REVOLUTIONART International Magazine - Issue 46 - "JUSTICE"
Find the balance of truth. One of the biggest mistakes people make is to live their lives believing that the world is just. On the other hand, ironically one of the finest things one can do is to continue seeking justice in order to help create a better world. Welcome to Revolutionart “Justice”. This is an artistic journey on one of the coolest magazines full of color, ideas, beauty models, animation, photographers, designers, worldwide advertisement, design products, photography projects, exhibitions, movies, and general art. download now! www.RevolutionartMagazine.com
Find the balance of truth.
One of the biggest mistakes people make is to live their lives believing that the world is just. On the other hand, ironically one of the finest things one can do is to continue seeking justice in order to help create a better world.
Welcome to Revolutionart “Justice”.
This is an artistic journey on one of the coolest magazines full of color, ideas, beauty models, animation, photographers, designers, worldwide advertisement, design products, photography projects, exhibitions, movies, and general art.
download now! www.RevolutionartMagazine.com
Create successful ePaper yourself
Turn your PDF publications into a flip-book with our unique Google optimized e-Paper software.
INTERNATIONAL MAGAZINE<br />
ISSUE # <strong>46</strong><br />
ISSN 2220-444X<br />
EDITORIAL<br />
JUSTICE<br />
Published by:<br />
Publicistas.Org<br />
Contact Revolutionart:<br />
hola@publicistas.org<br />
Created by:<br />
Nelson Medina<br />
www.nelson-medina.com<br />
nelson@publicistas.org<br />
Cover image:<br />
Eolo Perfido<br />
www.eoloperfido.com<br />
All the contributor’s<br />
artworks are property of<br />
their respective owners and<br />
can’t be reproduced without<br />
permission.<br />
All the editorial designs<br />
by Nelson Medina &<br />
Revolutionart Studios.<br />
All the creative ideas by<br />
Publicistas.org.<br />
One of the biggest mistakes<br />
people make is to live their<br />
lives believing that the world is just.<br />
On the other hand, ironically one<br />
of the finest things one can do is to<br />
continue seeking justice in order to<br />
help create a better world.<br />
That noble vision is what enables<br />
us to continue on the road towards<br />
an equilibrium that can satisfy us<br />
all.<br />
But during the more than six<br />
thousand years since human<br />
civilization began, it appears<br />
that the search for justice has<br />
been a monumental failure. In<br />
today’s world we can see how<br />
the same corrupt governments<br />
of the past continue to exist, and<br />
that they continue to produce<br />
new generations of misfits who<br />
shatter that balance. Those people<br />
who claim to be fighting for their<br />
freedom or their rights use violence<br />
in what does not resemble justice,<br />
but rather a search for revenge<br />
into which innocent people are<br />
dragged along the way.<br />
people languish in jail, political<br />
scandals are rife and poverty is<br />
visible to varying degrees.<br />
That is why perhaps the most<br />
“just” path is to understand that<br />
human nature is multifaceted,<br />
and that it gives rise to different<br />
cultures, societies, tastes and<br />
customs, as well as –crucially- very<br />
different visions of what justice<br />
actually means. And that is why<br />
we have prepared this edition, in<br />
which artists from a number of<br />
regions look beneath the surface<br />
of that meaning. Welcome to<br />
Revolutionart “Justice”.<br />
www.Revolutionart<strong>Magazine</strong>.com<br />
© 2014<br />
Publicistas.Org<br />
