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Dance at nJPac Dazzles with Beauty and Boldness - ArtsFreePress

Dance at nJPac Dazzles with Beauty and Boldness - ArtsFreePress

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Meet the Artists<br />

David Berger is a jazz composer, arranger,<br />

conductor <strong>and</strong> teacher, recognized<br />

intern<strong>at</strong>ionally as a leading authority<br />

on the music of Duke Ellington <strong>and</strong> the<br />

Swing Era. Conductor <strong>and</strong> arranger for<br />

the Jazz <strong>at</strong> Lincoln Center Orchestra<br />

from its inception in 1988 through 1994,<br />

Berger has transcribed more than 750<br />

full scores of classic recordings including<br />

over 500 works by Duke Ellington<br />

<strong>and</strong> Billy Strayhorn. He has composed<br />

<strong>and</strong> arranged for Duke Ellington<br />

Orchestra, Quincy Jones <strong>and</strong> WDR Big<br />

B<strong>and</strong>, amongst many others <strong>and</strong> his<br />

jazz compositions, arrangements <strong>and</strong><br />

transcriptions are played by hundreds of<br />

b<strong>and</strong>s daily all over the world.<br />

Keith David is an award-winning actor,<br />

singer <strong>and</strong> voice actor <strong>with</strong> over 150<br />

film, television <strong>and</strong> stage credits to<br />

his name. A n<strong>at</strong>ive of Harlem, David<br />

<strong>at</strong>tended the High School of Performing<br />

Arts <strong>and</strong> The Juilliard School. His list<br />

of on-screen fe<strong>at</strong>ure film roles include<br />

Oliver Stone’s Academy Award-winning<br />

Pl<strong>at</strong>oon, Clint Eastwood’s Bird <strong>and</strong> Paul<br />

Haggis’ Academy Award-winning Crash,<br />

as well as There’s Something About<br />

Mary, Armageddon, Pitch Black, The<br />

Chronicles of Riddick, Requiem for a<br />

Dream, Mr. <strong>and</strong> Mrs. Smith, Barbershop<br />

<strong>and</strong> most recently Cloud Atlas.<br />

Savion Glover is a toe-tapping phenom,<br />

actor <strong>and</strong> choreographer. A n<strong>at</strong>ive of<br />

Newark, New Jersey, the 10-year-old<br />

Glover l<strong>and</strong>ed his first part on Broadway<br />

in The Tap <strong>Dance</strong> Kid. He went on to<br />

perform <strong>with</strong> such legends as Gregory<br />

Hines <strong>and</strong> Sammy Davis Jr. He was<br />

l<strong>at</strong>er recognized <strong>with</strong> a Tony ® Award<br />

for Best Choreography for the musical<br />

Bring In ‘Da Noise, Bring In ‘Da Funk.<br />

Glover joined the cast of the children’s<br />

television show Sesame Street <strong>and</strong><br />

has also appeared in Spike Lee’s film<br />

Bamboozled. He continues to tour his<br />

production of Classical Savion, where he<br />

taps to classical pieces played by a string<br />

chamber ensemble.<br />

Lizz Wright is a jazz <strong>and</strong> R&B singer<br />

<strong>and</strong> composer from Hahira, Georgia.<br />

Wright went on to study voice <strong>at</strong> Georgia<br />

St<strong>at</strong>e University in Atlanta. Her debut<br />

album, Salt, introduced Wright as both<br />

an accomplished songwriter <strong>and</strong> an<br />

effortlessly magnetic performer. Salt<br />

won intern<strong>at</strong>ional acclaim <strong>and</strong> was<br />

praised by The New York Times’ Stephen<br />

Holden. Dreaming Wide Awake <strong>and</strong> The<br />

Orchard followed, reaching the top of<br />

the Billboard Contemporary Jazz chart.<br />

Wright’s newest recording, Fellowship,<br />

continues her genre-defying journey by<br />

nodding to her roots in gospel on the<br />

one h<strong>and</strong> <strong>and</strong> her gospel of eclecticism<br />

on the other.<br />

Priscilla Baskerville is a vers<strong>at</strong>ile dram<strong>at</strong>ic<br />

soprano whose repertoire reaches from<br />

Wagner to Puccini. She has appeared in<br />

leading opera houses in North America<br />

<strong>and</strong> around the world including the<br />

Metropolitan Opera, where she has<br />

performed the title roles in Verdi’s<br />

Aida, Gershwin’s Porgy <strong>and</strong> Bess <strong>and</strong><br />

Puccini’s La Bohème. Baskerville can<br />

be seen singing the hauntingly beautiful<br />

“Creole Love Call” of Duke Ellington<br />

in the film The Cotton Club. She can<br />

also be heard on the original cast<br />

recordings of Broadway’s Sophistic<strong>at</strong>ed<br />

Ladies, Davis’ The Life <strong>and</strong> Times of<br />

Malcolm X <strong>and</strong> The Cotton Club motion<br />

picture soundtrack.<br />

<strong>Dance</strong> The<strong>at</strong>re of Harlem School is a ballet<br />

company <strong>and</strong> school of the allied arts<br />

founded in Harlem, New York in 1969<br />

by Arthur Mitchell <strong>and</strong> Karel Shook. The<br />

<strong>Dance</strong> The<strong>at</strong>re of Harlem is renowned<br />

for being both the first black classical<br />

ballet company <strong>and</strong> the first major ballet<br />

company to prioritize black dancers.<br />

Robert Garl<strong>and</strong> (Choreographer) was the<br />

Director <strong>and</strong> Resident Choreographer<br />

of the <strong>Dance</strong> The<strong>at</strong>re of Harlem School.<br />

He has instructed for the Alvin Ailey<br />

American <strong>Dance</strong> The<strong>at</strong>er <strong>and</strong> the<br />

Kennedy Center – <strong>Dance</strong> The<strong>at</strong>re of<br />

December 2013<br />

njpac.org XI

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