Find the balance of truth.
One of the biggest mistakes people make is to live their lives believing that the world is just. On the other hand, ironically one of the finest things one can do is to continue seeking justice in order to help create a better world.
Welcome to Revolutionart “Justice”.
This is an artistic journey on one of the coolest magazines full of color, ideas, beauty models, animation, photographers, designers, worldwide advertisement, design products, photography projects, exhibitions, movies, and general art.
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INTERNATIONAL MAGAZINE
ISSUE # 46
ISSN 2220-444X
EDITORIAL
JUSTICE
Published by:
Publicistas.Org
Contact Revolutionart:
hola@publicistas.org
Created by:
Nelson Medina
www.nelson-medina.com
nelson@publicistas.org
Cover image:
Eolo Perfido
www.eoloperfido.com
All the contributor’s
artworks are property of
their respective owners and
can’t be reproduced without
permission.
All the editorial designs
by Nelson Medina &
Revolutionart Studios.
All the creative ideas by
Publicistas.org.
One of the biggest mistakes
people make is to live their
lives believing that the world is just.
On the other hand, ironically one
of the finest things one can do is to
continue seeking justice in order to
help create a better world.
That noble vision is what enables
us to continue on the road towards
an equilibrium that can satisfy us
all.
But during the more than six
thousand years since human
civilization began, it appears
that the search for justice has
been a monumental failure. In
today’s world we can see how
the same corrupt governments
of the past continue to exist, and
that they continue to produce
new generations of misfits who
shatter that balance. Those people
who claim to be fighting for their
freedom or their rights use violence
in what does not resemble justice,
but rather a search for revenge
into which innocent people are
dragged along the way.
people languish in jail, political
scandals are rife and poverty is
visible to varying degrees.
That is why perhaps the most
“just” path is to understand that
human nature is multifaceted,
and that it gives rise to different
cultures, societies, tastes and
customs, as well as –crucially- very
different visions of what justice
actually means. And that is why
we have prepared this edition, in
which artists from a number of
regions look beneath the surface
of that meaning. Welcome to
Revolutionart “Justice”.
www.RevolutionartMagazine.com
© 2014
Publicistas.Org
REVOLUTIONART MAGAZINE
And even in the richest, most
technologically advanced countries
with the best education systems
Nelson Medina
Creative Director
Publicistas.org
nelson@publicistas.org
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REVOLUTIONART
CONTRIBUTORS
Issue 46 - Justice
Aby Long
United Kingdom
along2@pca.ac.uk
Angelo Nairod
Italy
angelonairod@hotmail.it
www.flickr.com/angelo_nairod
Ann Morgan
a5m5morgan@yahoo.com
United States
Carly Sienko
United Kingdom
csienko1@pca.ac.uk
Charlotte Matthews
United Kingdom
cmatthews1@pca.ac.uk
Dave Bear Atienza
Philippines
paxmundi63@yahoo.com
http://tinyurl.com/a22ux8n
Eddy Peters
The Netherlands
www.eddypeters.nl
Eolo Perfido
Italy
www.eoloperfido.com
George Bogiatzidis
Greece
g.bogiatzidis@gmail.com
georgeboya.com
Giovanni Tagliavini
Italy
gtagliavini@tiscalinet.it
www.giovannitagliavini.tumblr.com
Hamed Zarei
Iran
hdmlcomputer@gmail.com
www.facebook.com/HamedZarei110
Isaac Gillard
United Kingdom
igillard1@pca.ac.uk
Jack Vernon
United Kingdom
jvernon1@pca.ac.uk
REVOLUTIONART
CONTRIBUTORS
Issue 46 - Justice
Joffre Bazán Mera
Ecuador
bznrepublik@gmail.com
Leah Coghlan
Canada
littleleah78@gmail.com
www.facebook.comPintSizedDesign
Leo K
Czech Republic
leo.kyslinger@gmail.com
www.kyslinger.info
Lydia Nová
Czech Republic
nlydia@seznam.cz
Mahsa Saleh
Iran
mahsa_saleh2001@yahoo.com
Mani Farsipour Naghibi
Iran
manifarsipour@yahoo.com
www.architect-mani.com
Manu Jayasankar Ambady
India
manu_jayz@yahoo.co.in
Miguel Juan Jordá
Spain
emejota13@gmail.com
Ordi Calder
Brazil
ordicalder@gmail.com
www.ordicalder.com
Pablo Recalde Equiza
Spain
pablo@recaldecomunicacion.com
www.recaldecomunicacion.com
Pablo Sosa
Uruguay
pblsosa3@gmail.com
www.pablososafotografia.tumblr.com
YOU CAN PARTICIPATE IN THE NEXT ISSUE !
