CHAIRS, SOFAS AND TABLES - Kilga
CHAIRS, SOFAS AND TABLES - Kilga
CHAIRS, SOFAS AND TABLES - Kilga
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<strong>CHAIRS</strong>, <strong>SOFAS</strong> <strong>AND</strong> <strong>TABLES</strong><br />
An overview 2012
ARCHAL CHAIR / ARMCHAIR<br />
DESIGN JOHANNES FOERSOM & PETER HIORT-LORENZEN
VOLO EASY CHAIR / FOOTSTOOL<br />
DESIGN <strong>AND</strong>REAS STÖRIKO
DEXTER STOOL<br />
DESIGN <strong>AND</strong>REAS FARKAS
CLUB EASY CHAIR<br />
DESIGN JOHANNES FOERSOM & PETER HIORT-LORENZEN
SAHARA EASY CHAIR<br />
DESIGN GUNILLA ALLARD
ADDIT Modular Seating<br />
DESIGN ANYA SEBTON
FUNK TABLE<br />
SPIRA ARMCHAIR<br />
DESIGN JOHANNES FOERSOM & PETER HIORT-LORENZEN
Chairs <strong>AND</strong> ARM<strong>CHAIRS</strong><br />
Archal<br />
Atlas Campus Campus Air<br />
Cinema Sport<br />
Comet<br />
Cortina<br />
Corpus<br />
Cosmos<br />
Imprint<br />
Planka<br />
Qvintus<br />
Spira<br />
Virtus<br />
X 75-2<br />
77
BARSTOOLS and stools<br />
Campus Millibar<br />
Mini<br />
S70-3 Dexter<br />
Benches and Modular Seating<br />
A-Line<br />
Addit<br />
Area<br />
Bank<br />
Corpus
CINEMA EASY CHAIR<br />
DESIGN GUNILLA ALLARD
COMET ARMCHAIR<br />
DESIGN GUNILLA ALLARD
Easy Chairs<br />
A-Line Addit Area<br />
Atlas XL<br />
Chicago<br />
Cinema<br />
Club<br />
Cooper<br />
Comet<br />
Cortina<br />
Millibar Soft Lounge<br />
S70-4<br />
Sahara<br />
Volo
Sofas<br />
Addit<br />
Area<br />
Chicago<br />
Cinema<br />
Club<br />
Newport<br />
S70-5 Sahara Wood
A-LINE MODULAR SEATING<br />
DESIGN ANYA SEBTON
IMPRINT CHAIR<br />
DESIGN JOHANNES FOERSOM & PETER HIORT-LORENZEN
tables<br />
Archal<br />
Atlas<br />
Campus<br />
Campus Café<br />
Chicago<br />
Cinema<br />
Cooper<br />
Cooper High<br />
Funk<br />
Millibar Lounge<br />
Newport<br />
Quickly<br />
Sahara Wood<br />
Saturn
trolleys<br />
Cargo<br />
Cargo Gastro<br />
Cargo Support<br />
Chicago<br />
Chicago Support<br />
Accessories<br />
Info<br />
S70-12 Stand By
AREA MODULAR SEATING<br />
DESIGN ANYA SEBTON
S70 SERIES<br />
DESIGN BÖRGE LINDAU &<br />
BO LINDEKRANTZ
LAMMHULTS DESIGNERS<br />
ANYA SEBTON<br />
Anya Sebton’s earliest association with fine<br />
design was in her childhood home in Stockholm.<br />
Influenced by the works of internationally famous<br />
Scandinavian designers that surrounded her, Anya<br />
pursued an academic programme of studies in<br />
interior architecture and design. When Anya<br />
Sebton graduated from Beckmans School of Art<br />
she was recognized by Svensk Form by being<br />
one of three designers represented at the Young<br />
Nordic Design exhibition.<br />
This exhibition travelled around Europe.<br />
Multiplicity was the chosen product, a lounge<br />
chair with modular capabilities developed<br />
together with Lammhults, a design inspired<br />
by the strict minimalist aesthetics of airplane<br />
seating. From these noteworthy beginnings,<br />
Anya has created a full range of innovative,<br />
functional products for Lammhults. Anya<br />
describes the consistent theme to all her works<br />
as disciplined research. “When I approach<br />
a design assignment, I research the field<br />
thoroughly, looking for a gap. In this way,<br />
what I design is not just another product, but<br />
an innovation on a theme.“<br />
The designs of Anya Sebton are thoughtful and<br />
refined, demonstrating an intellectual rationale<br />
and a practical sensibility, as well as an<br />
innovative appeal.<br />
_____<br />
GUNILLA ALLARD<br />
With a background of working with several<br />
projects in the Swedish film industry, Gunilla<br />
enrolled at Konstfack, the University College<br />
of Arts, Crafts and Design in Stockholm, in<br />
1983, to study interior and furniture design.<br />
In 1985 Gunilla was a visiting student at the<br />
Royal Danish Academy of Fine Arts School<br />
in Copenhagen.<br />
When newly graduated, in 1988, Gunilla was<br />
selected, as one of five students, to participate<br />
in a student workshop arranged by Lammhults,<br />
which led to the start of her carrier as a furniture<br />
designer. Gunilla became Lammhults first female<br />
designer and her continued work for Lammhults<br />
has resulted in a numerous range of furniture<br />
design. Cinema easy chair, designed for<br />
Lammhults in 1994, with details from old sports<br />
cars as a source of inspiration, is the most wellknown<br />
of her designs. The statement of the jury<br />
of the George Jensen prize received in 1996,<br />
one of many prestigious awards received, well<br />
describes her products. ”… strict, minimalistic<br />
and elegant design. The proportions and details<br />
of her furniture reveal a genuine sense of<br />
quality.” Gunilla´s collaboration with Lammhults<br />
during 20 years, as well as designing kitchens,<br />
glassware, lightning and carpets, makes her<br />
one of the foremost names in contemporary<br />
Scandinavian design.<br />
_____<br />
JOHANNES FOERSOM<br />
PETER HIORT-LORENZEN<br />
Working as partners since 1977, Peter Hiort-<br />
Lorenzen and Johannes Foersom approached<br />
Lammhults in 1986 with the idea of cooperating<br />
in the creation of a new set of furniture designs<br />
for the international marketplace. Following the<br />
success of their first upholstered pieces, Peter<br />
& Johannes brought international acclaim to<br />
Lammhults with the Campus chair in 1992.<br />
Guided by the principle that furniture must not<br />
dominate it’s surroundings, Peter Hiort-Lorenzen<br />
& Johannes Foersom set out to create strong,<br />
silent designs. As Peter explains: “The hardest<br />
part of our work is to reach the point where our<br />
designs are totally clear, the point where all the<br />
’noise’ is gone from the design.“<br />
Light, precise and practical, the measure of success<br />
of the designs done by Peter & Johannes for<br />
Lammhults is in the extensive international design<br />
awards they have won. Lammhults seating and<br />
tables by Peter & Johannes can be found in the<br />
most prestigious interiors of homes and offices<br />
around the world.
