</strong>, <strong>SOFAS</strong> <strong>AND</strong> <strong>TABLES</strong><br />

An overview 2012


ARCHAL CHAIR / ARMCHAIR<br />

DESIGN JOHANNES FOERSOM & PETER HIORT-LORENZEN


VOLO EASY CHAIR / FOOTSTOOL<br />

DESIGN <strong>AND</strong>REAS STÖRIKO


DEXTER STOOL<br />

DESIGN <strong>AND</strong>REAS FARKAS


CLUB EASY CHAIR<br />

DESIGN JOHANNES FOERSOM & PETER HIORT-LORENZEN


SAHARA EASY CHAIR<br />

DESIGN GUNILLA ALLARD


ADDIT Modular Seating<br />

DESIGN ANYA SEBTON


FUNK TABLE<br />

SPIRA ARMCHAIR<br />

DESIGN JOHANNES FOERSOM & PETER HIORT-LORENZEN


Chairs <strong>AND</strong> ARM<strong>CHAIRS</strong><br />

Archal<br />

Atlas Campus Campus Air<br />

Cinema Sport<br />

Comet<br />

Cortina<br />

Corpus<br />

Cosmos<br />

Imprint<br />

Planka<br />

Qvintus<br />

Spira<br />

Virtus<br />

X 75-2<br />

77


BARSTOOLS and stools<br />

Campus Millibar<br />

Mini<br />

S70-3 Dexter<br />

Benches and Modular Seating<br />

A-Line<br />

Addit<br />

Area<br />

Bank<br />

Corpus


CINEMA EASY CHAIR<br />

DESIGN GUNILLA ALLARD


COMET ARMCHAIR<br />

DESIGN GUNILLA ALLARD


Easy Chairs<br />

A-Line Addit Area<br />

Atlas XL<br />

Chicago<br />

Cinema<br />

Club<br />

Cooper<br />

Comet<br />

Cortina<br />

Millibar Soft Lounge<br />

S70-4<br />

Sahara<br />

Volo


Sofas<br />

Addit<br />

Area<br />

Chicago<br />

Cinema<br />

Club<br />

Newport<br />

S70-5 Sahara Wood


A-LINE MODULAR SEATING<br />

DESIGN ANYA SEBTON


IMPRINT CHAIR<br />

DESIGN JOHANNES FOERSOM & PETER HIORT-LORENZEN


tables<br />

Archal<br />

Atlas<br />

Campus<br />

Campus Café<br />

Chicago<br />

Cinema<br />

Cooper<br />

Cooper High<br />

Funk<br />

Millibar Lounge<br />

Newport<br />

Quickly<br />

Sahara Wood<br />

Saturn


trolleys<br />

Cargo<br />

Cargo Gastro<br />

Cargo Support<br />

Chicago<br />

Chicago Support<br />

Accessories<br />

Info<br />

S70-12 Stand By


AREA MODULAR SEATING<br />

DESIGN ANYA SEBTON


S70 SERIES<br />

DESIGN BÖRGE LINDAU &<br />

BO LINDEKRANTZ


LAMMHULTS DESIGNERS<br />

ANYA SEBTON<br />

Anya Sebton’s earliest association with fine<br />

design was in her childhood home in Stockholm.<br />

Influenced by the works of internationally famous<br />

Scandinavian designers that surrounded her, Anya<br />

pursued an academic programme of studies in<br />

interior architecture and design. When Anya<br />

Sebton graduated from Beckmans School of Art<br />

she was recognized by Svensk Form by being<br />

one of three designers represented at the Young<br />

Nordic Design exhibition.<br />

This exhibition travelled around Europe.<br />

Multiplicity was the chosen product, a lounge<br />

chair with modular capabilities developed<br />

together with Lammhults, a design inspired<br />

by the strict minimalist aesthetics of airplane<br />

seating. From these noteworthy beginnings,<br />

Anya has created a full range of innovative,<br />

functional products for Lammhults. Anya<br />

describes the consistent theme to all her works<br />

as disciplined research. “When I approach<br />

a design assignment, I research the field<br />

thoroughly, looking for a gap. In this way,<br />

what I design is not just another product, but<br />

an innovation on a theme.“<br />

The designs of Anya Sebton are thoughtful and<br />

refined, demonstrating an intellectual rationale<br />

and a practical sensibility, as well as an<br />

innovative appeal.<br />

_____<br />

GUNILLA ALLARD<br />

With a background of working with several<br />

projects in the Swedish film industry, Gunilla<br />

enrolled at Konstfack, the University College<br />

of Arts, Crafts and Design in Stockholm, in<br />

1983, to study interior and furniture design.<br />

In 1985 Gunilla was a visiting student at the<br />

Royal Danish Academy of Fine Arts School<br />

in Copenhagen.<br />

When newly graduated, in 1988, Gunilla was<br />

selected, as one of five students, to participate<br />

in a student workshop arranged by Lammhults,<br />

which led to the start of her carrier as a furniture<br />

designer. Gunilla became Lammhults first female<br />

designer and her continued work for Lammhults<br />

has resulted in a numerous range of furniture<br />

design. Cinema easy chair, designed for<br />

Lammhults in 1994, with details from old sports<br />

cars as a source of inspiration, is the most wellknown<br />

of her designs. The statement of the jury<br />

of the George Jensen prize received in 1996,<br />

one of many prestigious awards received, well<br />

describes her products. ”… strict, minimalistic<br />

and elegant design. The proportions and details<br />

of her furniture reveal a genuine sense of<br />

quality.” Gunilla´s collaboration with Lammhults<br />

during 20 years, as well as designing kitchens,<br />

glassware, lightning and carpets, makes her<br />

one of the foremost names in contemporary<br />

Scandinavian design.<br />

_____<br />

JOHANNES FOERSOM<br />

PETER HIORT-LORENZEN<br />

Working as partners since 1977, Peter Hiort-<br />

Lorenzen and Johannes Foersom approached<br />

Lammhults in 1986 with the idea of cooperating<br />