<strong>REVOLUTIONART</strong> MAGAZINE<br />
And even in the richest, most<br />
technologically advanced countries<br />
with the best education systems<br />
Nelson Medina<br />
Creative Director<br />
Publicistas.org<br />
nelson@publicistas.org
HOW TO READ<br />
<strong>REVOLUTIONART</strong><br />
ESC<br />
ESCAPE FROM FULLSCREEN MODE<br />
MOVE BETWEEN PAGES<br />
CTRL +L<br />
RETURN TO FULLSCREEN MODE<br />
...AND DON’T FORGET TO CLICK THE LINKS
<strong>REVOLUTIONART</strong><br />
CONTRIBUTORS<br />
<strong>Issue</strong> <strong>46</strong> - Justice<br />
Aby Long<br />
United Kingdom<br />
along2@pca.ac.uk<br />
Angelo Nairod<br />
Italy<br />
angelonairod@hotmail.it<br />
www.flickr.com/angelo_nairod<br />
Ann Morgan<br />
a5m5morgan@yahoo.com<br />
United States<br />
Carly Sienko<br />
United Kingdom<br />
csienko1@pca.ac.uk<br />
Charlotte Matthews<br />
United Kingdom<br />
cmatthews1@pca.ac.uk<br />
Dave Bear Atienza<br />
Philippines<br />
paxmundi63@yahoo.com<br />
http://tinyurl.com/a22ux8n<br />
Eddy Peters<br />
The Netherlands<br />
www.eddypeters.nl<br />
Eolo Perfido<br />
Italy<br />
www.eoloperfido.com<br />
George Bogiatzidis<br />
Greece<br />
g.bogiatzidis@gmail.com<br />
georgeboya.com<br />
Giovanni Tagliavini<br />
Italy<br />
gtagliavini@tiscalinet.it<br />
www.giovannitagliavini.tumblr.com<br />
Hamed Zarei<br />
Iran<br />
hdmlcomputer@gmail.com<br />
www.facebook.com/HamedZarei110<br />
Isaac Gillard<br />
United Kingdom<br />
igillard1@pca.ac.uk<br />
Jack Vernon<br />
United Kingdom<br />
jvernon1@pca.ac.uk
<strong>REVOLUTIONART</strong><br />
CONTRIBUTORS<br />
<strong>Issue</strong> <strong>46</strong> - Justice<br />
Joffre Bazán Mera<br />
Ecuador<br />
bznrepublik@gmail.com<br />
Leah Coghlan<br />
Canada<br />
littleleah78@gmail.com<br />
www.facebook.comPintSizedDesign<br />
Leo K<br />
Czech Republic<br />
leo.kyslinger@gmail.com<br />
www.kyslinger.info<br />
Lydia Nová<br />
Czech Republic<br />
nlydia@seznam.cz<br />
Mahsa Saleh<br />
Iran<br />
mahsa_saleh2001@yahoo.com<br />
Mani Farsipour Naghibi<br />
Iran<br />
manifarsipour@yahoo.com<br />
www.architect-mani.com<br />
Manu Jayasankar Ambady<br />
India<br />
manu_jayz@yahoo.co.in<br />
Miguel Juan Jordá<br />
Spain<br />
emejota13@gmail.com<br />
Ordi Calder<br />
Brazil<br />
ordicalder@gmail.com<br />
www.ordicalder.com<br />
Pablo Recalde Equiza<br />
Spain<br />
pablo@recaldecomunicacion.com<br />
www.recaldecomunicacion.com<br />
Pablo Sosa<br />
Uruguay<br />
pblsosa3@gmail.com<br />
www.pablososafotografia.tumblr.com<br />
YOU CAN PARTICIPATE IN THE NEXT ISSUE !
<strong>REVOLUTIONART</strong><br />
CONTRIBUTORS<br />
<strong>Issue</strong> <strong>46</strong> - Justice<br />
Patri-Art<br />
art.patri@gmail.com<br />
Spain<br />
www.patri-art.blogspot.com<br />
Ricardo Santos Meireles<br />
Macau, China<br />
arq.ricardo.meireles@gmail.com<br />
Richard Alexander Heckert<br />
Germany<br />
heckertart.com<br />
Röczei György<br />
Hungary<br />
roc_art@hu.inter.net<br />
http://rocart.hu<br />
Roksana Karczewska<br />
Poland<br />
brushesandsplashes@gmail.com<br />
http://tinyurl.com/pjceosa<br />
Rola Khayyat<br />
Egypt<br />
www.rolakhayyat.com<br />
Ryan Curnow<br />
United Kingdom<br />
rcurnow1@pca.ac.uk<br />
Ryan Wildish<br />
United Kingdom<br />
rwildish1@pca.ac.uk<br />
Simon Zoltán<br />
Hungary<br />
simon.gajer@t-online.hu<br />
www.simonart.hu<br />
Tinca Veerman<br />
The Netherlands<br />
tincaveerman@upcmail.Nl<br />
tincaveerman.Com<br />
Tom Walters<br />
United Kingdom<br />
twalters1@pca.ac.uk<br />
Ugo Vantini<br />
Italy<br />
ugovantini@alice.it<br />
https://myspace.com/ugovantini<br />
YOU CAN PARTICIPATE IN THE NEXT ISSUE !