REVOLUTIONART
CONTRIBUTORS
Issue 46 - Justice
Patri-Art
art.patri@gmail.com
Spain
www.patri-art.blogspot.com
Ricardo Santos Meireles
Macau, China
arq.ricardo.meireles@gmail.com
Richard Alexander Heckert
Germany
heckertart.com
Röczei György
Hungary
roc_art@hu.inter.net
http://rocart.hu
Roksana Karczewska
Poland
brushesandsplashes@gmail.com
http://tinyurl.com/pjceosa
Rola Khayyat
Egypt
www.rolakhayyat.com
Ryan Curnow
United Kingdom
rcurnow1@pca.ac.uk
Ryan Wildish
United Kingdom
rwildish1@pca.ac.uk
Simon Zoltán
Hungary
simon.gajer@t-online.hu
www.simonart.hu
Tinca Veerman
The Netherlands
tincaveerman@upcmail.Nl
tincaveerman.Com
Tom Walters
United Kingdom
twalters1@pca.ac.uk
Ugo Vantini
Italy
ugovantini@alice.it
https://myspace.com/ugovantini
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Your
World
Your
World
CURRENT THEME:
JUSTICE
46 - Justice Röczei György - Hungary
46 - Justice Röczei György - Hungary
46 - Justice Tinca Veerman - The Netherlands
46 - Justice Roksana Karczewska - Poland
46 - Justice Roksana Karczewska - Poland
46 - Justice Ryan Curnow - United Kingdom
46 - Justice Aby Long - United Kingdom
46 - Justice Dave Bear Atienza - Philippines
46 - Justice Ryan Wildish - United Kingdom
46 - Justice Simon Zoltán - Hungary
46 - Justice Simon Zoltán - Hungary
46 - Justice Ugo Vantini - Italy
46 - Justice Ugo Vantini - Italy
46 - Justice Ugo Vantini - Italy
46 - Justice Tom Walters - United Kingdom
46 - Justice Ann Morgan - United States
46 - Justice Ann Morgan - United States
46 - Justice Angelo Nairod - Italy
46 - Justice George Bogiatzidis - Greece
46 - Justice Carly Sienko - United Kingdom
46 - Justice Charlotte Matthews - United Kingdom
46 - Justice Eddy Peters - The Netherlands
46 - Justice Giovanni Tagliavini - Italy
46 - Justice Giovanni Tagliavini - Italy
46 - Justice Giovanni Tagliavini - Italy
46 - Justice Giovanni Tagliavini - Italy
46 - Justice Giovanni Tagliavini - Italy
46 - Justice Giovanni Tagliavini - Italy
46 - Justice Giovanni Tagliavini - Italy
46 - Justice Isaac Gillard - United Kingdom
46 - Justice Hamed Zarei - Iran
46 - Justice Ricardo Santos Meireles - China
46 - Justice Jack Vernon - United Kingdom
46 - Justice Joffre Bazán Mera - Ecuador
46 - Justice Joffre Bazán Mera - Ecuador
46 - Justice Leah Coghlan - Canada
46 - Justice Leo K - Czech Republic
46 - Justice Leo K - Czech Republic
46 - Justice Leo K - Czech Republic
46 - Justice Lydia Nová - Czech Republic
46 - Justice Lydia Nová - Czech Republic
46 - Justice Lydia Nová - Czech Republic
46 - Justice Lydia Nová - Czech Republic
46 - Justice Mahsa Saleh - Iran
46 - Justice Mahsa Saleh - Iran
46 - Justice Manu Jayasankar Ambady - India
46 - Justice Manu Jayasankar Ambady - India
46 - Justice Manu Jayasankar Ambady - India
46 - Justice Manu Jayasankar Ambady - India
46 - Justice Mani Farsipour - Iran
46 - Justice Miguel Juan Jordá - Spain
46 - Justice Miguel Juan Jordá - Spain
46 - Justice Ordi Calder - Brazil
46 - Justice Ordi Calder - Brazil
46 - Justice Ordi Calder - Brazil
46 - Justice Pablo Recalde - Spain
46 - Justice Pablo Sosa - Uruguay
46 - Justice Patri-Art - Spain
46 - Justice Rola Khayyat - Egypt
How to join the next edition? :
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INTERVIEW WITH
EOLO PERFIDO
SHADOW & LIGHT
