Dance at nJPac Dazzles with Beauty and Boldness - ArtsFreePress
Dance at nJPac Dazzles with Beauty and Boldness - ArtsFreePress
Dance at nJPac Dazzles with Beauty and Boldness - ArtsFreePress
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Meet the Artists<br />
David Berger is a jazz composer, arranger,<br />
conductor <strong>and</strong> teacher, recognized<br />
intern<strong>at</strong>ionally as a leading authority<br />
on the music of Duke Ellington <strong>and</strong> the<br />
Swing Era. Conductor <strong>and</strong> arranger for<br />
the Jazz <strong>at</strong> Lincoln Center Orchestra<br />
from its inception in 1988 through 1994,<br />
Berger has transcribed more than 750<br />
full scores of classic recordings including<br />
over 500 works by Duke Ellington<br />
<strong>and</strong> Billy Strayhorn. He has composed<br />
<strong>and</strong> arranged for Duke Ellington<br />
Orchestra, Quincy Jones <strong>and</strong> WDR Big<br />
B<strong>and</strong>, amongst many others <strong>and</strong> his<br />
jazz compositions, arrangements <strong>and</strong><br />
transcriptions are played by hundreds of<br />
b<strong>and</strong>s daily all over the world.<br />
Keith David is an award-winning actor,<br />
singer <strong>and</strong> voice actor <strong>with</strong> over 150<br />
film, television <strong>and</strong> stage credits to<br />
his name. A n<strong>at</strong>ive of Harlem, David<br />
<strong>at</strong>tended the High School of Performing<br />
Arts <strong>and</strong> The Juilliard School. His list<br />
of on-screen fe<strong>at</strong>ure film roles include<br />
Oliver Stone’s Academy Award-winning<br />
Pl<strong>at</strong>oon, Clint Eastwood’s Bird <strong>and</strong> Paul<br />
Haggis’ Academy Award-winning Crash,<br />
as well as There’s Something About<br />
Mary, Armageddon, Pitch Black, The<br />
Chronicles of Riddick, Requiem for a<br />
Dream, Mr. <strong>and</strong> Mrs. Smith, Barbershop<br />
<strong>and</strong> most recently Cloud Atlas.<br />
Savion Glover is a toe-tapping phenom,<br />
actor <strong>and</strong> choreographer. A n<strong>at</strong>ive of<br />
Newark, New Jersey, the 10-year-old<br />
Glover l<strong>and</strong>ed his first part on Broadway<br />
in The Tap <strong>Dance</strong> Kid. He went on to<br />
perform <strong>with</strong> such legends as Gregory<br />
Hines <strong>and</strong> Sammy Davis Jr. He was<br />
l<strong>at</strong>er recognized <strong>with</strong> a Tony ® Award<br />
for Best Choreography for the musical<br />
Bring In ‘Da Noise, Bring In ‘Da Funk.<br />
Glover joined the cast of the children’s<br />
television show Sesame Street <strong>and</strong><br />
has also appeared in Spike Lee’s film<br />
Bamboozled. He continues to tour his<br />
production of Classical Savion, where he<br />
taps to classical pieces played by a string<br />
chamber ensemble.<br />
Lizz Wright is a jazz <strong>and</strong> R&B singer<br />
<strong>and</strong> composer from Hahira, Georgia.<br />
Wright went on to study voice <strong>at</strong> Georgia<br />
St<strong>at</strong>e University in Atlanta. Her debut<br />
album, Salt, introduced Wright as both<br />
an accomplished songwriter <strong>and</strong> an<br />
effortlessly magnetic performer. Salt<br />
won intern<strong>at</strong>ional acclaim <strong>and</strong> was<br />
praised by The New York Times’ Stephen<br />
Holden. Dreaming Wide Awake <strong>and</strong> The<br />
Orchard followed, reaching the top of<br />
the Billboard Contemporary Jazz chart.<br />
Wright’s newest recording, Fellowship,<br />
continues her genre-defying journey by<br />
nodding to her roots in gospel on the<br />
one h<strong>and</strong> <strong>and</strong> her gospel of eclecticism<br />
on the other.<br />
Priscilla Baskerville is a vers<strong>at</strong>ile dram<strong>at</strong>ic<br />
soprano whose repertoire reaches from<br />
Wagner to Puccini. She has appeared in<br />
leading opera houses in North America<br />
<strong>and</strong> around the world including the<br />
Metropolitan Opera, where she has<br />
performed the title roles in Verdi’s<br />
Aida, Gershwin’s Porgy <strong>and</strong> Bess <strong>and</strong><br />
Puccini’s La Bohème. Baskerville can<br />
be seen singing the hauntingly beautiful<br />
“Creole Love Call” of Duke Ellington<br />
in the film The Cotton Club. She can<br />
also be heard on the original cast<br />
recordings of Broadway’s Sophistic<strong>at</strong>ed<br />
Ladies, Davis’ The Life <strong>and</strong> Times of<br />
Malcolm X <strong>and</strong> The Cotton Club motion<br />
picture soundtrack.<br />
<strong>Dance</strong> The<strong>at</strong>re of Harlem School is a ballet<br />
company <strong>and</strong> school of the allied arts<br />
founded in Harlem, New York in 1969<br />
by Arthur Mitchell <strong>and</strong> Karel Shook. The<br />
<strong>Dance</strong> The<strong>at</strong>re of Harlem is renowned<br />
for being both the first black classical<br />
ballet company <strong>and</strong> the first major ballet<br />
company to prioritize black dancers.<br />
Robert Garl<strong>and</strong> (Choreographer) was the<br />
Director <strong>and</strong> Resident Choreographer<br />
of the <strong>Dance</strong> The<strong>at</strong>re of Harlem School.<br />
He has instructed for the Alvin Ailey<br />
American <strong>Dance</strong> The<strong>at</strong>er <strong>and</strong> the<br />
Kennedy Center – <strong>Dance</strong> The<strong>at</strong>re of<br />
December 2013<br />
njpac.org XI