Your<br />
World
Your<br />
World
CURRENT THEME:<br />
JUSTICE
<strong>46</strong> - Justice Röczei György - Hungary
<strong>46</strong> - Justice Röczei György - Hungary
<strong>46</strong> - Justice Tinca Veerman - The Netherlands<br />
<strong>46</strong> - Justice Roksana Karczewska - Poland
<strong>46</strong> - Justice Roksana Karczewska - Poland
<strong>46</strong> - Justice Ryan Curnow - United Kingdom
<strong>46</strong> - Justice Aby Long - United Kingdom<br />
<strong>46</strong> - Justice Dave Bear Atienza - Philippines
<strong>46</strong> - Justice Ryan Wildish - United Kingdom
<strong>46</strong> - Justice Simon Zoltán - Hungary
<strong>46</strong> - Justice Simon Zoltán - Hungary
<strong>46</strong> - Justice Ugo Vantini - Italy
<strong>46</strong> - Justice Ugo Vantini - Italy
<strong>46</strong> - Justice Ugo Vantini - Italy
<strong>46</strong> - Justice Tom Walters - United Kingdom
<strong>46</strong> - Justice Ann Morgan - United States
<strong>46</strong> - Justice Ann Morgan - United States
<strong>46</strong> - Justice Angelo Nairod - Italy
<strong>46</strong> - Justice George Bogiatzidis - Greece<br />
<strong>46</strong> - Justice Carly Sienko - United Kingdom
<strong>46</strong> - Justice Charlotte Matthews - United Kingdom
<strong>46</strong> - Justice Eddy Peters - The Netherlands
<strong>46</strong> - Justice Giovanni Tagliavini - Italy
<strong>46</strong> - Justice Giovanni Tagliavini - Italy
<strong>46</strong> - Justice Giovanni Tagliavini - Italy
<strong>46</strong> - Justice Giovanni Tagliavini - Italy
<strong>46</strong> - Justice Giovanni Tagliavini - Italy
<strong>46</strong> - Justice Giovanni Tagliavini - Italy
<strong>46</strong> - Justice Giovanni Tagliavini - Italy
<strong>46</strong> - Justice Isaac Gillard - United Kingdom<br />
<strong>46</strong> - Justice Hamed Zarei - Iran
<strong>46</strong> - Justice Ricardo Santos Meireles - China<br />
<strong>46</strong> - Justice Jack Vernon - United Kingdom
<strong>46</strong> - Justice Joffre Bazán Mera - Ecuador
<strong>46</strong> - Justice Joffre Bazán Mera - Ecuador
<strong>46</strong> - Justice Leah Coghlan - Canada
<strong>46</strong> - Justice Leo K - Czech Republic
<strong>46</strong> - Justice Leo K - Czech Republic
<strong>46</strong> - Justice Leo K - Czech Republic
<strong>46</strong> - Justice Lydia Nová - Czech Republic
<strong>46</strong> - Justice Lydia Nová - Czech Republic
<strong>46</strong> - Justice Lydia Nová - Czech Republic
<strong>46</strong> - Justice Lydia Nová - Czech Republic
<strong>46</strong> - Justice Mahsa Saleh - Iran<br />
<strong>46</strong> - Justice Mahsa Saleh - Iran
<strong>46</strong> - Justice Manu Jayasankar Ambady - India<br />
<strong>46</strong> - Justice Manu Jayasankar Ambady - India
<strong>46</strong> - Justice Manu Jayasankar Ambady - India<br />
<strong>46</strong> - Justice Manu Jayasankar Ambady - India
<strong>46</strong> - Justice Mani Farsipour - Iran
<strong>46</strong> - Justice Miguel Juan Jordá - Spain
<strong>46</strong> - Justice Miguel Juan Jordá - Spain
<strong>46</strong> - Justice Ordi Calder - Brazil
<strong>46</strong> - Justice Ordi Calder - Brazil
<strong>46</strong> - Justice Ordi Calder - Brazil<br />
<strong>46</strong> - Justice Pablo Recalde - Spain
<strong>46</strong> - Justice Pablo Sosa - Uruguay
<strong>46</strong> - Justice Patri-Art - Spain
<strong>46</strong> - Justice Rola Khayyat - Egypt
How to join the next edition? :<br />
Follow the guidelines at www.Revolutionart<strong>Magazine</strong>.com
INTERVIEW WITH<br />
EOLO PERFIDO<br />
SHADOW & LIGHT<br />
INTERVIEW WITH EOLO PERFIDO<br />
Italy<br />
www.eoloperfido.com<br />
February 2014<br />
By Nelson Medina<br />
nelson@publicistas.org<br />
© Images provided by Eolo Perfido
Can you tell us a little about<br />
yourself to help people who<br />
aren’t familiar with you?<br />
I’m a professional<br />
photographer who was<br />
born in France in a small<br />
town called Cognac the 10<br />
february 1972. I currently<br />
live in Rome and work all<br />
over the world. Over the<br />
years i’ve been working<br />
for several international<br />
agencies and clients such as<br />
Pepsi Cola, The New York<br />
