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Voices of the Voiceless - NOHA Alumni Community

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14 ...C’neCt - 16 th Edition / July 2013<br />

Recommandations:<br />

Comics and documentaries<br />

Naz Bagherzadeh<br />

Cris Ntchantchou<br />

Comics<br />

Footnotes in Gaza<br />

by Joe Sacco (2009,<br />

Metropolitan<br />

Books)<br />

Sacco blends comics and<br />

journalism in his telling <strong>of</strong><br />

<strong>the</strong> stories <strong>of</strong> two Palestinian<br />

towns, Rafah and<br />

Khan Younis. He interviews<br />

local residents and<br />

interweaves <strong>the</strong>ir stories<br />

with <strong>the</strong> history <strong>of</strong> <strong>the</strong><br />

massacres that took place<br />

in <strong>the</strong> towns in 1956. Sacco<br />

also wrote a series <strong>of</strong><br />

comic books about a twomonth<br />

trip to Palestine in<br />

<strong>the</strong> early 90s, which have<br />

been collected and published<br />

in one volume<br />

(Palestine, 2001).<br />

Safe Area Goražde:<br />

The War in Eastern<br />

Bosnia 1992-95 by<br />

Joe Sacco (2000, Fantagraphics)<br />

One <strong>of</strong> <strong>the</strong> reasons Sacco’s<br />

work is so compelling<br />

is that he allows himself to<br />

chronicle his own experiences<br />

as well as those <strong>of</strong><br />

<strong>the</strong> people around him.<br />

Safe Area Goražde translates<br />

<strong>the</strong> oral history <strong>of</strong> a<br />

range <strong>of</strong> citizens in one <strong>of</strong><br />

<strong>the</strong> UN ‘safe areas’ <strong>of</strong> <strong>the</strong><br />

mid 90s and tracks Sacco’s<br />

own worries, too. He also<br />

published The Fixer: A<br />

Story from Sarajevo (2003)<br />

and War’s End: Pr<strong>of</strong>iles from<br />

Bosnia 1995-96 (2005).<br />

Burma Chronicles<br />

(2008, Drawn and<br />

Quarterly)/<br />

Chroniques birmanes<br />

(2007, Delcourt) by<br />

Guy Delisle<br />

Delisle is a comic book and<br />

animation artist married to<br />

an MSF staff member.<br />

Through his wife’s job, Deslisle<br />

ends up living in Burma<br />

with <strong>the</strong>ir infant son.<br />

His book is not meant to<br />

tell a humanitarian or political<br />

story - instead, Delisle<br />

gives simple but detailed<br />

snips <strong>of</strong> his life as an expatriate.<br />

He later wrote about<br />

his stay in Jerusalem<br />

through MSF (Jerusalem:<br />

Chronicles from <strong>the</strong> Holy City,<br />

2012/Chroniques de Jérusalem,<br />

2011), and has also chronicled<br />

<strong>the</strong> time he spent<br />

working in Pyongyang for a<br />

North Korean animation<br />

studio (Pyongyang,<br />

2003/2005).<br />

Kabul Disco, Volume<br />

1 (2009, HarperCollins)<br />

/ Kaboul Disco<br />

T.1. : Comment je ne<br />

me suis pas fait kidnapper<br />

en Afghanistan<br />

(La boîte à bulle,<br />

2007) by Nicolas Wild<br />

In 2005, <strong>the</strong> author, a<br />

young French comic book<br />

artist finally finds a job - in<br />

Kabul. His task is to create<br />

a drawn adaptation <strong>of</strong> <strong>the</strong><br />

Afghan constitution and he<br />

later works on <strong>the</strong> recruitment<br />

campaign <strong>of</strong> <strong>the</strong> Afghan<br />

army. It is a very nice<br />

read that tells about his life<br />

among <strong>the</strong> international<br />

community in Kabul with a<br />

lot <strong>of</strong> humor and irony. The<br />

book also has a sequel<br />

(Kabul Disco Book2: How I<br />

Did Not Become an Opium<br />

Addict in Afghanistan/ Kaboul<br />

Disco T.2: Comment je ne suis<br />

pas devenu opiomane en Afghanistan)<br />

in which <strong>the</strong> author<br />

recalls his work on an<br />

awareness campaign against<br />

opium.<br />

Documentaries<br />

The Fahamu Refugee<br />

Programme (FRP) aims at<br />

centralizing and promoting<br />

information sharing, related<br />

to refugee legal aid. Their<br />

websites includes an “o<strong>the</strong>r<br />

resources” page where you<br />

can find, amongst o<strong>the</strong>r<br />

things, a list <strong>of</strong> documentaries<br />

about refugee issues<br />

as well as links to <strong>the</strong> pages<br />

where you can stream <strong>the</strong>m<br />

f o r f r e e . h t t p : / /<br />

www.refugeelegalaidinform<br />

ation.org/o<strong>the</strong>r-resources<br />

Among all <strong>the</strong> films, <strong>the</strong><br />

following two are particularly<br />

relevant to <strong>the</strong> topic <strong>of</strong><br />

this issue <strong>of</strong> C'nect.<br />

Getting Out (Refugee<br />

Law Project, 2011)<br />

Getting Out is a 60 minutes<br />

documentary produced by<br />

<strong>the</strong> Refugee Law Project, in<br />

collaboration with <strong>the</strong><br />

Ugandan Civil Society Coalition<br />

on Human Rights &<br />

Constitutional Law. The<br />

film, shot in Uganda, South<br />

Africa, Switzerland and <strong>the</strong><br />

UK, follows <strong>the</strong> life <strong>of</strong> 5<br />

LGBTI individuals who<br />

have to get out <strong>of</strong> <strong>the</strong>ir<br />

countries before <strong>the</strong>y can<br />

come out safely. As <strong>the</strong>y<br />

tell <strong>the</strong>ir story and what<br />

<strong>the</strong>y went through before<br />

and while trying to obtain<br />

a refugee status, we discover<br />

<strong>the</strong> flaws, failures<br />

and hypocrisy <strong>of</strong> <strong>the</strong> asylum<br />

system.<br />

Gender Against Men<br />

(The Refugee Law<br />

Project, 2009)<br />

This documentary deals<br />

with <strong>the</strong> hidden issue <strong>of</strong><br />

sexual and gender based<br />

violence against men in<br />

<strong>the</strong> conflicts <strong>of</strong> <strong>the</strong> Great<br />

Lakes region. It raises<br />

many questions and asks,<br />

among o<strong>the</strong>r things, why,<br />

in <strong>the</strong> eyes <strong>of</strong> <strong>the</strong> international<br />

community, gender<br />

based violence remains a<br />

women’s issue and which<br />

could be <strong>the</strong> consequences<br />

and whe<strong>the</strong>r unaddressed<br />

legacies <strong>of</strong> sexual and gender<br />

based violence against<br />

men could potentially fuel<br />

future conflicts. It also<br />

shows how an approach <strong>of</strong><br />

dealing with rape that is<br />

targeted at women only<br />

works to <strong>the</strong> detriment <strong>of</strong><br />

all..<br />

Ano<strong>the</strong>r link to this movie<br />

as well as to 15 o<strong>the</strong>r documentaries<br />

relating to refugee<br />

issues can be found<br />

on <strong>the</strong> website <strong>of</strong> Forced<br />

Migration O n l i n e<br />

(FMO) at http://<br />

www.forcedmigration.org/<br />

podcasts-videos-photos/<br />

video.<br />

"Peacekeeping is not a job for soldiers, but only soldiers can do it." Dag Hammarskjöld, Former UN SG

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