in the creation of a new set of furniture designs<br />

for the international marketplace. Following the<br />

success of their first upholstered pieces, Peter<br />

& Johannes brought international acclaim to<br />

Lammhults with the Campus chair in 1992.<br />

Guided by the principle that furniture must not<br />

dominate it’s surroundings, Peter Hiort-Lorenzen<br />

& Johannes Foersom set out to create strong,<br />

silent designs. As Peter explains: “The hardest<br />

part of our work is to reach the point where our<br />

designs are totally clear, the point where all the<br />

’noise’ is gone from the design.“<br />

Light, precise and practical, the measure of success<br />

of the designs done by Peter & Johannes for<br />

Lammhults is in the extensive international design<br />

awards they have won. Lammhults seating and<br />

tables by Peter & Johannes can be found in the<br />

most prestigious interiors of homes and offices<br />

around the world.


ANYA SEBTON<br />

GUNILLA ALLARD<br />

JOHANNES FOERSOM<br />

PETER HIORT-LORENZEN


BÖRGE LINDAU<br />

BO LINDEKRANTZ<br />

By the early 1960s Lammhults was looking to<br />

expand it’s design identity and they invited the<br />

well-known design partners Lindau & Lindekrantz<br />

to work with them. In 1965 Lammhults asked<br />

Lindau & Lindekrantz to design a chair for public<br />

use. Instead of one chair, Lindau and Lindekrantz<br />

offered two: Ritz and Royal. The chairs were<br />

the beginning of a long and fruitful collaboration<br />

that was to last for two decades. Over the course<br />

of the next 20 years, Lindau & Lindekrantz created<br />

scores of designs for Lammhults, establishing<br />

the company as a reference point for leading<br />

Scandinavian design. During Lammhult’s<br />

collaboration with Börge Lindau and Bo Lindekrantz,<br />

a number of important furniture designs were<br />

developed. A collection of Lindau & Lindekrantz<br />

designs are still in production.<br />

_____<br />

<strong>AND</strong>REAS STÖRIKO<br />

Andreas Störiko was born in Cologne, Germany<br />

in 1965. After studies in architecture and<br />

product design, Andreas moved to Milan in<br />

1994. For one year Andreas worked as an<br />

assistant to designer richard Sapper. At the<br />

same time he opened an independent design<br />

studio in Milan with clients mostly in the<br />

furniture sector. Besides thoughtful selection of<br />

materials and production methods he is trying<br />

to design the products so that they can have<br />

a long life span and hopefully are loved and<br />

cared for by the user. His dream is to create<br />

products that ideally never will be thrown away.<br />

Andreas is particularly pleased if he succeeds<br />

in creating completely new product typologies<br />

that can point the way in an aesthetically longterm<br />

manner but still can be merged with our<br />

traditional understanding of beauty. He also<br />

thinks that it is important that products should be<br />

produced in harmony with nature.<br />

LOVE ARBÉN<br />

Love Arbén is not only an architect, but also a<br />

professor at the university and a writer. Love is<br />

a man without free time, fully involved in every<br />

dimension of his life, but rich in the complexities<br />

he brings together at one single point. The clarity<br />

of design in the modernist movement appeals to<br />

Love and he talks of the simplicity of expression<br />

in the designs of this period as being clean -<br />

free of decoration. Modern furniture is at it’s<br />

best when it becomes “invisible“. The furniture<br />

recedes into its setting, serving not controlling<br />

its space.<br />

_____<br />

<strong>AND</strong>REAS FARKAS<br />

Andreas, born 1985 in Stockholm, Sweden,<br />

began his studies at KTH University College´s<br />

School of Architecture in 2005. During his<br />

studies he started thinking a lot about the<br />

architect´s role and responsibility, where to<br />

start and finish the shape of a building and<br />

how to relate to spaces and functionality. After<br />

his bachelor degree he applied to Konstfack,<br />

University College of Arts, Crafts and Design in<br />

Stockholm, and got accepted. The master year<br />

gave him more creativity and perspective to<br />

what an architect and designer can do, working<br />

in a smaller scale and experiencing tools and<br />

craftsmanship in detail. In 2011, a course<br />

called: “Design Industry” introduced Andreas to<br />

Lammhults Möbel AB and after some sketchwork<br />

and research for a new, fresh design his<br />

first product for Lammhults, Dexter stool, was<br />

created.<br />

GR<strong>AND</strong> PUBLIC 1202


BÖRGE LINDAU & BO LINDEKRANTZ<br />

LOVE ARBÈN<br />

<strong>AND</strong>REAS STÖRIKO<br />

<strong>AND</strong>REAS FARKAS


Lammhults Möbel AB<br />

Växjövägen 41, Box 26<br />

SE-360 30 Lammhult<br />

Sweden<br />

contact<br />

+46 472 26 95 00 Phone<br />

+46 472 26 05 70 Fax<br />

info@lammhults.se<br />

www.lammhults.se

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