Times, Gatorade, Kraft,<br />
Samnsung and many more.<br />
I’ve been honoured to assist<br />
field photographers like<br />
Steve McCurry, Elliott Erwitt and James<br />
Natchwey in several of their shootings in<br />
Europe, Africa, Asia and South America.<br />
What kind of<br />
art training<br />
have you had?<br />
I never had any specific<br />
art training. After<br />
finishing high school,<br />
I didn’t know what<br />
to do with my life. I<br />
was naturally drawn<br />
towards everything<br />
that had to do with<br />
images, especially
comics and graphic novels. The fact that I was not<br />
really good at drawing was quite frustrating, so<br />
I decided to help out friends who were drawing<br />
comics by working more on the narrative part.<br />
At 28 I followed a friend who had the passion for<br />
photography during one of his portrait sessions.<br />
The whole experience fascinated me to the point<br />
where I decided to try it out myself. My first few<br />
photoshoots, where I was taking photos of friends<br />
and relatives, really surprised me. I was feeling<br />
completely at ease with a camera in my hands<br />
and I could get some nice , well composed pictures<br />
even if I was lacking in experience.<br />
It was love at first sight: from that moment on, all<br />
I could think about was photography and for the<br />
following two years I used all of my free time for<br />
my personal formation in that field.<br />
What are the jobs you are most<br />
proud of?<br />
My first two series. Propaganda and Clowville.<br />
Both projects are born from my narrative needs. I<br />
always try to tell stories through single images rich<br />
in atmosphere. In case I find the story that I want<br />
to tell to be particularly stimulating, I then turn<br />
it into a photographic series. Propaganda and<br />
Clownville were born in those circumstances.
“ I always try to tell stories through single<br />
images rich in atmosphere”
How was born the idea of<br />
“Clownville” project?<br />
I’ve always thought of the Circus as<br />
a sort of our own society’s metaphor:<br />
an “inter-connected” world in which<br />
everybody wants to entertain and be<br />
entertained, but that holds also great<br />
sadness and loneliness. I think that<br />
the people in today’s society are well<br />
represented by the weird image of the<br />
Clown : funny, but sad at the same<br />
time, a mask that is tragic, grotesque<br />
and ambiguous at the same time.<br />
Fascinated by the whole production of<br />
Fellini, with his dreamlike atmospheres<br />
(on top of all, the movie Le notti di<br />
Cabiria), and freely inspiring myself to<br />
some characters of the mute cinema<br />
(in particular, Charlie Chaplin and<br />
Buster Keaton, with their clown-like<br />
characteristics due to the heavy make<br />
up and the excessive gesture that<br />
was necessary in order to broadcast<br />
expressions emotions and action),<br />
I had been thinking of making a<br />
portrait with a clown as the subject for<br />
some years now. I ended up liking the<br />
making of that photo so much that<br />
I turned it into a series that is still in<br />
progress.
What are the top techniques<br />
that people can learn from<br />
your workshops?<br />
I’m teaching 4 different kind of workshops.<br />
Classic Portrait, Creative Portrait, Post<br />
Production and Street Photography.<br />
I’ve been teaching photography for several<br />
years now. In Italy, in schools such as the<br />
Roman School of Photography and the IED<br />
(European Institute of Design) and all around<br />
europe thanks to national associations of<br />
photographers in France, England, Germany,<br />
Netherlands and Russia.<br />
In terms of techniques I develops several<br />
teaching methods dedicating time and energy<br />
in several aspects of every photographic<br />
discipline I teach. From the interaction with<br />
the subject to the light schemes (from the<br />
simplest to the most complex ones). In post<br />
production I dedicate much time and effort to<br />
the raw opening method, color correction, skin<br />
cleaning and FX.