INTERVIEW WITH EOLO PERFIDO
Italy
www.eoloperfido.com
February 2014
By Nelson Medina
nelson@publicistas.org
© Images provided by Eolo Perfido
Can you tell us a little about
yourself to help people who
aren’t familiar with you?
I’m a professional
photographer who was
born in France in a small
town called Cognac the 10
february 1972. I currently
live in Rome and work all
over the world. Over the
years i’ve been working
for several international
agencies and clients such as
Pepsi Cola, The New York
Times, Gatorade, Kraft,
Samnsung and many more.
I’ve been honoured to assist
field photographers like
Steve McCurry, Elliott Erwitt and James
Natchwey in several of their shootings in
Europe, Africa, Asia and South America.
What kind of
art training
have you had?
I never had any specific
art training. After
finishing high school,
I didn’t know what
to do with my life. I
was naturally drawn
towards everything
that had to do with
images, especially
comics and graphic novels. The fact that I was not
really good at drawing was quite frustrating, so
I decided to help out friends who were drawing
comics by working more on the narrative part.
At 28 I followed a friend who had the passion for
photography during one of his portrait sessions.
The whole experience fascinated me to the point
where I decided to try it out myself. My first few
photoshoots, where I was taking photos of friends
and relatives, really surprised me. I was feeling
completely at ease with a camera in my hands
and I could get some nice , well composed pictures
even if I was lacking in experience.
It was love at first sight: from that moment on, all
I could think about was photography and for the
following two years I used all of my free time for
my personal formation in that field.
What are the jobs you are most
proud of?
My first two series. Propaganda and Clowville.
Both projects are born from my narrative needs. I
always try to tell stories through single images rich
in atmosphere. In case I find the story that I want
to tell to be particularly stimulating, I then turn
it into a photographic series. Propaganda and
Clownville were born in those circumstances.
“ I always try to tell stories through single
images rich in atmosphere”
How was born the idea of
“Clownville” project?
I’ve always thought of the Circus as
a sort of our own society’s metaphor:
an “inter-connected” world in which
everybody wants to entertain and be
entertained, but that holds also great
sadness and loneliness. I think that
the people in today’s society are well
represented by the weird image of the
Clown : funny, but sad at the same
time, a mask that is tragic, grotesque
and ambiguous at the same time.
Fascinated by the whole production of
Fellini, with his dreamlike atmospheres
(on top of all, the movie Le notti di
Cabiria), and freely inspiring myself to
some characters of the mute cinema
(in particular, Charlie Chaplin and
Buster Keaton, with their clown-like
characteristics due to the heavy make
up and the excessive gesture that
was necessary in order to broadcast
expressions emotions and action),
I had been thinking of making a
portrait with a clown as the subject for
some years now. I ended up liking the
making of that photo so much that
I turned it into a series that is still in
progress.