ANYA SEBTON<br />
GUNILLA ALLARD<br />
JOHANNES FOERSOM<br />
PETER HIORT-LORENZEN
BÖRGE LINDAU<br />
BO LINDEKRANTZ<br />
By the early 1960s Lammhults was looking to<br />
expand it’s design identity and they invited the<br />
well-known design partners Lindau & Lindekrantz<br />
to work with them. In 1965 Lammhults asked<br />
Lindau & Lindekrantz to design a chair for public<br />
use. Instead of one chair, Lindau and Lindekrantz<br />
offered two: Ritz and Royal. The chairs were<br />
the beginning of a long and fruitful collaboration<br />
that was to last for two decades. Over the course<br />
of the next 20 years, Lindau & Lindekrantz created<br />
scores of designs for Lammhults, establishing<br />
the company as a reference point for leading<br />
Scandinavian design. During Lammhult’s<br />
collaboration with Börge Lindau and Bo Lindekrantz,<br />
a number of important furniture designs were<br />
developed. A collection of Lindau & Lindekrantz<br />
designs are still in production.<br />
_____<br />
<strong>AND</strong>REAS STÖRIKO<br />
Andreas Störiko was born in Cologne, Germany<br />
in 1965. After studies in architecture and<br />
product design, Andreas moved to Milan in<br />
1994. For one year Andreas worked as an<br />
assistant to designer richard Sapper. At the<br />
same time he opened an independent design<br />
studio in Milan with clients mostly in the<br />
furniture sector. Besides thoughtful selection of<br />
materials and production methods he is trying<br />
to design the products so that they can have<br />
a long life span and hopefully are loved and<br />
cared for by the user. His dream is to create<br />
products that ideally never will be thrown away.<br />
Andreas is particularly pleased if he succeeds<br />
in creating completely new product typologies<br />
that can point the way in an aesthetically longterm<br />
manner but still can be merged with our<br />
traditional understanding of beauty. He also<br />
thinks that it is important that products should be<br />
produced in harmony with nature.<br />
LOVE ARBÉN<br />
Love Arbén is not only an architect, but also a<br />
professor at the university and a writer. Love is<br />
a man without free time, fully involved in every<br />
dimension of his life, but rich in the complexities<br />
he brings together at one single point. The clarity<br />
of design in the modernist movement appeals to<br />
Love and he talks of the simplicity of expression<br />
in the designs of this period as being clean -<br />
free of decoration. Modern furniture is at it’s<br />
best when it becomes “invisible“. The furniture<br />
recedes into its setting, serving not controlling<br />
its space.<br />
_____<br />
<strong>AND</strong>REAS FARKAS<br />
Andreas, born 1985 in Stockholm, Sweden,<br />
began his studies at KTH University College´s<br />
School of Architecture in 2005. During his<br />
studies he started thinking a lot about the<br />
architect´s role and responsibility, where to<br />
start and finish the shape of a building and<br />
how to relate to spaces and functionality. After<br />
his bachelor degree he applied to Konstfack,<br />
University College of Arts, Crafts and Design in<br />
Stockholm, and got accepted. The master year<br />
gave him more creativity and perspective to<br />
what an architect and designer can do, working<br />
in a smaller scale and experiencing tools and<br />
craftsmanship in detail. In 2011, a course<br />
called: “Design Industry” introduced Andreas to<br />
Lammhults Möbel AB and after some sketchwork<br />
and research for a new, fresh design his<br />
first product for Lammhults, Dexter stool, was<br />
created.<br />
GR<strong>AND</strong> PUBLIC 1202
BÖRGE LINDAU & BO LINDEKRANTZ<br />
LOVE ARBÈN<br />
<strong>AND</strong>REAS STÖRIKO<br />
<strong>AND</strong>REAS FARKAS
Lammhults Möbel AB<br />
Växjövägen 41, Box 26<br />
SE-360 30 Lammhult<br />
Sweden<br />
contact<br />
+46 472 26 95 00 Phone<br />
+46 472 26 05 70 Fax<br />
info@lammhults.se<br />
www.lammhults.se