Can you sum up your<br />
creative process in three<br />
steps?<br />
Speaking about my personal body of<br />
work, some of the images were left<br />
in my head for<br />
months before I<br />
would actually<br />
want to make<br />
them.<br />
Once I make up<br />
my mind, usually<br />
I draw some<br />
sketches where I<br />
define the general<br />
composition and<br />
the location setup.<br />
The photoshoot<br />
can last about an<br />
hour or the whole<br />
day, depending<br />
on how complex<br />
the image is, but<br />
i’m usually a very<br />
quick photographer. If I manage to<br />
wrap it up early, I take the liberty of<br />
shooting some extra photos, mostly<br />
portraits or small variations on the<br />
theme that I sometimes end up liking<br />
even more than the original project.<br />
These photos, in case they don’t make<br />
the cut for my portfolio, end up in my<br />
archive and quite often they eneded<br />
up being used for magazine or book<br />
covers.<br />
The editing process<br />
starts right after the<br />
photoshoot most of the<br />
times, while drinking a<br />
coffee I light up my pipe<br />
and start going through<br />
all the pictures taken<br />
looking for my favorite<br />
shots.<br />
I like to use a little help<br />
from the guys at my<br />
studio during this part,<br />
a fresh external point<br />
of view can somethimes<br />
be very helpful to find<br />
interesting details that<br />
may get lost in the first<br />
review.<br />
After the selection I<br />
usually end up with 10 good images<br />
and, in case the photoshoot went<br />
particularly well, a couple of perfect<br />
ones.
I tend to post process myself all<br />
of my personal work, and for the<br />
commercial and advertising works<br />
I have Luca and Lorenzo helping<br />
me, two great photoshop experts<br />
whom I have been working with<br />
for some years now.<br />
What’s the most<br />
important for you in<br />
life?<br />
To being able to enjoy the few<br />
real happy moments of life. The<br />
spent more time with the loved<br />
ones. To feel that I’m continuously<br />
growing.<br />
Can you name some<br />
direct influences on<br />
your work?<br />
Illustratos such as Moebius,<br />
Otomo, Gimenez. Painters like<br />
the Velasquez, Zurbaran and<br />
Murillo. Photographers like<br />
Avedon, Lindbergh and Penn.<br />
Writers like Kundera, Asimov and<br />
Tolkien.<br />
Where can people buy<br />
your artworks and find<br />
you online?<br />
Right now is possible to buy a<br />
fine art edition of five pictures<br />
from the Clownville series stored<br />
into a box art designed by<br />
Anders Weinar. I’m part of a<br />
fine art project named Icons 5.7<br />
together with Steve McCurry and<br />
Christian Cravo. You can find all<br />
the information on the website<br />
http://www.icons57.com<br />
The current theme<br />
of Revolutionart is<br />
“Justice”. What comes<br />
to your mind when<br />
you hear that word?<br />
The lack of Justice in Italy, the<br />
country were I live.
WANNA BUY SOMETHING COOL?<br />
WE’VE GOT T-SHIRTS!<br />
many models,<br />
many designs<br />
visit our shop:<br />
www.revolutionartmagazine.com/shop<br />
FOLLOW US UNTIL THE END OF TIME
MODELS<br />
+
EXOTicons<br />
by Cath Hermans | www.cathhermans.nl<br />
Photographer Cath Hermans<br />
Hair&hair pieces Marino Lambrix<br />
MUA Joy Bossenbroek<br />
Jewelery Hannelore Jacobs<br />
Stylist Emily Hermans<br />
Models: Chloé Tiānsh, Laarmans, Daisy van Belzen, Chloé Tiānsh, Laarmans
MLY LAB<br />
by Cath Hermans<br />
“There are many similarities between<br />
honest food and sustainable fashion. As<br />
we like to know what we eat, more and<br />
more people want to know what they are<br />
wearing.<br />
LAB is inspired by food, and especially<br />
the manipulation of food. Amongst<br />
others, this theme is expressed in knitted<br />
patterns and digital prints of fruits,<br />
vegetables and fish.<br />
.<br />
CREDITS:<br />
Photography : Cath Hermans<br />
Assistant photography: Aisha Campfens<br />
Raisa Karsodimedjo<br />
Hair and make-up: Marino Lambrix<br />
Styling: Emily Hermans<br />
Setstyling : Jolien Lavrijssen<br />
Melissa Meulendijks<br />
Art direction: Mark Vrolings<br />
Fashion: MLY<br />
Models :<br />
Juul Bierings<br />
Chloé Laarmans<br />
Daisy van Belzen
<strong>REVOLUTIONART</strong><br />
BE A REAL MODEL FOR A REAL MAGAZINE<br />
This is the best place to expose your<br />
talent. A showcase for photographers,<br />
models, make up artists and fashion<br />
designers. Send your best shoots<br />
to Revolutionart <strong>Magazine</strong> until the<br />
deadline.<br />
http://www.revolutionartmagazine.com/how_to_participate.html
Design & Inspiration<br />
INFINITY<br />
BAMBOO<br />
FOREST<br />
Address<br />
Moonlit Garden #44 ,518Hongshan<br />
rd., Hongshan st., New District,Wuxi,<br />
Jiangsu, P.R.China,
Design by<br />
PRISM DESIGN<br />
www.prism_design.prosite.com<br />
Management<br />
Tomohiro Katsuki / Prism Design<br />
Designed by:<br />
Tomohiro Katsuki<br />
Masanori Kobayashi<br />
Reiji Kobayashi<br />
Photographe credit<br />
© Prism Design<br />
Construction<br />
Suzhou Hezhan Design & Construction Co,.Ltd<br />
LIGHTING Supplier<br />
Koizumi Lighting Technology Shanghai Co.ltd.<br />
http://www.koizumi-lt.co.jp/english/index.html
We are waiting for your artworks<br />
How to join the next edition? :<br />
Follow the guidelines at www.Revolutionart<strong>Magazine</strong>.com
ROME - TWO AGAINST ONE<br />
NEFERTITI’S HAND<br />
Click to watch the film<br />
“Two Against One” from the album “Rome”<br />
by Danger Mouse and Daniele Luppi<br />
featuring Jack White and Norah Jones<br />
directed by Chris Milk and Anthony Francisco<br />
Schepperd.<br />
Click to watch the film<br />
Written by Guillermo García Carsí, La mano<br />
de Nefertiti is a short film made to promote<br />
the movie “Tad l’explorateur : A la recherche<br />
de la Cité perdue” released in France in 2013.