What are the top techniques
that people can learn from
your workshops?
I’m teaching 4 different kind of workshops.
Classic Portrait, Creative Portrait, Post
Production and Street Photography.
I’ve been teaching photography for several
years now. In Italy, in schools such as the
Roman School of Photography and the IED
(European Institute of Design) and all around
europe thanks to national associations of
photographers in France, England, Germany,
Netherlands and Russia.
In terms of techniques I develops several
teaching methods dedicating time and energy
in several aspects of every photographic
discipline I teach. From the interaction with
the subject to the light schemes (from the
simplest to the most complex ones). In post
production I dedicate much time and effort to
the raw opening method, color correction, skin
cleaning and FX.
Can you sum up your
creative process in three
steps?
Speaking about my personal body of
work, some of the images were left
in my head for
months before I
would actually
want to make
them.
Once I make up
my mind, usually
I draw some
sketches where I
define the general
composition and
the location setup.
The photoshoot
can last about an
hour or the whole
day, depending
on how complex
the image is, but
i’m usually a very
quick photographer. If I manage to
wrap it up early, I take the liberty of
shooting some extra photos, mostly
portraits or small variations on the
theme that I sometimes end up liking
even more than the original project.
These photos, in case they don’t make
the cut for my portfolio, end up in my
archive and quite often they eneded
up being used for magazine or book
covers.
The editing process
starts right after the
photoshoot most of the
times, while drinking a
coffee I light up my pipe
and start going through
all the pictures taken
looking for my favorite
shots.
I like to use a little help
from the guys at my
studio during this part,
a fresh external point
of view can somethimes
be very helpful to find
interesting details that
may get lost in the first
review.
After the selection I
usually end up with 10 good images
and, in case the photoshoot went
particularly well, a couple of perfect
ones.
I tend to post process myself all
of my personal work, and for the
commercial and advertising works
I have Luca and Lorenzo helping
me, two great photoshop experts
whom I have been working with
for some years now.
What’s the most
important for you in
life?
To being able to enjoy the few
real happy moments of life. The
spent more time with the loved
ones. To feel that I’m continuously
growing.
Can you name some
direct influences on
your work?
Illustratos such as Moebius,
Otomo, Gimenez. Painters like
the Velasquez, Zurbaran and
Murillo. Photographers like
Avedon, Lindbergh and Penn.
Writers like Kundera, Asimov and
Tolkien.
Where can people buy
your artworks and find
you online?
Right now is possible to buy a
fine art edition of five pictures
from the Clownville series stored
into a box art designed by
Anders Weinar. I’m part of a
fine art project named Icons 5.7
together with Steve McCurry and
Christian Cravo. You can find all
the information on the website
http://www.icons57.com
The current theme
of Revolutionart is
“Justice”. What comes
to your mind when
you hear that word?
The lack of Justice in Italy, the
country were I live.
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essentials out of sight. The Pop Amok makes situations in us and around
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THE NEXT EDITION
ART CONTRIBUTORS:
// Send your artworks in high quality, 300dpi jpg
with name, country, e-mail, and website to
hola@publicistas.org
// Size:
Horizontal art: 1280 x 765 pixels
Vertical art : 640 x 765 pixels
// It could be computer generated, photo, hand made draw,
photomanipulation, vector, raster, scanned or any image
from your creativity related to the next theme.
OTHERS: Revolutionart Models, Music, and RevolutionAd
works not necessarily have to be related.
DEADLINE:
MAY 15,
2014
47
NEXT THEME:
honour & glory
THE EPIC ISSUE
SEND YOUR ARTWORK NOW !
Deadline: MAY 15, 2014
© 2014 Publicistas.Org - REVOLUTIONART http://www.RevolutionartMagazine.com