ART FOR A CHANGE
HOW TO SUPPORT<br />
OUR MOVEMENT<br />
. Put a link to revolutionartmagazine.com<br />
wherever you want to start a revolution.<br />
. Promote our posters it in your school,<br />
academy, university or job.<br />
. Encourage your friends to participate in<br />
the next edition.<br />
. Follow Revolutionart news and activities<br />
in internet.<br />
. Retweet, follow, share, like and invite<br />
new artists to join us.
SPREAD<br />
THE WORLD
evolutionart<br />
ink-spiration
MUSIC
music<br />
Do you have a music project? Send your project’s name, country, style, a<br />
picture and a direct link to listen your music to hola@publicistas.org with the<br />
subject “MUSIC”.<br />
Click on the links to hear some cool music from around the world :<br />
ALIN COEN BAND<br />
Country: Germany<br />
Style: Folk-rock, singer/songwriter<br />
Listen:http://youtu.be/b9-6R5xNHII<br />
VUVUVULTERS<br />
Country: UK<br />
Style: indie/electro<br />
Listen: http://youtu.be/8F8pTvAnjDw<br />
WRGHA POWU ORCHESTRA<br />
Country: Czech Republic<br />
Style: jazz/alternative/acoustic<br />
Listen: http://www.reverbnation.com/wrgha<br />
MODDI<br />
Country: Norway<br />
Style: acoustic<br />
Listen: http://youtu.be/lX5FpPP4TSA<br />
PATRICE<br />
Country: Germany/Sierra Leone<br />
Style: Roots-Reggae<br />
Listen: http://youtu.be/p-RDJc61tM0<br />
SAEZ<br />
Country: France<br />
Style: singer/songwriter<br />
Listen: http://youtu.be/VO5m4vIBdfQ<br />
DISPATCH<br />
Country: USA<br />
Style: indie/folk rock<br />
Listen: http://youtu.be/jGxX7Mr-BQc
music<br />
SILVESTRE Y LA NARANJA<br />
Country: Argentina<br />
Style: country rock<br />
Listen:http://youtu.be/Q0Ezpjk-7KE<br />
TO KILL A KING<br />
Country: UK<br />
Style: folk rock<br />
Listen:http://youtu.be/hlcSh0bCYoc<br />
TIM BENDZKO<br />
Country:Germany<br />
Style: pop<br />
Listen: http://youtu.be/G7nrO8MJvaE<br />
KATZENJAMMER<br />
Country: Norway<br />
Style: Baroque pop<br />
Listen: http://youtu.be/tCX2KkW4Wxs<br />
MAROW<br />
Country:Czech republic<br />
Style: alternative crossover<br />
Listen: http://www.reverbnation.com/marowmusic<br />
PASSIFLORA<br />
Country: Costa Rica<br />
Style: gypsy folk/acoustic<br />
Listen:http://youtu.be/r-LkLNAfWGw<br />
GWERKOVA<br />
Country: Slovakia<br />
Style: electro<br />
Listen: http://youtu.be/vgmXLhyH7tc
CRATIVE WORLDWIDE ADVERTISEMENT<br />
PRESENTED BY
Advertising Agency:<br />
Young & Rubicam, Argentina<br />
Executive Creative Directors:<br />
Martin Mercado, Diego Tuya, Darío Rial,<br />
Martin Goldberg<br />
Creative Directors:<br />
Gonzalo Fernández, Juan Ignacio<br />
Galardi<br />
Art Director: Bruno Macri<br />
Copywriter: Juani Martinez Cima<br />
Account Directors: Eugenia Slosse,<br />
Agustin Coste<br />
Account Executive: Santiago Cony<br />
Etchart<br />
Agency Production: Fernando Costanza<br />
Photographer: Ale Burset<br />
3D & Integration: Zombie Studio<br />
Realization: Martina Urtubey<br />
Digital Retouching: Daniel Romanos,<br />
Gabriel Chouy
Advertising Agency: Advico Young & Rubicam,<br />
Zurich, Switzerland<br />
Creative Directors: Martin Stulz, Dominik<br />
Oberwiler<br />
Art Director: Lukas Wietlisbach<br />
Copywriter: Marion Lim<br />
Designer: Jeremy Küng<br />
Illustration: Kompost<br />
Published: August 2013
Advertising Agency: Garnier BBDO, Costa Rica<br />
Chief Creative Officer: Manuel Travisany<br />
Creative Director: Alan Carmona<br />
Art Directors: Hector Acuña, Natalia Milner<br />
Copywriter: Juan Luis Valerio<br />
Account Manager: Carlos Zamora<br />
Client Representative: Guillermo Madriz<br />
Published: September 2013
Advertising Agency: IMAGO, Zagreb,<br />
Croatia<br />
Creative Director: Igor Mladinovic<br />
Art Director: Darko Bosnar<br />
Copywriters: Darko Bosnar, Goran Bader<br />
Illustrator: Anna Kulakowskaja<br />
Additional credits: Petar Fridrih<br />
Published: September 2013
Advertising Agency: Publicis, Bucharest,<br />
Romania<br />
Worldwide Creative Director:<br />
Erik Vervroegen<br />
Chief Creative Officer:<br />
Razvan Capanescu<br />
Group Creative Director:<br />
Mihnea Gheorghiu<br />
Senior Art Director: Raluca Bararu<br />
Copywriter: Cosmin Baba<br />
Account Manager: Miruna Sandulescu<br />
Production: Vlad Opreanu / New<br />
Folder Creative Studio<br />
Photographer: Dan Vezentan<br />
Retouching: Raluca Bararu
FOLLOW US:
That’s<br />
Pop Amok<br />
Art by Richard Alexander Heckert<br />
www.heckertart.com<br />
Imagine that your brain is a defective archives and everything breaks<br />
down and gets confused. Movies, music, comics, art, literature and<br />
everyday life fall into a mental meltdown in which boundaries of the<br />
inside condition no longer be separated from outer life. A panopticon<br />
of superlatives in a fast world of moments, which is more fragile than we<br />
think. We live restless and without compromise and lose the sense of the<br />
essentials out of sight. The Pop Amok makes situations in us and around<br />
us visible again.<br />
We are buried under electric waves fall in love with screens and accept<br />
that there is a happy end only in the movies. Under the carousel is a<br />
clockwork that never stops. The essential things in life can not be<br />
simulated and not stimulated. The machines run amok, the diode burn<br />
through and the Pink Elephant dancing to the meltdown of pop culture.<br />
Not Jules Verne or John Wayne but Warhols tomato soup can is a symbol<br />
of this time. After the paradigm of maximum fragmentation by intellectual<br />
experiments, now art need a new view of the human condition. With color<br />
and imagination, people will be invited to be part of this extraordinarily<br />
important epoch.
WE LOVE DESIGNERS<br />
If you have a design related product send<br />
a sample to Revolutionart.<br />
hola@publicistas.org<br />
Click here to contact us !
DESIGN CORNER<br />
THE BATH SPHERE<br />
Is a glass-bubble kinda suspended<br />
sphere. It allows you to<br />
create your own mood and unwinding<br />
space. You can simulate<br />
rain; change the temperature<br />
inside the ball, humidity,<br />
light, sounds and even smells.<br />
http://tinyurl.com/ps6fyv2<br />
COFFEE MAKER<br />
Forget the drip! The Café Balão<br />
coffee maker is not only cooler<br />
looking than plain ol’ mechanical<br />
coffee makers, it also makes<br />
an entire pot 3 times as fast!<br />
In cork and glass, it’s peculiar<br />
science-lab aesthetic is sure to<br />
be a conversation starter.<br />
GRAMOVOX - BLUETOOTH<br />
GRAMOPHON<br />
The timeless design is not only<br />
aesthetically “old-school,” but<br />
also recreates the same resonant,<br />
vintage, organic sound by adhering<br />
to the same acoustical principles<br />
as the old gramophone.<br />
http://tinyurl.com/px6kore<br />
THE PEN PRINTER<br />
The device uses the ink from<br />
discarded pens to print on paper.<br />
http://tinyurl.com/o6aczvf<br />
http://tinyurl.com/orxfuum
a fine selection of humour<br />
presented by Chisen
ORDER YOUR<br />
PRINTED EDITIONS<br />
Look for the ORDER PRINT link near every edition.<br />
hola@publicistas.org<br />
www.Revolutionart<strong>Magazine</strong>.com/download.html
YOUR TARGET<br />
IS OURS<br />
Info for Museums, Exhibitions,<br />
Festivals, Art collectors<br />
and Art Sellers<br />
<strong>REVOLUTIONART</strong> INTERNATIONAL MAGAZINE<br />
Frequency: Every two months<br />
Distribution: All the world.<br />
Price: FREE $ 0<br />
Readers per issue:<br />
120,000+<br />
PageRank: 5<br />
Revolutionart is read in almost every country on the planet. The<br />
readers are sophisticated people from the world of art, design,<br />
advertising, fashion, photography and modeling. Art collectors,<br />
brand lovers, trend followers. Since students to famous professionals<br />
recognized worldwide.<br />
Advertise on Revolutionart means to present your ideas to this great<br />
community and remain ETERNALLY in editions that will continue<br />
rolling around the world.<br />
If you are interested to make advertisement on Revolutionart ask for<br />
our services and rates:<br />
hola@publicistas.org<br />
Promoted in festivals, exhibitions, magazines, newpapers, awards, and many<br />
alliances on Internet.<br />
WHY DO ADVERTISE ANY OTHER WAY?
WE ARE HUNTING FOR<br />
NEW TALENTS<br />
Join the next edition of Revolutionart
ORDER A PRINTED EDITION<br />
ORDER A PRINTED EDITION<br />
ORDER A PRINTED EDITION<br />
ORDER A PRINTED EDITION<br />
ORDER A PRINTED EDITION<br />
ORDER A PRINTED EDITION<br />
ORDER A PRINTED EDITION<br />
ORDER A PRINTED EDITION<br />
ORDER A PRINTED EDITION<br />
ORDER A PRINTED EDITION<br />
ORDER A PRINTED EDITION<br />
ORDER A PRINTED EDITION<br />
ORDER A PRINTED EDITION<br />
ORDER A PRINTED EDITION<br />
Now you can order a printed copy of Revolutionart anywhere in the world.<br />
No matter where you are.<br />
ORDER A PRINTED EDITION<br />
ORDER A PRINTED EDITION<br />
ORDER A PRINTED EDITION<br />
ORDER A PRINTED EDITION<br />
ORDER A PRINTED EDITION<br />
ORDER A PRINTED EDITION<br />
ORDER A PRINTED EDITION<br />
ORDER A PRINTED EDITION<br />
ORDER A PRINTED EDITION<br />
ORDER A PRINTED EDITION<br />
ORDER A PRINTED EDITION<br />
ORDER A PRINTED EDITION<br />
ORDER A PRINTED EDITION<br />
ORDER A PRINTED EDITION<br />
Look for the “ORDER PRINT” link near every edition and start<br />
collecting all your favorite issues !
YOUR <strong>REVOLUTIONART</strong> MAGAZINE<br />
COMES WITH<br />
THIS POSTER<br />
HELP OUR MOVEMENT<br />
BY SHARING IT
HOW TO JOIN US IN<br />
THE NEXT EDITION<br />
ART CONTRIBUTORS:<br />
// Send your artworks in high quality, 300dpi jpg<br />
with name, country, e-mail, and website to<br />
hola@publicistas.org<br />
// Size:<br />
Horizontal art: 1280 x 765 pixels<br />
Vertical art : 640 x 765 pixels<br />
// It could be computer generated, photo, hand made draw,<br />
photomanipulation, vector, raster, scanned or any image<br />
from your creativity related to the next theme.<br />
OTHERS: Revolutionart Models, Music, and RevolutionAd<br />
works not necessarily have to be related.<br />
DEADLINE:<br />
MAY 15,<br />
2014
47<br />
NEXT THEME:<br />
honour & glory<br />
THE EPIC ISSUE<br />
SEND YOUR ARTWORK NOW !<br />
Deadline: MAY 15, 2014<br />
© 2014 Publicistas.Org - <strong>REVOLUTIONART</strong> http://www.Revolutionart<strong>Magazine</strong>.com
Change language